The sixth in a series of volumes offering new translations of selected writings from C.F.W. Walther. This volume offers a translation of a number of Walther's letter. Walther wrote, literally, thousands of letters to people across the country and aroundt he world in his various capacities: pastor, theologian, seminary professor and president, church president, friend and brother in Christ. This collection offers insight into the deeply pastoral nature of Walther's approach to all and any issues.

Apophatic theology, or negative theology, attempts to describe God, the Divine Good, by negation, to speak only in terms of what may not be said about the perfect goodness that is God. It is a way of coming to an understanding of who God is which has played a significant role across centuries of Christian tradition but is very often treated with suspicion by those engaging in theological study today. Seeking the God Beyond explores the difference a negative theological approach might make to our faith and practice and offers an introduction to this oft-misunderstood form of spirituality. Beginning by placing apophatic spirituality within its biblical roots, the book later considers the key pioneers of apophatic faith and a diverse range of thinkers including CS Lewis and Keats - to inform us in our negative theological journey.

Many scholars and church leaders believe that music and worship style are essential in stimulating diversity in congregations. Gerardo Marti draws on interviews with more than 170 congregational leaders and parishioners, as well as his experiences participating in worship services in a wide variety of Protestant, multiracial Southern Californian churches, to present this insightful study of the role of music in creating congregational diversity. Worship across the Racial Divide offers a surprising conclusion: that there is no single style of worship or music that determines the likelihood of achieving a multiracial church. Far more important are the complex of practices of the worshipping community in the production and absorption of music. Multiracial churches successfully diversify by stimulating unobtrusive means of interracial and interethnic relations; in fact, preparation for music apart from worship gatherings proves to be just as important as its performance during services. Marti shows that aside from and even in spite of the varying beliefs of attendees and church leaders, diversity happens because music and worship create practical spaces where cross-racial bonds are formed. This groundbreaking book sheds light on how race affects worship in multiracial churches. It will allow a new understanding of the dynamics of such churches, and provide crucial aid to church leaders for avoiding the pitfalls that inadvertently widen the racial divide.

Darren M. Pollock examines the 1611 Romans hexapla commentary by the prolific Church of England preacher and controversialist Andrew Willet. While some have considered Willets later biblical commentaries to have been a retreat from his earlier engagement in religious controversy, the author argues that his exegetical work maintained a significant element of anti-Catholic polemics, only expressed in a different genre. This polemical hermeneutic served as an organizing principle and as a means by which to clarify the presentation of traditional Reformed readings in relief against a body of Roman Catholic theology that Willet believed threatened the gospel of grace. Pauls letter provided ample opportunity for Willet to identify what is distinctive about Reformed theology or rather, as Willet would have it, the particular ways in which papist dogma had diverged from the true line of Christian belief running from the Fathers through to the (truly catholic) Reformed church of the seventeenth century.Willets exegesis highlights many of the polemical issues that had long been contended between Protestants and Catholics, including the authentic versions of the bible, Scriptures attributes, and principles of interpretation, as well as doctrines like justification, predestination, the assurance of salvation, and the place of good works. A close investigation into Willets exegetical method also helps to see how an identifiable hermeneutical lens is consistent with a disciplined reading that is faithful to the text. His polemical focus does not corrupt his exegesis or force upon it meanings that are alien to the text itself; rather, his polemical hermeneutic serves to focus his attention and frame positive doctrinal statements against the sharp contrast of alternate readings.

A religious studies scholar argues that in antebellum America, evangelicals, not Transcendentalists, connected ordinary Americans with their spiritual roots in the natural world. We have long credited Emerson and his fellow Transcendentalists with revolutionizing religious life in America and introducing a new appreciation of nature. Breaking with Protestant orthodoxy, these New Englanders claimed that God could be found not in church but in forest, fields, and streams. Their spiritual nonconformity had thrilling implications but never traveled far beyond their circle. In this essential reconsideration of American faith in the years leading up to the Civil War, Brett Malcolm Grainger argues that it was not the Transcendentalists but the evangelical revivalists who transformed the everyday religious life of Americans and spiritualized the natural environment. Evangelical Christianity won believers from the rural South to the industrial North: this was the true popular religion of the antebellum years. Revivalists went to the woods not to free themselves from the constraints of Christianity but to renew their ties to God. Evangelical Christianity provided a sense of enchantment for those alienated by a rapidly industrializing world. In forested camp meetings and riverside baptisms, in private contemplation and public water cures, in electrotherapy and mesmerism, American evangelicals communed with nature, God, and one another. A distinctive spirituality emerged pairing personal piety with a mystical relation to nature. As Church in the Wild reveals, the revivalist attitude toward nature and the material world, which echoed that of Catholicism, spread like wildfire among Christians of all backgrounds during the years leading up to the Civil War.

Starting a new organization is risky business. And churches are no exception. Many new Protestant churches are established without denominational support and, therefore, have many of the same vulnerabilities other startups must overcome. Millions of Americans are leaving churches, half of all churches do not add any new members, and thousands of churches shutter their doors each year. These numbers suggest that American religion is not a growth industry. On the other hand, more than 1000 new churches are started in any given year. What moves people who might otherwise be satisfied working for churches to take on the riskier role of starting one? In Church Planters, sociologist Richard Pitt uses more than 125 in-depth interviews with church planters to understand their motivations. Pitt's work endeavors to uncover themes in their sometimes miraculous, sometimes mundane answers to the question: "why take on these risks?" He examines how they approach common entrepreneurial challenges in ways that reduce uncertainty and lead them to believe they will be successful. By combining the evocative stories of church planters with insights from research on commercial and social entrepreneurship, Pitt explains how these religion entrepreneurs come to believe their organizational goals must be accomplished, that they can be accomplished, and that they will be accomplished.

A well-researched and scholarly examination of the relationship between Protestant missions and imperialism in the past 200 years.

SHORTLISTED FOR THE WOLFSON HISTORY PRIZE 2017 SHORTLISTED FOR THE ELIZABETH LONGFORD PRIZE 2017 'A magnificent study of one of history's most compelling and divisive figures' Richard J. Evans When Martin Luther nailed a sheet of paper to the church door of a small university town in 1517, he set off a process that changed the Western world for ever. Within a few years Luther's ideas had spread like wildfire. His attempts to reform Christianity by returning it to its biblical roots split the Western Church, divided Europe and polarised people's beliefs, leading to religious persecution, social unrest and war; and in the long run his ideas would help break the grip of religion on every sphere of life. Yet Luther was a deeply flawed human being: a fervent believer tormented by spiritual doubts; a prolific writer whose translation of the Bible would shape the German language yet whose attacks on his opponents were vicious and foul-mouthed; a married ex-monk who liberated human sexuality from the stigma of sin but who insisted that women should know their place; a religious fundamentalist, Jew-hater and political reactionary who called 'for the private and public murder of the peasants' who had risen against their lords in response to his teaching. And perhaps surprisingly, the man who helped create in the modern world was not modern himself: for him the devil was not a figure of speech but a real, physical presence. As an acclaimed historian, Lyndal Roper explains how Luther's impact can only be understood against the background of the times. As a brilliant biographer, she gives us the flesh-and-blood figure. She reveals the often contradictory psychological forces that drove Luther forward and the dynamics they unleashed, which turned a small act of protest into a battle against the power of the Church. A New Statesman, Spectator, History Today, Guardian and Sunday Times Book of the Year

This comprehensive study represents the first effort by an historian to examine the relationship of the mainstream Protestant Churches to the Civil Rights movement of the 1960s. The focus is on the National Council of Churches, the principal ecumenical organization of the national Protestant religious establishment. Drawing on hitherto little-used and unknown archival resources and extensive interviews with participants, Findlay reveals the widespread participation of the predominantly white churches in the efforts moving toward black freedom that continued throughout the sixties. He documents the churches' active involvement in the March on Washington in 1963 and the massive lobbying effort to secure passage of the Civil Rights Act of 1964, their powerful support of the struggle to end legal segregation in Mississippi, and their efforts to respond to the Black Manifesto and the rise of black militancy before and during 1969. Findlay chronicles initial successes, then growing frustration as the national liberal coalition, of which the churches were a part, disintegrated as the events of the 1960s unfolded. For the first time, Findlay's study makes clear the highly significant role played by liberal religious groups in the turbulent, exciting, moving, and historic events of the 1960s.

The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.

'Death doesn't wait till the ends of our lives to meet us and to make an end, ' says Walter Wangerin. 'Instead, we die a hundred times before we die; and all the little endings on the way are like a slowly growing echo of the final BANG ' Yet out of our many losses, our 'little deaths, ' comes a truer recognition of life. It is found in our relationships with ourselves, with our world, with others, and with our Creator. This is the dancing that can come out of mourning: the hope of restored relationships. Mourning into Dancing defines the stages of grief, names the many kinds of loss we suffer, shows how to help the grief-stricken, gives a new vision of Christ's sacrifice, and shows how a loving God shares our grief. We learn from this book that the way to dancing is through the valley of mourning--that grief is a poignant reminder of the fullness of life Christ obtained for us through his resurrection. In the words of writer and critic John Timmerman, Mourning into Dancing 'could well be the most important book you ever read

From the turn of the twentieth century until the end of the Irish Civil War, Protestant nationalists forged a distinct counterculture within an increasingly Catholic nationalist movement. Drawing on a wide range of primary and secondary sources, Conor Morrissey charts the development of nationalism within Protestantism, and describes the ultimate failure of this tradition. The book traces the re-emergence of Protestant nationalist activism in the literary and language movements of the 1890s, before reconstructing their distinctive forms of organisation in the following decades. Morrissey shows how Protestants, mindful of their minority status, formed interlinked networks of activists, and developed a vibrant associational culture. He describes how the increasingly Catholic nature of nationalism - particularly following the Easter Rising - prompted Protestants to adopt a variety of strategies to ensure their voices were still heard. Ultimately, this ambitious and wide-ranging book explores the relationship between religious denomination and political allegiance, casting fresh light on an often-misunderstood period.

This book approaches Ulster Protestantism through its theatrical and cultural intersection with politics, re-establishing a forgotten history and engaging with contemporary debates. Anchored by the perspectives of ten writers - some of whom have been notably active in political life - it uniquely examines tensions going on within. Through its exploration of class division and drama from the early twentieth century to the present, the book restores the progressive and Labour credentials of the community's recent past along with its literary repercussions, both of which appear in recent decades to have diminished. Drawing on over sixty interviews, unpublished scripts, as well as rarely-consulted archival material, it shows - contrary to a good deal of cliched polemic and safe scholarly assessment - that Ulster Protestants have historically and continually demonstrated a vigorous creative pulse as well as a tendency towards Left wing and class politics. St. John Ervine, Thomas Carnduff, John Hewitt, Sam Thompson, Stewart Parker, Graham Reid, Ron Hutchinson, Marie Jones, Christina Reid, and Gary Mitchell profoundly challenge as well as reflect their communities. Illuminating a diverse and conflicted culture stretching beyond Orange Order parades, the weaving together of the lives and work of each of the writers highlights mutual themes and insights on their identity, as if part of some grander tapestry of alternative twentieth-century Protestant culture. Ulster Protestantism's consistent delivery of such dissenting voices counters its monolithic and reactionary reputation.

This is a collection of documents on church-state relations in modern history. It collects virtually all of the major documents associated with the evolution of the post-Reformation churches - Catholic, Protestant, and Orthodox - in their relationship to the simultaneously developing modern state in the West.

From the author of the acclaimed biography Martin Luther: Renegade and Prophet, new perspectives on how Luther and others crafted his larger-than-life image Martin Luther was a controversial figure during his lifetime, eliciting strong emotions in friends and enemies alike, and his outsized persona has left an indelible mark on the world today. Living I Was Your Plague explores how Luther carefully crafted his own image and how he has been portrayed in his own times and ours, painting a unique portrait of the man who set in motion a revolution that sundered Western Christendom. Renowned Luther biographer Lyndal Roper examines how the painter Lucas Cranach produced images that made the reformer an instantly recognizable character whose biography became part of Lutheran devotional culture. She reveals what Luther's dreams have to say about his relationships and discusses how his masculinity was on the line in his devastatingly crude and often funny polemical attacks. Roper shows how Luther's hostility to the papacy was unshaken to the day he died, how his deep-rooted anti-Semitism infused his theology, and how his memorialization has given rise to a remarkable flood of kitsch, from "Here I Stand" socks to Playmobil Luther. Lavishly illustrated, Living I Was Your Plague is a splendid work of cultural history that sheds new light on the complex and enduring legacy of Luther and his image.

Confessionalisation and Erudition in Early Modern Europe examines the consequences of the sixteenth-century Reformation for the study of ancient texts and of the past in general. The volume offers the most comprehensive account thus far of the relationship between religious identity-formation and the history of knowledge in early modern Europe.

As America has become more pluralistic, Protestantism, with its long roots in American history and culture, has hardly remained static. This finely crafted portrait of a remarkably complex group of Christian denominations describes Protestantism's history, constituent subgroups and their activities, and the way in which its dialectic with American culture has shaped such facets of the wider society as healthcare, welfare, labor relations, gender roles, and political discourse.

Part I provides an introduction to the religion's essential beliefs, a brief history, and a taxonomy of its primary American varieties. Part II shows the diversity of the tradition with vivid accounts of life and worship in a variety of mainline and evangelical churches. Part III explores the vexed relationship Protestantism maintains with critical social issues, including homosexuality, feminism, and social justice. The appendices include biographical sketches of notable Protestant leaders, a chronology, a glossary, and an annotated list of resources for further study.