Traditions at Odds explores the Pentateuch's literary influence on other biblical texts. There exist a number of content discrepancies between pentateuchal and non-pentateuchal texts that treat the same subject. Through a detailed analysis, the author argues that the discrepancies are not alterations of pentateuchal material, as is generally argued, but rather indications of independent traditions. Thus, much of biblical literature was written outside of the Pentateuch's purview. Corroborating evidence is found in literature from the Second Temple Period, which also exhibits a lack of conformity to the Pentateuch. After demonstrating this independence, this study explores its implications on the composition of biblical texts and the process of canonization. Marked by an interdisciplinary approach, the study incorporates recent theoretical developments in literary and ideological criticism, as well as ritual, historiography and textual citation. It not only provides a broader base of study, but serves to address a deficiency in biblical studies: most studies of intertextuality operate with little theoretical grounding, while studies in ritual or historiography are based on models from the late 19th/early 20th centuries.

The Scriptures of Ancient Judaism: A Secular Introduction provides students with a scholarly exploration of the literature and themes of the Old Testament/Hebrew Bible and cognate Near Eastern materials. The text features diverse interdisciplinary and methodological points of view from secular biblical scholars, offering readers a comprehensive, thoughtful, and accessible point of entry to the study of the ancient world and the religious heritage of Judaism. The text approaches the scriptures of ancient Judaism without religious bias or dogmatic intent. Rather, the book is designed to ignite interest in the history and literature of the ancient world and to present the latest scholarship related to the Old Testament/Hebrew Bible. Students are introduced to Israelite religious traditions, their unique worldviews, and offered a primer on how to read ancient texts. Later chapters examine the histories and cultures of the ancient Near East and Jewish historiography. Legal texts, prophetic texts, biblical poetry and wisdom literature, and apocalyptic writings found within the Hebrew Bible and other related texts are analyzed. Providing students a rich and complete introduction, The Scriptures of Ancient Judaism is an ideal text for courses in biblical studies.

In the Hebrew Bible, Judges 4-5 tells the lurid story of the heroic figure of Jael, a woman who seduces the Canaanite general Sisera and then nails his head to the ground with a tent-peg, thus saving Israel from the troops of King Sabin. This gruesome tale has long intrigued scholars and artists alike. The many versions of the story that have appeared in art and literature have repeatedly and creatively built on the gendered themes of the tradition, often seeing in the encounter between Jael and Sisera some fundamental truth about the relationship between women and men. In Sex and Slaughter in the Tent of Jael, Colleen Conway offers the first sustained look at how this biblical tradition has been used artistically to articulate and inform cultural debates about gender. She traces the cultural retellings of this story in poems, prints, paintings, plays, and narratives across many centuries, beginning with its appearance in Judges 4-5 and continuing up to the present day. Once separated from its original theological context, the Jael/Sisera tradition becomes largely about gender identity, particularly the conflict between the sexes. Conway examines the ways in which Jael has been reimagined by turns as a wily seductress, passionate lover, frustrated and bored mother, peace-bringing earth goddess, and deadly cyborg assassin. Meanwhile, Sisera variously plays the enemy general, the seduced lover, the noble but tragically duped victim, and the violent male chauvinist. Ultimately, Conway demonstrates that the ways in which Jael's actions are explained and assessed all depend on when, by whom, and for whom the Jael and Sisera story is being told. In examining the varying artistic renditions of the story, this book also provides a case study of the Bible's role as a common cultural resource in secular western culture.

This study of the book of Daniel examines the ideology of divine and human rule in Daniel's historical resumes or reviews found in chaps 2, 7, 8, 9, 10-12. It seeks to uncover the concerns that motivate the resumes and the strategies the resumes use to resolve cognitive and experiential dissonance. Willis argues that the source of dissonance in Daniel stems not from failed prophecies (as has been commonly argued), nor do the visions function as symbolic theodicies to address a contradiction between divine power and divine goodness in the face evil. The study proposes, instead, that the historical resumes address profound contradictions concerning divine power and presence in the face of Hellenistic/Seleucid rule. These contradictions reach a crisis point in Daniel 8's depiction of the desecration of the temple (typically Daniel 8 is seen as a poor replica of the triumphant vision of divine power found in Daniel 7). This crisis of divine absence is addressed both within the vision of chap 8 itself and then in the following visions of chaps 9, and 10-12, through the use of narrative (both mythological narrative and historical narrative).

The longest chapter in the Bible, Psalm 119, is about the Bible itself. In his commentary on Psalm 119 Pastor Mott shows how the Bible is relevant for every need of life. No matter what situation or emotion you may be experiencing in your life, there is a verse in Psalm 119 that speaks to it. In this psalm you will find information relating to things historical, political, social, psychological, soteriological, and eschatological. The comprehensiveness of Psalm 119 is itself a wonder. Only God could inspire such a psalm.

In the Song of Songs the son of David, King in Jerusalem, overcomes hostility and alienation to renew intimacy between himself and his Bride. This most sublime Song sings of a love sure as the seal of Yahweh, a flashing flame of fire many waters could never quench. James M. Hamilton Jr, in this latest addition to the popular Focus on the Bible series, pours fresh light on this inspiring and uplifting book.

This book is concerned with ascertaining the value of having two versions of the same monarchic history of Israel within the Hebrew Bible (focusing on the books of Kings and Chronicles). It is furthermore concerned with how the book of Chronicles is read in relation to the book of Kings as Chronicles is so often considered to be a later rewritten text drawing upon an earlier version of the Masoretic Text of Samuel and Kings. The predominant scholarly approach to reading the book of Chronicles is to read it in light of how the Chronicler emended his source texts (additions, omissions, harmonizations). This approach has yielded great success in our understanding of the Chronicler's theology and rhetoric. However, Cook asserts, it has also failed to consider how the book of Chronicles can be read as an autonomous and coherent document. That is, a diachronic approach to reading Chronicles sometimes misses the theological and rhetorical features of the text in its final form. This book shows the great benefit of reading these narratives as autonomous and coherent by using the Solomon narratives as a case study. These narratives are first read individually, and then together, so as to ascertain their uniqueness vis-a-vis one another. Finally, Cook addresses questions related to the concordance of these narratives as well as their purposes within their respective larger literary contexts.

The story of Samson and Delilah in Judges 16 has been studied and retold over the centuries by biblical interpreters, artists, musicians, filmmakers and writers. Within these scholarly and cultural retellings, Delilah is frequently fashioned as the quintessential femme fatale - the shamelessly seductive 'fatal woman' whose sexual treachery ultimately leads to Samson's downfall. Yet these ubiquitous portrayals of Delilah as femme fatale tend to eclipse the many other viable readings of her character that lie, underexplored, within the ambiguity-laden narrative of Judges 16 - interpretations that offer alternative and more sympathetic portrayals of her biblical persona. In Reimagining Delilah's Afterlives as Femme Fatale, Caroline Blyth guides readers through an in-depth exploration of Delilah's afterlives as femme fatale in both biblical interpretation and popular culture, tracing the social and historical factors that may have inspired them. She then considers alternative afterlives for Delilah's character, using as inspiration both the Judges 16 narrative and a number of cultural texts which deconstruct traditional understandings of the femme fatale, thereby inviting readers to view this iconic biblical character in new and fascinating lights.

Dr Gillow Reynolds argues for a unique interpretation of this sensual and mysterious poem, long considered the most important book of the Hebrew Scriptures but nowadays relatively unknown. The Wisdom of Love in the Song of Songs brings cohesion and context to the disparate mystical, academic and secular interpretations of the Song, shedding new light on, and insight into, one of the greatest love poems of all time. The book includes a complete reproduction of the verses from The Song of Songs. `...A tour de force, The Wisdom of Love in the Song of Songs deserves to be read by all who are willing to have their hearts and minds stretched and enlarged . . . A book for scholars and for a more general readership, it will be a great help in bringing the Song back to life today . . . written with passion - heart and soul - like the Song itself.' Graeme Watson, author of The Song of Songs: A Contemplative Guide `The Wisdom of Love in the Song of Songs is a beautifully enigmatic biblical text - St Augustine called it `a puzzle' - that jumps alive in Stefan Gillow Reynolds' close reading. A text usually met in fragments at weddings is presented here as a new whole in a fresh commentary with theological and psychological insight. Dream, erotic story or mystical revelation, or all three? The merging of the different forms of love yields new insight into the divine and human affair.' Laurence Freeman, The Tablet, Books of the Year `This biblical book, currently neglected, save for an occasional reading at weddings, deserves more attention. Beautifully produced and enhanced by its illustrations, Gillow Reynolds's distinctive interpretation, drawing on his wide general learning, including psychology, the church Fathers, and literature, would be a good place to start.' Canon Anthony Phillips, The Church Times

The study of the Septuagint's language can only bring about true recognition of its particular theological significance when the idea of exchange between Hebrew and Greek language and thought in the classical and Hellenistic period is so defined that it becomes the guideline and core of all Septuagint research. To bring about the most profound change possible in how the world of faith in the Septuagint is studied, this volume focuses on the terminology and concepts of divine and human realms by comparing pertinent Septuagint texts with Masoretic text and placing them in their religious-historical, philological and philosophical settings.

In this book Barbara Green demonstrates how David is shown and can be read as emerging from a young naive, whose early successes grow into a tendency for actions of contempt and arrogance, of blindness and even cruelty, particularly in matters of cult. However, Green also shows that over time David moves closer to the demeanor and actions of wise compassion, more closely aligned with God. Leaving aside questions of historicity as basically undecidable Green's focus in her approach to the material is on contemporary literature. Green reads the David story in order, applying seven specific tools which she names, describes and exemplifies as she interprets the text. She also uses relevant hermeneutical theory, specifically a bridge between general hermeneutics and the specific challenges of the individual (and socially located) reader. As a result, Green argues that characters in the David narrative can proffer occasions for insight, wisdom, and compassion. Acknowledging the unlikelihood that characters like David and his peers, steeped in patriarchy and power, can be shown to learn and extend wise compassion, Green is careful to make explicit her reading strategies and offer space for dialogue and disagreement.

This congress volume of the Minerva Center for the Relations between Israel and Aram in Biblical Times combines theoretical approaches to historical research on autonomy or independence in ancient cultures and then presents articles which study the subject using Aram and Israel in antiquity as examples. These articles show clearly how strongly Syria and Palestine were linked to one another and how they constituted one single cultural region which was connected by its economy, politics, language, religion, and culture.

"The title, Old Testament, creates difficulties of its own. If it is "Old" and we are people of the "New", surely we may properly let it fade away into history? Besides, it seems very unlike the New Testament, even contradictory: all those wars when Jesus is the Prince of peace; all those commandments to obey when we are not under law but under grace. And can the God of the Old Testament be a God of love like the Father, Son and Holy Spirit?" These are the questions that Alec Motyer, a life long lover of the Old Testament, seeks to answer starting with the conviction that Jesus is the fulfilment of the Old Testament Scripture. This is for the Christian who wants to know what the Old Testament has to do with the New Testament and why the Christian should read it. A comprehensive survey of the Old Testament organised around its authors and major characters, the theme of this book is that the Holy Spirit chose, fashioned and equipped the biblical authors to convey distinctive truths through each of them.'

If Zechariah's vision report (Zechariah 1.8-6.8) reflects the seer's visionary experience, how does that impact our understanding of the gradual growth of the text? Lena-Sofia Tiemeyer builds on the work done in her previous book Zechariah and His Visions (Bloomsbury-T&T Clark, 2014), to demonstrate that the visionary material forms the primary textual layer. The oracular texts constitute chronologically later interpretations. Zechariah and/or later authors/editors sought guidance in the earlier vision accounts, and the oracular material reflects these endeavours. Tiemeyer's investigation is guided by the question: what is the latter material doing with the former? Is it enforcing, contradicting, or adding to it? Using a ratio composed of the difference between the intratexts and intertexts of Zech 1-8, Tiemeyer shows how this ratio is higher in the oracular material than in the visionary material. This difference points to the different origin and the different purpose of the two sets of material. While the earlier vision report draws on images found primarily in other biblical vision reports, the later oracular material has the characteristics of scribal interpretation. By drawing on earlier material, it seeks to anchor its proposed interpretations of the various vision accounts within the Israelite textual tradition. It is clear that the divine oracles were added to give, modify, and specify the meaning of the earlier vision report.