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Books > Religion & Spirituality > Christianity > Christian worship > General
When the story of modernity is told from a theological perspective, music is routinely ignored - despite its pervasiveness in modern culture and the manifold ways it has been intertwined with modernity's ambivalent relation to the Christian God. In conversation with musicologists and music theorists, in this collection of essays Jeremy Begbie aims to show that the practices of music and the discourses it has generated bear their own kind of witness to some of the pivotal theological currents and counter-currents shaping modernity. Music has been deeply affected by these currents and in some cases may have played a part in generating them. In addition, Begbie argues that music is capable of yielding highly effective ways of addressing and moving beyond some of the more intractable theological problems and dilemmas which modernity has bequeathed to us. Music, Modernity, and God includes studies of Calvin, Luther and Bach, an exposition of the intriguing tussle between Rousseau and the composer Rameau, and an account of the heady exaltation of music to be found in the early German Romantics. Particular attention is paid to the complex relations between music and language, and the ways in which theology, a discipline involving language at its heart, can come to terms with practices like music, practices which are coherent and meaningful but which in many respects do not operate in language-like ways.
Exploring how the Bible may be appropriately used in practical and public theology, this book looks at types of modern practical theology with specific emphasis on the use of the Bible. Bennett juxtaposes the diversity of modern practical theology with the work of leading nineteenth-century public 'theologian', John Ruskin, and then assesses the contribution of this analysis to some modern issues of public importance in which the Bible is used. The final chapter offers a framework for a biblically informed critical practical theology which draws on the writer's experience and invites the readers to engage their own.
This beautiful book describes and interprets a series of paintings for each day of Advent. Artists often address subjects our culture seeks to avoid, and Jane Williams' brilliant and perceptive reflections will help you to read these paintings with a more discerning eye, and discover deeper levels of meaning than may at first appear.
Features the popular inductive study approach Includes helpful notes for group leaders Convenient workbook format for groups or individuals Approach questions help get you thinking or start group discussion Application questions help you act on what you have learned Field-tested by individuals and groups prior to publication
A Pilgrim's Jounral is a spiritual travelogue in which the author tells us much about the union between Christian faith and living in the word, the union between grace and nature. This book helps us to understand that the story of each of us is a journey in faith.
In hope, Christian faith reconfigures the shape of what is familiar in order to pattern the contours of God's promised future. In this process, the present is continuously re-shaped by ventures of hopeful and expectant living. In art, this same poetic interplay between past, present and future takes specific concrete forms, furnishing vital resources for sustaining an imaginative ecology of hope. This volume attends to the contributions that architecture, drama, literature, music and painting can make, as artists trace patterns of promise, resisting the finality of modernity's despairing visions and generating hopeful living in a present which, although marked by sin and death, is grasped imaginatively as already pregnant with future.
Gaze on him . . . Consider him . . . Contemplate him . . . As you desire to imitate him. This advice from St Clare of Assisi is the key to unlocking the door to the heart of Jesus' teaching. Her words provide a pattern of meditation that brings alive the Gospel reading for every Sunday in Year A of the Revised Common Lectionary.
Christian churches and groups within Anglo-American contexts have increasingly used popular music as a way to connect with young people. This book investigates the relationships between evangelical Christianity and popular music, focusing particularly on electronic dance music in the last twenty years. Author Stella Lau illustrates how electronic dance music is legitimized in evangelical activities by Christians discourses, and how the discourses challenge the divide between the secular and the sacred in the Western culture. Unlike other existing books on the relationships between music cultures and religion, which predominantly discuss the cultural implications of such phenomenon, Popular Music in Evangelical Youth Culture examines the notion of spirituality in contemporary popular electronic dance music. Lau s emphasis on the sonic qualities of electronic dance music opens the door for future research about the relationships between aural properties of electronic dance music and religious discourses. With three case studies conducted in the cultural hubs of electronic dance music Bristol, Ibiza and New York the monograph can also be used as a guidebook for ethnographic research in popular music.
This comprehensive work represents a complete but accessible survey of everything related to the Orthodox Church's divine services and is helpfully illustrated throughout. The author begins with a discussion of the nature and origin of Divine worship. He describes the church building, the clergy who perform divine services and their vestments, and the cycles of public worship. The services of Great Vespers, Matins, and the Divine Liturgy are reviewed in detail, as are festal services, and different services of need: Baptism and Chrismation, Confession, Ordination, Matrimony, Unction, Prayer Services, Monastic Tonsure and Burial, and the Consecration of a Church. The reader will also find a rare discussion of the rite of the Coronation and Anointing of the Tsar. This manual was originally translated and printed before the Russian Revolution. It is suitable both as an introduction to Orthodox worship for the inquirer and as a convenient handbook for those already familiar with the intricacies of Orthodox services.
Christian Worship: Postcolonial Perspectives critically surveys and scrutinizes the terrain of liturgical theology through postcolonial optics. In doing so, it breaks new ground by bringing together for the first time liturgical studies and postcolonial criticism. This book provides an important enrichment - and long overdue corrective - to literature on the liturgical ordo, which has not yet learned to engage postcolonial perspectives. The volume also offers useful resources to those familiar with the more established field of postcolonial biblical/theological criticism by expanding the burgeoning academic debate about postcolonialism into the environment of worship. It therefore seeks to be a resource that will bring postcolonial perspectives to a wider audience: the church, much of which has been bypassed by the academic trajectory postcolonial criticism in theology has so far taken. Because of its inter-disciplinary nature, this book advances significant innovative material. The particular ways that material from each discipline is juxtaposed is itself highly original, and the challenges of appropriating postcolonial theological perspectives in Christian worship and liturgical practice will be met by the provision of strategies and resources to face this task. This important work of theology is, therefore, crafted to praxis in assemblies of the church as well as suitable for study in universities and seminary classrooms.
Although often controversial, worship is an essential and enduring element of the Christian faith. This three-part study examines the issues surrounding the corporate worship of God, including biblical models and the current revolution in evangelical worship. At a time of radical change in the church, Allen's logical-yet-passionate approach is timely and brings much-needed harmony to the many facets of worship.
The Act of Consecration of Man is the communion service of The Christian Community. In this fascinating book, experienced priest Tom Ravetz weaves together contemplations inspired by Rudolf Steiner with insightful commentary on the meaning and purpose of the ritual itself. The book will be valuable for both new worshipers and people who have been taking part in the communion service for many years.
Christian Worship: Postcolonial Perspectives critically surveys and scrutinizes the terrain of liturgical theology through postcolonial optics. In doing so, it breaks new ground by bringing together for the first time liturgical studies and postcolonial criticism. This book provides an important enrichment - and long overdue corrective - to literature on the liturgical ordo, which has not yet learned to engage postcolonial perspectives. The volume also offers useful resources to those familiar with the more established field of postcolonial biblical/theological criticism by expanding the burgeoning academic debate about postcolonialism into the environment of worship. It therefore seeks to be a resource that will bring postcolonial perspectives to a wider audience: the church, much of which has been bypassed by the academic trajectory postcolonial criticism in theology has so far taken. Because of its inter-disciplinary nature, this book advances significant innovative material. The particular ways that material from each discipline is juxtaposed is itself highly original, and the challenges of appropriating postcolonial theological perspectives in Christian worship and liturgical practice will be met by the provision of strategies and resources to face this task. This important work of theology is, therefore, crafted to praxis in assemblies of the church as well as suitable for study in universities and seminary classrooms.
Nicholas Wolterstorff's distinguished career in philosophical theology continues to bear fruit, and here he shares his insight on the concepts of justice, art and liturgy. Although often discussed in isolation, as Wolterstorff masterfully demonstrates, they are bound together by divine love, and follow a common logical framework. Whether oriented towards the dignity of the other, the desire for creative engagement, or the infinite goodness of the creator, in every case unitive love is at their core. Wolterstorff explores all of this with consummate elegance, ultimately showing how each of the three topics find their fulfilment in the worship of God and in the affirmation of the image of God in each of us.
NT Wright offers reflections on the Sunday readings in the Revised Common Lectionary for Year C. This book brings together his widely read columns in the Church Times, and also contains new pieces, to cover all the Sundays and major festivals. Scholar-ship, history, insights into the world and language of the Bible are woven together to give a deeper understanding of the Word of the Lord. This book will be invaluable for anyone who wants to gather their thoughts in preparation for Sunday worship, or for regular Bible study throughout the year.
The Altar Call is a thorough examination of the public invitation practice within Christian evangelism. In addition to giving a comprehensive historical background that spans three continents, The Altar Call also poses the following question: If John Wesley, George Whitefield , and Jonathan Edwards are regarded as the great figures of modern evangelicalism, why did none of these important leaders practice the invitation system that became so important in so many later evangelical groups? This important study will be of interest to both religious scholars and lay people, who are curious about the antecedents, development, and current use of the altar call.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Since the 1950s, millions of American Christians have traveled to the Holy Land to visit places in Israel and the Palestinian territories associated with Jesus's life and death. Why do these pilgrims choose to journey halfway around the world? How do they react to what they encounter, and how do they understand the trip upon return? This book places the answers to these questions into the context of broad historical trends, analyzing how the growth of mass-market evangelical and Catholic pilgrimage relates to changes in American Christian theology and culture over the last sixty years, including shifts in Jewish-Christian relations, the growth of small group spirituality, and the development of a Christian leisure industry.Drawing on five years of research with pilgrims before, during and after their trips, Walking Where Jesus Walked offers a lived religion approach that explores the trip's hybrid nature for pilgrims themselves: both ordinary--tied to their everyday role as the family's ritual specialists, and extraordinary--since they leave home in a dramatic way, often for the first time. Their experiences illuminate key tensions in contemporary US Christianity between material evidence and transcendent divinity, commoditization and religious authority, domestic relationships and global experience.Hillary Kaell crafts the first in-depth study of the cultural and religious significance of American Holy Land pilgrimage after 1948. The result sheds light on how Christian pilgrims, especially women, make sense of their experience in Israel-Palestine, offering an important complement to top-down approaches in studies of Christian Zionism and foreign policy.
'Doing December Differently' explores how people of faith and goodwill might mark the midwinter season and the Christmas festival with integrity and simplicity. Drawing on both ancient roots and contemporary influences, it defines meaningful rites, rituals and ceremonies which are life-giving and joyful.
The contemporary Church finds itself in the context of an ecological crisis. How can we be equipped to live as disciples in such a world? Chris Voke argues that public worship plays a role in shaping the vision and values of a community and empowering it for daily life. Thus the restoration of the dimension of creation and the vision of God as creator to the content of worship services will be critical in shaping communities that can face contemporary challenges. The book shows that a grasp of the links between creation and redemption and an appreciation of the significance of Jesus' humanity will enable Christ-centred worship that gives a proper place and value to creation. This book aims to challenge present practice, to propose changes in public worship, to justify these theologically and practically and to show ways in which a vision of the Creator and his creation may be incorporated into liturgy by those responsible for planning and leading worship. Filled with theological insight and practical examples this book will be of great help to church leaders, worship leaders and theologians. 'This is a magnificent resource for preachers and worship leaders and provides a most thoughtful Christian apologetic on one of the great moral issues of our time.' - David Coffey, General Secretary of the Baptist Union of Great Britain. 'I have thoroughly enjoyed reading this book. The more people who read and respond to it, the less likely I am to have the inward shudders which I so often experience at well-meaning but sadly naive attempts to include 'ecology' or 'nature' in worship.' - R. J. Berry, Professor Emeritus, University College London
Passover and Easter constitute for Jews and Christians respectively the most important festivals of the year. Although sharing a common root, the feasts have developed in quite distinct ways in the two traditions, in part independently of one another and in part in reaction against the other. Following the pattern set in earlier volumes in this series, these two volumes bring together a group of distinguished Jewish and Christian scholars to explore the history of the two celebrations, paying particular attention to similarities and connections between them as well as to differences and contrasts. They not only present a convenient summary of current historical thought but also open up new perspectives on the evolution of these annual observances. Volume 6 focuses on the contexts in which they occur--the periods of preparation for the feasts in the respective calendars and their connection to Shavuot/Pentecost--as well as to their traditional expression in art and music. Volume 5, also in the series, focuses especially on the origins and early development of the feasts and on the way that established practices have changed in recent years. At the same time, the essays raise some fundamental questions about the future. Have modern human beings so lost the sense of sacred time in their lives, for instance, that these great feasts can never again be what they once were for former generations of believers? And what about recent attempts by some Christians to enter into their heritage by celebrating a Jewish Seder as part of their annual Holy Week and Easter services? Specialists and general readers alike will find much to interest and challenge them within these two additions to what has become a highly regarded series in the world of liturgical scholarship.
The Virgin Mary continues to attract devotees to her images and shrines. In Moved by Mary, anthropologists, geographers and historians explore how people and groups around the world identify and join with Mary in their struggle against social injustice, and how others mobilize Mary to impose ideas and rules and legitimize acts of violence and suppression. Far from an outdated practice of little relevance to the modern world, Marian pilgrimage expresses the deep and urgent concerns of a wide range of people. With examples of Marian pilgrimages from all over the world, Moved by Mary explores the ways in which men and women of different ages and religious, political, social-economic and ethnic backgrounds empower themselves to deal with modern-day issues with MaryAs help. The ethnographic cases reveal the cultural and devotional variation of Marian pilgrimage, but also global similarities. Collectively, the contributors to Moved by Mary show how in many places religion dramatically suffuses everyday life.
The primary aim of this book is to explore the contradiction between widely shared beliefs in the USA about racial inclusiveness and equal opportunity for all and the fact that most churches are racially homogeneous and do not include people with disabilities. To address the problem Mary McClintock Fulkerson explores the practices of an interracial church (United Methodist) that includes people with disabilities. The analysis focuses on those activities which create opportunities for people to experience those who are different' as equal in ways that diminish both obliviousness to the other and fear of the other. In contrast with theology's typical focus on the beliefs of Christians, this project offers a theory of practices and place that foregrounds the instinctual reactions and communications that shape all groups. The effect is to broaden the academic field of theology through the benefits of ethnographic research and postmodern place theory. |
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