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Books > Religion & Spirituality > Christianity > Christian worship > General
This uniquely comprehensive reference work provides a global account of the history, expansion, diversity, and contemporary issues facing the Anglican Communion, the worldwide body that includes all followers of the Anglican faith. * An insightful and wide-ranging treatment of this dynamic global faith, offering unrivalled coverage of its historical development, and the religious and ethical questions affecting the church today * Explores every aspect of this vibrant religious community from analyzing its instruments of Unity, to its central role in interfaith communication * Spans the Anglican Communion s long history through to 21st century debates within the church on such issues as sexual-orientation of clergy, and the pastoral role of women * Features a substantial articles on the Church s 44 provinces, including a brief history of each * Brings together a distinguished and international team of contributors, including some of the world s leading Anglican commentators
Exploring how the Bible may be appropriately used in practical and public theology, this book looks at types of modern practical theology with specific emphasis on the use of the Bible. Bennett juxtaposes the diversity of modern practical theology with the work of leading nineteenth-century public 'theologian', John Ruskin, and then assesses the contribution of this analysis to some modern issues of public importance in which the Bible is used. The final chapter offers a framework for a biblically informed critical practical theology which draws on the writer's experience and invites the readers to engage their own.
Written as the First World War was finally drawing to a close, A. Clutton-Brock's reflections on the Kingdom of Heaven examine this challenging theological concept in light of the great religious, political and moral uncertainties thrown up by the conflict. In particular, Clutton-Brock contends that historically Christian orthodoxy has not sufficiently emphasised the role of the Kingdom in salvation, given its importance in the ministry and teaching of Christ. To preserve a religious vision capable of interacting with the modern, industrial world, Christian orthodoxy must carefully consider the scope and importance of political practice, the role of the individual in the realisation of the Kingdom, and the profound implications of reconciling the facts of the universe with the most sincerely held beliefs.
When the story of modernity is told from a theological perspective, music is routinely ignored - despite its pervasiveness in modern culture and the manifold ways it has been intertwined with modernity's ambivalent relation to the Christian God. In conversation with musicologists and music theorists, in this collection of essays Jeremy Begbie aims to show that the practices of music and the discourses it has generated bear their own kind of witness to some of the pivotal theological currents and counter-currents shaping modernity. Music has been deeply affected by these currents and in some cases may have played a part in generating them. In addition, Begbie argues that music is capable of yielding highly effective ways of addressing and moving beyond some of the more intractable theological problems and dilemmas which modernity has bequeathed to us. Music, Modernity, and God includes studies of Calvin, Luther and Bach, an exposition of the intriguing tussle between Rousseau and the composer Rameau, and an account of the heady exaltation of music to be found in the early German Romantics. Particular attention is paid to the complex relations between music and language, and the ways in which theology, a discipline involving language at its heart, can come to terms with practices like music, practices which are coherent and meaningful but which in many respects do not operate in language-like ways.
In hope, Christian faith reconfigures the shape of what is familiar in order to pattern the contours of God's promised future. In this process, the present is continuously re-shaped by ventures of hopeful and expectant living. In art, this same poetic interplay between past, present and future takes specific concrete forms, furnishing vital resources for sustaining an imaginative ecology of hope. This volume attends to the contributions that architecture, drama, literature, music and painting can make, as artists trace patterns of promise, resisting the finality of modernity's despairing visions and generating hopeful living in a present which, although marked by sin and death, is grasped imaginatively as already pregnant with future.
Gaze on him . . . Consider him . . . Contemplate him . . . As you desire to imitate him. This advice from St Clare of Assisi is the key to unlocking the door to the heart of Jesus' teaching. Her words provide a pattern of meditation that brings alive the Gospel reading for every Sunday in Year A of the Revised Common Lectionary.
Christian churches and groups within Anglo-American contexts have increasingly used popular music as a way to connect with young people. This book investigates the relationships between evangelical Christianity and popular music, focusing particularly on electronic dance music in the last twenty years. Author Stella Lau illustrates how electronic dance music is legitimized in evangelical activities by Christians discourses, and how the discourses challenge the divide between the secular and the sacred in the Western culture. Unlike other existing books on the relationships between music cultures and religion, which predominantly discuss the cultural implications of such phenomenon, Popular Music in Evangelical Youth Culture examines the notion of spirituality in contemporary popular electronic dance music. Lau s emphasis on the sonic qualities of electronic dance music opens the door for future research about the relationships between aural properties of electronic dance music and religious discourses. With three case studies conducted in the cultural hubs of electronic dance music Bristol, Ibiza and New York the monograph can also be used as a guidebook for ethnographic research in popular music.
This is a sequel to two highly successful collections of short songs ("Come All You People" and "There Is One Among Us") for use in worship. Here the net is thrown wider with material from AIDs-ridden communities in the developing world side by side with recent products from the Wild Goose Resource Group. It is an ideal collection for small choirs, social justice enthusiasts, multiculturalists and all who regard themselves a global Christian.
In this delightful sleigh ride through Christmas history, Paul Kerensa answers the festive questions you never thought to ask... Did Cromwell help shape the mince pie? Was St Nicholas the first to use an automatic door? Which classic Christmas crooners were inspired by a Hollywood heatwave? And did King Herod really have a wife called Doris? Whether you mull on wine or enjoy the biggest turkey, the biggest tree or the biggest credit card bill, unwrap your story through our twelve dates of Christmas past. From Roman revelry to singing Bing, via Santa, Scrooge and a snoozing saviour, this timeless tale is perfect trivia fodder for the Christmas dinner table.
Raise your spirits and toast Saint Nick! Hot gin toddies. Smoking rosemary old fashioneds. A "wet" Advent calendar. Now you can experience Christmas the way it was meant to be celebrated: with festive cocktails and a lively history of Saint Nicholas and other saints! Michael Foley, author of Drinking with the Saints, presents holiday drink recipes; beer, wine, and cider recommendations; and witty instruction on how to honor the saints in this exquisite gift book that will make your Christmas more spirited than ever before. "With lively stories and delicious drink recipes, this book takes us on a rollicking journey through the lives of the saints. What a fun and fabulous way to engage with your faith during the holidays." - Jennifer Fulwiler, author of One Beautiful Dream and host of the Jennifer Fulwiler Show on the Catholic Channel
R. Andrew Chesnut offers a fascinating portrayal of Santa Muerte, a skeleton saint whose cult has attracted millions of devotees over the past decade. Although condemned by mainstream churches, this folk saint's supernatural powers appeal to millions of Latin Americans and immigrants in the U.S. Devotees believe the Bony Lady (as she is affectionately called) to be the fastest and most effective miracle worker, and as such, her statuettes and paraphernalia now outsell those of the Virgin of Guadalupe and Saint Jude, two other giants of Mexican religiosity. In particular, Chesnut shows Santa Muerte has become the patron saint of drug traffickers, playing an important role as protector of peddlers of crystal meth and marijuana; DEA agents and Mexican police often find her altars in the safe houses of drug smugglers. Yet Saint Death plays other important roles: she is a supernatural healer, love doctor, money-maker, lawyer, and angel of death. She has become without doubt one of the most popular and powerful saints on both the Mexican and American religious landscapes.
Each chapter gives material for the members of the group to read in advance. There is a framework or plan for a group meeting, with detailed ideas for activities and discussion. There is also general advice about group processes, including recruiting and running such groups. There is a framework for prayer, and biblical themes to be considered in context. The sessions are equally for seekers and confirmation candidates, and for teenagers as well as adults.
A rich collection of hymns and spiritual songs by, for, and about women. The music in Voices Found: Women in the Church's Song is written in congregational hymn style and is intended for normal parish use. Some music is arranged for women's voices and is useful for women's groups or small choirs of treble voices. The book is a unique compilation of contemporary and historical materials that crosses boundaries of geography, time, and culture as it represents the diversity of the gifts of women and seeks to affirm and expand the spirituality of all women and men as they find new voices in the church's song.
Burgundy padded leather cover with 6 ribbon markers. The new translation of Catholic text to be adopted by Catholic Mass to begin Advent 2011.
The Altar Call is a thorough examination of the public invitation practice within Christian evangelism. In addition to giving a comprehensive historical background that spans three continents, The Altar Call also poses the following question: If John Wesley, George Whitefield , and Jonathan Edwards are regarded as the great figures of modern evangelicalism, why did none of these important leaders practice the invitation system that became so important in so many later evangelical groups? This important study will be of interest to both religious scholars and lay people, who are curious about the antecedents, development, and current use of the altar call.
Christian Worship: Postcolonial Perspectives critically surveys and scrutinizes the terrain of liturgical theology through postcolonial optics. In doing so, it breaks new ground by bringing together for the first time liturgical studies and postcolonial criticism. This book provides an important enrichment - and long overdue corrective - to literature on the liturgical ordo, which has not yet learned to engage postcolonial perspectives. The volume also offers useful resources to those familiar with the more established field of postcolonial biblical/theological criticism by expanding the burgeoning academic debate about postcolonialism into the environment of worship. It therefore seeks to be a resource that will bring postcolonial perspectives to a wider audience: the church, much of which has been bypassed by the academic trajectory postcolonial criticism in theology has so far taken. Because of its inter-disciplinary nature, this book advances significant innovative material. The particular ways that material from each discipline is juxtaposed is itself highly original, and the challenges of appropriating postcolonial theological perspectives in Christian worship and liturgical practice will be met by the provision of strategies and resources to face this task. This important work of theology is, therefore, crafted to praxis in assemblies of the church as well as suitable for study in universities and seminary classrooms.
Christian Worship: Postcolonial Perspectives critically surveys and scrutinizes the terrain of liturgical theology through postcolonial optics. In doing so, it breaks new ground by bringing together for the first time liturgical studies and postcolonial criticism. This book provides an important enrichment - and long overdue corrective - to literature on the liturgical ordo, which has not yet learned to engage postcolonial perspectives. The volume also offers useful resources to those familiar with the more established field of postcolonial biblical/theological criticism by expanding the burgeoning academic debate about postcolonialism into the environment of worship. It therefore seeks to be a resource that will bring postcolonial perspectives to a wider audience: the church, much of which has been bypassed by the academic trajectory postcolonial criticism in theology has so far taken. Because of its inter-disciplinary nature, this book advances significant innovative material. The particular ways that material from each discipline is juxtaposed is itself highly original, and the challenges of appropriating postcolonial theological perspectives in Christian worship and liturgical practice will be met by the provision of strategies and resources to face this task. This important work of theology is, therefore, crafted to praxis in assemblies of the church as well as suitable for study in universities and seminary classrooms.
Is God missing from our worship? Obstacles to true worship are not about contemporary or traditional music, electronic gadgetry or seeker sensitivity. Rather it is the habits of mind and heart, conditioned by our surrounding culture, that hinder our faith in the real presence of the transcendent God among his people. Sensing a real need for renewal, John Jefferson Davis offers a theology of worship that uncovers the most fundamental barriers to our vital involvement in the worship of our holy God. His profound theological analysis leads to fresh and bracing recommendations that will be especially helpful to all those who lead worship or want to more fully and deeply encounter the glory and majesty of God.
An inspirational source of encouragement for Lent. 'The Little Book of Lent' is a powerful anthology of readings from spiritual writers for each day of Lent, with accompanying scripture and prayers to help guide daily reflections. With extracts from a range of inspirational writers and theologians, including Desmond Tutu, Sheila Cassidy and Rowan Williams, 'The Little Book of Lent' guides you to deepen your prayer life in anticipation of Easter. This book can be read on your own or with others, used either for self-reflection or to spark discussion and share insights on God's truths. This edition would be perfect on which to base a Lent course or to use as a talking point for home groups. Whether or not you choose to read the extracts multiple times or once straight through, Howells' latest work will lead you to new heights in your Christian journey and personal walk with God. It is the ideal gift for friends, family or anyone else preparing themselves for the sacrifices of Lent.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company. |
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