From Altar-Throne to Table: The Campaign for Frequent Holy Communion in the Catholic Church investigates what the celebrated scholar of liturgy Robert A. Taft, SJ, calls the greatest and most successful liturgical reform in Catholic history. Only a century ago, faithful, practicing Catholics received Holy Communion only once a year; now, among American English-speaking Catholics, Holy Communion is a routine, weekly devotional practice. This book explains how and why this ritual sea-change happened. This book emphasizes that significant ritual change may occur while liturgical texts remain the same, and it also proposes a method for understanding the causes for such a ritual change. It admonishes not to project current ritual practice into even our recent past. Further, it implies an explanation for the massive decline in Catholics' use of the sacrament of reconciliation.

This book shows how necessary ritual is to human freedom and to social processes of liberation. It aims to reflect upon the deep human longing for ritual and to interpret it in the light of our physical, social, political, sexual, moral, aesthetic, and religious existence.

Bread of Life, Cup of Salvation is an invitation to a deeper appreciation for the celebration of the Mass and a greater conviction of its importance for our ordinary living-out of Christian faith in daily life. Taking into account the Catechism of the Catholic Church and the new edition of the General Instruction on the Roman Missal, Fr. John Baldovin, S.J., centers his lucid commentary on the Mass around the most recent official documents and provides an up-to-date survey of the historical development of the Mass from the New Testament to the present. Clear, concise, and accessible, Bread of Life, Cup of Salvation is an informative and powerful reflection on the meaning of the Eucharist for us today. This book responds to questions such as What are the orgins of the Mass? How did the Mass develop into what we know today? Why do we have several readings from Scripture at every Mass? Why do we always read a passage from the Gospels last? Why is the Eucharistic Prayer called the center and highpoint of the celebration of the Eucharist? What difference does it make if communion is distributed from the tabernacle or consecrated at the Mass at which people are receiving? Why do we have more than one Eucharistic Prayer? Is it important that people are offered communion in both kinds-the Body and the Blood of Christ? Why did the Mass get its popular name from the dismissal (missa)? Why was it important to recover the exchange of peace?

The history and underlying ideology of pilgrimage examined, from prehistory to the middle ages. The enduring importance of pilgrimage as an expression of human longing is explored in this volume through three major themes: the antiquity of pilgrimage in what became the Christian world; the mechanisms of Christian pilgrimage(particularly in relation to the practicalities of the journey and the workings of the shrine); and the fluidity and adaptability of pilgrimage ideology. In their examination of pilgrimage as part of western culture from neolithictimes onwards, the authors make use of a range of approaches, often combining evidence from a number of sources, including anthropology, archaeology, history, folklore, margin illustrations and wall paintings; they suggest that it is the fluidity of pilgrimage ideology, combined with an adherence to supposedly traditional physical observances, which has succeeded in maintaining its relevance and retaining its identity. They also look at the ways in whichpilgrimage spilled into, or rather was part of, secular life in the middle ages. Dr JENNIE STOPFORD teaches in the Centre for Medieval Studies, University of York. Contributors: RICHARD BRADLEY, E.D. HUNT, JULIEANN SMITH, SIMON BARTON, WENDY R. CHILDS, BEN NILSON, KATHERINE J. LEWIS, DEBRA J. BIRCH, SIMON COLEMAN, JOHN ELSNER, A. M. KOLDEWEIJ.

These papers are the proceedings of the fourth international Exeter Symposium. They promote enquiry into, and understanding of, the medieval mystics and the cultural context to which they belong. Here, historians, literary critics, theologians, philosophers and bibliographical scholars explore ways in which the contemplative tradition was mediated and perceived in the very early and very late medieval period, and ask fundamental questions about the nature of contemporary understanding of this subject. CONTRIBUTORS: GEORGE R. KEISER, SUE ELLEN HOLBROOK, WILLIAM F. POLLARD, JAMES HOGG, SANDRA MCENTIRE, ANNE SAVAGE, PETER DINZELBACHER, NICHOLAS WATSON, PETER MOORE, ROBERT K. FORMAN

This book is a study of the complex nature of colonial and missionary power in Portuguese India. Written as a historical ethnography, it explores the evolving shape of a series of Catholic festivals that took place throughout the duration of Portuguese colonial rule in Goa (1510-1961), and for which the centrepiece was the 'incorrupt' corpse of Sao Francisco Xavier (1506-52), a Spanish Basque Jesuit missionary-turned-saint. Using distinct genres of source materials produced over the long duree of Portuguese colonialism, the book documents the historical and visual transformation of Xavier's corporeal ritualisation in death through six events staged at critical junctures between 1554 and 1961. Xavier's very mutability as a religious, political and cultural symbol in Portuguese India will also suggest his continuing role as a symbol of Goa's shared past (for both Catholics and Hindus) and in shaping Goa's culturally distinct representation within the larger Indian nation-state. -- .

A host of both very old and entirely new liturgical practices have arisen in digital mediation, from the live-streaming of worship services and "pray-as-you-go" apps, to digital prayer chapels, virtual choirs and online pilgrimages. Cyberspace now even hosts communities of faith that exist entirely online. These digitally mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship proposes a nuanced response to these sometimes contentious issues, rooted in familiarity with, and sustained attention to, actual online practices. Four major thematic lines of inquiry form the structure of the book. After an introductory chapter the following chapters look at digital presence, virtual bodies, and online participation; ecclesial communities in cyberspace; digital materiality, visuality, and soundscapes; and finally the issues of sacramental mediation online. A concluding chapter brings together the insights from the previous chapters and maps a way forward for reflections on digitally mediated liturgical practices. @ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0. Bringing together the scholarly tools and insights of liturgical studies, constructive theology and digital media theories, it is vital reading for scholars of Theology and Religion with as well as Sociology and Digital Culture more generally.

Built into a huge cliff in central France, the town of Rocamadour is a visual marvel and a place of contradictions. Pilgrims come to venerate its ancient Black Madonna but are outnumbered by secular tourists. Weibel provides an intimate look at the transformation of Rocamadour from a significant religious center to a tourist attraction; the efforts by clergy to restore Rocamadour's spiritual character; the supernatural reinterpretations of the shrine by non-Catholics; and the desperate decision by the Diocese to participate in tourism itself, with disastrous results.

Taking seriously the practice and not just the theory of music, this ground-breaking collection of essays establishes a new standard for the interdisciplinary conversation between theology, musicology, and liturgical studies. The public making of music in our society happens more often in the context of chapels, churches, and cathedrals than anywhere else. The command to sing and make music to God makes music an essential part of the DNA of Christian worship. The book's three main parts address questions about the history, the performative contexts, and the nature of music. Its opening four chapters traces how accounts of music and its relation to God, the cosmos, and the human person have changed dramatically through Western history, from the patristic period through medieval, Reformation and modern times. A second section examines the role of music in worship, and asks what-if anything-makes a piece of music suitable for religious use. The final part of the book shows how the serious discussion of music opens onto considerations of time, tradition, ontology, anthropology, providence, and the nature of God. A pioneering set of explorations by a distinguished group of international scholars, this book will be of interest to anyone interested in Christianity's long relationship with music, including those working in the fields of theology, musicology, and liturgical studies.

It is often claimed that we live in a secular age. But we do not live in a desacralized one. Sacred forms - whether in 'religious' or 'secular' guise - continue to shape social life in the modern world, giving rise to powerful emotions, polarized group identities, and even the very concept of moral society. Analyzing contemporary sacred forms is essential if we are to be able to make sense of the societies we live in and think critically about the effects of the sacred on our lives for good or ill. The Sacred in the Modern World is a major contribution to this task. Re-interpreting Durkheim's theory of the sacred, and drawing on the 'strong program' in cultural sociology, Gordon Lynch sets out a theory of the sacred that can be used by researchers across a range of humanities and social science disciplines. Using vividly drawn contemporary case material - including the abuse and neglect of children in Irish residential schools and the controversy over the BBC's decision not to air an appeal for aid for Gaza - the book demonstrates the value of this theoretical approach for social and cultural analysis. The key role of public media for the circulation and contestation of the sacred comes under close scrutiny. Adopting a critical stance towards sacred forms, Lynch reflects upon the ways in which sacred commitments can both serve as a moral resource for social life and legitimate horrifying acts of collective evil. He concludes by reflecting on how we might live thoughtfully and responsibility under the light and shadow that the sacred casts, asking whether society without the sacred is possible or desirable.

A definitive look at how church music is changing in the 21st century. There is no lack of resources for the church musician focusing on particular skills or repertoire. But this is the first collection of essays created specifically for musicians working in parish ministry that imagines how those vocations will change along with the evolving church. Ponder Anew chronicles the rapid changes in the church music landscape in the last 20 years including the role of technology, education, relationships with clergy and choristers, and cultural presumptions. Contributors are parish musicians, professors, clergy, and bishops.

Explore with children and for yourself why we celebrate the Eucharist Breaking bread with others is central to our faith. This book is an invitation to learn and wonder about why we worship and celebrate the Holy Eucharist. Although grounded in the Episcopal liturgical tradition, it is an accessible and inviting introduction to worship for children and families of many Christian traditions. While learning what occurs during worship and the Holy Eucharist, readers of all ages will be guided through the sacramental and communal aspects of the celebration and how in the breaking of bread we are called into the world. The beautiful full-color illustrations reflect the diversity of God's people, and a dedication page encourages personalization. A family section offers questions and suggests ways for all ages to engage in worship and family rituals. Reflecting some of the spirit, beauty, and vocabulary of the Episcopal liturgy, this will be a treasured volume for parents, godparents, grandparents, and other important adults in the life of a child who is wondering about worship.

The date of Easter is different every year. Not only does the date change because Easter is always on a Sunday, but also because it's always the date of the first full moon after the spring equinox. That means it can be anytime between March 22 and April 25. Some people have argued that we should fix the date of Easter each year -- to the first or second Sunday in April -- so that school term dates, for example, could be consistent and predictable. This book explores the significance of keeping Easter as a movable festival. Based on his research into the importance of rhythm for human health and wellbeing, physician Walter Buhler demonstrates a profound connection between the complex rhythms of the sun and the moon and the historical events of Christ's death and resurrection. He argues that, in the same way the rhythm of day and night is reflected in waking and sleeping, celebrating Easter on a different date each year reflects the deep connection and harmony between human beings and the rhythms of the cosmos.

The pastoral office has always been a difficult calling. Today, the pastor is often asked to fulfill multiple roles: preacher, teacher, therapist, administrator, CEO. How can pastors thrive amid such demands? What is needed is a contemporary pastoral rule: a pattern for ministry that both encourages pastors and enables them to focus on what is most important in their pastoral task. This book, coauthored by three experts with decades of practical experience, explains how relying on a pastoral rule has benefited communities throughout the church's history and how such rules have functioned in the lives and work of figures such as Augustine, Calvin, Wesley, and Bonhoeffer. It also provides concrete advice on how pastors can develop and keep a rule that will help both them and their congregations to flourish.

This ethnography explores the community of believers in a series of Marian apparitions in rural Emmitsburg, Maryland, asking what it means to call oneself a Catholic and child of Our Lady in this context, what it means to believe in an apparition, and what it means to communicate with divine presence on earth. Believers fashion themselves as devotees of Our Lady in several ways. Through autobiography, they look backward in time to see their lives as leading up to their participation in the prayer group or in some cases moving to Emmitsburg. By observing and telling miracle stories, they adopt an enchanted worldview in which the miraculous becomes everyday. Through relationships with Our Lady, their lives are enriched and even transformed. When they negotiate institutional loyalty and individual autonomy, they affirm their own authority and Catholic identity. Finally, through social media, they expand their devotional networks in ways that shift authority structures and empower individuals. Individuals engage beliefs, practices, and attitudes both arising from and resisting elements of modernity, religious pluralism and religious decline, empowerment and perceived disempowerment, tradition and innovation, and institutional loyalty and perceived disloyalty to reveal one way of understanding Catholic identity amidst the shifts and flows of modern change.

A comprehensive analysis of the ritual dimensions of biblical mourning rites, this book also seeks to illuminate mourning's social dimensions through engagement with anthropological discussion of mourning, from Hertz and van Gennep to contemporaries such as Metcalf and Huntington and Bloch and Parry. The author identifies four types of biblical mourning, and argues that mourning the dead is paradigmatic. He investigates why mourning can occur among petitioners in a sanctuary setting even given mourning's death associations; why certain texts proscribe some mourning rites (laceration and shaving) but not others; and why the mixing of the rites of mourning and rejoicing, normally incompatible, occurs in the same ritual in several biblical texts.

Recipient of an Honourable Mention in the 2001 God Uses Ink Contest "Lord, please give me a parking space " That prayer sounds right on your third time around the block, frustrated and late for an appointment. But is it consistent with how God works in the world? Does prayer change God's mind or only our feelings? Does God do things because we ask him to? Or do we ask him because he prompts us to do so? How much control does God really have in the world, anyway? If he has given us free will, can he always guarantee that things will happen as he intends or wishes? Is our need for parking spaces important enough to bother God, or is he only concerned about things that advance his program of salvation? If God has already decided how things will turn out, what use is it to pray? On the other hand, if our freedom limits God's ability to achieve his wishes all the time, how much could he do even if we asked for help? How much does God know about the future, and how does this factor into the way our prayers affect the outcome? And how does God's relationship to time enter into the whole equation? With such questions in mind, Terrance Tiessen presents ten views of providence and prayer--and then adds an eleventh, his own. He describes each view objectively and then tackles the question, If this is the way God works in the world, how then should we pray? The result of his investigation is a book that puts us at the intersection between theological reflection and our life and conversation with God. It prods and sharpens our understanding, making us better theologians and better prayers.

Using light as fil rouge reuniting theology and ritual with the architecture, decoration, and iconography of cultic spaces, the present study argues that the mise-en-scene of fifth-century baptism and sixth-century episcopal liturgy was meant to reproduce the luminous atmosphere of heaven. Analysing the material culture of the two sacraments against common ritual expectations and Christian theology, we evince the manner in which the luminous effect was reached through a combination of constructive techniques and perceptual manipulation. One nocturnal and one diurnal, the two ceremonials represented different scenarios, testifying to the capacity of church builders and willingness of Late Antique bishops to stage the ritual experience in order to offer God to the senses.

Edition and translation of Anglo-Saxon text, shedding light on Sunday observance and other issues. Few issues have had as far-reaching consequences as the development of the Christian holy day, Sunday. Every seven days, from the early middle ages, the Christian world has engaged in some kind of change in behaviour, ranging fromparticipation in a simple worship service to the cessation of every activity which could conceivably be construed as work. An important text associated with this process is the so-called Sunday Letter, fabricated as a letter from Christ which dropped out of heaven. In spite of its obviously spurious nature, it was widely read and copied, and translated into nearly every vernacular language. In particular, several, apparently independent, translations were made into Old English. Here, the six surviving Old English copies of the Sunday Letter are edited together for the first time. The Old English texts are accompanied by facing translations, with commentary and glossary, while the introduction examines the development of Sunday observance in the early middle ages and sets the texts in their historical, legal and theological contexts. The many Latin versions of the Sunday Letter arealso delineated, including a newly discovered and edited source for two of the Old English texts. DOROTHY HAINES gained her PhD from the University of Toronto, where she is currently an instructor of Old English.