Would you like to learn to pray like a medieval Christian? In Mary and the Art of Prayer, Rachel Fulton Brown traces the history of the medieval practice of praising Mary through the complex of prayers known as the Hours of the Virgin. More than just a work of comprehensive historical scholarship, the book asks readers to immerse themselves in the experience of believing in and praying to Mary. Mary and the Art of Prayer crosses the boundaries that modern scholars typically place between observation and experience, between the world of provable facts and the world of imagination, suggesting what it would have been like for medieval Christians to encounter Mary in prayer. Mary and the Art of Prayer opens with a history of the devotion of the Hours or "Little Office" of the Virgin. It then guides readers in the practice of saying this Office, including its invitatory (Ave Maria), antiphons, psalms, lessons, and prayers. The book works on several levels at once. It provides a new methodology for thinking about devotion and prayer; a new appreciation of the scope of and audience for the Hours of the Virgin; a new understanding of how Mary functions theologically and devotionally; and a new reading of sources not previously taken into account. A courageous and moving work, it will transform our ideas of what scholarship is and what it can accomplish.

In this groundbreaking, interdisciplinary study, Andrew Walker White explores the origins of Byzantine ritual - the rites of the early Greek Orthodox Church - and its unique relationship with traditional theatre. Tracing the secularization of pagan theatre, the rise of rhetoric as an alternative to acting, as well as the transmission of ancient methods of musical composition into the Byzantine era, White demonstrates how Christian ritual was in effect a post-theatrical performing art, created by intellectuals who were fully aware of traditional theatre but who endeavoured to avoid it. The book explores how Orthodox rites avoid the aesthetic appreciation associated with secular art, and conducts an in-depth study (and reconstruction) of the late Byzantine Service of the Furnace. Often treated as a liturgical drama, White translates and delineates the features of five extant versions, to show how and why it generated widely diverse audience reactions in both medieval times and our own.

David Brown is a widely-respected British theologian who initially made his mark in analytic discussions of Christian doctrine, such as the Trinity. However, with the publication of Tradition and Imagination: Revelation and Change (1999) his career entered a distinctly new phase, focused on theology, imagination, and the arts. Four related volumes followed, dealing with biblical interpretation, Christian discipleship, art and icons, place and space, the body, music, metaphor, drama, liturgy, the sacraments, religious experience, and popular culture. According to Brown, the fundamental thesis underlying all five volumes is that both natural and revealed theology are in crisis, and the only way out is to give proper attention to the cultural embeddedness of both.
Theology, Aesthetics, and Culture is the first attempt to assess the significance of this remarkable series, and its contributors include some of the most prominent philosophers, theologians, historians, biblical scholars, literary scholars, and cultural critics writing today. Aside from its exceptional interdisciplinary range and ecumenical line-up, a distinctive feature is sustained consideration of Brown's analysis of popular culture. Given the stature of the contributors, this volume is not merely of interest as a commentary on Brown's work, but also makes an important original contribution to our understandings of theology, aesthetics, and culture as they relate to the life of the Church, academy, and human society.

The services of Holy Week of the Orthodox Church in Greek and English. Contains: Holy Sunday evening (Nymphios), Holy Monday evening, Holy Tuesday evening, Holy Wednesday morning (Divine Liturgy of the Presanctified Gifts) and evening, Holy Wednesday afternoon (Holy Oil), Holy Wednesday evening (Orthros of Holy Thursday), Holy Thursday morning (Vesperal Divine Liturgy of Saint Basil the Great) and evening (The Passion), Holy Friday morning (Great Hours), Holy Friday afternoon (Unnailing), Holy Friday evening (Lamentations w/ Greek phonetics), Holy Saturday morning (Vesperal Divine Liturgy of St. Basil the Great), Holy Saturday evening (The Vigil of Pascha) and Holy Saturday afternoon (Vespers of Love). The texts of the services are uncut, and include the priestly prayers missing from other texts currently available. Translation by Arch. Ephrem Lash. English text metered and set to traditional Byzantine melodies by David Melling. Paschal Canon adapted to traditional melodies by EIKONA. Second hardcover Printing, March 2014.

How can the Body and Blood of Christ, without ever leaving heaven, come to be really present on eucharistic altars where the bread and wine still seem to be? Thirteenth and fourteenth century Christian Aristotelians thought the answer had to be "transubstantiation."
Acclaimed philosopher, Marilyn McCord Adams, investigates these later medieval theories of the Eucharist, concentrating on the writings of Thomas Aquinas, Giles of Rome, Duns Scotus, and William Ockham, with some reference to Peter Lombard, Hugh of St. Victor, and Bonaventure. She examines how their efforts to formulate and integrate this theological datum provoked them to make significant revisions in Aristotelian philosophical theories regarding the metaphysical structure and location of bodies, differences between substance and accidents, causality and causal powers, and fundamental types of change. Setting these developments in the theological context that gave rise to the question draws attention to their understandings of the sacraments and their purpose, as well as to their understandings of the nature and destiny of human beings.
Adams concludes that their philosophical modifications were mostly not ad hoc, but systematic revisions that made room for transubstantiation while allowing Aristotle still to describe what normally and naturally happens. By contrast, their picture of the world as it will be (after the last judgment) seems less well integrated with their sacramental theology and their understandings of human nature.

The primary aim of this book is to explore the contradiction between widely shared beliefs in the USA about racial inclusiveness and equal opportunity for all and the fact that most churches are racially homogeneous and do not include people with disabilities. To address the problem Mary McClintock Fulkerson explores the practices of an interracial church (United Methodist) that includes people with disabilities. The analysis focuses on those activities which create opportunities for people to experience those who are different' as equal in ways that diminish both obliviousness to the other and fear of the other. In contrast with theology's typical focus on the beliefs of Christians, this project offers a theory of practices and place that foregrounds the instinctual reactions and communications that shape all groups. The effect is to broaden the academic field of theology through the benefits of ethnographic research and postmodern place theory.

Surviving for over five hundred years, the Hutterites have created the world's most successful communal society.
In the past, the colony was an "ark," isolated from the secular world and from the society which surrounded it. Today, Hutterite colonies face challenges from globalization and the advent of new technologies. A recent reality TV show and an inflammatory book by former members have brought an unwelcomed spotlight to the community.
"Inside the Ark" presents quite a different picture from these sensational offerings. As the authors note in this new edition, "it is easy to find fault with any social organization, less easy to analyze it from a dispassionate standpoint." In this award-winning book, they offer a thoughtful and thorough analysis of Hutterite society and seek to understand a complex and often misunderstood community.

What would you do for twenty-four hours if the only criteria were to pursue your deepest joy?

Dan Allender's lyrical book about the Sabbath expels the myriad myths about this "day of rest," starting with the one that paints the Sabbath as a day of forced quiet, spiritual exercises, and religious devotion and attendance. This, he says, is at odds with the ancient tradition of Sabbath as a day of delight for both body and soul. Instead, the only way we can make use of the Sabbath is to see God's original intent for the day with new eyes. In "Sabbath," Allender builds a case for delight by looking at this day as a festival that celebrates God's re-creative, redemptive love using four components:

Sensual glory and beautyRitualCommunal feastingPlayfulness

Now you can experience the delight of the Sabbath as you never have before--a day in which you receive and extend reconciliation, peace, abundance, and joy.

The Ancient Practices

There is a hunger in every human heart for connection, primitive and raw, to God. To satisfy it, many are beginning to explore traditional spiritual disciplines used for centuries . . . everything from fixed-hour prayer to fasting to sincere observance of the Sabbath. Compelling and readable, the Ancient Practices series is for every spiritual sojourner, for every Christian seeker who wants more.

This volume proposes a fresh strategy for ecumenical engagement - 'Receptive Ecumenism' - that is fitted to the challenges of the contemporary context and has already been internationally recognised as making a distinctive and important new contribution to ecumenical thought and practice. Beyond this, the volume tests and illustrates this proposal by examining what Roman Catholicism in particular might fruitfully learn from its ecumenical others.
Challenging the tendency for ecumenical studies to ask, whether explicitly or implicitly, 'What do our others need to learn from us?', this volume presents a radical challenge to see ecumenism move forward into action by highlighting the opposite question 'What can we learn with integrity from our others?'
This approach is not simply ecumenism as shared mission, or ecumenism as problem-solving and incremental agreement but ecumenism as a vital long-term programme of individual, communal and structural conversion driven, like the Gospel that inspires it, by the promise of conversion into greater life and flourishing. The aim is for the Christian traditions to become more, not less, than they currently are by learning from, or receiving of, each other's gifts.
The 32 original essays that have been written for this unique volume explore these issues from a wide variety of denominational and disciplinary perspectives, drawing together ecclesiologists, professional ecumenists, sociologists, psychologists, and organizational experts.

Musical activity is one of the most ubiquitous and highly valued forms of social interaction in North America (to say nothing of world over), being engaged from sporting events to political rallies, concerts to churches. Moreover, music's use as an affective agent for political and religious programs suggests that it has ethical significance. Indeed, many have said as much. It is surprising then that music's ethical significance remains one of the most undertheorized aspects of both moral philosophy and music scholarship. Music for Others: Care, Justice, and Relational Ethics in Christian Music fills part of this scholarly gap by focusing on the religious aspects of musical activity, particularly on the practices of Christian communities. Based on ethnomusicological fieldwork at three Protestant churches and a group of seminary students studying in an immersion course at South by Southwest (SXSW), and synthesizing theories of discourse, formation, and care ethics oriented towards restorative justice, it first argues that relationships are ontological for both human beings and musical activity. It further argues that musical meaning and emotion converge in human bodies such that music participates in personal and communal identity construction in affective ways-yet these constructions are not always just. Thus, considering these aspects of music's ways of being in the world, Music for Others finally argues that music is ethical when it preserves people in and restores people to just relationships with each other, and thereby with God.

This book describes the role of the medieval Orthodox Church in the Byzantine Empire (c.600-c.1453). As an integral part of its policy it was (as in western Christianity) closely linked with many aspects of everyday life both official and otherwise. It was a formative period for Orthodoxy. It had to face doctrinal problems and heresies; at the same time it experienced the continuity and deepening of its liturgical life. While holding fast to the traditions of the fathers and the councils, it saw certain developments in doctrine and liturgy as also in administration.
Part I discusses the landmarks in ecclesiastical affairs within the Empire as well as the creative influence exercised on the Slavs and the increasing contacts with westerners particularly after 1204. Part II gives a brief account of the structure of the medieval Orthodox Church, its officials and organization, and the spirituality of laity, monks, and clergy.

"Pilgrim's Guide to Lourdes" is a quality guide book that takes you right through the Lourdes Story, and explores the meaning of pilgrimage. This guide covers the Bernadette story and its historical background, the Domain and all the sacred sites associated with Bernadette in the town and area, what to see in the surrounding area, and all the practical information you will need for your pilgrimage. There is also a devotional section with a Programme for Prayer and Meditation to ensure that your pilgrimage is full of meaning.

With the decision to provide of a scholarly edition of the Works of John Wesley in the 1950s, Methodist Studies emerged as a fresh academic venture. Building on the foundation laid by Frank Baker, Albert Outler, and other pioneers of the discipline, this handbook provides an overview of the best current scholarship in the field. The forty-two included essays are representative of the voices of a new generation of international scholars, summarising and expanding on topical research, and considering where their work may lead Methodist Studies in the future.
Thematically ordered, the handbook provides new insights into the founders, history, structures, and theology of Methodism, and into ongoing developments in the practice and experience of the contemporary movement. Key themes explored include worship forms, mission, ecumenism, and engagement with contemporary ethical and political debate.

Sing! has grown from Keith and Kristyn Getty's passion for congregational singing; it's been formed by their traveling and playing and listening and discussing and learning and teaching all over the world. And in writing it, they have five key aims: to discover why we sing and the overwhelming joy and holy privilege that comes with singing ; to consider how singing impacts our hearts and minds and all of our lives; to cultivate a culture of family singing in our daily home life; to equip our churches for wholeheartedly singing to the Lord and one another as an expression of unity; to inspire us to see congregational singing as a radical witness to the world. They have also added a few "bonus tracks" at the end with some more practical suggestions for different groups who are more deeply involved with church singing. God intends for this compelling vision of His people singing -- a people joyfully joining together in song with brothers and sisters around the world and around his heavenly throne -- to include you. He wants you,he wants us, to sing.

Revised and updated, this popular book shows pastors and worship leaders the basics of United Methodist worship.

In this straightforward and updated commentary, Hoyt Hickman explains the basic pattern of United Methodist worship within the broader context of Christian worship. Drawing upon five basic principles, the author explains the formative nature of worship and how it can revitalize persons' lives. These principles are: God's Word is primary; active congregational participation is crucial; spontaneity and order are both important; worship should be relevant and inclusive; and worship is communion. This revision will highlight the African-American contribution to UM worship, discuss at greater length what the various worship styles mean for us today, say more about the formative nature of worship, and include updated resources including the Abingdon Worship Annual, the Abingdon Preaching Annual, and WorshipConnection.

Explains basic resources for planning and leading worship. Gives the basic pattern of UM worship and its origins. Gives practical suggestions how to renew and revitalize worship. Helps pastors be effective leaders in planning and revitalizing worship. Helps pastors understand and communicate the uniqueness of UM worship. Helps pastors lead their congregation into a deeper and richer experience of God through worship.

Preparing worship services for each Sunday can be very challenging -- especially finding just the right balance between reverence for God and relevance to our everyday lives. In Cradled in God's Heart, the newest edition of CSS' Lectionary Worship Aids series, Thom Shuman provides a wide range of responsive and pastoral prayers to help busy pastors and worship planners strike the perfect chord in developing their own services. Shuman's poetic prayers are filled with vivid imagery reminding us of God's all-encompassing love and forgiveness -- and his penetrating sensibility helps link the holy with the mundane realities of modern existence. With a complete set of thematically unified worship material keyed to each week's lectionary texts, this is a resource that will be used again and again throughout the year to create truly inspiring worship experiences.

Human character is best described by telling stories about people. The Lent Factor describes forty very different people - one for each day of Lent - who have a special quality about them, and uses their stories to reflect on how faith and character are connected. A theme from each brief story is illuminated by reflection on a scene, passage or word from the Bible. The appropriateness of the use of a cross to mark out the 'X' factor within human beings becomes the more pertinent as the journey through Lent approaches Holy Week and Easter. The cast list includes Edith Cavell, Philip Toynbee (father of Polly), UA Fanthorpe, Dorothy Sayers, Richard Cromwell (son of Oliver), WH Auden, Julian of Norwich, Bishop Reginald Heber and many others from different backgrounds and diverse periods of history, some famous and some entirely unknown.

Based on the bestselling video series What's in the Bible?, Why Easter? features a foundational faith concept and charming illustrations to help parents teach preschoolers why we celebrate Easter.

Clive laughed. ". . .But colorful eggs and fluffy bunnies aren't what Easter is about anyway."

"They aren't?" Ian asked. "Why do we celebrate Easter then?"

As brothers Clive and Ian dye Easter eggs and discuss their favorite things about the holiday-the Easter pony . . . or is it a bunny . . . or perhaps an Easter chicken?-Clive explains that Easter is about more than colorful eggs and fluffy bunnies. So why do we celebrate Easter? The answer is as exciting as it is wonderful: because of Jesus!