Edition and translation of Anglo-Saxon text, shedding light on Sunday observance and other issues. Few issues have had as far-reaching consequences as the development of the Christian holy day, Sunday. Every seven days, from the early middle ages, the Christian world has engaged in some kind of change in behaviour, ranging fromparticipation in a simple worship service to the cessation of every activity which could conceivably be construed as work. An important text associated with this process is the so-called Sunday Letter, fabricated as a letter from Christ which dropped out of heaven. In spite of its obviously spurious nature, it was widely read and copied, and translated into nearly every vernacular language. In particular, several, apparently independent, translations were made into Old English. Here, the six surviving Old English copies of the Sunday Letter are edited together for the first time. The Old English texts are accompanied by facing translations, with commentary and glossary, while the introduction examines the development of Sunday observance in the early middle ages and sets the texts in their historical, legal and theological contexts. The many Latin versions of the Sunday Letter arealso delineated, including a newly discovered and edited source for two of the Old English texts. DOROTHY HAINES gained her PhD from the University of Toronto, where she is currently an instructor of Old English.

We know that the earliest Christians sang hymns. Paul encourages believers to sing "psalms, hymns, and spiritual songs." And at the dawn of the second century the Roman official Pliny names a feature of Christian worship as "singing alternately a hymn to Christ as to God." But are some of these early Christian hymns preserved for us in the New Testament? Are they right before our eyes? New Testament scholars have long debated whether early Christian hymns appear in the New Testament. And where some see preformed hymns and liturgical elements embossed on the page, others see patches of rhetorically elevated prose from the author's hand. Matthew Gordley now reopens this fascinating question. He begins with a new look at hymns in the Greco-Roman and Jewish world of the early church. Might the didactic hymns of those cultural currents set a new starting point for talking about hymnic texts in the New Testament? If so, how should we detect these hymns? How might they function in the New Testament? And what might they tell us about early Christian worship? An outstanding feature of texts such as Philippians 2:6-11, Colossians 1:15-20, and John 1:1-17 is their christological character. And if these are indeed hymns, we encounter the reality that within the crucible of worship the deepest and most searching texts of the New Testament arose. New Testament Christological Hymns reopens an important line of investigation that will serve a new generation of students of the New Testament.

Winner - Edward Stanford Travel Memoir of the Year 2019. Shortlisted - Rathbones Folio Prize, RSL Ondaatje Prize, and Somerset Maugham Award 2019. In 2013 Guy Stagg made a pilgrimage from Canterbury to Jerusalem. Though a non-believer, he began the journey after suffering several years of mental illness, hoping the ritual would heal him. For ten months he hiked alone on ancient paths, crossing ten countries and more than 5,500 kilometres. The Crossway is an account of this extraordinary adventure. Having left home on New Year's Day, Stagg climbed over the Alps in midwinter, spent Easter in Rome with a new pope, joined mass protests in Istanbul and survived a terrorist attack in Lebanon. Travelling without support, he had to rely each night on the generosity of strangers, staying with monks and nuns, priests and families. As a result, he gained a unique insight into the lives of contemporary believers and learnt the fascinating stories of the soldiers and saints, missionaries and martyrs who had followed these paths before him. The Crossway is a book full of wonders, mixing travel and memoir, history and current affairs. At once intimate and epic, it charts the author's struggle to walk towards recovery, and asks whether religion can still have meaning for those without faith. A BBC Radio 4 'Book of the Week' in 2018.

ECPA Top Shelf Book Cover Award Can a one-time crosscultural experience truly be life-changing? Veteran trip leader and intercultural guide Cory Trenda says yes-if we let the trip launch a journey of integrating the experience into our ongoing life. In After the Trip Trenda provides a unique guide for individuals and teams to make the most of a crosscultural trip after returning home. Readers will find help with navigating the crucial reentry process, remembering and sharing key stories, interweaving new insights into everyday life, and engaging in continuing learning and service. Combining practical tips, reflections, and stories from Trenda's own decades of crosscultural travel, this is an essential resource for organizations, churches, schools, and all travelers who want crosscultural trips to be a catalyst for lasting good. The trip itself is just the beginning; real life change happens after the trip.

What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once 'foreign' become 'indigenous'? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be 'local' and 'Christian'. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be 'local' and 'Christian'. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.

Scholars across many fields have come to realize that ritual is an integral element of human life and a vital aspect of all human societies. Yet, this realization has been slow to develop among scholars of early Christianity. Early Christian Ritual Life attempts to counteract the undervaluing of ritual by placing it at the forefront of early Christian life. Rather than treating ritual in isolation or in a fragmentary way, this book examines early Christian ritual life as a whole. The authors explore an array of Christian ritual activity, employing theory critically and explicitly to make sense of various ritual behaviors and their interconnections. Written by leading experts in their fields, this collection is divided into three parts: * Interacting with the Divine * Group Interactions * Contesting and Creating Ritual Protocols. This book is ideal for religious studies students seeking an introduction to the dynamic research areas of ritual studies and early Christian practice.

There is a clear lack in the Church of England of a coherent and thought through treatment of evil and the devil within the texts which the Church of England traditionally identifies as the repositories of doctrine. Focusing on initiation, healing and deliverance liturgies within the church, "Fight Valiantly" seeks to rectify that deficit, considering the Church of England's liturgical practice in the parishes, and highlighting the present danger of worshippers receiving an inconsistent and potentially incoherent account of the relationship with evil.

What could there possibly be about Christmas that needs to be ""saved""? Christmas isn't dead, not by a long shot. But when in the movies Santa Claus is in trouble, Christmas is in trouble and must be ""saved."" If bogeys or other circumstances prevent Santa from delivering the presents on Christmas Eve, there will be no Christmas because, as far as the movies are concerned, generally speaking, Santa IS Christmas. Explore 53 reasons for saving Christmas in this lighthearted collection of 228 films (over half of which are animated) from theatrical releases to television movies and specials to episodes of television series. The reasons for saving Christmas just may surprise you.

A host of both very old and entirely new liturgical practices have arisen in digital mediation, from the live-streaming of worship services and "pray-as-you-go" apps, to digital prayer chapels, virtual choirs and online pilgrimages. Cyberspace now even hosts communities of faith that exist entirely online. These digitally mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship proposes a nuanced response to these sometimes contentious issues, rooted in familiarity with, and sustained attention to, actual online practices. Four major thematic lines of inquiry form the structure of the book. After an introductory chapter the following chapters look at digital presence, virtual bodies, and online participation; ecclesial communities in cyberspace; digital materiality, visuality, and soundscapes; and finally the issues of sacramental mediation online. A concluding chapter brings together the insights from the previous chapters and maps a way forward for reflections on digitally mediated liturgical practices. @ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0. Bringing together the scholarly tools and insights of liturgical studies, constructive theology and digital media theories, it is vital reading for scholars of Theology and Religion with as well as Sociology and Digital Culture more generally.

Christian churches and groups within Anglo-American contexts have increasingly used popular music as a way to connect with young people. This book investigates the relationships between evangelical Christianity and popular music, focusing particularly on electronic dance music in the last twenty years. Author Stella Lau illustrates how electronic dance music is legitimized in evangelical activities by Christians' discourses, and how the discourses challenge the divide between the 'secular' and the 'sacred' in the Western culture. Unlike other existing books on the relationships between music cultures and religion, which predominantly discuss the cultural implications of such phenomenon, Popular Music in Evangelical Youth Culture examines the notion of 'spirituality' in contemporary popular electronic dance music. Lau's emphasis on the sonic qualities of electronic dance music opens the door for future research about the relationships between aural properties of electronic dance music and religious discourses. With three case studies conducted in the cultural hubs of electronic dance music - Bristol, Ibiza and New York - the monograph can also be used as a guidebook for ethnographic research in popular music.

Dangerous Prayer offers a strategy for fostering prayer and spirituality in mission that focuses on neighbourhood transformation and global needs using the Lord's Prayer as a radical blueprint. Sustainability in mission is not possible without prayer; vibrancy in prayer is not possible without mission. Christians on mission need a vibrant life of prayer in order to be effective yet to have a vibrant prayer life they need an outlet in mission. The Lord's Prayer offers a radical inspirational framework to help move Christians beyond praying just for themselves and to have their imaginations captured by the mission of God and concern for global needs. Jesus' words guide us to pray for God's Kingdom on earth, for restoration, for food for all who are hungry, for people to experience forgiveness and all that really is good news about Jesus. It is a dangerous prayer because of its counter-cultural and radical stance, and because it invites us to be, in part, the answer to our prayers. This book offers inspiring and practical approaches for unleashing the whole people of God for missional prayer and prayerful mission.

Online churches are Internet-based Christian communities, pursuing worship, discussion, friendship, support, proselytization, and other key religious goals through computer-mediated communication. The first examples appeared in the mid-1980s, but this genre of online activity has been revolutionized over the last decade by considerable institutional investment and the rise of new low-cost social media platforms. Hundreds of thousands of people are now involved with online congregations, generating new kinds of ritual, leadership, and community as well as new networks of global influence.

Creating Church Online is the first large-scale sociological investigation of this area, offering a significant and timely advance in the study of religion, media, and culture. Five ethnographic case studies are presented, based primarily in the UK, USA, and Australasia, providing levels of detail, scope, and variety previously unexplored by researchers in this field. Comparative analysis of these case studies demonstrates the emergence of intriguing new hybrids of digital, local, and institutional religion, reflecting major shifts in contemporary patterns of religious commitment. Author Tim Hutchings constructs a rich account of the culture and practice of five online churches, emphasizing worship, leadership, and community and the relationship between online and everyday life. Through such in-depth analysis, this book explores the significance and impact of online churchgoing in the religious and social lives of participants, as well as the relationship between online and everyday life, in search of a new theoretical framework to map religious users engagement with new media."

The Philokalia is a collection of texts written between the fourth and fifteenth centuries by spiritual master of the Orthodox Christian tradition. First published in Greek in 1782, translated into Salvonic and later into Russian, The Philokalia has exercised an influence far greater than that of any book other than the Bible in the recent history of the Orthodox Church.

Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals-such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams-inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.

Prepare yourself this Christmas to celebrate the real reason for the season! Beginning with the first Sunday of Advent, 'And the Glory of God Shone Around Them Advent Devotional' takes the reader through the entire Christmas season with twenty one devotionals organized around the four weekly themes of Advent. Through short, engaging reflections on hope, peace, joy, and love, combined with the beauty and relevance of The Passion Translation you will find the inspiration you need to celebrate God's gift to the world throughout your week. Each devotional follows the inspiring journey of the main characters of the Christmas story and offers an Advent prayer, making them perfect for personal, family, or small-group use. Scripture readings from The Passion Translation will give you greater insights in your journey toward Bethlehem. This devotional and fresh version of God's Word will kindle and inspire your faith in the one who came to rescue us and will come again to create us anew!

In this first new Eucharistic customary in nearly 20 years, Patrick Malloy, an Episcopal priest and liturgical scholar, presents a clear, illustrated guide for the presider and other leaders of the liturgy, contemporary in approach but based on ancient and classic principles of celebration. The 1979 "Book of Common Prayer, " like its predecessors, is long on telling the Church what to say, and short on telling it what to do. This leaves those who "choreograph" Prayer Book liturgies with a complex task and a powerful influence over the faith of the Church. The author begins with a concise theology of the liturgy that underpins all of his specific directives in the book. Contents include: Theological and liturgical principles; Liturgical ministry and liturgical ministers; Liturgical space; Vesture, vessels, and other liturgical objects; The liturgical year; The shape of the liturgy; The sung liturgy and singing during the liturgy; The order of the Eucharist (the "heart" of the book); and The celebration of Baptism during the Eucharist.

Mark Bozzutti-Jones offers a unique perspective on the season of Advent. Along with Scripture readings and prayers, he offers four weeks of meditations that focus on the growth of Jesus in the womb of Mary as he approaches the day of his birth, learns his mother's voice, responds to the presence of light and dark, and begins to position himself for birth.
What does this teach us about our own spiritual journey through Advent? Waiting and preparation is essential to the Christian life. By reflecting on our own birth experiences and Jesus' own progress through the womb, Christians can learn how to remain intimate with God, how to approach the light, and how to get ready for new birth in Christ.
The Womb of Advent guides the reader through each day with a mantra, scripture reading, and questions to focus our meditation. Each session ends with a spiritual exercise.

From pastor and New York Times bestselling author Timothy Keller comes the perfect gift for the Christmas holiday-a profoundly moving and intellectually provocative examination of the nativity story Even people who are not practicing Christians think they are familiar with the story of the nativity. Every Christmas displays of Baby Jesus resting in a manger decorate lawns and churchyards, and songs about shepherds and angels fill the air. Yet despite the abundance of these Christian references in popular culture, how many of us have examined the hard edges of this biblical story? In his new book Timothy Keller takes readers on an illuminating journey into the surprising background of the nativity. By understanding the message of hope and salvation within the Bible's account of Jesus' birth, readers will experience the redeeming power of God's grace in a deeper and more meaningful way.

The philosophical and theological study of aesthetics has a long and rich history, stretching back to Platos identification of ultimate goodness and beauty, together representing the eternal form. Recent trends in aesthetic theory, however, characterised by a focus on the beautiful at the expense of the good, have made it an object of suspicion in the Orthodox Church. In its place, Greek theologians have sought to emphasise philokalia as a truer theological discipline. Seeking to reverse this trend, Chrysostomos Stamoulis brings into conversation a plethora of voices, from Church fathers to contemporary poets, and from a Marxist political theorist to a literary critic. Out of this dialogue, Stamoulis builds a model for the re-appropriation of Orthodoxys patristic and Byzantine past that is no longer defined in antithesis to the Western present. The openness he proposes allows us to perceive afresh the world shot through with divinity, if only we can lift our gaze to see it. Dismantling the false dichotomy, philokalia or aesthetics, is the first step.

These newly authorized rites are intended to be a supplement to the burial services in the Book of Common Prayer, adding a rich variety of new material from many sources, including prayers for one who has died in military service, for one of unknown faith, for an unbeliever, and for a member of an inter-faith family. All of the major pastoral issues of the Prayer Book rites are addressed from the reception of the body to the consecration of the grave and the interment but with a freshness of language in new texts that the speak to contemporary sensibilities.

CONTENTS

Introduction with planning information Two vigil rites before a funeral Rites for the reception of the body Collects, prayers and readings for the burial service, including a celebration of the Eucharist Rites of committal Burial of one who does not profess the Christian faith Additional prayers Committal at a crematory A service of remembrance Suggested hymns and songs

Study of surviving Anglo-Saxon kalendars and pontificals contributes to our understanding of 10th-century England. `His work demonstrates the importance of these neglected sources for our understanding of the late Old English church.' HISTORY An important book of immense erudition. It brings into the open some major issues of Late Anglo-Saxon history, and gives a thorough overview of the detailed source material. When such outstanding learning is being used, through intuitive perception, to bear on the wider issues such as popular devotion and the reception of the monastic reform in England, and bold conclusions are bing drawn from such minutely detailed studies, there is no doubt that David Dumville's contribution in this area of study becomes invaluable. The sources for the liturgy of late Anglo-Saxon England have a distinctive shape. Very substantial survival has given us the possibility of understanding change and perceiving significant continuity, as well as identifying local preferences and peculiarities. One major category of evidence is provided by a corpus of more than twenty kalendars: some of these (and particularly those which have been associated with Glastonbury Abbey) are subjected to close examination here, the process contributing both negatively and positively to the history of ecclesiastical renewal in the 10th century. Another significant body of manuscripts comprises books for episcopal use, especially pontificals: these are examined here as a group, and their associations with specific prelates and churches considered. All these investigations tend to suggest the centrality of the church of Canterbury in the surviving testimony and presumptively therefore in the history of late Anglo-Saxon christianity. Historians' study of English liturgy in this period has heretofore concentrated on the development of coronation-rites: by pursuing palaeographical and textual enquiries, the author hassought to make other divisions of the subject respond to historical questioning. Dr DAVID N. DUMVILLE is Reader in the Early Mediaeval History and Culture of the British Isles at the University of Cambridge and a Fellow of Girton College.