Thomas Csordas's eloquent analysis of the Catholic Charismatic Renewal answers one of the primary callings of anthropology: to stimulate critical reflection by making the exotic seem familiar and the familiar appear strange. Csordas describes the movement's internal diversity and traces its development and expansion across 30 years. He offers insights into the contemporary nature of rationality, the transformation of space and time in Charismatic daily life, gender discipline, the blurring of boundaries between ritual and everyday life, the sense of community forged through shared ritual participation, and the creativity of language and metaphor in prophetic utterance. Charisma, Csordas proposes, is a collective self-process, located not in the personality of a leader, but in the rhetorical resources mobilized by participants in ritual performance. His examination of ritual language and ritual performance illuminates this theory in relation to the postmodern condition of culture.

With the decision to provide of a scholarly edition of the Works of John Wesley in the 1950s, Methodist Studies emerged as a fresh academic venture. Building on the foundation laid by Frank Baker, Albert Outler, and other pioneers of the discipline, this handbook provides an overview of the best current scholarship in the field. The forty-two included essays are representative of the voices of a new generation of international scholars, summarising and expanding on topical research, and considering where their work may lead Methodist Studies in the future.
Thematically ordered, the handbook provides new insights into the founders, history, structures, and theology of Methodism, and into ongoing developments in the practice and experience of the contemporary movement. Key themes explored include worship forms, mission, ecumenism, and engagement with contemporary ethical and political debate.

"American Methodist Worship is the most comprehensive history of worship among John Wesley's various American spiritual descendents that has ever been written. It will be a foundational book for anyone who wishes to understand how American Methodists have worshipped."-Sacramental Life
"This groundbreaking study will help to reshape the way that we think about early American Methodist worship and how it connects to more recent trends."-- The Journal of Religion
"Karen Westerfield Tucker's exhaustive examination of the history of American Methodist worship may indeed launch a new genre in liturgical historiography: denominational liturgical histories. The genius of this contribution is its comprehensiveness in examining for the first time the worship life of an American ecclesiological tradition."--Doxology

What is worship? Keith F. Pecklers, SJ, answers this important theological question by focusing on the basics of Christian worship. Beginning with the definitions of such terms as ritual" and *liturgy - he writes in a very readable style about the historical/theological foundations of worship, tracing the evolution of Christian liturgy from the earliest centuries of the Christian era up to the reforms of Vatican II.

Pecklers focuses on such liturgical issues of importance in our post-Vatican II Church as: inculturation, popular religion, and the social responsibility that authentic worship requires. He also considers some key social issues of the twenty-first century and their impact on our worship: the break-up of the stale parish community and decline in church attendance; the clergy shortage and priestless parishes; ecumenical liturgical cooperation and interreligious dialogue; the credibility of preaching; and how worship welcomes or excludes the marginated.

Chapters are *Worship and Ritual, - *Worship in Development and Decline, - *Worship in Crisis and Challenge, - *Worship in Transition, - *Worship and Culture, - *Worship and Popular Religion, - *Worship and Society, - and *Worship and the Future of Christianity. -

"Keith F. Pecklers, SJ, SLD, is professor of liturgy at the Pontifical Gregorian University in Rome and professor of liturgical history at the Pontifical Liturgical Institute of Saint'Anselmo. Liturgical Press recently published his book "Dynamic Equivalence." He received Catholic Press Association awards for two other Liturgical Press publications, "The Unread Vision" and "Liturgy for the New Millennium."

The study of liturgical reform is usually undertaken through a close examination of liturgical texts. In order to consider the impact of reform on the worship life of Christians, Katharine Mahon takes a wider view of liturgy by considering the worship practices of Christian churches beyond what appears in the rites themselves. Looking at how Christians were taught how to pray and instructed in liturgical and sacramental participation, Mahon explores the late medieval patterns of Christian ritual formation and the transformation of these patterns in the sixteenth-century reforms of Martin Luther, Thomas Cranmer, and Roman Catholic leaders. She uses the Lord's Prayer-the backbone of medieval lay catechesis, liturgical participation, and private prayer-to paint a panorama of medieval ritual formation integrated into the life of the church in the fourteenth and fifteenth centuries. She then follows the disintegration and reconstruction of that system of formation through the changing functions of the Lord's Prayer in the official reforms of catechesis, liturgy, and prayer sixteenth-century.

The National Shrine in Washington, DC has been deeply loved, blithely ignored, and passionately criticized. It has been praised as a "dazzling jewel" and dismissed as a "towering Byzantine beach ball." In this intriguing and inventive book, Thomas Tweed shows that the Shrine is also an illuminating site from which to tell the story of twentieth-century Catholicism. He organizes his narrative around six themes that characterize U.S. Catholicism, and he ties these themes to the Shrine's material culture--to images, artifacts, or devotional spaces. Thus he begins with the Basilica's foundation stone, weaving it into a discussion of "brick and mortar" Catholicism, the drive to build institutions. To highlight the Church's inclination to appeal to women, he looks at fund-raising for the Mary Memorial Altar, and he focuses on the Filipino oratory to Our Lady of Antipolo to illustrate the Church's outreach to immigrants. Throughout, he employs painstaking detective work to shine a light on the many facets of American Catholicism reflected in the shrine.

Deep emotions pervade our human lives and ongoing moods echo them. Religious traditions often shape these and give devotees a sense of identity in a hopeful and meaningful life despite the conflicts, confusion, pain and grief of existence. Driven by anthropological and sociological perspectives, Douglas J. Davies describes and analyses these dynamic tensions and life opportunities as they are worked out in ritual, music, theology, and the allure of sacred places. Davies brings some newer concepts to these familiar ideas, such as 'the humility response' and 'moral-somatic' processes, revealing how our sense of ourselves responds to how we are treated by others as when injustice makes us 'feel sick' or religious ideas of grace prompt joyfulness. This sense of embodied identity is shown to be influenced not only by 'reciprocity' in the many forms of exchange, gifts, merit, and actions of others, but also by a certain sense of 'otherness, whether in God, ancestors, supernatural forces or even a certain awareness of ourselves. Drawing from psychological studies of how our thinking processes engage with the worlds around us we see how difficult it is to separate out 'religious' activity from many other aspects of human response to our environment. Throughout these pages many examples are taken from the well-known religions of the world as well as from local and secular traditions.

The meaning of holiness and how one can speak about it remains an active research question in religious studies and theology. The articles analyze discourses about holiness from the religious cultures of late antiquity. Terminologies, practices, and reflections related to holiness are explored in the context of their particular religious frames of reference.

We all have a little bit of Pharisaism in us.

Pharisaism is one of the sins that angered Jesus the most. Yet we are often in bondage to it without realizing it. How can we recognize the warning signs in our own hearts and lives and be set free?

Do you consider yourself a better Christian than others? Do you enjoy pointing out others' faults while ignoring your own? Do you fail to practice what you preach? If so, you might be a Pharisee--a modern-day version of the religious leaders in Jesus' day whom He condemned for their legalism and self-righteousness. It's time to take a hard look at your attitudes and behavior and allow the Holy Spirit to set you free.

You will learn the following:

• Twenty-five signs that indicate you might be a Pharisee
• Why the sin of pharisaism angered Jesus
• The opposite character trait Jesus modeled
• Steps to take to rid pharisaism from your heart and mind

The home of Martin Luther for thirty six years and seat of the German Reformation, Wittenberg, Germany is now a UNESCO World Heritage site. Wittenberg has long been Protestant sacred space, but since the fall of the Berlin Wall in 1989, the city and surrounding region have been developing their considerable cultural capital. Today, Wittenberg is host to two large-scale annual Luther-themed festivals, and is becoming a center for pilgrimage and heritage tourism. In a recent study, Charles Taylor notes that festivity is experiencing a renaissance as "one of the new forms of religion in our world." Festivals and pilgrimage routes are an integral part of contemporary religion and spirituality, and important cultural institutions in a globalized world. In Performing the Reformation, Stephenson offers a field-based case study of contemporary festivity and pilgrimage in the City of Luther. Welcome to Lutherland, where atheists dress up as monks and nuns for Luther's Wedding; conservative Lutherans work to sacralize the secular, carnival-like festivities; and medieval players, American Gospel singers, and Peruvian pan flute bands compete for the attention of the bustling crowds. Festivals and tourism in Wittenberg include a range of performative genres (parades and processions, liturgies and concerts, music and dance), cut across multiple cultural domains (religion, politics, economics), and effect connections and shifts among identities (religious, secular, American, German, traditional, postmodern). Incorporating visual methodologies and grounded in historical and social contexts, Stephenson provides an on-the-ground account of the annual Luther's Wedding Festival, the Reformation Day Festival, and Lutheran pilgrimage. He also brings his case study into dialogue with important methodological and theoretical issues informing the fields of ritual studies and performance studies. A model of interdisciplinary research, the book includes a DVD with over 2.5 hours of material, extending and animating textual accounts and interpretations.

This examination of the Dead Sea Scrolls and the Letters of Paul finds that, in both these bodies of literature, religious self-understanding is expressed in terms of the concept of purity so important to primitive religion and earlier Judaism. Dr Newton contradicts the view held by most scholars that the traditional Jewish attitude to purity had no place in Christianity. By using the concept of purity not unlike that at Qumran or of Pharisaic and Rabbinic Judaism, Paul could elucidate his views on, among other things, the nature of the Church, the divine presence, the basis of ethical behaviour and the significance of the death of Jesus.

Rituals transform citizens into presidents and princesses into queens. They transform sick persons into healthy ones, and public space into prohibited sanctuary. Shamanic rituals heal, legal rituals bind, political rituals ratify, and religious rituals sanctify. But how exactly do they accomplish these things? How do rituals work? This is the question of ritual efficacy, and although it is one of the very first questions that people everywhere ask of rituals, surprisingly little has been written on the topic. In fact, this collection of 10 contributed essays is the first to explicitly address the question of ritual efficacy. The authors do not aspire to answer the question 'how do rituals work?' in a simplistic fashion, but rather to show how complex the question is. While some contributors do indeed advance a particular theory of ritual efficacy, others ask whether the question makes any sense at all, and most show how complex it is by referring to the sociocultural environment in which it is posed, since the answer depends on who is asking the question, and what criteria they use to evaluate the efficacy of ritual. In his introduction, William Sax emphasizes that the very notion of ritual efficacy is a suspicious one because, according to a widespread 'modern' and 'scientific' viewpoint, rituals are merely expressive, and therefore cannot be efficacious. Rituals are thought of as superficial, 'merely symbolic,' and certainly not effective. Nevertheless many people insist that rituals 'work,' and the various positions taken on the question tell us a great deal about the social and historical background of the people involved. One essay, for example, illuminates a dispute between 'materialist' and 'enlightenment' Catholics in Ecuador, with the former affirming the notion of ritual efficacy and the latter doubting it. In other essays, contributors address instances in which orthodox religious figures (mullahs, church authorities, and even scientific positivists) discount the efficacy of rituals. In several of the essays, 'modern' people are suspicious of rituals and tend to deny their efficacy, confirming the theme highlighted in Sax's introduction.

This is a collection of readings for individual or group reflection throughout the four weeks of Advent. This book does not advocate a 'cosy' view of Christmas but rather urges people to use this season to address some of the most important issues of our time. To do so the author makes creative use of quotes from the other sources, interspersed with her own perspective on the subjects under consideration.

Religion African-American StudiesLet It Shine! probes the distinctive contribution of black Catholics to the life of the American church, and to the unfolding of lived Christianity in the United States. This im, portyant book explores the powerful spiritual renaissance that has marked African American life and self-understanding over the last several decades by examining one critical dimension: the forging of new expressions of Catholic worship rooted in the larger Catholic tradition, yet shaped in unique ways by African American religious culture.Starting with the 1960s, the book traces the dynamic interplay of social change, cultural awakening, and charismatic leadership that have sparked the emergence of distinctive styles of black Catholic worship. In their historical overview, McGann and Eva Marie Lumas chronicle the liturgical and pastoral issues of a Black Catholic liturgical movement that has transformed the larger American church. McGann then examines the foundational vision of Rev. Clarence R. J. Rivers, who promoted forms of black worship, music, preaching, and prayer that have enabled African American Catholics to reclaim the fullness of their religious identity. Finally, Harbor constructs a black Catholic aesthetic based on the theological, ethical, and liturgical insights of four African American scholars and expressed through twenty-three performative values. This liturgical aesthetic illuminates the distinctive gift of black Catholics to the multicultural tapestry of lived faith in the American church, and can also serve as a pastoral model for other cultural communities. Blending history, theology, and liturgy, Let It Shine! is a valuable resource for scholars, teachers, and students and a practical pastoral guide to bringing African American spirituality more firmly into the sacramental life of American parishes.

Religion African-American StudiesLet It Shine! probes the distinctive contribution of black Catholics to the life of the American church, and to the unfolding of lived Christianity in the United States. This im, portyant book explores the powerful spiritual renaissance that has marked African American life and self-understanding over the last several decades by examining one critical dimension: the forging of new expressions of Catholic worship rooted in the larger Catholic tradition, yet shaped in unique ways by African American religious culture.Starting with the 1960s, the book traces the dynamic interplay of social change, cultural awakening, and charismatic leadership that have sparked the emergence of distinctive styles of black Catholic worship. In their historical overview, McGann and Eva Marie Lumas chronicle the liturgical and pastoral issues of a Black Catholic liturgical movement that has transformed the larger American church. McGann then examines the foundational vision of Rev. Clarence R. J. Rivers, who promoted forms of black worship, music, preaching, and prayer that have enabled African American Catholics to reclaim the fullness of their religious identity. Finally, Harbor constructs a black Catholic aesthetic based on the theological, ethical, and liturgical insights of four African American scholars and expressed through twenty-three performative values. This liturgical aesthetic illuminates the distinctive gift of black Catholics to the multicultural tapestry of lived faith in the American church, and can also serve as a pastoral model for other cultural communities. Blending history, theology, and liturgy, Let It Shine! is a valuable resource for scholars, teachers, and students and a practical pastoral guide to bringing African American spirituality more firmly into the sacramental life of American parishes.

This is a beautifully crafted collection of prayers for each Sunday and most major festivals in the church's year, together with additional material for each season. The Sunday prayers - known as "collects" in the Anglican tradition - follow the three-year cycle of the Revised Common Lectionary. The author uses expansive and inclusive language and imagery to address and describe God, to describe God's presence and action in the world, and to describe the people of God. Ideal for use at weekday celebrations, including the Book of Common Prayer Order for Eucharist.

Cotter gracefully merges the beauty and poetry of the original Psalms with the reality of today's world in well-crafted, contemporary language.

A church service is concerned with the renewal of life. Thus art, e.g. music, plays a central role: it gives scope to deal with different perspectives on life and reaches beyond every-day experience to transcendental experience. In its own way, music achieves the objective at which the gospel of the crucifixion and resurrection aims: the worshiping community is "enchanted" into becoming alive and human. The model of incantation demonstrates how music and words can combine in liturgy to achieve this goal.