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Books > Religion & Spirituality > Christianity > Christian worship > General
Purity, Community, and Ritual in Early Christian Literature
investigates the meaning of purity, purification, defilement, and
disgust for Christian writers, readers, and listeners from the
first to third centuries. Anthropological and sociological works
over the past decades have demonstrated how purity and defilement
rituals, practices, and discourses harness the power of a raw
emotion in order to shape and manipulate cultural structures. Moshe
Blidstein builds on such theories to explain how early Christian
writers drew on ancient Jewish and Greco-Roman traditions on purity
and defilement, using them to create new types of community, form
Christian identity, and articulate the relationship between body,
sin, and ritual. Blidstein discusses early Christian purity issues
under several headings: dietary law, death defilement, purity of
the heart, defilement of outsiders, and purity of the community.
Analysis of the motivations shaping the development of each area of
discourse reveals two major considerations: polemical and
substantive. Thus, Christian writing on dietary law and death
defilement is essentially polemical, constructing Christian
identity by marking the purity practices and beliefs of others as
false. Concerning the subjects of baptism, eucharist, and penance,
however, the discourse turns inwards and becomes more substantive,
seeking to create and maintain theories of ritual and human nature
coherent with the theological principles of the new religion.
Thomas Merton's classic study of monastic prayer and contemplation
brings a tradition of spirituality alive for the present day. But,
as A. M. Allchin points out in his Introduction to this new
edition, Contemplative Prayer also shows us the present day in a
new perspective, because we see it in the light of a long and
living tradition. Merton stresses that in meditation we should not
look for a 'method' or 'system' but cultivate an 'attitude' or
'outlook': faith, openness, attention, reverence, expectation,
trust, joy. God is found in the desert of surrender, in giving up
any expectation of a particular message and 'waiting on the Word of
God in silence'. Merton insists on the humility of faith, which he
argues 'will do far more to launch us into the full current of
historical reality than the pompous rationalisations of politicians
who think they are somehow the directors and manipulators of
history'.
Penance and confession were an integral part of medieval religious
life; essays explore literary evidence. Penance, confession and
their texts (penitential and confessors' manuals) are important
topics for an understanding of the middle ages, in relation to a
wide range of issues, from medieval social thought to Chaucer's
background. These essays treat a variety of different aspects of
the topic: subjects include the frequency and character of early
medieval penance; the summae and manuals for confessors, and the
ways in which these texts (written by males for males) constructed
women as sexual in nature; William of Auvergne's remarkable writing
on penance; and the relevance of confessors' manuals for
demographic history. JOHN BALDWIN's major study "From the Ordeal to
Confession", delivered as a Quodlibet lecture, traces the
appearance in French romances of the themes of a penitent's
contrition, the priest's job in listening, and the application of
the spiritual conseil and penitence. PETER BILLER is Professor of
Medieval History at the University of York; A.J. MINNIS is Douglas
Tracy Smith Professor of English, Yale University. Contributors:
PETER BILLER, ROB MEENS, ALEXANDER MURRAY, JACQUELINE MURRAY,
LESLEY SMITH, MICHAEL HAREN, JOHN BALDWIN
Rudolf Steiner, the often undervalued, multifaceted genius of
modern times, contributed much to the regeneration of culture. In
addition to his philosophical teachings, he provided ideas for the
development of many practical activities, including education -
both general and special - agriculture, medicine, economics,
architecture, science, religion and the arts. Steiner's original
contribution to human knowledge was based on his ability to conduct
'spiritual research', the investigation of metaphysical dimensions
of existence. With his scientific and philosophical training, he
brought a new systematic discipline to the field, allowing for
conscious methods and comprehensive results. A natural seer from
childhood, he cultivated his spiritual vision to a high degree,
enabling him to speak with authority on previously veiled mysteries
of life. Samples of Steiner's work are to be found in this
introductory reader in which Matthew Barton brings together
excerpts from Steiner's many talks and writings on the festivals of
Whitsun and Ascension. The volume also features an editorial
introduction, afterword, commentary and notes.
Maybe you've known Christians who fast, but don't know what it's
all about. Maybe you've thought about fasting yourself, but aren't
sure where to start. This introduction to fasting gives you
biblical answers to common questions: What is fasting? Does Jesus
say we have to fast? What's the "Daniel fast?" What is "prayer and
fasting?" Includes key Bible verses on fasting and a chart of
examples of fasting in the Bible.
Why go to church? What happens in church and why does it matter?
The Empty Church presents fresh answers to these questions by
creating an interdisciplinary conversation between theater
directors and Christian theologians. This original study expands
church beyond the sanctuary and into life. Shannon Craigo-Snell
emphasizes the importance of liturgical worship in forming
Christians as characters crafted by the texts of the Bible. This
formation includes shaping how Christians know, in ways that
involve the intellect, emotions, body, and will. Each chapter
brings a theater director into dialogue with a theologian, teasing
out the ways performance enriches hermeneutics, anthropology, and
epistemology. Thinkers like Karl Barth, Peter Brook, Delores
Williams, and Bertolt Brecht are examined for their insights into
theology, worship, and theater. The result is a compelling
depiction of church as performance of relationship with Jesus
Christ, mediated by Scripture, in hope of the Holy Spirit.
Liturgical worship, at its best, forms Christians in patterns of
affections. This includes the cultivation of emotion memories
influenced by biblical narratives, as well as a repertoire of
physical actions that evoke particular affections. Liturgy also
encourages Christians to step into various roles, enabling them to
make intellectual and volitional choices about what roles to take
up in society. Through liturgical worship, the author argues,
Christians can be formed as people who hope, and therefore as
people who live in expectation of the presence and grace of God.
This entails a discipline of emptiness that awaits and appreciates
the Holy Spirit. Church performance must therefore be provisional,
ongoing, and open to further inspiration.
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