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Books > Religion & Spirituality > Christianity > Christian worship > General
The contributors to this volume address the key institutions of the
first and second Church, considering the development of rituals and
sacraments, and the development of Church leadership, and of the
Church itself. The first part of the book looks at the offices of
the Church - the Apostolate and the development of other religious
authorities - as well as the notion of Apostolic Tradition. The
second part looks at the sacraments, with in-depth consideration of
the Eucharist, and of Baptismal texts from the early Church. The
essays are of interest to scholars researching the development of
the early Church and of Church rituals and practices.
Baptism for the early Christians was a subject of crucial
importance, and its symbolism fired the imagination of writers
throughout the Christian world. Arator, the Roman sub-deacon who
wrote a verse-commentary on the Acts of the Apostles in A.D. 544,
was no exception. The Historia Apostolica is a work of historical
importance. Written at a time of crisis, politically and
theologically, it is of interest as propaganda for a papacy under
threat from Constantinople. But Arator's concentration on baptismal
themes offers vital evidence of the transmission of exegetical
ideas in late antiquity. This book is the first major work on
Arator in English and the first ever to study the Historia
Apostolica as biblical commentary. Passages of particular baptismal
importance are presented both in the original Latin and in a new
translation, and are considered in the context of the writings of
earlier Christian commentators. Hillier's study is a wide-ranging
study of the popularity and potency of baptismal symbolism in the
first six centuries A.D.
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Deep emotions pervade our human lives and ongoing moods echo them.
Religious traditions often shape these and give devotees a sense of
identity in a hopeful and meaningful life despite the conflicts,
confusion, pain and grief of existence. Driven by anthropological
and sociological perspectives, Douglas J. Davies describes and
analyses these dynamic tensions and life opportunities as they are
worked out in ritual, music, theology, and the allure of sacred
places. Davies brings some newer concepts to these familiar ideas,
such as 'the humility response' and 'moral-somatic' processes,
revealing how our sense of ourselves responds to how we are treated
by others as when injustice makes us 'feel sick' or religious ideas
of grace prompt joyfulness. This sense of embodied identity is
shown to be influenced not only by 'reciprocity' in the many forms
of exchange, gifts, merit, and actions of others, but also by a
certain sense of 'otherness, whether in God, ancestors,
supernatural forces or even a certain awareness of ourselves.
Drawing from psychological studies of how our thinking processes
engage with the worlds around us we see how difficult it is to
separate out 'religious' activity from many other aspects of human
response to our environment. Throughout these pages many examples
are taken from the well-known religions of the world as well as
from local and secular traditions.
'Every believer in Jesus Christ deserves the opportunity of
personal nurture and development.' says LeRoy Eims. But all too
often the opportunity isn't there. We neglect the young Christian
in our whirl of programs, church services, and fellowship groups.
And we neglect to raise up workers and leaders who can disciple
young believers into mature and fruitful Christians. In simple,
practical, and biblical terms, LeRoy Eims revives the lost art of
disciple making. He explains: - How the early church discipled new
Christians - How to meet the basic needs of a growing Christian -
How to spot and train potential workers - How to develop mature,
godly leaders 'True growth takes time and tears and love and
patience, ' Eims states. There is no instant maturity. This book
examines the growth process in the life of a Christian and
considers what nurture and guidance it takes to develop spiritually
qualified workers in the church
Some early Christians used water, not wine, in the cup of their Eucharist, and avoided eating meat. This kind of avoidance, more common than previously imagined, reflected a more radical stance towards the wider society than that taken by the Christian mainstream. The discussion here throws new light on early Christianity and the ways eating and drinking have often reflected deeply-held beliefs and values.
Margot E. Fassler's richly documented history-winner of the Otto
Kinkeldey Award from the American Musicological Society and the
John Nicholas Brown Prize from the Medieval Academy of
America-demonstrates how the Augustinians of St. Victor, Paris,
used an art of memory to build sonic models of the church. This
musical art developed over time, inspired by the religious ideals
of Hugh and Richard of St. Victor and their understandings of image
and the spiritual journey. Gothic Song: Victorine Sequences and
Augustinian Reform in Twelfth-Century Paris demonstrates the
centrality of sequences to western medieval Christian liturgical
and artistic experience, and to our understanding of change and
continuity in medieval culture. Fassler examines the figure of Adam
of St. Victor and the possible layers within the repertories
created at various churches in Paris, probes the ways the Victorine
sequences worked musically and exegetically, and situates this
repertory within the intellectual and spiritual ideals of the
Augustinian canons regular, especially those of the Abbey of St.
Victor. Originally published in hardover in 1993, this paperback
edition includes a new introduction by Fassler, in which she
reviews the state of scholarship on late sequences since the
original publication of Gothic Song. Her notes to the introduction
provide the bibliography necessary for situating the Victorine
sequences, and the late sequences in general, in contemporary
thought.
In life he was larger than life. He made an immediate and memorable
impact on those he met and with whom he worked. He was incredibly
industrious in all his teaching, speaking, lecturing, composing,
and above all in his writing. In the time others would take to
think through the possibility of authoring a book, Erik would have
gone to his longsuffering and slightly dyslexic typewriter and
completed the manuscript. Gathering with his family at Westminster
Abbey for his memorial service, the idea of a random collection of
essays or a series of personal anecdotes was discarded by the
editors. To appropriately honor this substantial life, something
more systematic was required. Thus the idea for this volume was
born. Each of the contributors, who has benefited in some way from
his friendship, teaching and writing, has examined an area or a
subject in which Erik Rowley has made his mark. Significantly, it
has taken seventeen authors to cover some of the ground where his
footprints are still fresh and the clarity of his voice still
rings.
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Thorn
(Hardcover)
Heather Clauson Ed D, John Grebe; Illustrated by Emma Chandler
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R533
Discovery Miles 5 330
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When the story of modernity is told from a theological perspective,
music is routinely ignored - despite its pervasiveness in modern
culture and the manifold ways it has been intertwined with
modernity's ambivalent relation to the Christian God. In
conversation with musicologists and music theorists, in this
collection of essays Jeremy Begbie aims to show that the practices
of music and the discourses it has generated bear their own kind of
witness to some of the pivotal theological currents and
counter-currents shaping modernity. Music has been deeply affected
by these currents and in some cases may have played a part in
generating them. In addition, Begbie argues that music is capable
of yielding highly effective ways of addressing and moving beyond
some of the more intractable theological problems and dilemmas
which modernity has bequeathed to us. Music, Modernity, and God
includes studies of Calvin, Luther and Bach, an exposition of the
intriguing tussle between Rousseau and the composer Rameau, and an
account of the heady exaltation of music to be found in the early
German Romantics. Particular attention is paid to the complex
relations between music and language, and the ways in which
theology, a discipline involving language at its heart, can come to
terms with practices like music, practices which are coherent and
meaningful but which in many respects do not operate in
language-like ways.
What is the right way to worship? Right worship does not require a
return to the identical forms found in the early church or later in
Rome or after that in Westminster. What it calls for is a faithful
response today to the God of our salvation in light of those
biblically ordered and historically informed patterns. In this
study Robbie Castleman uncovers the fundamental shape of worship.
What she finds--outlined in Scripture, enacted in Israel, refocused
in the New Testament community, guarded by the apostolic fathers,
and recovered in the Reformation--is a grand narrative of
redemption offering order and meaning to all worshiping communities
down to the present day.
An accessible, practical Advent study that guides readers to look
deeper at the meaning of Advent by focusing on a single word and
prayer method each week.
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