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Books > Religion & Spirituality > Christianity > Christian worship > General
This uniquely comprehensive reference work provides a global
account of the history, expansion, diversity, and contemporary
issues facing the Anglican Communion, the worldwide body that
includes all followers of the Anglican faith. * An insightful and
wide-ranging treatment of this dynamic global faith, offering
unrivalled coverage of its historical development, and the
religious and ethical questions affecting the church today *
Explores every aspect of this vibrant religious community from
analyzing its instruments of Unity, to its central role in
interfaith communication * Spans the Anglican Communion s long
history through to 21st century debates within the church on such
issues as sexual-orientation of clergy, and the pastoral role of
women * Features a substantial articles on the Church s 44
provinces, including a brief history of each * Brings together a
distinguished and international team of contributors, including
some of the world s leading Anglican commentators
Exploring how the Bible may be appropriately used in practical and
public theology, this book looks at types of modern practical
theology with specific emphasis on the use of the Bible. Bennett
juxtaposes the diversity of modern practical theology with the work
of leading nineteenth-century public 'theologian', John Ruskin, and
then assesses the contribution of this analysis to some modern
issues of public importance in which the Bible is used. The final
chapter offers a framework for a biblically informed critical
practical theology which draws on the writer's experience and
invites the readers to engage their own.
Written as the First World War was finally drawing to a close, A.
Clutton-Brock's reflections on the Kingdom of Heaven examine this
challenging theological concept in light of the great religious,
political and moral uncertainties thrown up by the conflict. In
particular, Clutton-Brock contends that historically Christian
orthodoxy has not sufficiently emphasised the role of the Kingdom
in salvation, given its importance in the ministry and teaching of
Christ. To preserve a religious vision capable of interacting with
the modern, industrial world, Christian orthodoxy must carefully
consider the scope and importance of political practice, the role
of the individual in the realisation of the Kingdom, and the
profound implications of reconciling the facts of the universe with
the most sincerely held beliefs.
When the story of modernity is told from a theological perspective,
music is routinely ignored - despite its pervasiveness in modern
culture and the manifold ways it has been intertwined with
modernity's ambivalent relation to the Christian God. In
conversation with musicologists and music theorists, in this
collection of essays Jeremy Begbie aims to show that the practices
of music and the discourses it has generated bear their own kind of
witness to some of the pivotal theological currents and
counter-currents shaping modernity. Music has been deeply affected
by these currents and in some cases may have played a part in
generating them. In addition, Begbie argues that music is capable
of yielding highly effective ways of addressing and moving beyond
some of the more intractable theological problems and dilemmas
which modernity has bequeathed to us. Music, Modernity, and God
includes studies of Calvin, Luther and Bach, an exposition of the
intriguing tussle between Rousseau and the composer Rameau, and an
account of the heady exaltation of music to be found in the early
German Romantics. Particular attention is paid to the complex
relations between music and language, and the ways in which
theology, a discipline involving language at its heart, can come to
terms with practices like music, practices which are coherent and
meaningful but which in many respects do not operate in
language-like ways.
In hope, Christian faith reconfigures the shape of what is familiar
in order to pattern the contours of God's promised future. In this
process, the present is continuously re-shaped by ventures of
hopeful and expectant living. In art, this same poetic interplay
between past, present and future takes specific concrete forms,
furnishing vital resources for sustaining an imaginative ecology of
hope. This volume attends to the contributions that architecture,
drama, literature, music and painting can make, as artists trace
patterns of promise, resisting the finality of modernity's
despairing visions and generating hopeful living in a present
which, although marked by sin and death, is grasped imaginatively
as already pregnant with future.
Gaze on him . . . Consider him . . . Contemplate him . . . As you
desire to imitate him. This advice from St Clare of Assisi is the
key to unlocking the door to the heart of Jesus' teaching. Her
words provide a pattern of meditation that brings alive the Gospel
reading for every Sunday in Year A of the Revised Common
Lectionary.
Christian churches and groups within Anglo-American contexts
have increasingly used popular music as a way to connect with young
people. This book investigates the relationships between
evangelical Christianity and popular music, focusing particularly
on electronic dance music in the last twenty years. Author Stella
Lau illustrates how electronic dance music is legitimized in
evangelical activities by Christians discourses, and how the
discourses challenge the divide between the secular and the sacred
in the Western culture.
Unlike other existing books on the relationships between music
cultures and religion, which predominantly discuss the cultural
implications of such phenomenon, Popular Music in Evangelical Youth
Culture examines the notion of spirituality in contemporary popular
electronic dance music. Lau s emphasis on the sonic qualities of
electronic dance music opens the door for future research about the
relationships between aural properties of electronic dance music
and religious discourses. With three case studies conducted in the
cultural hubs of electronic dance music Bristol, Ibiza and New York
the monograph can also be used as a guidebook for ethnographic
research in popular music.
This is a sequel to two highly successful collections of short
songs ("Come All You People" and "There Is One Among Us") for use
in worship. Here the net is thrown wider with material from
AIDs-ridden communities in the developing world side by side with
recent products from the Wild Goose Resource Group. It is an ideal
collection for small choirs, social justice enthusiasts,
multiculturalists and all who regard themselves a global Christian.
In this delightful sleigh ride through Christmas history, Paul
Kerensa answers the festive questions you never thought to ask...
Did Cromwell help shape the mince pie? Was St Nicholas the first to
use an automatic door? Which classic Christmas crooners were
inspired by a Hollywood heatwave? And did King Herod really have a
wife called Doris? Whether you mull on wine or enjoy the biggest
turkey, the biggest tree or the biggest credit card bill, unwrap
your story through our twelve dates of Christmas past. From Roman
revelry to singing Bing, via Santa, Scrooge and a snoozing saviour,
this timeless tale is perfect trivia fodder for the Christmas
dinner table.
Raise your spirits and toast Saint Nick! Hot gin toddies. Smoking
rosemary old fashioneds. A "wet" Advent calendar. Now you can
experience Christmas the way it was meant to be celebrated: with
festive cocktails and a lively history of Saint Nicholas and other
saints! Michael Foley, author of Drinking with the Saints, presents
holiday drink recipes; beer, wine, and cider recommendations; and
witty instruction on how to honor the saints in this exquisite gift
book that will make your Christmas more spirited than ever before.
"With lively stories and delicious drink recipes, this book takes
us on a rollicking journey through the lives of the saints. What a
fun and fabulous way to engage with your faith during the
holidays." - Jennifer Fulwiler, author of One Beautiful Dream and
host of the Jennifer Fulwiler Show on the Catholic Channel
R. Andrew Chesnut offers a fascinating portrayal of Santa Muerte, a
skeleton saint whose cult has attracted millions of devotees over
the past decade. Although condemned by mainstream churches, this
folk saint's supernatural powers appeal to millions of Latin
Americans and immigrants in the U.S. Devotees believe the Bony Lady
(as she is affectionately called) to be the fastest and most
effective miracle worker, and as such, her statuettes and
paraphernalia now outsell those of the Virgin of Guadalupe and
Saint Jude, two other giants of Mexican religiosity. In particular,
Chesnut shows Santa Muerte has become the patron saint of drug
traffickers, playing an important role as protector of peddlers of
crystal meth and marijuana; DEA agents and Mexican police often
find her altars in the safe houses of drug smugglers. Yet Saint
Death plays other important roles: she is a supernatural healer,
love doctor, money-maker, lawyer, and angel of death. She has
become without doubt one of the most popular and powerful saints on
both the Mexican and American religious landscapes.
Each chapter gives material for the members of the group to read in
advance. There is a framework or plan for a group meeting, with
detailed ideas for activities and discussion. There is also general
advice about group processes, including recruiting and running such
groups. There is a framework for prayer, and biblical themes to be
considered in context. The sessions are equally for seekers and
confirmation candidates, and for teenagers as well as adults.
A rich collection of hymns and spiritual songs by, for, and about
women. The music in Voices Found: Women in the Church's Song is
written in congregational hymn style and is intended for normal
parish use. Some music is arranged for women's voices and is useful
for women's groups or small choirs of treble voices. The book is a
unique compilation of contemporary and historical materials that
crosses boundaries of geography, time, and culture as it represents
the diversity of the gifts of women and seeks to affirm and expand
the spirituality of all women and men as they find new voices in
the church's song.
The Altar Call is a thorough examination of the public invitation
practice within Christian evangelism. In addition to giving a
comprehensive historical background that spans three continents,
The Altar Call also poses the following question: If John Wesley,
George Whitefield , and Jonathan Edwards are regarded as the great
figures of modern evangelicalism, why did none of these important
leaders practice the invitation system that became so important in
so many later evangelical groups? This important study will be of
interest to both religious scholars and lay people, who are curious
about the antecedents, development, and current use of the altar
call.
Christian Worship: Postcolonial Perspectives critically surveys and
scrutinizes the terrain of liturgical theology through postcolonial
optics. In doing so, it breaks new ground by bringing together for
the first time liturgical studies and postcolonial criticism. This
book provides an important enrichment - and long overdue corrective
- to literature on the liturgical ordo, which has not yet learned
to engage postcolonial perspectives. The volume also offers useful
resources to those familiar with the more established field of
postcolonial biblical/theological criticism by expanding the
burgeoning academic debate about postcolonialism into the
environment of worship. It therefore seeks to be a resource that
will bring postcolonial perspectives to a wider audience: the
church, much of which has been bypassed by the academic trajectory
postcolonial criticism in theology has so far taken. Because of its
inter-disciplinary nature, this book advances significant
innovative material. The particular ways that material from each
discipline is juxtaposed is itself highly original, and the
challenges of appropriating postcolonial theological perspectives
in Christian worship and liturgical practice will be met by the
provision of strategies and resources to face this task. This
important work of theology is, therefore, crafted to praxis in
assemblies of the church as well as suitable for study in
universities and seminary classrooms.
Christian Worship: Postcolonial Perspectives critically surveys and
scrutinizes the terrain of liturgical theology through postcolonial
optics. In doing so, it breaks new ground by bringing together for
the first time liturgical studies and postcolonial criticism. This
book provides an important enrichment - and long overdue corrective
- to literature on the liturgical ordo, which has not yet learned
to engage postcolonial perspectives. The volume also offers useful
resources to those familiar with the more established field of
postcolonial biblical/theological criticism by expanding the
burgeoning academic debate about postcolonialism into the
environment of worship. It therefore seeks to be a resource that
will bring postcolonial perspectives to a wider audience: the
church, much of which has been bypassed by the academic trajectory
postcolonial criticism in theology has so far taken. Because of its
inter-disciplinary nature, this book advances significant
innovative material. The particular ways that material from each
discipline is juxtaposed is itself highly original, and the
challenges of appropriating postcolonial theological perspectives
in Christian worship and liturgical practice will be met by the
provision of strategies and resources to face this task. This
important work of theology is, therefore, crafted to praxis in
assemblies of the church as well as suitable for study in
universities and seminary classrooms.
Is God missing from our worship? Obstacles to true worship are not
about contemporary or traditional music, electronic gadgetry or
seeker sensitivity. Rather it is the habits of mind and heart,
conditioned by our surrounding culture, that hinder our faith in
the real presence of the transcendent God among his people. Sensing
a real need for renewal, John Jefferson Davis offers a theology of
worship that uncovers the most fundamental barriers to our vital
involvement in the worship of our holy God. His profound
theological analysis leads to fresh and bracing recommendations
that will be especially helpful to all those who lead worship or
want to more fully and deeply encounter the glory and majesty of
God.
An inspirational source of encouragement for Lent. 'The Little Book
of Lent' is a powerful anthology of readings from spiritual writers
for each day of Lent, with accompanying scripture and prayers to
help guide daily reflections. With extracts from a range of
inspirational writers and theologians, including Desmond Tutu,
Sheila Cassidy and Rowan Williams, 'The Little Book of Lent' guides
you to deepen your prayer life in anticipation of Easter. This book
can be read on your own or with others, used either for
self-reflection or to spark discussion and share insights on God's
truths. This edition would be perfect on which to base a Lent
course or to use as a talking point for home groups. Whether or not
you choose to read the extracts multiple times or once straight
through, Howells' latest work will lead you to new heights in your
Christian journey and personal walk with God. It is the ideal gift
for friends, family or anyone else preparing themselves for the
sacrifices of Lent.
First Published in 2004. Routledge is an imprint of Taylor &
Francis, an informa company.
In a culture that prizes keeping one's options open, making
commitments offers something more valuable. The consumerism and
instant gratification of "liquid modernity" feed a general
reluctance to make commitments, a refusal to be pinned down for the
long term. Consider the decline of three forms of commitment that
involve giving up options: marriage, military service, and monastic
life. Yet increasing numbers of people question whether
unprecedented freedom might be leading to less flourishing, not
more. They are dissatisfied with an atomized way of life that
offers endless choices of goods, services, and experiences but
undermines ties of solidarity and mutuality. They yearn for more
heroic virtues, more sacrificial commitments, more comprehensive
visions of the individual and common good. It turns out that the
American Founders were right: the Creator did endow us with an
unalienable right of liberty. But he has endowed us with something
else as well, a gift that is equally unalienable: desire for
unreserved commitment of all we have and are. Our liberty is given
us so that we in turn can freely dedicate ourselves to something
greater. Ultimately, to take a leap of commitment, even without
knowing where one will land, is the way to a happiness worth
everything. On this theme: - Lydia S. Dugdale asks what happened to
the Hippocratic Oath in modern medicine. - Caitrin Keiper looks at
competing vows in Victor Hugo's Les Miserables. - Kelsey Osgood, an
Orthodox Jew, asks why lifestyle discipline is admired in sports
but not religion. - Wendell Berry says being on the side of love
does not allow one to have enemies. - Phil Christman spoofs the New
York Times Vows column. - Andreas Knapp tells why he chose poverty.
- Norann Voll recounts the places a vow of obedience took her. -
Carino Hodder says chastity is for everyone, not just nuns. - Dori
Moody revisits her grandparents' broken but faithful marriage. -
Randall Gauger, a Bruderhof pastor, finds that lifelong vows make
faithfulness possible. - King-Ho Leung looks at vows, oaths,
promises, and covenants in the Bible. Also in the issue: - A young
Black pastor reads Clarence Jordan today. - Activists discuss the
pro-life movement after Roe and Dobbs. - Children learn from King
Arthur, Robin Hood, and the occasional cowboy. - Original poetry by
Ned Balbo - Reviews of Montgomery and Bikle's What Your Food Ate,
Mohsin Hamid's The Last White Man, and Bonnie Kristian's
Untrustworthy - A profile of Sadhu Sundar Singh Plough Quarterly
features stories, ideas, and culture for people eager to apply
their faith to the challenges we face. Each issue includes in-depth
articles, interviews, poetry, book reviews, and art.
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