Louis IX, king of France from 1226 to 1270 and twice crusader, was canonized in 1297. He was the last king canonized during the medieval period, and was both one of the most important saints and one of the most important kings of the later Middle Ages. In Blessed Louis, the Most Glorious of Kings: Texts Relating to the Cult of Saint Louis of France, M. Cecilia Gaposchkin presents six previously untranslated texts that informed medieval views of St. Louis IX: two little-known but early and important vitae of Saint Louis; two unedited sermons by the Parisian preacher Jacob of Lausanne (d. 1322); and a liturgical office and proper mass in his honor-the most commonly used liturgical texts composed for Louis' feast day-which were widely copied, read, and disseminated in the Middle Ages. Gaposchkin's aim is to present to a diverse readership the Louis as he was known and experienced in the Middle Ages: a saint celebrated by the faithful for his virtue and his deeds. She offers for the first time to English readers a typical hagiographical view of Saint Louis, one in counterbalance to that set forth in Jean of Joinville's Life of Saint Louis. Although Joinville's Life has dominated our views of Louis, Joinville's famous account was virtually unknown beyond the French royal court in the Middle Ages and was not printed until the sixteenth century. His portrayal of Louis as an individual and deeply charismatic personality is remarkable, but it is fundamentally unrepresentative of the medieval understanding of Louis. The texts that Gaposchkin translates give immediate access to the reasons why medieval Christians took Louis to be a saint; the texts, and the image of Saint Louis presented in them, she argues, must be understood within the context of the developing history of sanctity and sainthood at the end of the Middle Ages.

Assist Our Song combines accessible teaching about the theology and shape of worship with essential information about the forms of music used, including congregational hymns, songs, canticles and psalm chant, and music performed by choirs and musicians. It explores the range of resources available, how to extend repertoire, blending the old with the new, changing patterns of church life, and other practical issues. Its aims are the heightening of the profile of music within the church, increasing the skills and understanding on the part of musicians and choirs, assisting leaders of worship and empowering congregations to see themselves also as 'ministers of music' It offers practical assistance for the 'delivery' of music - choosing music, making the most of choirs and working with musicians. It will be welcomed by all who lead, provide or curate music in worship, as well as clergy and ordinands who lack musical expertise or confidence.

The best way to prepare for the Camino is with one of the world's greatest pilgrims, Ignatius Loyola. In Contemplating the Camino Brendan McManus SJ prepares you spiritually, emotionally and practically for the task of walking the Camino de Santiago. Drawing on his own experience of this walk, and his background in Ignatian spirituality, he develops an approach to the Camino inspired by the teachings of Ignatius Loyola. Focusing on the balance of grief and joy in our lives, and the changes in our own emotions, Contemplating the Camino is a key to the challenges and triumphs of pilgrimage.

From 1824 to 1843 Newman was an active clergyman of the Church of England; during these years he entered the pulpit about 1,270 times. He published 217 of the sermons which he wrote during these years; a further 246 sermons survive in manuscript in the Archives of the Birmingham Oratory, some only as fragments, some simply as sermon abstracts, but the majority as full texts. When completed, this series of the sermons will consist of five volumes.
Volume IV contains thirty-nine sermons covering a period of sixteen years from the time when John Henry was still an Evangelical to the period immediately leading up to his departure from the Church of England.
Part I contains twelve sermons on the Church, preached over a thirteen-year period from 1824 to 1837. Five of these belong to the twenty months spent as Curate of the old church of St Clement's and the other seven while Vicar of St Mary's, including the first sermon he ever preached on High Church principles.
Part II contains a miscellany of twenty-seven sermons preached between 1828 and 1840. They range from five sermons on the Incarnate Christ; one to commemorate the dedication of the new church at Littlemore; one on Rome and Antichrist, two on behalf of the Church Missionary Society and the Society for the Propagation of the Gospel; two to mark the deaths of George IV and his former classic master, Walter Meyers; one also to commemorate the anniversary of the execution of Charles I.

Coronations are the grandest of all state occasions. This is the first comprehensive in-depth study of the music that was performed at British coronations from 1603 to the present, encompassing the sixteen coronations that have taken place in Westminster Abbey and the last two Scottish coronations. Range describes how music played a crucial role at the coronations and how the practical requirements of the ceremonial proceedings affected its structure and performance. The programme of music at each coronation is reconstructed, accompanied by a wealth of transcriptions of newly discovered primary source material, revealing findings that lead to fresh conclusions about performance practices. The coronation ceremonies are placed in their historical context, including the political background and the concept of invented traditions. The study is an invaluable resource not only for musicologists and historians, but also for performers, providing a fascinating insight into the greatest of all Royal events.

Einerseits lassen die jungsten Neuentdeckungen von Augustinus-Predigten angesichts des Umfangs seiner Verkundigungspraxis auch in Zukunft weitere Funde erwarten, insbesondere mit Hilfe der modernen Informationstechnik auch in bereits katalogisierten Handschriften. Andererseits stellen die Neufunde Vorstellungen von eher mechanischen Motiven und Methoden der handschriftlichen UEberlieferung grundlegend in Frage. Die vorliegende Studie zeigt durch die Identifizierung von neuen Textzeugen zu 43 Sermones ad populum sowie zu 57 als Predigten verwendeten Exzerpten anderer Schriften Augustins, dass Auswahl und Form der UEberlieferung wesentlich von den mittelalterlichen und neuzeitlichen Redaktoren nach Kriterien der liturgischen Verwendbarkeit der Texte zu ihrer Zeit mitbestimmt wurden.

Using the Blob style of illustration popularised in the Blob Tree publications, The Visual Christmas Story opens up the Bible for readers and non-readers alike, of all ages and abilities, and is suitable for use at home, church or school. The Bible text appears opposite verse-by-verse illustrations that encourage emotional and intuitive engagement with the narrative. Includes the Old Testament prophecies of the coming of Jesus.

The history and underlying ideology of pilgrimage examined, from prehistory to the middle ages. The enduring importance of pilgrimage as an expression of human longing is explored in this volume through three major themes: the antiquity of pilgrimage in what became the Christian world; the mechanisms of Christian pilgrimage(particularly in relation to the practicalities of the journey and the workings of the shrine); and the fluidity and adaptability of pilgrimage ideology. In their examination of pilgrimage as part of western culture from neolithictimes onwards, the authors make use of a range of approaches, often combining evidence from a number of sources, including anthropology, archaeology, history, folklore, margin illustrations and wall paintings; they suggest that it is the fluidity of pilgrimage ideology, combined with an adherence to supposedly traditional physical observances, which has succeeded in maintaining its relevance and retaining its identity. They also look at the ways in whichpilgrimage spilled into, or rather was part of, secular life in the middle ages. Dr JENNIE STOPFORD teaches in the Centre for Medieval Studies, University of York. Contributors: RICHARD BRADLEY, E.D. HUNT, JULIEANN SMITH, SIMON BARTON, WENDY R. CHILDS, BEN NILSON, KATHERINE J. LEWIS, DEBRA J. BIRCH, SIMON COLEMAN, JOHN ELSNER, A. M. KOLDEWEIJ.

The biblical title 'The Prince of Peace' leaves us in no doubt that God's purpose in Jesus Christ is to bring peace - universal peace, both with God and with our neighbours. But have we really understood what this peace might look like, especially in a world of wars and suffering? David Kerrigan sees the coming of Jesus at Christmas as central to the divine plan to bring peace to the world. Through reflection on biblical texts and mission stories he locates God at the centre of our mission and encourages us to restore the peace, joy and hope that come from accompanying Jesus.

Gegenstand der Arbeit ist das Phanomen der arteigenen Religion/Religiositat, welches in Deutschland seit dem ausgehenden 19. Jahrhundert bis ins erste Drittel des 20. Jahrhunderts zu beobachten ist. Die Arbeit befasst sich sowohl mit den verschiedenen theoretischen Ansatzen prominenter Ideologen und Wegbereiter als auch mit den zahlreichen Stroemungen und Gemeinschaften, die in gegenseitiger Konkurrenz standen. Anhand von Kriterien wie Aufbau und Organisation, soziale Basis oder Lehre wird herausgearbeitet, wo die Gemeinsamkeiten und Unterschiede zwischen Deutschen Christen, Neugermanen oder okkulten Ariosophen liegen. Gleichzeitig wird der Frage nachgegangen, weshalb die artreligioesen Gemeinschaften ausgerechnet im Dritten Reich ihr Ende fanden. Der Autor nahm im Vorfeld an, dass es sich bei den Entwurfen arteigener Religion primar um eine Reaktion auf eine als bedrohlich empfundene Gegenwart, also um ein Symptom der Zeit handelt. Ziel der empirisch-deskriptiven Studie ist es daher, anhand des Quellenmaterials diese These zu be- oder auch zu widerlegen. Arteigene Religion - ein Symptom der Zeit? Ein Versuch, der Moderne mit ihren sozialen, kulturell-religioesen und oekonomisch-politischen Krisen eine nationale, der deutschen Art und Rasse gemasse religioese Ordnung entgegenzusetzen?

Handel's Israelite oratorios are today little known among non-specialists, but in their own day they were unique, pioneering and extremely popular. Dating from the period 1732-1752, they combine the musical conventions of Italian opera with dramatic plots in English that are adaptations of Old Testament narratives. They constitute a form of biblical interpretation, but to date, there has been no thoroughgoing study of the theological ideas or the attitudes towards the biblical text that might be conveyed in the oratorios' libretti. This book aims to fill that gap from an interdisciplinary perspective. Combining the insights of present-day biblical studies with those of Handelian studies, Deborah W. Rooke examines the libretti of ten oratorios - Esther, Deborah, Athalia, Saul, Samson, Joseph and his Brethren, Judas Macchabaeus, Solomon, Susanna and Jephtha - and evaluates the relationship between each libretto and the biblical story on which it is based. Rooke comments on each biblical text from a modern scholarly perspective, and then compares the modern interpretation with the version of the biblical narrative that appears in the relevant libretto. Where the libretto is based on a prior dramatic or literary adaptation of the biblical narrative, she also discusses the prior adaptation and how it relates to both the biblical text and the corresponding oratorio libretto. In this way the distinctive nuances of the oratorio libretti are highlighted, and each libretto is then analysed and interpreted in the light of eighteenth-century religion, scholarship, culture and politics. The result is a fascinating exploration not only of the oratorio libretti but also of how culture and context determines the nature of biblical interpretation.

From 1824 to 1843 Newman was an active clergyman of the Church of England; during these years he entered the pulpit about 1,270 times. He published 217 of the sermons which he wrote during these years; a further 246 sermons survive in manuscript in the Archives of the Birmingham Oratory, some only as fragments, some simply as sermon abstracts, but the majority as full texts. When completed, this series of the sermons will consist of five volumes. Volume IV contains thirty-nine sermons covering a period of sixteen years from the time when John Henry was still an Evangelical to the period immediately leading up to his departure from the Church of England. Part I contains twelve sermons on the Church, preached over a thirteen-year period from 1824 to 1837. Five of these belong to the twenty months spent as Curate of the old church of St Clement's and the other seven while Vicar of St Mary's, including the first sermon he ever preached on High Church principles. Part II contains a miscellany of twenty-seven sermons preached between 1828 and 1840. They range from five sermons on the Incarnate Christ; one to commemorate the dedication of the new church at Littlemore; one on Rome and Antichrist, two on behalf of the Church Missionary Society and the Society for the Propagation of the Gospel; two to mark the deaths of George IV and his former classic master, Walter Meyers; one also to commemorate the anniversary of the execution of Charles I.

A vital help for your Passion Play Oberammergau 2020 visit, this handy guide enables you to make the most of your time during your stay. It includes the historical background, traditions, and development of the Passion Play from 1634 to its relevance today, the organization and administration of the Play, and its impact on the village and the area. It looks behind the scenes to the wardrobe rooms and props, the stage, the history of the building, and the recent renovations and alterations. Meet the creative team behind the play and the leading actors. A synopsis of the play, including the sequence of the acts and scenes with the Old Testament Tableaux, is described. Suggestions on what to see in the village and the surrounding area include many of the places holidaymakers will visit en route to or from Oberammergau. The new expanded edition includes more of the Romantic Road, Munich, and the Austrian Tyrol.