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Books > Religion & Spirituality > Christianity > The Bible > Old Testament > General
While there are many textbooks about the prophetic literature, most
have taken either a historical or literary approach to studying the
prophets. A Chorus of Prophetic Voices, by contrast, draws on both
historical and literary approaches by paying careful attention to
the prophets as narrative characters. It considers each unique
prophetic voice in the canon, in its fully developed literary form,
while also listening to what these voices say together about a
particular experience in Israel's story. It presents these four
scrollsaEURO"Isaiah, Jeremiah, Ezekiel, and the Book of the
TwelveaEURO"as works produced in the aftermath of destruction,
works that employ prophetic characters, and as the words uttered
during the crises. The prophetic literature became for Israel,
living in a context of dispersion and imperial domination, a
portable and adaptable resource at once both challenging and
comforting. This book provides the fullest picture available for
introducing students to the prophetic literature by valuing the
role of the original prophetic characters, the finished state of
the books that bear their names, the separate historical crises in
the life of Israel they address, and the aEUROoechorus of prophetic
voicesaEURO one hears when reading them as part of a coherent
literary corpus.
The juxtaposition of 'favour' and 'righteousness' in the flood
narrative raises an interpretative and theological problem: Is Noah
chosen because of divine favour or because of his piety ?
Source-critical scholars identify two different theologies by J and
P: J understands Noah's election to be an act of grace whereas P
emphasizes Noah's righteousness as the basis for his election.
Scholars who interpret the flood narrative according to its final
form argue that Noah is chosen because he is righteous. This view
is problematic, however, since in the primaeval history grace is
shown to the 'undeserving', thus it is characteristically
unmerited. This book entails an exegetical analysis of, and
according to, the final form of the text, with particular attention
being given to the meaning and function of these verses in the
Toledot structure. Kaminski argues against the commonly held view
that Noah finds favour because he is righteous, and seeks to
demonstrate that divine favour is unmerited in accordance with the
theme of grace in the primaeval history and in Genesis as a whole.
Thus what sets the flood story in motion is not Noah's
righteousness, but the divine favour he finds.
The Body As Property indicates that physical disfigurement
functioned in biblical law to verify legal property acquisition,
when changes in the status of dependents were formalized. It is
based on the reality the cuneiform script, in particular, was
developed in Sumer and Mesopotamia for the purpose of record
keeping: to provide legal proof of ownership where the inscription
of a tablet evidenced the sale, or transfer, of property.
Legitimate property acquisition was as important in biblical law,
where physical disfigurements marked dependents, in a similar way
that the veil or the head covering identified a wife or concubine
in ancient Assyrian and Judean societies. This is primarily
substantiated in the accounts of prescriptive disfigurements:
namely circumcision and the piercing of a slave's ear, both of
which were required only when a son, or slave, was acquired
permanently. It is further argued that legal entitlement was
relevant also to the punitive disfigurements recorded in Exodus
21:22-24, and Deuteronomy 25:11-12, where the physical violation of
women was of concern solely as an infringement of male property
rights.
Few phrases in Scripture have occasioned as much discussion as has
the "I am who I am" of Exodus 3:14. What does this phrase mean? How
does it relate to the divine name, YHWH? Is it an answer to Moses'
question (v. 13), or an evasion of an answer? The trend in
late-nineteenth- and twentieth-century scholarly interpretations of
this verse was to superimpose later Christian interpretations,
which built on Greek and Latin translations, on the Hebrew text.
According to such views, the text presents an etymology of the
divine name that suggests God's active presence with Israel or what
God will accomplish for Israel; the text does not address the
nature or being of God. However, this trend presents challenges to
theological interpretation, which seeks to consider critically the
value pre-modern Christian readings have for faithful
appropriations of Scripture today. In "Too Much to Grasp": Exodus
3:13?15 and the Reality of God, Andrea Saner argues for an
alternative way forward for twenty-first century readings of the
passage, using Augustine of Hippo as representative of the
misunderstood interpretive tradition. Read within the literary
contexts of the received form of the book of Exodus and the
Pentateuch as a whole, the literal sense of Exodus 3:13-15
addresses both who God is as well as God's action. The "I am who I
am" of v. 14a expresses indefiniteness; while God reveals himself
as YHWH and offers this name for the Israelites to call upon him,
God is not exhausted by this revelation but rather remains beyond
human comprehension and control.
In Portraits of a Mature God, Mark McEntire traced the narrative
development of the divine character in the Old Testament, placing
the God portrayed at the end of that long story at the center of
theological discussion. He showed that Israel's understanding of
God had developed into a complex, multipurpose being who could work
within a new reality, a world that included a semiautonomous
province of Yehud and a burgeoning Mesopotamian-Mediterranean world
in which the Jewish people lived and moved in a growing diversity
of ways. Now, McEntire continues that story beyond the narrative
end of the Hebrew Bible as Israel and Israel's God moved into the
Hellenistic world. The "narrative" McEntire perceives in the
apocryphal literature describes a God protecting and guiding the
scattered and persecuted, a God responding to suffering in revolt,
and a God disclosing mysteries, yet also hidden in the symbolism of
dreams and visions. McEntire here provides a coherent and
compelling account of theological perspectives in the apocryphal
writings and beyond.
It would be difficult to overestimate the importance of the
Bible in the medieval world. For the Anglo-Saxons, literary culture
emerged from sustained and intensive biblical study. Further, at
least to judge from the Old English texts which survive, the Old
Testament was the primary influence, both in terms of content and
modes of interpretation. Though the Old Testament was only
partially translated into Old English, recent studies have shown
how completely interconnected Anglo-Latin and Old English literary
traditions are.Old English Literature and the Old Testament
considers the importance of the Old Testament from a variety of
disciplinary perspectives, from comparative to intertextual and
historical. Though the essays focus on individual works, authors,
or trends, including the Interrogationes Sigewulfi, Genesis A, and
Daniel, each ultimately speaks to the vernacular corpus as a whole,
suggesting approaches and methodologies for further study.
This major work explores the message and meaning of Ezekiel, one of
the longest and most difficult of the prophetic books. An
introduction explains what is involved in reading a prophetic book,
and how the book of Ezekiel was put together and structured. It
looks at the form of speech used and discusses Ezekiel's author and
those who transmitted, edited, and enlarged upon what he had to
say. The destruction of Jerusalem is a primary concern, and
attention is focused on the political and social situation of the
time in order to provide a clear understanding of the political and
religious crisis facing the prophet's contemporaries.
A lengthy history of readers' struggles with Joel lies behind
Merx's characterization of the book as "the problem child of Old
Testament exegesis, insofar as the resources utilized by
interpreters thus far are entirely insufficient to dispel its
darkness". Long before Vernes posited that chapters 3-4 were a
composition distinct from 1-2, Augustine voiced his perplexity
about how the book constituted a unity. Many attempts to expound it
as a unity have subdued the book's tensions through problematic
harmonizations. On the other hand, theories of the book's
development within the construction of a Book of the Twelve not
only bar understanding the book as a whole, but also fall short of
explaining its composition. In this volume, Ronald L. Troxel
acknowledges the perennial problems raised by the book, but argues
that taking account of the signs of its genre elucidates numerous
cruxes and spotlights salient interpretive features that are
infrequently discussed. Recognizing that chapter four comprises a
series of late additions permits recognition of narrative markers
that unite the first three chapters as a product of schriftgelehrte
Prophetie, "scribal prophecy". The book's features align well with
those of two other prophetic narratives fashioned as composite
works: Jonah and Haggai. All three books are better accounted for
in this way than through the prism of redactional expansion.
Correlatively, the long-standing arguments against chapter 3 as the
literary continuation of chapters 1-2 prove reliant on social
conceptions of prophecy that are alien to schriftgelehrte
Prophetie. Instead, Troxel shows Joel 3 to be the culmination of a
didactic narrative meant to prepare a future generation to survive
the Day of the Lord. The first chapter of Troxel's study
illuminates the persistent conundrums addressed in the history of
interpretation, as well as the social contexts from which
resolutions have been proposed. Chapters two and three address the
book's composite texture and narrative marks, while chapter four
expounds its distinctive eschatology. The fifth chapter synthesizes
these observations in a synopsis of Joel's genre, scope, and
meaning.
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Reflections on the Psalms
(Paperback)
Ian Adams, Christopher Cocksworth, Joanna Collicutt, Gillian Cooper, Steven Croft, …
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Reflections on the Psalms provides insightful commentary on each of
the Psalms from the same experienced team of writers that have made
Reflections for Daily Prayer so popular. It offers inspiring and
undated reflections on all 150 psalms, with longer psalms split
into parts in accordance with the Lectionary. Each reflection is
accompanied by its corresponding Psalm refrain and prayer from the
Common Worship Psalter, making this a valuable resource for
personal or devotional use. Specially written introductions by
Paula Gooder and Steven Croft explore the Psalms and the Bible and
the Psalms in the life of the Church.
The foundation of the modern State of Israel in 1948 is
commemorated by many Palestinians as a day of catastrophe. Many
Palestinian Christians claim that the nakba was also spiritually
catastrophic: the characters, names, events, and places of the Old
Testament took on new significance with the newly formed political
state, which caused vast portions of the text to become unusable in
their eyes and be abandoned. Stalder asks how Palestinian
Christians have read the Old Testament in the period before and
under the British Mandate and now, in light of the foundation of
the modern State of Israel, then contemplates how they might read
these sacred texts in the future, interacting with proposals by
Michael Prior, Charles Miller, and Gershon Nerel. His particular
goal is to outline a possible hermeneutic that does not disregard
the concerns of the respective religious communities without
writing off the Old Testament prematurely.
For almost 3000 years the story of Jonah has intrigued, amused,
inspired, encouraged, a,d challenged people of faith. This timeless
story about one imperfect, complex man and his difficult
relationship with God continues to engage contemporary audiences.
Jonah enjoys a unique place in salvation history. His life reprises
the actions of key Old Testament figures and also points forward to
the New Testament and the coming Messiah. Jonah's story is a
beautiful, complex, artfully crafted, work of minimalist literature
which speaks a profound and resounding message of grace that still
captures the human heart. This book is designed to facilitate a 40
day, shared journey through the book of Jonah. The radical
revelation of the book of Jonah is that God's grace is wild. It
refuses all human attempts to tame, domesticate, or restrain it.
This grace continually bursts forth, in the most unexpected of
places, and reaches out to the most unlikely of people.
Power and Politics in the Book of Judges studies political culture
and behavior in premonarchic Israel, focusing on the protagonists
in the book of Judges. Although the sixth-century BCE
Deuteronomistic editor portrayed them as moral champions and called
them "judges," the original bardic storytellers and the men and
women of valor themselves were preoccupied with the problem of
gaining and maintaining political power. John C. Yoder considers
the variety of strategies the men and women of valor used to gain
and consolidate their power, including the use of violence, the
redistribution of patronage, and the control of the labor and
reproductive capacity of subordinates. They relied heavily,
however, on other strategies that did not deplete their wealth or
require the constant exercise of force: mobilizing and dispensing
indigenous knowledge, cultivating a reputation for reliability and
honor, and positioning themselves as skillful mediators between the
realms of earth and heaven, using their association with YHWH to
advance their political, economic, or military agenda.
A concise introduction to a central topic in biblical studies,
designed with the needs of students, preachers and teachers in mind
Building on the foundation of the popular volumes The Bible from
Scratch: The Old Testament for Beginners and The New Testament for
Beginners, Donald Griggs and Paul Walaskay offer a new study on the
book of Acts.
In seven chapters, Griggs and Walaskay tell the story of this
popular New Testament book, with its stories of the works of Jesus'
disciples after his death, resurrection, and ascension. A leader's
guide and participant section are included, making this volume an
excellent resource for group or individual study.
"Ancient World Studies the Book of Isaiah" is an inductive Bible
study of Isaiah, chapter by chapter, verse by verse, suitable for
any serious student of the Bible. It includes thirty five-day
lessons, with numerous notes, definitions, and introductions, as
well as maps, charts, timelines and historical summaries for the
nations mentioned in Isaiah.
The prophetic books are some of the most captivating and
fascinating texts of the Old Testament, but they are also some of
the most misunderstood. Interpreting the Prophets equips the reader
with the knowledge and skills they need to interpret the Prophets
in a faithful and accurate fashion. Beginning with the nature of
the prophetic role and prophetic books in Israel, Old Testament
scholar Aaron Chalmers leads the reader through the various
"worlds" of Israel's prophets--historical, social, theological and
rhetorical-- providing the basic contextual and background
information needed both for sound and sensible exegesis, and for
sensitive interpretation and application for today. He concludes
with a helpful chapter giving guidelines for preaching from the
Prophets--including advice on choosing the texts, making
appropriate analogies, and the potential problems and common
pitfalls to avoid.
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