In the last fifty years the field of Late Antiquity has advanced significantly. Today we have a picture of this period that is more precise and accurate than before. However, the study of one of the most significant texts of this age, Boethius' Consolation of Philosophy, has not benefited enough from these advances in scholarship. Antonio Donato aims to fill this gap by investigating how the study of the Consolation can profit from the knowledge of Boethius' cultural, political and social background that is available today. The book focuses on three topics: Boethius' social/political background, his notion of philosophy and its sources, and his understanding of the relation between Christianity and classical culture. These topics deal with issues that are of crucial importance for the exegesis of the Consolation. The study of Boethius' social/political background allows us to gain a better understanding of the identity of the character Boethius and to recognize his role in the Consolation. Examination of the possible sources of Boethius' notion of philosophy and of their influence on the Consolation offers valuable instruments to evaluate the role of the text's philosophical discussions and their relation to its literary features. Finally, the long-standing problem of the lack of overt Christian elements in the Consolation can be enlightened by considering how Boethius relies on a peculiar understanding of philosophy's goal and its relation to Christianity that was common among some of his predecessors and contemporaries.

Of the great philosophers of pagan antiquity, Marcus Tullius Cicero is the only one whose ideas were continuously accessible to the Christian West following the collapse of the Roman Empire. Yet, in marked contrast with other ancient philosophers, Cicero has largely been written out of the historical narrative on early European political thought, and the reception of his ideas has barely been studied. The Bonds of Humanity corrects this glaring oversight, arguing that the influence of Cicero's ideas in medieval and early modern Europe was far more pervasive than previously believed. In this book, Cary J. Nederman presents a persuasive counternarrative to the widely accepted belief in the dominance of Aristotelian thought. Surveying the work of a diverse range of thinkers from the twelfth to the sixteenth century, including John of Salisbury, Brunetto Latini, Marsiglio of Padua, Christine de Pizan, and Bartolome de Las Casas, Nederman shows that these men and women inherited, deployed, and adapted key Ciceronian themes. He argues that the rise of scholastic Aristotelianism in the thirteenth century did not supplant but rather supplemented and bolstered Ciceronian ideas, and he identifies the character and limits of Ciceronianism that distinguish it from other schools of philosophy. Highly original and compelling, this paradigm-shifting book will be greeted enthusiastically by students and scholars of early European political thought and intellectual history, particularly those engaged in the conversation about the role played by ancient and early Christian ideas in shaping the theories of later times.

The Roman de la rose in its Philosophical Context offers a new interpretation of the long and complex medieval allegorical poem written by Guillaume de Lorris and Jean de Meun in the thirteenth century, a work that became one of the most influential works of vernacular literature in the European Middle Ages. The scope and sophistication of the poem's content, especially in Jean's continuation, has long been acknowledged, but this is the first book-length study to offer an in-depth analysis of how the Rose draws on, and engages with, medieval philosophy, in particular with the Aristotelianism that dominated universities in the thirteenth century. It considers the limitations and possibilities of approaching ideas through the medium of poetic fiction, whose lies paradoxically promise truth and whose ambiguities and self-contradiction make it hard to discern its positions. This indeterminacy allows poetry to investigate the world and the self in ways not available to texts produced in the Scholastic context of universities, especially those of the University of Paris, whose philosophical controversies in the 1270s form the backdrop against which the poem is analysed. At the heart of the Rose are the three ideas of art, nature, and ethics, which cluster around its central subject: love. While the book offers larger claims about the Rose's philosophical agenda, different chapters consider the specifics of how it draws on, and responds to, Roman poetry, twelfth-century Neoplatonism, and thirteenth-century Aristotelianism in broaching questions about desire, epistemology, human nature, the imagination, primitivism, the philosophy of art, and the ethics of money.

Using new and cutting-edge perspectives, this book explores literary criticism and the reception of Aristotle's Poetics in early modern Italy. Written by leading international scholars, the chapters examine the current state of the field and set out new directions for future study. The reception of classical texts of literary criticism, such as Horace's Ars Poetica, Longinus's On the Sublime, and most importantly, Aristotle's Poetics was a crucial part of the intellectual culture of Renaissance Italy. Revisiting the translations, commentaries, lectures, and polemic treatises produced, the contributors apply new interdisciplinary methods from book history, translation studies, history of the emotions and classical reception to them. Placing several early modern Italian poetic texts in dialogue with twentieth-century literary theory for the first time, The Reception of Aristotle's Poetics in the Italian Renaissance and Beyond models contemporary practice and maps out avenues for future study.

Boethius's Consolation of Philosophy, written in Latin around 525 A.D., was to become one of the most influential literary texts of the Middle Ages. The Old English prose translation and adaptation which was produced around 900 and claims to be by King Alfred was one of the earliest signs of its importance and use, and the subsequent rewriting of parts as verse show an interest in rivalling the literary shape of the Latin original. The many changes and additions have much to tell us about Anglo-Saxon interests and scholarship in the Alfredian period. This new edition is the first to present the second prose-and-verse version of the Old English text, and allows it to be read alongside the original prose version, for which this is the first edition for over a century, and the introduction and commentary reveal much about the history of the text and its composition.
The edition contains critical texts of both versions; a translation; a full introduction examining the manuscripts, the composition of the prose text and of the subsequent verse, the language, the authorship and date of the two versions, the relationship to other texts of the period and later uses of it, and the nature and purpose of the work; a detailed commentary exploring the relationship to the Latin text and to the early medieval commentary tradition; textual notes; and a glossary.

Oxford Studies in Medieval Philosophy showcases the best scholarly research in this flourishing field. The series covers all aspects of medieval philosophy, including the Latin, Arabic, and Hebrew traditions, and runs from the end of antiquity into the Renaissance. It publishes new work by leading scholars in the field, and combines historical scholarship with philosophical acuteness. The papers will address a wide range of topics, from political philosophy to ethics, and logic to metaphysics. OSMP is an essential resource for anyone working in the area.

Drawing on Arabic passages from Ibn Gabirol's original Fons Vitae text, and highlighting philosophical insights from his Hebrew poetry, Sarah Pessin develops a 'theology of desire' at the heart of Ibn Gabirol's eleventh-century cosmo-ontology. She challenges centuries of received scholarship on his work, including his so-called Doctrine of Divine Will. Pessin rejects voluntarist readings of the Fons Vitae as opposing divine emanation. She also emphasizes pseudo-Empedoclean notions of 'divine desire' and 'grounding element' alongside Ibn Gabirol's use of a particularly Neoplatonic method with apophatic (and what she terms 'doubly apophatic') implications. In this way, Pessin reads claims about matter and God as insights about love, desire, and the receptive, dependent and fragile nature of human beings. Pessin reenvisions the entire spirit of Ibn Gabirol's philosophy, moving us from a set of doctrines to a fluid inquiry into the nature of God and human being - and the bond between God and human being in desire.

Thomas Williams presents the most extensive collection of John Duns Scotus's work on ethics and moral psychology available in English. John Duns Scotus: Selected Writings on Ethics includes extended discussions-and as far as possible, complete questions-on divine and human freedom, the moral attributes of God, the relationship between will and intellect, moral and intellectual virtue, practical reasoning, charity, the metaphysics of goodness and rightness, the various acts, affections, and passions of the will, justice, the natural law, sin, marriage and divorce, the justification for private property, and lying and perjury. Relying on the recently completed critical edition of the Ordinatio and other critically edited texts, this collection presents the most reliable and up-to-date versions of Scotus's work in an accessible and philosophically informed translation.

The enigmatic sixteenth-century Swiss physician and natural philosopher Philippus Aureolus Theophrastus Bombastus von Hohenheim, called Paracelsus, is known for the almost superhuman energy with which he produced his innumerable writings, for his remarkable achievements in the development of science, and for his reputation as a visionary (not to mention sorcerer) and alchemist. Little is known of his biography beyond his legendary achievements, and the details of his life have been filled in over the centuries by his admirers. This richly illustrated anthology presents in modernized language a selection of the moral thought of a man who was not only a self-willed genius charged with the dynamism of an impetuous and turbulent age but also in many ways a humble seeker after truth, who deeply influenced C. G. Jung and his followers.

The Trinitarian Christology of St Thomas Aquinas brings to light the Trinitarian riches in Thomas Aquinas's Christology. Dominic Legge, O.P, disproves Karl Rahner's assertion that Aquinas divorces the study of Christ from the Trinity, by offering a stimulating re-reading of Aquinas on his own terms, as a profound theologian of the Trinitarian mystery of God as manifested in and through Christ. Legge highlights that, for Aquinas, Christology is intrinsically Trinitarian, in its origin and its principles, its structure, and its role in the dispensation of salvation. He investigates the Trinitarian shape of the incarnation itself: the visible mission of the Son, sent by the Father, implicating the invisible mission of the Holy Spirit to his assumed human nature. For Aquinas, Christ's humanity, at its deepest foundations, incarnates the very personal being of the divine Son and Word of the Father, and hence every action of Christ reveals the Father, is from the Father, and leads back to the Father. This study also uncovers a remarkable Spirit Christology in Aquinas: Christ as man stands in need of the Spirit's anointing to carry out his saving work; his supernatural human knowledge is dependent on the Spirit's gift; and it is the Spirit who moves and guides him in every action, from Nazareth to Golgotha.

The closely related problems of creativity and freedom have long been seen as emblematic of the Renaissance. Ullrich Langer, however, argues that French and Italian Renaissance literature can be profitably reconceived in terms of the way these problems are treated in late medieval scholasticism in general and nominalist theology in particular. Looking at a subject that is relatively unexplored by literary critics, Langer introduces the reader to some basic features of nominalist theology and uses these to focus on what we find to be "modern" in French and Italian literature of the fifteenth and sixteenth centuries. Langer demonstrates that this literature, often in its most interesting moments, represents freedom from constraint in the figures of the poet and the reader and in the fictional world itself. In Langer's view, nominalist theology provides a set of concepts that helps us understand the intellectual context of that freedom: God, the secular sovereign, and the poet are similarly absolved of external necessity in their relationships to their worlds. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this portrait of the flamboyant Milanese courtier Francesco Filelfo (1398-1481), Diana Robin reveals a fifteenth-century humanism different from the cool, elegant classicism of Medicean Florence and patrician Venice. Although Filelfo served such heads of state as Pope Pius II, Cosimo de' Medici, and Francesco Sforza, his humanism was that of the "other"--the marginalized, exilic writer, whose extraordinary mind yet obscure origins made him a misfit at court. Through an exploration of Filelfo's disturbing montages in his letters and poems--of such events as the Milanese revolution of 1447 and the plague that swept Lombardy in 1451--Robin exposes the extent to which Filelfo, once viewed as an apologist for his patrons, criticized their militarism, sham republicanism, and professions of Christian piety. This study includes an examination of Filelfo's deeply layered references to Horace, Livy, Vergil, and Petrarch, as well as a comparison of Filelfo to other fifteenth-century Lombard writers, such as Cristoforo da Soldo, Pier Candido Decembrio, and Giovanni Simonetta. Here Robin presents her own editions of selections from Filelfo's Epistolae Familiares, Sforziad, Odae, and De Morali Disciplina, many of these texts appearing for the first time since the Renaissance. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Hans Baron's Crisis of the Early Italian Renaissance is widely considered one of the most important works in Italian Renaissance studies. Princeton University Press published this seminal book in 1955. Now the Press makes available a two-volume collection of eighteen of Professor Baron's essays, most of them thoroughly revised, unpublished, or presented in English for the first time. Spanning the larger part of his career, they provide a continuation of, and complement to, the earlier book. The essays demonstrate that, contemporaneously with the revolution in art, modern humanistic thought developed in the city-state climate of early Renaissance Florence to a far greater extent than has generally been assumed. The publication of these volumes is a major scholarly event: a reinforcement and amplification of the author's conception of civic Humanism. The book includes studies of medieval antecedents and special studies of Petrarch, Leonardo Bruni, and Leon Battista Alberti. It offers a thoroughly re-conceived profile of Machiavelli, drawn against the background of civic Humanism, as well as essays presenting evidence that French and English Humanism of the sixteenth and seventeenth centuries was closely tied to Italian civic thought of the fifteenth. The work culminates in a reassessment of Jacob Burckhardt's pioneering thought on the Renaissance. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Quello delle sostanze corporee e degli animali e uno dei temi ricorrenti nella storiografia leibniziana degli ultimi anni: l'intento di questo lavoro e di estendere l'indagine anche alla botanica. L'interesse di Leibniz per lo studio del mondo vegetale e attestato da numerosi scritti, anche inediti, come le lettere di Leibniz al matematico R. C. Wagner, di cui si presenta in Appendice la trascrizione dell'originale in lingua latina. Tenendo sullo sfondo i principali sviluppi della botanica dell'epoca, la trattazione verte su due temi: l'evoluzione nel pensiero leibniziano del concetto di macchina naturale, dagli anni degli scritti di fisiologia agli sviluppi piu maturi, e il confronto tra Leibniz e Locke sulla botanica sistematica e sui problemi teorici ad essa connessi.

In diesem Band werden die beiden Diskurse zur Zivilisationskritik von Jean-Jacques Rousseau nah am Text und in einzelnen Schritten kommentiert. Rousseaus These lautet, dass sich der Mensch durch die technisch-wissenschaftlichen Fortschritte zunehmend von der eigenen Natur entfremdet und dadurch pervertiert. Das Beispiel dieses Autors zeigt, wie bereits wahrend der Epoche der Aufklarung die kritische Reflexion der modernen Zivilisation beginnt."

Sarah Hutton presents a rich historical study of one of the most fertile periods in modern philosophy. It was in the seventeenth century that Britain's first philosophers of international stature and lasting influence emerged. Its most famous names, Hobbes and Locke, rank alongside the greatest names in the European philosophical canon. Bacon too belongs with this constellation of great thinkers, although his status as a philosopher tends to be obscured by his status as father of modern science. The seventeenth century is normally regarded as the dawn of modernity following the breakdown of the Aristotelian synthesis which had dominated intellectual life since the middle ages. In this period of transformational change, Bacon, Hobbes, Locke are acknowledged to have contributed significantly to the shape of European philosophy from their own time to the present day. But these figures did not work in isolation. Sarah Hutton places them in their intellectual context, including the social, political and religious conditions in which philosophy was practised. She treats seventeenth-century philosophy as an ongoing conversation: like all conversations, some voices will dominate, some will be more persuasive than others and there will be enormous variations in tone from the polite to polemical, matter-of-fact, intemperate. The conversation model allows voices to be heard which would otherwise be discounted. Hutton shows the importance of figures normally regarded as 'minor' players in philosophy (e.g. Herbert of Cherbury, Cudworth, More, Burthogge, Norris, Toland) as well as others who have been completely overlooked, notably female philosophers. Crucially, instead of emphasizing the break between seventeenth-century philosophy and its past, the conversation model makes it possible to trace continuities between the Renaissance and seventeenth century, across the seventeenth century and into the eighteenth century, while at the same time acknowledging the major changes which occurred.

This book is the first complete English translation of Hasdai Crescas's Light of the Lord, widely acknowledged as a seminal work of medieval Jewish philosophy, one second in importance only to Maimonides' Guide of the Perplexed. In it Crescas takes on not only Maimonides but, through him, Aristotle, and challenges views of physics and metaphysics that had become entrenched in medieval thought. Once the Aristotelian underpinnings of medieval thought are dislodged, Crescas introduces alternative physical views and reinstates the classical Jewish God as a God of love and benefaction rather than a self-intellecting intellect. The end for humankind then is to become attached in love to the God of love through devoted service.

Machiavelli uncovers the productive function of social conflict in establishing a new idea of popular power and its legal institutions whose function is to relativize the command of the state and check the abuses of the privileged groups in society. Henceforth, every legitimate form of government must at the same time be inscribed with its immanent critique and imminent subversion: The possibility of political form is conditioned by the possibility of changing it in an event of political revolution. The book argues that Machiavelli's new understanding of political freedom presupposes a revolutionary change in the way that history is conceived. Machiavelli changes the paradigm of action from the classical idea that virtue means acting in correspondence to what the times demand to a modern idea of virtue wherein acting means going against the times in order to effect a radical new beginning. In so doing, Machiavelli becomes the first political philosopher of the event.

Die Autorin bietet in ihren einfuhrenden philosophischen Reflexionen eine Auswahl an klassischen und modernen Themen der AEsthetik: Dialektik der Aufklarung, Kunst nahe am Verstummen, Begriffsgeschichte des Schoenen und andere. In zehn Kapiteln werden Zitate durch kommentierende Abschnitte verbunden. Dabei geht das Buch nicht fortlaufend argumentierend vor, sondern prasentiert sich vielmehr als Collage. Jedem Kapitel ist ein literarisches Motto vorangestellt. Es soll den Gefuhlsraum zeigen, in dem sich AEsthetik dann bewegt. Gegenwartige Kunst als kritische Instanz verweist auf die Autonomie der AEsthetik, die stets Tendenzen abwehren muss, welche sie einzuschranken oder gar zu vernichten drohen: dies waren und sind hauptsachlich autoritar-politische Vereinnahmungen.