This is a sequel to two highly successful collections of short songs ("Come All You People" and "There Is One Among Us") for use in worship. Here the net is thrown wider with material from AIDs-ridden communities in the developing world side by side with recent products from the Wild Goose Resource Group. It is an ideal collection for small choirs, social justice enthusiasts, multiculturalists and all who regard themselves a global Christian.

Reflections on searching and longing on the journey through life In his 13 years as Vicar, David Adam welcomed over 1 million people to the Holy Island of Lindisfarne. These pilgrims reflected every mood and attitude to life. Some radiated a presence, others were too busy to stop. Many were collectors of holy places as some would collect stamps! Some were awestruck at what was around them, others closeted themselves in and never saw the Island. All had something to teach. As David Adam tells their stories, he reveals the inner searching and longing common to us all, and helps us reflect on how we personally are dealing with our journey through life.

This essay collection celebrates the richness of Christian musical tradition across its two thousand year history and across the globe. Opening with a consideration of the fourth-century lamp-lighting hymn Phos hilaron and closing with reflections on contemporary efforts of Ghanaian composers to create Christian worship music in African idioms, the ten contributors engage with a broad ecumenical array of sacred music. Topics encompass Roman Catholic sacred music in medieval and Renaissance Europe, German Lutheran song in the eighteenth century, English hymnody in colonial America, Methodist hymnody adopted by Southern Baptists in the nineteenth century, and Genevan psalmody adapted to respond to the post-war tribulations of the Hungarian Reformed Church. The scope of the volume is further diversified by the inclusion of contemporary Christian topics that address the evangelical methods of a unique Orthodox Christian composer's language, the shared aims and methods of African-American preaching and gospel music, and the affective didactic power of American evangelical "praise and worship" music. New material on several key composers, including Jacob Obrecht, J.S. Bach, George Philipp Telemann, C.P.E. Bach, Zoltan Kodaly, and Arvo Part, appears within the book. Taken together, these essays embrace a stimulating variety of interdisciplinary analytical and methodological approaches, drawing on cultural, literary critical, theological, ritual, ethnographical, and media studies. The collection contributes to discussions of spirituality in music and, in particular, to the unifying aspects of Christian sacred music across time, space, and faith traditions. This collection celebrates the fifteenth anniversary of the Society for Christian Scholarship in Music.