Presents the late Cardinal's personal reflections on themes such as prayer, solitude, and living the Christian life today. A beautiful book with full colour photographs.

This full-length study investigates how sermons and vernacular religious drama worked as media for public learning, how they combined this didactic aim with literary exigencies, and how plays acquired and reflected authority. The interrelation between sermons and vernacular drama, formerly assumed to be a close one, is addressed from historical connections, performative aspects, and the portrayal of penance. The work demonstrates the subtly different purposes and contents and outlines the unique ways in which they operate within late medieval England.

Is God missing from our worship? Obstacles to true worship are not about contemporary or traditional music, electronic gadgetry or seeker sensitivity. Rather it is the habits of mind and heart, conditioned by our surrounding culture, that hinder our faith in the real presence of the transcendent God among his people. Sensing a real need for renewal, John Jefferson Davis offers a theology of worship that uncovers the most fundamental barriers to our vital involvement in the worship of our holy God. His profound theological analysis leads to fresh and bracing recommendations that will be especially helpful to all those who lead worship or want to more fully and deeply encounter the glory and majesty of God.

First published in 1978 and hailed by "Culture" as constituting "an important foreshadowing of issues that have become prominent in more recent anthropology," this classic book, now updated and extensively revised, examines the theological doctrines and popular notions that promote and sustain Christian pilgrimage, including their corresponding symbols and images.

The Christian faith depends to a great degree on persuasion. In one of his letters to early Christians, the apostle Paul wrote, "Let your speech always be gracious, seasoned with salt, so that you may know how you ought to answer everyone" (Col. 4:6). Yet rhetoric-the art of persuasion-has been largely ignored by most Christians. In this book, James Beitler seeks to renew interest in and hunger for an effective Christian rhetoric by closely considering the work of five beloved Christian communicators: C. S. Lewis, Dorothy L. Sayers, Dietrich Bonhoeffer, Desmond Tutu, and Marilynne Robinson. Moreover, he situates these reflections within the Christian liturgical seasons for the essential truths they convey. These writers collectively demonstrate that being a master of rhetoric is not antithetical to authentic Christian witness. Indeed, being a faithful disciple of Christ means practicing a rhetoric that beneficially and persuasively imparts the surprising truth of the gospel. It means having seasoned speech.

Christ Church cathedral is an Anglican cathedral in a catholic country. Musical and archival sources (the most extensive for any Irish cathedral) provide a unique perspective on the history of music in Ireland. Christ Church has had a complex and varied history as the cathedral church of Dublin, one of two Anglican cathedrals in the capital of a predominantly Catholic country and the church of the British administration in Ireland before1922. An Irish cathedral within the English tradition, yet through much of its history it was essentially an English cathedral in a foreign land. With close musical links to cathedrals in England, to St Patrick's cathedral in Dublin, and to the city's wider political and cultural life, Christ Church has the longest documented music history of any Irish institution, providing a unique perspective on the history of music in Ireland. Barra Boydell, a leading authority on Irish music history, has written a detailed study drawing on the most extensive musical and archival sources existing for any Irish cathedral. The choir, its composers and musicians, repertoire and organs are discussed within the wider context of city and state, and of the religious and political dynamics which have shaped Anglo-Irish relationships since medieval times. More than just a history of music at one cathedral, this book makesan important contribution to English cathedral music studies as well as to Irish musical and cultural history. BARRA BOYDELL is Senior Lecturer in Music, National University of Ireland, Maynooth.

Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals-such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams-inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.

The meaning of pilgrimage and its development over 800 years, reflected in contemporary writings. Pilgrims are so frequently encountered in the pages of Middle English literature that it is easy to take their presence, and their significance, for granted. The pilgrimage motif is all too frequently simply accepted as a 'given'of medieval spirituality, its presence noted but its meaning seldom analysed. This study therefore asks several fundamental but hitherto largely ignored questions. What exactly did pilgrimage mean to medieval writers? How well didvarious understandings of pilgrimage combine within medieval spirituality? Who were the true pilgrims - those who travelled to saints' shrines, those who withdrew into the cloister or the anchorite's cell, or those who simply walked the path of daily obedience? In answering these questions, this wide-ranging survey of the origins and development of the pilgrim motif examines the development of Christian pilgrimage through the Bible, the writings of the Fathers, the influences of classical pagan religion and the impulses of popular devotion. It then traces the ways in which the resulting multiple meanings of pilgrimage were incorporated into medieval spirituality and literature, offering fresh perspectives on Old English poetry and prose together with Middle English texts such a the Canterbury Tales, Piers Plowman, Pearl and the Book of Margery Kempe. Dr DEE DYAS is director of the Society for the Study of Medieval Christianity and Culture.