Many Christians go on pilgrimage, whether to Jerusalem, Rome, Santiago, or some other destination, but few think hard about it from the perspective of their faith. This book fills that gap, looking at the biblical and theological elements in pilgrimage and asking how we could do pilgrimage differently. A Exploring the current resurgence of pilgrimage from a Christian viewpoint, this book seeks to articulate a theology of pilgrimage for today. Examination of pilgrimage in the Old and New Testaments provides a grounding for thinking through pilgrimage theologically. Literary, missiological and sociological perspectives are explored, and the book concludes by examining how such a theology could change our practice of pilgrimage today, raising such questions as how tourism to the Holy Land should reflect the situation in the region today. Pilgrims, students and all interested in contemporary pilgrimage will find this accessible book a valuable articulation of the different elements in a Christian theology of pilgrimage.

Every year, millions of people around the globe celebrate Christmas. But what does it all mean? Drawing from both the Old and New Testaments, noted pastor and theologian David Jeremiah provides answers to 25 of the most thought-provoking questions surrounding the most pivotal moment in human history--the birth of Jesus Christ. The 25 chapters can be read according to the Advent calendar.

Originally published in 1944, this book presents an examination of the relationship between Christian worship and daily life, putting forward the view that religious feeling should be integrated with the more secular aspects of human existence. Although written from a Quaker perspective, the text was intended to transcend denominational issues and address 'the world-wide fellowship of men and women who are one in the Body of Christ'. Notes are included throughout. This book will be of value to anyone with an interest in theology and the history of Christianity.

The fourth volume of Thomas Merton's complete journals, one of his final literary legacies, springs from three hundred handwritten pages that capture - in candid, lively, deeply revealing passages -- the growing unrest of the 1960s, which Merton witnessed within himself as plainly as in the changing culture around him.

In these decisive years, 1960-1963, Merton, now in his late forties and frequently working in a new hermitage at the Abbey of Gethsemani, finds himself struggling between his longing for a private, spiritual life and the irresistible pull of social concerns. Precisely when he longs for more solitude, and convinces himself he could not cut back on his writing, Merton begins asking complex questions about the contemporary culture ("the 'world' with its funny pants, of which I do not know the name, its sandals and sunglasses"), war, and the churches role in society.

Thus despite his resistance, he is drawn into the world where his celebrity and growing concerns for social issues fuel his writings on civil rights, nonviolence, and pacifism and lead him into conflict with those who urge him to leave the moral issues to bishops and theologians.

This pivotal volume in the Merton journals reveals a man at the height of a brilliant writing career, marking the fourteenth anniversary of his priesthood but yearning still for the key to true happiness and grace. Here, in his most private diaries, Merton is as intellectually curious, critical, and insightful as in his best-known public writings while he documents his movement from the cloister toward the world, from Novice Master to hermit, from ironic critic to joyous witness to the mystery of God's plan.

Thomas Merton (1915-1968) was a Trappist monk, writer and peace activist. His spiritual classics include New Seeds of Contemplation, The Sign of Jonas, Mystics and Zen Masters and The Seven Story Mountain

This is the second 'book of bits' for worship produced by the Wild Goose Worship Group. Its predecessor, Cloth For the Cradle, was received with great enthusiasm by clergy and laity alike. This book traces Jesus' road to the cross through Lent, Holy Week and Easter. Its prime purpose is to resource worship that enables people to sense the hope, apprehension and joy of Easter as felt by Jesus' friends. The range and diversity offers a unique source of elements for lay and clergy worship planners and enablers. All of the material has been used in celebrations and services of public worship, but little has been previously published.

A plain language exploration of the theology of worship Professional theological terminology is often inaccessible to the average Christian. A House of Meanings presents liturgical theology in accessible ways, free of technical language. The book is designed for individual reading and structured to be a resource for a series of parish workshops, especially during the Easter season. Chapters conclude with a discussion guide intended to assist parishioners in developing their own sense of the value of worship and its relationship to our daily lives. Dedicated to deepening parishioners' understandings of the Church and how it has both gathered and sent into service to the world, A House of Meanings will be useful not only to congregations, but to seminarians and anyone planning or evaluating worship.

Gegenstand der Analyse ist der Brauch des Reliquienfests (Heiltumsweisung, ostensio reliquiarum), bei dem die Reliquien einer Kirche oeffentlich zur Schau gestellt wurden. Auf der Grundlage von Untersuchungen zu 24 spatmittelalterlichen Reliquienfesten im roemisch-deutschen Regnum werden die liturgisch-zeremoniellen Muster dieser Feste und ihre Funktionen, besonders im Bereich des Ablasswesens und der Herrschaftsreprasentation (speziell Residenzbildung), dargestellt.

More than a series of rites of passage through the landmarks of growing up and growing old, Jewish and Christian life-cycle rituals give the members of each religious tradition theological and ritualized definitions of what a life should be. In this volume, the fourth in the acclaimed series "Two Liturgical Traditions", eight scholars explore the models of human life implicit in Judaism and Christianity by unraveling and exploring the evolution and current condition of their life-cycle liturgies. The essays presented here emphasize the wholeness of a life as illustrated by the religious metaphors inherent in life-cycle rites. The contributors examine the history and shape of each life-cycle rite - including the rituals and practices associated with birth, adolescence, marriage, sickness, and death - and analyze the theological message that each rite represents.

Persons with dementia present a challenge for theology and pastoral care. In a dialogue with traditional theological, medical, social psychological, and nursing science approaches, this work develops a practical theological method for describing and counseling persons suffering from dementia. It then elucidates specific forms of appropriate pastoral care for persons with dementia, including religious worship, biography work, bibliodrama, pastoral care for the body, and spiritual care of the dying.

Margot E. Fassler's richly documented history-winner of the Otto Kinkeldey Award from the American Musicological Society and the John Nicholas Brown Prize from the Medieval Academy of America-demonstrates how the Augustinians of St. Victor, Paris, used an art of memory to build sonic models of the church. This musical art developed over time, inspired by the religious ideals of Hugh and Richard of St. Victor and their understandings of image and the spiritual journey. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris demonstrates the centrality of sequences to western medieval Christian liturgical and artistic experience, and to our understanding of change and continuity in medieval culture. Fassler examines the figure of Adam of St. Victor and the possible layers within the repertories created at various churches in Paris, probes the ways the Victorine sequences worked musically and exegetically, and situates this repertory within the intellectual and spiritual ideals of the Augustinian canons regular, especially those of the Abbey of St. Victor. Originally published in hardover in 1993, this paperback edition includes a new introduction by Fassler, in which she reviews the state of scholarship on late sequences since the original publication of Gothic Song. Her notes to the introduction provide the bibliography necessary for situating the Victorine sequences, and the late sequences in general, in contemporary thought.

Anne Fedele offers a comprehensive ethnography of alternative pilgrimages to French Catholic shrines dedicated to Saint Mary Magdalene. Drawing on more than three years of extensive fieldwork, she describes how pilgrims from Italy, Spain, Britain, and the United States interpret Catholic figures, symbols, and sites according to spiritual theories and practices derived from the transnational Neopagan movement. Fedele pays particular attention to the life stories of the pilgrims, the crafted rituals they perform, and the spiritual-esoteric literature they draw upon. She examines how they devise their rituals; why this kind of spirituality is increasingly prevalent in the West; and the influence of anthropological literature on the pilgrims. Among these pilgrims, spirituality is lived and negotiated in interaction with each other and with textual sources: Jungian psychology, Goddess mythology, and ''indigenous'' traditions merge into a corpus of theories and practices centered upon the worship of divinities such as the Goddess, Mother Earth, and the sacralization of the reproductive cycle. The pilgrims' rituals present a critique of the Roman Catholic Church and the medical establishment and have critical implications for contemporary discourses on gender. Looking for Mary Magdalene is an invaluable resource for anyone interested in ritual and pilgrimage.

In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated. The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art. Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.

Thomas Csordas's eloquent analysis of the Catholic Charismatic Renewal answers one of the primary callings of anthropology: to stimulate critical reflection by making the exotic seem familiar and the familiar appear strange. Csordas describes the movement's internal diversity and traces its development and expansion across 30 years. He offers insights into the contemporary nature of rationality, the transformation of space and time in Charismatic daily life, gender discipline, the blurring of boundaries between ritual and everyday life, the sense of community forged through shared ritual participation, and the creativity of language and metaphor in prophetic utterance. Charisma, Csordas proposes, is a collective self-process, located not in the personality of a leader, but in the rhetorical resources mobilized by participants in ritual performance. His examination of ritual language and ritual performance illuminates this theory in relation to the postmodern condition of culture.

Die vorliegende Untersuchung befasst sich mit den "Festgottesdiensten" Friedrich Schleiermachers als Prediger an der Berliner Dreifaltigkeitskirche zwischen 1809 und 1829. Ausgehend von Schleiermachers Theorie des Festgottesdienstes werden neun dieser Festgottesdienste rekonstruiert, indem die Elemente Lied, Kirchenmusik, Gebet und Liturgie so weit wie moeglich dokumentiert und deren theologische wie asthetische Koharenz gepruft werden. Unterbrochen werden diese Analysen durch vier Exkurse (Kirchenmusik, Gesangbucharbeit, Agende und Gottesdienstvorbereitung). Es folgt ein Dokumenten- und Materialanhang, der uberwiegend ungedruckte Quellen aus dem Umfeld des Schleiermacherschen Gottesdienstes erstmalig veroeffentlicht, darunter die wieder-entdeckten Protokolle der Berliner "Gesangbuchs-Commission". Die von Schleiermacher in seiner liturgischen Theorie postulierte Einheit und Ganzheit des Kultus kann in seiner eigenen liturgischen Praxis der Festgottesdienste der Berliner Zeit eindrucklich nachgewiesen werden. Die einzelnen liturgischen Elemente sind sorgfaltig aufeinander abgestimmt, wobei jeweils in der Predigt der Schlussel zum theologischen Gesamtverstandnis des Gottesdienstes zu sehen ist.

The study of liturgical reform is usually undertaken through a close examination of liturgical texts. In order to consider the impact of reform on the worship life of Christians, Katharine Mahon takes a wider view of liturgy by considering the worship practices of Christian churches beyond what appears in the rites themselves. Looking at how Christians were taught how to pray and instructed in liturgical and sacramental participation, Mahon explores the late medieval patterns of Christian ritual formation and the transformation of these patterns in the sixteenth-century reforms of Martin Luther, Thomas Cranmer, and Roman Catholic leaders. She uses the Lord's Prayer-the backbone of medieval lay catechesis, liturgical participation, and private prayer-to paint a panorama of medieval ritual formation integrated into the life of the church in the fourteenth and fifteenth centuries. She then follows the disintegration and reconstruction of that system of formation through the changing functions of the Lord's Prayer in the official reforms of catechesis, liturgy, and prayer sixteenth-century.

We all have a little bit of Pharisaism in us.

Pharisaism is one of the sins that angered Jesus the most. Yet we are often in bondage to it without realizing it. How can we recognize the warning signs in our own hearts and lives and be set free?

Do you consider yourself a better Christian than others? Do you enjoy pointing out others' faults while ignoring your own? Do you fail to practice what you preach? If so, you might be a Pharisee--a modern-day version of the religious leaders in Jesus' day whom He condemned for their legalism and self-righteousness. It's time to take a hard look at your attitudes and behavior and allow the Holy Spirit to set you free.

You will learn the following:

• Twenty-five signs that indicate you might be a Pharisee
• Why the sin of pharisaism angered Jesus
• The opposite character trait Jesus modeled
• Steps to take to rid pharisaism from your heart and mind

"American Methodist Worship is the most comprehensive history of worship among John Wesley's various American spiritual descendents that has ever been written. It will be a foundational book for anyone who wishes to understand how American Methodists have worshipped."-Sacramental Life
"This groundbreaking study will help to reshape the way that we think about early American Methodist worship and how it connects to more recent trends."-- The Journal of Religion
"Karen Westerfield Tucker's exhaustive examination of the history of American Methodist worship may indeed launch a new genre in liturgical historiography: denominational liturgical histories. The genius of this contribution is its comprehensiveness in examining for the first time the worship life of an American ecclesiological tradition."--Doxology

"Hymns are prayers in our pockets", writes Pam Rhodes, expressing how hymns help us to respond to God. Pam brings together reflections on some of her favourite hymns. Drawing on her experience of presenting Songs of Praise and sharing the stories of hymn writers past and present, she helps us to make use of their words in expressing our joys and sorrows to God, and finding hope and inspiration in them. Whatever our circumstances, these hymns turn us again to the God who created, knows and sustains us with that "love so amazing" described in the immortal words of hymn writer Isaac Watts.

The meaning of holiness and how one can speak about it remains an active research question in religious studies and theology. The articles analyze discourses about holiness from the religious cultures of late antiquity. Terminologies, practices, and reflections related to holiness are explored in the context of their particular religious frames of reference.

With the decision to provide of a scholarly edition of the Works of John Wesley in the 1950s, Methodist Studies emerged as a fresh academic venture. Building on the foundation laid by Frank Baker, Albert Outler, and other pioneers of the discipline, this handbook provides an overview of the best current scholarship in the field. The forty-two included essays are representative of the voices of a new generation of international scholars, summarising and expanding on topical research, and considering where their work may lead Methodist Studies in the future.
Thematically ordered, the handbook provides new insights into the founders, history, structures, and theology of Methodism, and into ongoing developments in the practice and experience of the contemporary movement. Key themes explored include worship forms, mission, ecumenism, and engagement with contemporary ethical and political debate.

The National Shrine in Washington, DC has been deeply loved, blithely ignored, and passionately criticized. It has been praised as a "dazzling jewel" and dismissed as a "towering Byzantine beach ball." In this intriguing and inventive book, Thomas Tweed shows that the Shrine is also an illuminating site from which to tell the story of twentieth-century Catholicism. He organizes his narrative around six themes that characterize U.S. Catholicism, and he ties these themes to the Shrine's material culture--to images, artifacts, or devotional spaces. Thus he begins with the Basilica's foundation stone, weaving it into a discussion of "brick and mortar" Catholicism, the drive to build institutions. To highlight the Church's inclination to appeal to women, he looks at fund-raising for the Mary Memorial Altar, and he focuses on the Filipino oratory to Our Lady of Antipolo to illustrate the Church's outreach to immigrants. Throughout, he employs painstaking detective work to shine a light on the many facets of American Catholicism reflected in the shrine.