Of all the things we can know about J. S. Bach's Mass in B Minor and Christmas Oratorio, the most profound come from things we can hear. Listening to Bach explores musical style as it was understood in the early eighteenth century. It encourages ways of listening that that take eighteenth-century musical sensibilities into account and that recognize our place as inheritors of a long tradition of performance and interpretation. Daniel R. Melamed shows how to recognize old and new styles in sacred music of Bach's time, and how movements in these styles are constructed. This opens the possibility of listening to the Mass in B Minor as Bach's demonstration of the possibilities of contrasting, combining, and reconciling old and new styles. It also shows how to listen for elements that would have been heard as most significant in the early eighteenth century, including markers of sleep arias, love duets, secular choral arias, and other movement types. This offers a musical starting point for listening for the ways Bach put these types to use in the Mass in B Minor and the Christmas Oratorio. The book also offers ways to listen to and think about works created by parody, the re-use of music for new words and a new purpose, like almost all of the Mass in B Minor and Christmas Oratorio. And it shows that modern performances of these works are stamped with audible consequences of our place in the twenty-first century. The ideological choices we make in performing the Mass and Oratorio, part of the legacy of their performance and interpretation, affect the way the work is understood and heard today. All these topics are illustrated with copious audio examples on a companion Web site, offering new ways of listening to some of Bach's greatest music.

Survey of an important period in the development of the choral tradition in the Anglican church. When Bernarr Rainbow was director of music at the College of St Mark and St John, Chelsea, he came across the 1849 diary of service music of Thomas Helmore. Astonished at its breadth of repertoire, he was inspired to investigate the circumstances of the document. His findings are recorded in this book, which sets Thomas Helmore's contribution in perspective against the background of the Choral Revival as a whole. In tracing the history of the remarkable revival of care for the music of the liturgy, the author produced a socio-musical history of a period vital in the evolution of the Anglican Church, and made clear, probably for the first time, how music in the Anglican Churchcame to follow lines which are unique in Christendom. His book was originally published at a time of important changes in ecclesiastical thinking; his presentation of the decisions taken in the past which led to the existing relationship between choirs and congregations, interesting in itself, is also valuable in the continuing debate.

What would you do for twenty-four hours if the only criteria were to pursue your deepest joy?

Dan Allender's lyrical book about the Sabbath expels the myriad myths about this "day of rest," starting with the one that paints the Sabbath as a day of forced quiet, spiritual exercises, and religious devotion and attendance. This, he says, is at odds with the ancient tradition of Sabbath as a day of delight for both body and soul. Instead, the only way we can make use of the Sabbath is to see God's original intent for the day with new eyes. In "Sabbath," Allender builds a case for delight by looking at this day as a festival that celebrates God's re-creative, redemptive love using four components:

Sensual glory and beautyRitualCommunal feastingPlayfulness

Now you can experience the delight of the Sabbath as you never have before--a day in which you receive and extend reconciliation, peace, abundance, and joy.

The Ancient Practices

There is a hunger in every human heart for connection, primitive and raw, to God. To satisfy it, many are beginning to explore traditional spiritual disciplines used for centuries . . . everything from fixed-hour prayer to fasting to sincere observance of the Sabbath. Compelling and readable, the Ancient Practices series is for every spiritual sojourner, for every Christian seeker who wants more.

What if a simple day away could transform your life? Does spending time with God sound like just one more thing to check off an ever-increasing to-do list? How are you supposed to fit in anything that threatens to be more time-consuming? Too often there's simply no room to experience the intimacy, grace, and peace that God offers us. Getaway with God does more than invite you to step away from life's pressures to take a personal retreat. It shows you exactly why you must--for your sake and for your family's. With grace and warmth, Letitia Suk provides step-by-step guidance and the necessary tools to enable any woman on any budget to plan time away, whether it's a quick, half-day break or a weeklong time of restoration. You'll find detailed steps for preparation, including descriptions of different kinds of retreats and how to choose the best one for you, and you'll learn ways to bring the renewal you experience home with you. Practical appendixes identify retreat centers nationwide and provide exercises and prayers to kick-start your getaway with God. No matter what your season in life, the time for retreat is now! "Getaway with God is a gem!" --Karen Burton Mains, author of Open Heart, Open Home, director of Hungry Souls

For Catholics, the family is recognized as the "domestic church," and it is in the family that people learn to recognize the love of God and to turn to Him in prayer. It is in the family that people first learn the virtues of living a God-centered life.
"Catholic Household Blessings and Prayers" contains prayers that have marked the joys, sorrows, and daily routines of many generations. Included in this volume are chapters on basic prayers, daily prayers, a useful calendar of saints, and blessings for all the seasons of the year. Also, included in this compendium are prayers to the Virgin Mary; the Liturgy of the Hours; prayers upon waking, at mealtime and before retiring for the night; prayers and blessings for feast days and holidays; prayers during times of anger, forgiveness, sickness, loss, grief, thanksgiving, conflict; as well as prayers for the Church and lay people alike.
A wonderful gift idea for people of all ages, this handsome book will inspire you and your loved one to enter more deeply into God's love.

Before the charismatic John Duval Gluck, Jr. came along, letters from New York City children to Santa Claus were destroyed, unopened, by the U.S. Post Office. Gluck saw an opportunity, and created the Santa Claus Association. The effort delighted the public, and for 15 years money and gifts flowed to the only group authorized to answer Santa's mail. Gluck became a Jazz Age celebrity, rubbing shoulders with the era's movie stars and politicians, and even planned to erect a vast Santa Claus monument in the center of Manhattan - until Gotham's crusading charity commissioner discovered some dark secrets in Santa's workshop. The rise and fall of the Santa Claus Association is a caper both heartwarming and hardboiled, involving stolen art, phony Boy Scouts, a kidnapping, pursuit by the FBI, a Coney Island bullfight, and above all, the thrills and dangers of a wild imagination. It's also the larger story of how Christmas became the extravagant holiday we celebrate today, from Santa's early beginnings in New York to the country's first citywide Christmas tree and Macy's first grand holiday parade.The Santa Claus Man is a holiday tale with a dark underbelly, and an essential read for lovers of Christmas stories, true crime, and New York City history.

"Gertrud Nelson has written a book on ritual that is one of a kind. Her exquisitely written volume covers the history, psychology and spirituality of ritual in general and Christian ritual in particular. Enlivened by pithy and insightful examples, many of them drawn from her own family life, Ms. Nelson penetrates to the heart of the meaning of ritual and ceremony in a fresh way. She manages to escape the trap of many writers on this subject-superficial piety-and makes relevant for the modern reader the importance of ritual for connecting us to the meaning and flow of life. I would not have thought in today's rationalistic age that the ceremonies of life could be made vital again as cogently and splendidly as has been don in this book. Sometimes even single sentences speak volumes: 'It is Advent, and we, a people, are pregnant.' This is a book to be read carefully, perhaps only a few pages a day. Reading the book can become a ritual, especially for Christian people to whom it is primarily addressed. Beautiful illustrations by the author add to the expressiveness of this carefully composed work. This book may prove to be a classic treatment of the meaning of ritual for this modern era." -John Sanford

What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once 'foreign' become 'indigenous'? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be 'local' and 'Christian'. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be 'local' and 'Christian'. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.