The book of Revelation is exciting! Yet, too many today think it to be boring and hard to understand! I think it is just the opposite. If you take the book from a literal perspective, the "unveiling" fits, and it creates a perfect panorama of man's final days. long with the text, I have created a practical application for our lives today. Revelation is relevant, and it permeates the reader with God's last word to mankind.....His Son Jesus Christ! The final invitation alone is worth the time spent to enjoy the "book."

The face of the divine feminine can be found everywhere in Mexico. One of the most striking features of Mexican religious life is the prevalence of images of the Virgin Mother of God. This is partly because the divine feminine played such a prominent role in pre-Hispanic Mexican religion. Goddess images were central to the devotional life of the Aztecs, especially peasants and those living in villages outside the central city of Tenochtitlan (present day Mexico City). In these rural communities fertility and fecundity, more than war rituals and sacrificial tribute, were the main focus of cultic activity. Both Aztec goddesses and the Christian Madonnas who replaced them were associated, and sometimes identified, with nature and the environment: the earth, water, trees and other sources of creativity and vitality. This book uncovers the myths and images of 22 Aztec Goddesses and 28 Christian Madonnas of Mexico. Their rich and symbolic meaning is revealed by placing them in the context of the religious worldviews in which they appear and by situating them within the devotional life of the faithful for whom they function as powerful mediators of divine grace and terror.

Based on the Revised Common Lectionary (RCL), Feasting on the Word Worship Companion: Liturgies for Year C, Volume 2 is an invaluable aid that provides liturgical pieces needed in preparing for worship each week. Written and compiled by a team of eleven ecumenical and seasoned liturgy writers under the creative leadership of Kimberly Bracken Long, this resource offers a multitude of poetic prayers and responsive readings for all parts of worship and is meant to complement existing denominational resources. In addition, the weekly entries include questions for reflection and household prayers for morning and evening that are drawn from the lectionary, allowing churches to include them in their bulletin for parishioners to use throughout the week.

During times of the year when two different tracks of Old Testament texts are offered by the RCL, this resource offers an entire set of materials for each track. Also, a CD-ROM is included with each volume that enables planners to easily cut and paste relevant readings, prayers, and questions into worship bulletins.

Research on pilgrimage has traditionally fallen across a series of academic disciplines - anthropology, archaeology, art history, geography, history and theology. To date, relatively little work has been devoted to the issue of pilgrimage as writing and specifically as a form of travel-writing. The aim of the interdisciplinary essays gathered here is to examine the relations of Christian pilgrimage to the numerous narratives, which it generates and upon which it depends. Authors reveal not only the tensions between oral and written accounts but also the frequent ambiguities of journeys - the possibilities of shifts between secular and sacred forms and accounts of travel. Above all, the papers reveal the self-generating and multiple-authored characteristics of pilgrimage narrative: stories of past pilgrimage experience generate future stories and even future journeys.

Simon Coleman moved to Sussex University in 2004, having spent 11 years at Durham University as Lecturer and then Reader in Anthropology, and Deputy Dean for the Faculty of Social Sciences and Health.

John Elsner is Senior Research Fellow at Corpus Christi College, Oxford.

Ecologies of Resonance in Christian Musicking Rexplores a diverse range of Christian musical activity through the conceptual lens of resonance, a concept rooted in the physical, vibrational, and sonic realm that carries with it an expansive ability to simultaneously describe personal, social, and spiritual realities. In this book, Mark Porter proposes that attention to patterns of back-and-forth interaction that exist in and alongside sonic activity can help to understand the dynamics of religious musicking in new ways and, at the same time, can provide a means for bringing diverse traditions into conversation. The book focuses on different questions arising out of human experience in the moment of worship. What happens if we take the entry point of a human being experiencing certain patterns of (more than) sonic interaction with the world around them as a focus for exploration? What different ecologies of interaction can be encountered? What kinds of patterns can be traced through different Christian worshiping environments? And how do these operate across multiple dimensions of experience? Chapters covering ascetic sounding, noisy congregations, and Internet live-streaming, among others, serve to highlight the diverse ecologies of resonance that surround Christian musicking, suggesting the potential to develop new perspectives on devotional musical activity that focus not primarily on compositions or theological ideals but on changing patterns of interaction across multiple dimensions between individuals, spaces, communities, and God.

My Baptism Book aims to help children understand one of the most important days of a child's life. It is a beautiful personal reminder of this special day and one that a child can return to again and again. It can be used by adults and children together, or in more formal baptism preparation and includes a number of inspiring ideas on ways to use the material creatively. This is an ideal gift for children aged 3+.

The author shows in this book how a parish can incorporate its children into full participation with the worshiping community. Tapping their creativity to design a spectacular array of materials for worship -- a storyteller's cloak, prayer cards, confessions stones, rap sermons, sculpture, and painting -- liturgy comes intensely alive for parishioners of all ages. As Fairless demonstrates, the full participation of children in corporate worship, while not a simple matter, is deeply rewarding. An introduction by Louis Weil, professor at Church Divinity School of the Pacific, provides the theological rationale for the inclusion of all baptized members in the worship life of the community.

Halloween has been referred to as the Devil's holiday, but all 365 1/4 days were created by and belong to Jesus. If Satan usurps even one day it is our Christian duty and responsibility to reclaim and redeem it in the name of our Lord. Are the imaginary ghouls and goblins of Halloween any more wicked than the jolly elf called Santa Claus, or the Easter bunny? Should the Church stop celebrating these holy days, the bookends of our faith, as well?

Instead of battling the spiritual enemy on Halloween, the Church is guilty of crossing swords with one another. We fight among ourselves, not about "how" to celebrate Halloween, but whether it should even be observed. Jesus is more the "reason for the season" on Halloween than He is at Christmas. The Church must realize it is forfeiting Halloween as an opportunity to glorify the Prince of Peace, the One who has given us the victory over the "prince of darkness" and his evil minions. The Way, the Truth and the Life has conquered Death and the grave.

By dressing up in costumes and portraying frightening creatures who at one time caused us to fear and tremble, we are not glorifying Satan. Rather, we are poking fun at the Serpent whose kingdom has been plundered by our Savior, and whose head has been crushed Should we celebrate Halloween? The question is, "How can we not?" "Halloween, Hallowed is Thy" "Name "offers a believer confidence and joy in expressing the greeting "Happy Halloween."