Bread of Life, Cup of Salvation is an invitation to a deeper appreciation for the celebration of the Mass and a greater conviction of its importance for our ordinary living-out of Christian faith in daily life. Taking into account the Catechism of the Catholic Church and the new edition of the General Instruction on the Roman Missal, Fr. John Baldovin, S.J., centers his lucid commentary on the Mass around the most recent official documents and provides an up-to-date survey of the historical development of the Mass from the New Testament to the present. Clear, concise, and accessible, Bread of Life, Cup of Salvation is an informative and powerful reflection on the meaning of the Eucharist for us today. This book responds to questions such as What are the orgins of the Mass? How did the Mass develop into what we know today? Why do we have several readings from Scripture at every Mass? Why do we always read a passage from the Gospels last? Why is the Eucharistic Prayer called the center and highpoint of the celebration of the Eucharist? What difference does it make if communion is distributed from the tabernacle or consecrated at the Mass at which people are receiving? Why do we have more than one Eucharistic Prayer? Is it important that people are offered communion in both kinds-the Body and the Blood of Christ? Why did the Mass get its popular name from the dismissal (missa)? Why was it important to recover the exchange of peace?

These papers are the proceedings of the fourth international Exeter Symposium. They promote enquiry into, and understanding of, the medieval mystics and the cultural context to which they belong. Here, historians, literary critics, theologians, philosophers and bibliographical scholars explore ways in which the contemplative tradition was mediated and perceived in the very early and very late medieval period, and ask fundamental questions about the nature of contemporary understanding of this subject. CONTRIBUTORS: GEORGE R. KEISER, SUE ELLEN HOLBROOK, WILLIAM F. POLLARD, JAMES HOGG, SANDRA MCENTIRE, ANNE SAVAGE, PETER DINZELBACHER, NICHOLAS WATSON, PETER MOORE, ROBERT K. FORMAN

Built into a huge cliff in central France, the town of Rocamadour is a visual marvel and a place of contradictions. Pilgrims come to venerate its ancient Black Madonna but are outnumbered by secular tourists. Weibel provides an intimate look at the transformation of Rocamadour from a significant religious center to a tourist attraction; the efforts by clergy to restore Rocamadour's spiritual character; the supernatural reinterpretations of the shrine by non-Catholics; and the desperate decision by the Diocese to participate in tourism itself, with disastrous results.

This book is a study of the complex nature of colonial and missionary power in Portuguese India. Written as a historical ethnography, it explores the evolving shape of a series of Catholic festivals that took place throughout the duration of Portuguese colonial rule in Goa (1510-1961), and for which the centrepiece was the 'incorrupt' corpse of Sao Francisco Xavier (1506-52), a Spanish Basque Jesuit missionary-turned-saint. Using distinct genres of source materials produced over the long duree of Portuguese colonialism, the book documents the historical and visual transformation of Xavier's corporeal ritualisation in death through six events staged at critical junctures between 1554 and 1961. Xavier's very mutability as a religious, political and cultural symbol in Portuguese India will also suggest his continuing role as a symbol of Goa's shared past (for both Catholics and Hindus) and in shaping Goa's culturally distinct representation within the larger Indian nation-state. -- .

Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book's three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have changed dramatically through Western history, from the patristic period through medieval, Reformation and modern times. A second section examines the role of music in worship, and asks what-if anything-makes a piece of music suitable for religious use. The final part of the book shows how the serious discussion of music opens onto considerations of time, tradition, ontology, anthropology, providence, and the nature of God. A pioneering set of explorations by a distinguished group of international scholars, this book will be of interest to anyone interested in Christianity's long relationship with music, including those working in the fields of theology, musicology, and liturgical studies.

A definitive look at how church music is changing in the 21st century. There is no lack of resources for the church musician focusing on particular skills or repertoire. But this is the first collection of essays created specifically for musicians working in parish ministry that imagines how those vocations will change along with the evolving church. Ponder Anew chronicles the rapid changes in the church music landscape in the last 20 years including the role of technology, education, relationships with clergy and choristers, and cultural presumptions. Contributors are parish musicians, professors, clergy, and bishops.

How do people experience spirituality through what they see, hear, touch, and smell? Sonja Luehrmann and an international group of scholars assess how sensory experience shapes prayer and ritual practice among Eastern Orthodox Christians. Prayer, even when performed privately, is considered as a shared experience and act that links individuals and personal beliefs with a broader, institutional, or imagined faith community. It engages with material, visual, and aural culture including icons, relics, candles, pilgrimage, bells, and architectural spaces. Whether touching upon the use of icons in age of digital and electronic media, the impact of Facebook on prayer in Ethiopia, or the implications of praying using recordings, amplifiers, and loudspeakers, these timely essays present a sophisticated overview of the history of Eastern Orthodox Christianities. Taken as a whole they reveal prayer as a dynamic phenomenon in the devotional and ritual lives of Eastern Orthodox believers across Eastern Europe, the Middle East, North Africa, and South Asia.

Explore with children and for yourself why we celebrate the Eucharist Breaking bread with others is central to our faith. This book is an invitation to learn and wonder about why we worship and celebrate the Holy Eucharist. Although grounded in the Episcopal liturgical tradition, it is an accessible and inviting introduction to worship for children and families of many Christian traditions. While learning what occurs during worship and the Holy Eucharist, readers of all ages will be guided through the sacramental and communal aspects of the celebration and how in the breaking of bread we are called into the world. The beautiful full-color illustrations reflect the diversity of God's people, and a dedication page encourages personalization. A family section offers questions and suggests ways for all ages to engage in worship and family rituals. Reflecting some of the spirit, beauty, and vocabulary of the Episcopal liturgy, this will be a treasured volume for parents, godparents, grandparents, and other important adults in the life of a child who is wondering about worship.

In 1986, the remains of a man dressed as a pilgrim, complete with boots, a stout staf and a cockleshell, were accidentally uncovered in Worcester Cathedral. Who was he? Why had he been accorded burial in this place? What do his grave-goods mean? We can never know for sure, but sufficient evidence exists to suggest that the man was Robert Sutton, a wealthy dyer, and that he had been on the long pilgrimage to Compostela. Using a whole range of resources, Kathering Lack vividly brings to life Sutton's journey across war-torn and plague-ridden medieval Europe to the tomb of St James. Her exhilarating book will be of value not only to those concerned with medieval spirituality, but to the great number of people drawn to pilgrimages old and new. "Everystage of that first day's walk remained for ever etched on his mind. He had travelled this road before, several times, but mounted, as a solidly affluent citizen. Now he was on foot, conspicuously dressed and making such low progress that at times the view hardly changed from one hour to the next." The Cockleshell Pilgrim

The pastoral office has always been a difficult calling. Today, the pastor is often asked to fulfill multiple roles: preacher, teacher, therapist, administrator, CEO. How can pastors thrive amid such demands? What is needed is a contemporary pastoral rule: a pattern for ministry that both encourages pastors and enables them to focus on what is most important in their pastoral task. This book, coauthored by three experts with decades of practical experience, explains how relying on a pastoral rule has benefited communities throughout the church's history and how such rules have functioned in the lives and work of figures such as Augustine, Calvin, Wesley, and Bonhoeffer. It also provides concrete advice on how pastors can develop and keep a rule that will help both them and their congregations to flourish.

It is often claimed that we live in a secular age. But we do not live in a desacralized one. Sacred forms - whether in 'religious' or 'secular' guise - continue to shape social life in the modern world, giving rise to powerful emotions, polarized group identities, and even the very concept of moral society. Analyzing contemporary sacred forms is essential if we are to be able to make sense of the societies we live in and think critically about the effects of the sacred on our lives for good or ill. The Sacred in the Modern World is a major contribution to this task. Re-interpreting Durkheim's theory of the sacred, and drawing on the 'strong program' in cultural sociology, Gordon Lynch sets out a theory of the sacred that can be used by researchers across a range of humanities and social science disciplines. Using vividly drawn contemporary case material - including the abuse and neglect of children in Irish residential schools and the controversy over the BBC's decision not to air an appeal for aid for Gaza - the book demonstrates the value of this theoretical approach for social and cultural analysis. The key role of public media for the circulation and contestation of the sacred comes under close scrutiny. Adopting a critical stance towards sacred forms, Lynch reflects upon the ways in which sacred commitments can both serve as a moral resource for social life and legitimate horrifying acts of collective evil. He concludes by reflecting on how we might live thoughtfully and responsibility under the light and shadow that the sacred casts, asking whether society without the sacred is possible or desirable.

The date of Easter is different every year. Not only does the date change because Easter is always on a Sunday, but also because it's always the date of the first full moon after the spring equinox. That means it can be anytime between March 22 and April 25. Some people have argued that we should fix the date of Easter each year -- to the first or second Sunday in April -- so that school term dates, for example, could be consistent and predictable. This book explores the significance of keeping Easter as a movable festival. Based on his research into the importance of rhythm for human health and wellbeing, physician Walter Buhler demonstrates a profound connection between the complex rhythms of the sun and the moon and the historical events of Christ's death and resurrection. He argues that, in the same way the rhythm of day and night is reflected in waking and sleeping, celebrating Easter on a different date each year reflects the deep connection and harmony between human beings and the rhythms of the cosmos.

The NASB Pew and Worship Bible is perfect for any church pew or classroom and matches page-for-page with the NASB Preacher's Bible. While both Bibles retain their own distinct page layout and font size, they were skillfully designed so that the pages of these two different Bibles begin and end with the same word. This will allow pastors and congregations to literally be on the same page during sermons. Universally recognized as the gold standard among word-for-word translations, the beloved New American Standard Bible, 1995 Edition, is now easier to read with Zondervan's exclusive NASB Comfort Print (R) typeface. Features The full text of the New American Standard Bible, 1995 Edition Matches page-for-page with the NASB Preacher's Bible Premium, durable hardcover binding High-quality paper Double-column, verse-by-verse format Exclusive Zondervan NASB Comfort Print typeface 9-point print size

This is a sequel to two highly successful collections of short songs ("Come All You People" and "There Is One Among Us") for use in worship. Here the net is thrown wider with material from AIDs-ridden communities in the developing world side by side with recent products from the Wild Goose Resource Group. It is an ideal collection for small choirs, social justice enthusiasts, multiculturalists and all who regard themselves a global Christian.

Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media-hymn books and cassette tapes-and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.

This ethnography explores the community of believers in a series of Marian apparitions in rural Emmitsburg, Maryland, asking what it means to call oneself a Catholic and child of Our Lady in this context, what it means to believe in an apparition, and what it means to communicate with divine presence on earth. Believers fashion themselves as devotees of Our Lady in several ways. Through autobiography, they look backward in time to see their lives as leading up to their participation in the prayer group or in some cases moving to Emmitsburg. By observing and telling miracle stories, they adopt an enchanted worldview in which the miraculous becomes everyday. Through relationships with Our Lady, their lives are enriched and even transformed. When they negotiate institutional loyalty and individual autonomy, they affirm their own authority and Catholic identity. Finally, through social media, they expand their devotional networks in ways that shift authority structures and empower individuals. Individuals engage beliefs, practices, and attitudes both arising from and resisting elements of modernity, religious pluralism and religious decline, empowerment and perceived disempowerment, tradition and innovation, and institutional loyalty and perceived disloyalty to reveal one way of understanding Catholic identity amidst the shifts and flows of modern change.

Recipient of an Honourable Mention in the 2001 God Uses Ink Contest "Lord, please give me a parking space " That prayer sounds right on your third time around the block, frustrated and late for an appointment. But is it consistent with how God works in the world? Does prayer change God's mind or only our feelings? Does God do things because we ask him to? Or do we ask him because he prompts us to do so? How much control does God really have in the world, anyway? If he has given us free will, can he always guarantee that things will happen as he intends or wishes? Is our need for parking spaces important enough to bother God, or is he only concerned about things that advance his program of salvation? If God has already decided how things will turn out, what use is it to pray? On the other hand, if our freedom limits God's ability to achieve his wishes all the time, how much could he do even if we asked for help? How much does God know about the future, and how does this factor into the way our prayers affect the outcome? And how does God's relationship to time enter into the whole equation? With such questions in mind, Terrance Tiessen presents ten views of providence and prayer--and then adds an eleventh, his own. He describes each view objectively and then tackles the question, If this is the way God works in the world, how then should we pray? The result of his investigation is a book that puts us at the intersection between theological reflection and our life and conversation with God. It prods and sharpens our understanding, making us better theologians and better prayers.

A comprehensive analysis of the ritual dimensions of biblical mourning rites, this book also seeks to illuminate mourning's social dimensions through engagement with anthropological discussion of mourning, from Hertz and van Gennep to contemporaries such as Metcalf and Huntington and Bloch and Parry. The author identifies four types of biblical mourning, and argues that mourning the dead is paradigmatic. He investigates why mourning can occur among petitioners in a sanctuary setting even given mourning's death associations; why certain texts proscribe some mourning rites (laceration and shaving) but not others; and why the mixing of the rites of mourning and rejoicing, normally incompatible, occurs in the same ritual in several biblical texts.

We know that the earliest Christians sang hymns. Paul encourages believers to sing "psalms, hymns, and spiritual songs." And at the dawn of the second century the Roman official Pliny names a feature of Christian worship as "singing alternately a hymn to Christ as to God." But are some of these early Christian hymns preserved for us in the New Testament? Are they right before our eyes? New Testament scholars have long debated whether early Christian hymns appear in the New Testament. And where some see preformed hymns and liturgical elements embossed on the page, others see patches of rhetorically elevated prose from the author's hand. Matthew Gordley now reopens this fascinating question. He begins with a new look at hymns in the Greco-Roman and Jewish world of the early church. Might the didactic hymns of those cultural currents set a new starting point for talking about hymnic texts in the New Testament? If so, how should we detect these hymns? How might they function in the New Testament? And what might they tell us about early Christian worship? An outstanding feature of texts such as Philippians 2:6-11, Colossians 1:15-20, and John 1:1-17 is their christological character. And if these are indeed hymns, we encounter the reality that within the crucible of worship the deepest and most searching texts of the New Testament arose. New Testament Christological Hymns reopens an important line of investigation that will serve a new generation of students of the New Testament.