Recipient of an Honourable Mention in the 2001 God Uses Ink Contest "Lord, please give me a parking space " That prayer sounds right on your third time around the block, frustrated and late for an appointment. But is it consistent with how God works in the world? Does prayer change God's mind or only our feelings? Does God do things because we ask him to? Or do we ask him because he prompts us to do so? How much control does God really have in the world, anyway? If he has given us free will, can he always guarantee that things will happen as he intends or wishes? Is our need for parking spaces important enough to bother God, or is he only concerned about things that advance his program of salvation? If God has already decided how things will turn out, what use is it to pray? On the other hand, if our freedom limits God's ability to achieve his wishes all the time, how much could he do even if we asked for help? How much does God know about the future, and how does this factor into the way our prayers affect the outcome? And how does God's relationship to time enter into the whole equation? With such questions in mind, Terrance Tiessen presents ten views of providence and prayer--and then adds an eleventh, his own. He describes each view objectively and then tackles the question, If this is the way God works in the world, how then should we pray? The result of his investigation is a book that puts us at the intersection between theological reflection and our life and conversation with God. It prods and sharpens our understanding, making us better theologians and better prayers.

A comprehensive analysis of the ritual dimensions of biblical mourning rites, this book also seeks to illuminate mourning's social dimensions through engagement with anthropological discussion of mourning, from Hertz and van Gennep to contemporaries such as Metcalf and Huntington and Bloch and Parry. The author identifies four types of biblical mourning, and argues that mourning the dead is paradigmatic. He investigates why mourning can occur among petitioners in a sanctuary setting even given mourning's death associations; why certain texts proscribe some mourning rites (laceration and shaving) but not others; and why the mixing of the rites of mourning and rejoicing, normally incompatible, occurs in the same ritual in several biblical texts.

We know that the earliest Christians sang hymns. Paul encourages believers to sing "psalms, hymns, and spiritual songs." And at the dawn of the second century the Roman official Pliny names a feature of Christian worship as "singing alternately a hymn to Christ as to God." But are some of these early Christian hymns preserved for us in the New Testament? Are they right before our eyes? New Testament scholars have long debated whether early Christian hymns appear in the New Testament. And where some see preformed hymns and liturgical elements embossed on the page, others see patches of rhetorically elevated prose from the author's hand. Matthew Gordley now reopens this fascinating question. He begins with a new look at hymns in the Greco-Roman and Jewish world of the early church. Might the didactic hymns of those cultural currents set a new starting point for talking about hymnic texts in the New Testament? If so, how should we detect these hymns? How might they function in the New Testament? And what might they tell us about early Christian worship? An outstanding feature of texts such as Philippians 2:6-11, Colossians 1:15-20, and John 1:1-17 is their christological character. And if these are indeed hymns, we encounter the reality that within the crucible of worship the deepest and most searching texts of the New Testament arose. New Testament Christological Hymns reopens an important line of investigation that will serve a new generation of students of the New Testament.

'My favourite thing about this book is the different perspectives on one main thing... Worship! Reading it provided much clarity on a word that is often misunderstood.' Guvna B, Rapper, Author & Broadcaster What does it mean to be a worshipper? Together, Tim Hughes and Nick Drake explore who, where, why and how Christians worship, what happens when we do and where the future of worship may take us. With contributions from Graham Kendrick, Lou Fellingham, Kees Kraayenoord, Dr Helen Morris and many more, this book offers a fresh reminder that worship isn't just music and the songs we sing, it is so much more. The Spring Harvest 2021 theme book, Why Worship? will help you reconnect to the purpose and meaning of worship, so that you can grow closer to God individually and as a church community and get the most out of worship. Contributors Tim Hughes, Nick Drake, Dr John Andrews, Dr Helen Morris, Graham Kendrick, Lou Fellingham, Lyn Weston, Kees Kraayenoord, Noel Robinson, Doug Williams, Dr Darell Johnson.

ECPA Top Shelf Book Cover Award Can a one-time crosscultural experience truly be life-changing? Veteran trip leader and intercultural guide Cory Trenda says yes-if we let the trip launch a journey of integrating the experience into our ongoing life. In After the Trip Trenda provides a unique guide for individuals and teams to make the most of a crosscultural trip after returning home. Readers will find help with navigating the crucial reentry process, remembering and sharing key stories, interweaving new insights into everyday life, and engaging in continuing learning and service. Combining practical tips, reflections, and stories from Trenda's own decades of crosscultural travel, this is an essential resource for organizations, churches, schools, and all travelers who want crosscultural trips to be a catalyst for lasting good. The trip itself is just the beginning; real life change happens after the trip.

Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media-hymn books and cassette tapes-and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.

How do people experience spirituality through what they see, hear, touch, and smell? Sonja Luehrmann and an international group of scholars assess how sensory experience shapes prayer and ritual practice among Eastern Orthodox Christians. Prayer, even when performed privately, is considered as a shared experience and act that links individuals and personal beliefs with a broader, institutional, or imagined faith community. It engages with material, visual, and aural culture including icons, relics, candles, pilgrimage, bells, and architectural spaces. Whether touching upon the use of icons in age of digital and electronic media, the impact of Facebook on prayer in Ethiopia, or the implications of praying using recordings, amplifiers, and loudspeakers, these timely essays present a sophisticated overview of the history of Eastern Orthodox Christianities. Taken as a whole they reveal prayer as a dynamic phenomenon in the devotional and ritual lives of Eastern Orthodox believers across Eastern Europe, the Middle East, North Africa, and South Asia.

What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once 'foreign' become 'indigenous'? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be 'local' and 'Christian'. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be 'local' and 'Christian'. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.

The NASB Pew and Worship Bible is perfect for any church pew or classroom and matches page-for-page with the NASB Preacher's Bible. While both Bibles retain their own distinct page layout and font size, they were skillfully designed so that the pages of these two different Bibles begin and end with the same word. This will allow pastors and congregations to literally be on the same page during sermons. Universally recognized as the gold standard among word-for-word translations, the beloved New American Standard Bible, 1995 Edition, is now easier to read with Zondervan's exclusive NASB Comfort Print (R) typeface. Features The full text of the New American Standard Bible, 1995 Edition Matches page-for-page with the NASB Preacher's Bible Premium, durable hardcover binding High-quality paper Double-column, verse-by-verse format Exclusive Zondervan NASB Comfort Print typeface 9-point print size

A host of both very old and entirely new liturgical practices have arisen in digital mediation, from the live-streaming of worship services and "pray-as-you-go" apps, to digital prayer chapels, virtual choirs and online pilgrimages. Cyberspace now even hosts communities of faith that exist entirely online. These digitally mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship proposes a nuanced response to these sometimes contentious issues, rooted in familiarity with, and sustained attention to, actual online practices. Four major thematic lines of inquiry form the structure of the book. After an introductory chapter the following chapters look at digital presence, virtual bodies, and online participation; ecclesial communities in cyberspace; digital materiality, visuality, and soundscapes; and finally the issues of sacramental mediation online. A concluding chapter brings together the insights from the previous chapters and maps a way forward for reflections on digitally mediated liturgical practices. @ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0. Bringing together the scholarly tools and insights of liturgical studies, constructive theology and digital media theories, it is vital reading for scholars of Theology and Religion with as well as Sociology and Digital Culture more generally.

Guidance for Leaders Seeking a Richer Way to Employ Worship Music Worship expert Constance Cherry offers comprehensive guidance to Christian leaders seeking a deeper, richer way to employ worship music in engaging ways for twenty-first-century worshipers. Following Cherry's successful book The Worship Architect, this work helps Christian leaders think theologically and act pastorally about worship music in their churches. It addresses larger issues beyond the surface struggles of musical styles and provides tools to critically evaluate worship songs. The book is applicable to all Christian traditions and worship styles and is well suited to both the classroom and the local church. Each chapter concludes with suggested practical exercises, recommended reading, and basic vocabulary terms.

Year 2000 is a Jubilee year for the Catholic church and very large numbers are expected to make the pilgrimage to Rome. Debra Birch's lively account of pilgrimage to Rome throughout the medieval period is well-documented and clearly presented. HISTORY TODAY [Emma Mason]Well researched, clearly written, and, quite apart from the eternal city, provides an excellent introduction to pilgrimage as a whole. CHURCH TIMES [Nicholas Orme] Rome was one of the major pilgrim destinations in the middle ages. The belief that certain objects and places were a focus of holiness where pilgrims could come closer to God had a long history in Christian tradition; in the case of Rome, the tradition developed around two of the city's most important martyrs, Christ's apostles Peter and Paul. So strong were the city'sassociations with these apostles that pilgrimage to Rome was often referred to as pilgrimage `to the threshold of the apostles'. Debra Birch conveys a vivid picture of the world of the medieval pilgrim to Rome - the Romipetae, or `Rome-seekers' - covering all aspects of their journey, and their life in the city itself. DEBRA BIRCH is assistant secretary at the Institute of Historical Research. CONTENTS The Cult of Saints and Pilgrimage to Rome. The Journey to Rome . Obligations and Privileges . Rome of the Pilgrim I . Rome of the Pilgrim II . Welfare Provisions for Pilgrims in Rome . The Popularity of Pilgrimage to Rome in the 12th Century . The 13th-Century Revival.

Christian churches and groups within Anglo-American contexts have increasingly used popular music as a way to connect with young people. This book investigates the relationships between evangelical Christianity and popular music, focusing particularly on electronic dance music in the last twenty years. Author Stella Lau illustrates how electronic dance music is legitimized in evangelical activities by Christians' discourses, and how the discourses challenge the divide between the 'secular' and the 'sacred' in the Western culture. Unlike other existing books on the relationships between music cultures and religion, which predominantly discuss the cultural implications of such phenomenon, Popular Music in Evangelical Youth Culture examines the notion of 'spirituality' in contemporary popular electronic dance music. Lau's emphasis on the sonic qualities of electronic dance music opens the door for future research about the relationships between aural properties of electronic dance music and religious discourses. With three case studies conducted in the cultural hubs of electronic dance music - Bristol, Ibiza and New York - the monograph can also be used as a guidebook for ethnographic research in popular music.

There is a clear lack in the Church of England of a coherent and thought through treatment of evil and the devil within the texts which the Church of England traditionally identifies as the repositories of doctrine. Focusing on initiation, healing and deliverance liturgies within the church, "Fight Valiantly" seeks to rectify that deficit, considering the Church of England's liturgical practice in the parishes, and highlighting the present danger of worshippers receiving an inconsistent and potentially incoherent account of the relationship with evil.

Online churches are Internet-based Christian communities, pursuing worship, discussion, friendship, support, proselytization, and other key religious goals through computer-mediated communication. The first examples appeared in the mid-1980s, but this genre of online activity has been revolutionized over the last decade by considerable institutional investment and the rise of new low-cost social media platforms. Hundreds of thousands of people are now involved with online congregations, generating new kinds of ritual, leadership, and community as well as new networks of global influence.

Creating Church Online is the first large-scale sociological investigation of this area, offering a significant and timely advance in the study of religion, media, and culture. Five ethnographic case studies are presented, based primarily in the UK, USA, and Australasia, providing levels of detail, scope, and variety previously unexplored by researchers in this field. Comparative analysis of these case studies demonstrates the emergence of intriguing new hybrids of digital, local, and institutional religion, reflecting major shifts in contemporary patterns of religious commitment. Author Tim Hutchings constructs a rich account of the culture and practice of five online churches, emphasizing worship, leadership, and community and the relationship between online and everyday life. Through such in-depth analysis, this book explores the significance and impact of online churchgoing in the religious and social lives of participants, as well as the relationship between online and everyday life, in search of a new theoretical framework to map religious users engagement with new media."

What could there possibly be about Christmas that needs to be ""saved""? Christmas isn't dead, not by a long shot. But when in the movies Santa Claus is in trouble, Christmas is in trouble and must be ""saved."" If bogeys or other circumstances prevent Santa from delivering the presents on Christmas Eve, there will be no Christmas because, as far as the movies are concerned, generally speaking, Santa IS Christmas. Explore 53 reasons for saving Christmas in this lighthearted collection of 228 films (over half of which are animated) from theatrical releases to television movies and specials to episodes of television series. The reasons for saving Christmas just may surprise you.

Dangerous Prayer offers a strategy for fostering prayer and spirituality in mission that focuses on neighbourhood transformation and global needs using the Lord's Prayer as a radical blueprint. Sustainability in mission is not possible without prayer; vibrancy in prayer is not possible without mission. Christians on mission need a vibrant life of prayer in order to be effective yet to have a vibrant prayer life they need an outlet in mission. The Lord's Prayer offers a radical inspirational framework to help move Christians beyond praying just for themselves and to have their imaginations captured by the mission of God and concern for global needs. Jesus' words guide us to pray for God's Kingdom on earth, for restoration, for food for all who are hungry, for people to experience forgiveness and all that really is good news about Jesus. It is a dangerous prayer because of its counter-cultural and radical stance, and because it invites us to be, in part, the answer to our prayers. This book offers inspiring and practical approaches for unleashing the whole people of God for missional prayer and prayerful mission.

From pastor and New York Times bestselling author Timothy Keller comes the perfect gift for the Christmas holiday-a profoundly moving and intellectually provocative examination of the nativity story Even people who are not practicing Christians think they are familiar with the story of the nativity. Every Christmas displays of Baby Jesus resting in a manger decorate lawns and churchyards, and songs about shepherds and angels fill the air. Yet despite the abundance of these Christian references in popular culture, how many of us have examined the hard edges of this biblical story? In his new book Timothy Keller takes readers on an illuminating journey into the surprising background of the nativity. By understanding the message of hope and salvation within the Bible's account of Jesus' birth, readers will experience the redeeming power of God's grace in a deeper and more meaningful way.

Confirmation was an important part of the life of the eighteenth-century church which consumed a significant part of the time of bishops, of clergy in their preparation of candidates, and of the candidates themselves in terms of a transition in their Christian life. Yet it has been almost entirely overlooked by scholars. This book aims to fill this void in our understanding, and offers an important contribution and correction of our understanding of the life of the church during the long eighteenth-century in both Britain and North America. Tovey addresses two important historical debates: the 'pessimist/optimist' debate on the character and condition of the Church of England in the eighteenth century; and the debate on the 're-enchantment' of the eighteenth century which challenges the secular nature of society in the age of the 'enlightenment'. Drawing on new developments of the study of visitation returns and episcopal life and on primary research in historical records, Anglican Confirmation goes behind the traditional Tractarian interpretations to uncover the understanding and confidence of the eighteenth-century church in the rite of confirmation. The book will be of interest to eighteenth-century church historians, theologians and liturgists alike.

In this first new Eucharistic customary in nearly 20 years, Patrick Malloy, an Episcopal priest and liturgical scholar, presents a clear, illustrated guide for the presider and other leaders of the liturgy, contemporary in approach but based on ancient and classic principles of celebration. The 1979 "Book of Common Prayer, " like its predecessors, is long on telling the Church what to say, and short on telling it what to do. This leaves those who "choreograph" Prayer Book liturgies with a complex task and a powerful influence over the faith of the Church. The author begins with a concise theology of the liturgy that underpins all of his specific directives in the book. Contents include: Theological and liturgical principles; Liturgical ministry and liturgical ministers; Liturgical space; Vesture, vessels, and other liturgical objects; The liturgical year; The shape of the liturgy; The sung liturgy and singing during the liturgy; The order of the Eucharist (the "heart" of the book); and The celebration of Baptism during the Eucharist.

This book explores the part played by music, especially group singing, in the Protestant reforms in Strasbourg. It considers both ecclesiastical and 'popular' songs in the city, how both genres fitted into people's lives during this time of strife and how the provision and dissemination of music affected the new ecclesiastical arrangement.