A study of the history and of the publications of the Alcuin Club during the first 90 years of its existence.

This is a collection of psalms, songs, declarations and other worship expressions with the Lord that stir the heart of the Bride for the King. Many have asked me over the years, "When do you think He is coming?" The Lord spoke to my heart, "Watch the Bride! For she is a mere reflection of the King and the closer He is to her the more Glorious she shall become! Watch the Bride!" Allow these poetic ponderings to sweep you away in holy preparation for a personal encounter and visitation with the King Himself! Allow your heart to be awakened to the passionate longing for your king for you! Celebrate as the remnant bride who is long for more...the kiss...the embrace...the dance...Come away with me.

The early modern era is often envisioned as one in which European genres, both narrative and visual, diverged indelibly from those of medieval times. This collection examines a disparate set of travel texts, dating from the thirteenth to the seventeenth centuries, to question that divergence and to assess the modes, themes, and ethnologies of travel writing. It demonstrates the enduring nature of the itinerary, the variant forms of witnessing (including imaginary maps), the crafting of sacred space as a cautionary tale, and the use of the travel narrative to represent the transformation of the authorial self. Focusing on European travelers to the expansive East, from the soft architecture of Timur's tent palaces in Samarqand to the ambiguities of sexual identity at the Mughul court, these essays reveal the possibilities for cultural translation as travelers of varying experience and attitude confront remote and foreign (or not so foreign) space.