The contributors to this volume address the key institutions of the first and second Church, considering the development of rituals and sacraments, and the development of Church leadership, and of the Church itself. The first part of the book looks at the offices of the Church - the Apostolate and the development of other religious authorities - as well as the notion of Apostolic Tradition. The second part looks at the sacraments, with in-depth consideration of the Eucharist, and of Baptismal texts from the early Church. The essays are of interest to scholars researching the development of the early Church and of Church rituals and practices.

Baptism for the early Christians was a subject of crucial importance, and its symbolism fired the imagination of writers throughout the Christian world. Arator, the Roman sub-deacon who wrote a verse-commentary on the Acts of the Apostles in A.D. 544, was no exception. The Historia Apostolica is a work of historical importance. Written at a time of crisis, politically and theologically, it is of interest as propaganda for a papacy under threat from Constantinople. But Arator's concentration on baptismal themes offers vital evidence of the transmission of exegetical ideas in late antiquity. This book is the first major work on Arator in English and the first ever to study the Historia Apostolica as biblical commentary. Passages of particular baptismal importance are presented both in the original Latin and in a new translation, and are considered in the context of the writings of earlier Christian commentators. Hillier's study is a wide-ranging study of the popularity and potency of baptismal symbolism in the first six centuries A.D.

This time tested, biblically based, Christ centered program, gaurantees church growth within 30 days! This soul winning strategy requires only 15 minutes each week. It will work for every church with every culture. This strategy worked sucessfully with the lower class in the Detroit area. We have had success with the islanders of the Caribbean, good success was achieved with the middle class of Louisiana, and Aborignals of Australia. In addition, the good news is it will work for you!

Deep emotions pervade our human lives and ongoing moods echo them. Religious traditions often shape these and give devotees a sense of identity in a hopeful and meaningful life despite the conflicts, confusion, pain and grief of existence. Driven by anthropological and sociological perspectives, Douglas J. Davies describes and analyses these dynamic tensions and life opportunities as they are worked out in ritual, music, theology, and the allure of sacred places. Davies brings some newer concepts to these familiar ideas, such as 'the humility response' and 'moral-somatic' processes, revealing how our sense of ourselves responds to how we are treated by others as when injustice makes us 'feel sick' or religious ideas of grace prompt joyfulness. This sense of embodied identity is shown to be influenced not only by 'reciprocity' in the many forms of exchange, gifts, merit, and actions of others, but also by a certain sense of 'otherness, whether in God, ancestors, supernatural forces or even a certain awareness of ourselves. Drawing from psychological studies of how our thinking processes engage with the worlds around us we see how difficult it is to separate out 'religious' activity from many other aspects of human response to our environment. Throughout these pages many examples are taken from the well-known religions of the world as well as from local and secular traditions.

Some early Christians used water, not wine, in the cup of their Eucharist, and avoided eating meat. This kind of avoidance, more common than previously imagined, reflected a more radical stance towards the wider society than that taken by the Christian mainstream. The discussion here throws new light on early Christianity and the ways eating and drinking have often reflected deeply-held beliefs and values.

Margot E. Fassler's richly documented history-winner of the Otto Kinkeldey Award from the American Musicological Society and the John Nicholas Brown Prize from the Medieval Academy of America-demonstrates how the Augustinians of St. Victor, Paris, used an art of memory to build sonic models of the church. This musical art developed over time, inspired by the religious ideals of Hugh and Richard of St. Victor and their understandings of image and the spiritual journey. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris demonstrates the centrality of sequences to western medieval Christian liturgical and artistic experience, and to our understanding of change and continuity in medieval culture. Fassler examines the figure of Adam of St. Victor and the possible layers within the repertories created at various churches in Paris, probes the ways the Victorine sequences worked musically and exegetically, and situates this repertory within the intellectual and spiritual ideals of the Augustinian canons regular, especially those of the Abbey of St. Victor. Originally published in hardover in 1993, this paperback edition includes a new introduction by Fassler, in which she reviews the state of scholarship on late sequences since the original publication of Gothic Song. Her notes to the introduction provide the bibliography necessary for situating the Victorine sequences, and the late sequences in general, in contemporary thought.

In life he was larger than life. He made an immediate and memorable impact on those he met and with whom he worked. He was incredibly industrious in all his teaching, speaking, lecturing, composing, and above all in his writing. In the time others would take to think through the possibility of authoring a book, Erik would have gone to his longsuffering and slightly dyslexic typewriter and completed the manuscript. Gathering with his family at Westminster Abbey for his memorial service, the idea of a random collection of essays or a series of personal anecdotes was discarded by the editors. To appropriately honor this substantial life, something more systematic was required. Thus the idea for this volume was born. Each of the contributors, who has benefited in some way from his friendship, teaching and writing, has examined an area or a subject in which Erik Rowley has made his mark. Significantly, it has taken seventeen authors to cover some of the ground where his footprints are still fresh and the clarity of his voice still rings.

'Every believer in Jesus Christ deserves the opportunity of personal nurture and development.' says LeRoy Eims. But all too often the opportunity isn't there. We neglect the young Christian in our whirl of programs, church services, and fellowship groups. And we neglect to raise up workers and leaders who can disciple young believers into mature and fruitful Christians. In simple, practical, and biblical terms, LeRoy Eims revives the lost art of disciple making. He explains: - How the early church discipled new Christians - How to meet the basic needs of a growing Christian - How to spot and train potential workers - How to develop mature, godly leaders 'True growth takes time and tears and love and patience, ' Eims states. There is no instant maturity. This book examines the growth process in the life of a Christian and considers what nurture and guidance it takes to develop spiritually qualified workers in the church

An instant classic of contemporary spirituality, bringing together an engaging introduction to the Christian contemplative tradition for people inside or on the margins of the churches who feel drawn to the world of silent prayer. Martin Laird shows how silence and meditation can offer a remedy to many contemporary dilemmas and emotional struggles. Writing with great clarity, depth and authority, Laird examines the meditative methods and traditions found within contemplative prayer. He also explores the role of breath and awareness in the spiritual life, which, while usually associated with Buddhism, is also an ancient concern of Christian thinkers. Into the Silent Land brings together scholarship, pastoral practice and the author's own personal experience. It offers new insights for the student but is especially intended for the non-specialist reader who feels drawn to the world of silent prayer and is looking to the Christian contemplative tradition for inspiration and guidance.

When the story of modernity is told from a theological perspective, music is routinely ignored - despite its pervasiveness in modern culture and the manifold ways it has been intertwined with modernity's ambivalent relation to the Christian God. In conversation with musicologists and music theorists, in this collection of essays Jeremy Begbie aims to show that the practices of music and the discourses it has generated bear their own kind of witness to some of the pivotal theological currents and counter-currents shaping modernity. Music has been deeply affected by these currents and in some cases may have played a part in generating them. In addition, Begbie argues that music is capable of yielding highly effective ways of addressing and moving beyond some of the more intractable theological problems and dilemmas which modernity has bequeathed to us. Music, Modernity, and God includes studies of Calvin, Luther and Bach, an exposition of the intriguing tussle between Rousseau and the composer Rameau, and an account of the heady exaltation of music to be found in the early German Romantics. Particular attention is paid to the complex relations between music and language, and the ways in which theology, a discipline involving language at its heart, can come to terms with practices like music, practices which are coherent and meaningful but which in many respects do not operate in language-like ways.

What is the right way to worship? Right worship does not require a return to the identical forms found in the early church or later in Rome or after that in Westminster. What it calls for is a faithful response today to the God of our salvation in light of those biblically ordered and historically informed patterns. In this study Robbie Castleman uncovers the fundamental shape of worship. What she finds--outlined in Scripture, enacted in Israel, refocused in the New Testament community, guarded by the apostolic fathers, and recovered in the Reformation--is a grand narrative of redemption offering order and meaning to all worshiping communities down to the present day.