Michael Joncas's new Simple Psalter synthesizes elements of previous styles of psalm-singing into a new pattern of engaging these sacred texts. Using the new Abbey Psalms and Canticles, Joncas sets every responsorial psalm in the three-year Lectionary in settings that work equally well a cappella or with keyboard accompaniment. The antiphon for each setting may be sung in unison or enhanced with optional voice or instrument parts, and the verses are set to a Gelineau-inspired "pulsed" psalm tone, notated in proposed speech-rhythm. Additionally, the tones of the Simple Psalter respect form-critical studies of psalms, assigning them to particular categories (e.g., different tones for hymns of praise, songs of thanksgiving, communal laments, etc.). The Simple Psalter is divided into four volumes: one for solemnities, feasts, and other celebrations, and one each for years A, B and C.

In recent years, the Share Jesus without Fear book and its growing family of ancillary products have sparked a faith-sharing movement that continues to gain momentum. It began with the jaw-dropping story of William Fay, once a money-driven businessman with Mafia ties who ran a house of prostitution until it was raided by police. Facing the threat of jail time, Fay turned to Jesus Christ for redemption and ever since has been turning others to Him as well. Now featuring a fresh new cover design, Share Jesus without Fear relays Fay's passionate, effective instructions on how to share the love of Christ with anyone--without feeling intimidated on either side of the conversation. Bold and joyful, the outreach movement continues without fear.

In this book Adam Hearlson argues that Christians can say a holy "no" to oppression and injustice through the church's worship practices. "To speak the holy no," Hearlson says, "is to refuse to be complicit in the oppression and violence of the ruling power. It is the courageous critique of the present and its claims of immutability." Hearlson draws widely from Christian history to uncover ways the church has used its traditional practices-preaching, music, sacrament, and art-to sabotage oppressive structures of the world for the sake of the gospel. He tells the stories of particular subversive strategies both past and present, including radical hospitality, genre bending, coded speech, and apocalyptic visions. Blending history, theory, and practice, The Holy No is both a testament to the courage of Christians who came before and an encouragement to take up their mantle of faithful subversion.