According to the people of the Mueda plateau in northern Mozambique, sorcerers remake the world by asserting the authority of their own imaginative visions of it. While conducting research among these Muedans, anthropologist Harry G. West made a revealing discovery--for many of them, West's efforts to elaborate an ethnographic vision of their world was itself a form of sorcery. In "Ethnographic Sorcery," West explores the fascinating issues provoked by this equation.
A key theme of West's research into sorcery is that one sorcerer's claims can be challenged or reversed by other sorcerers. After West's attempt to construct a metaphorical interpretation of Muedan assertions that the lions prowling their villages are fabricated by sorcerers is disputed by his Muedan research collaborators, West realized that ethnography and sorcery indeed have much in common. Rather than abandoning ethnography, West draws inspiration from this connection, arguing that anthropologists, along with the people they study, can scarcely avoid interpreting the world they inhabit, and that we are all, inescapably, ethnographic sorcerers.

The Knowledge Seeker tells the story of the developing Indigenous-run education movement and calls forth the urgent need to teach about Indigenous spirituality.

An innovative history of the politics and practice of the Caribbean spiritual healing techniques known as obeah and their place in everyday life in the region. Spanning two centuries, the book results from extensive research on the development and implementation of anti-obeah legislation. It includes analysis of hundreds of prosecutions for obeah, and an account of the complex and multiple political meanings of obeah in Caribbean societies. Diana Paton moves beyond attempts to define and describe what obeah was, instead showing the political imperatives that often drove interpretations and discussions of it. She shows that representations of obeah were entangled with key moments in Caribbean history, from eighteenth-century slave rebellions to the formation of new nations after independence. Obeah was at the same time a crucial symbol of the Caribbean's alleged lack of modernity, a site of fear and anxiety, and a thoroughly modern and transnational practice of healing itself.

Among the Anglo-Canadian fur traders of the early 19th century, George Nelson stands out for his interest in the lives and ways of the native peoples he encountered. This letter-journal provides a detailed portrayal of the Algonquian religion.

Community and Trinity in Africa recasts the African tradition of community from a theological perspective. Ibrahim S. Bitrus explains the new Trinitarian hermeneutics of God as the fundamental framework for constructing an authentic African tradition of community. The book explores the tripartite structural evils of the patriarchal tradition, the Big Man/Woman syndrome, and ethnic-religious nepotism, which distort the African tradition of community. It analyzes Trinitarian proposals that liberate the distorted African tradition of community and concludes that an authentic African tradition of community is one that embodies individuality without libertarian individualism, communality without patriarchy, and mutual multi-ethnic and religious relations without nepotism and domination. Arguing that the communion of the Triune God is not a moral ideal, but a gift for restructuring the church and society, this book is an essential read for scholars of African Christianity and Christian theology.

An updated introduction to the religions developed in the Caribbean region Creole Religions of the Caribbean offers a comprehensive introduction to the overlapping religions that have developed as a result of the creolization process. Caribbean peoples drew on the variants of Christianity brought by European colonizers, as well as on African religious and healing traditions and the remnants of Amerindian practices, to fashion new systems of belief. From Vodou, Santeria, Regla de Palo, the Abakua Secret Society, and Obeah to Quimbois and Espiritismo, the volume traces the historical-cultural origins of the major Creole religions, as well as the newer traditions such as Rastafari. This third edition updates the scholarship by featuring new critical approaches that have been brought to bear on the study of religion, such as queer studies, environmental studies, and diasporic studies. The third edition also expands the regional considerations of the diaspora to the US Latinx communities that are influenced by Creole spiritual practices, taking into account the increased significance of material culture?art, music, literature, and healing practices influenced by Creole religions.

The earth is my mother, and on her bosom I shall repose.
Attributed to Tecumseh in the early 1800s, this statement is frequently cited to uphold the view, long and widely proclaimed in scholarly and popular literature, that Mother Earth is an ancient and central Native American figure. In this radical and comprehensive rethinking, Sam D. Gill traces the evolution of female earth imagery in North America from the sixteenth century to the present and reveals how the evolution of the current Mother Earth figure was influenced by prevailing European-American imagery of America and the Indians as well as by the rapidly changing Indian identity.
Gill also analyzes the influential role of scholars in creating and establishing the imagery that underlay the recent origins of Mother Earth and, upon reflection, he raises serious questions about the nature of scholarship.
Mother Earth might be modern, stressing the supposed biological ground of native life and its rich mythic tradition, but it hardly frees the native people from their long, lamentable involvement with the white man. For making this point clear, Gill deserves high praise.--Bernard W. Sheehan, Journal of the American Academy of Religion
In one of the finest studies of recent years we have an ambitious attempt to satisfy scholar, Native American, popular reader, and truth.--Thomas McElwain, Western Folklore

This is the first volume of a projected three-volume work on the little-known South Indian folk cult of the goddess Draupadi and on the classical epic, the "Mahabharata," that the cult brings to life in mythic, ritual, and dramatic forms. Draupadi, the chief heroine of the Sanskrit "Mahabharata," takes on many unexpected guises in her Tamil cult, but her dimensions as a folk goddess remain rooted in a rich interpretive vision of the great epic. By examining the ways that the cult of Draupadi commingles traditions about the goddess and the epic, Alf Hiltebeitel shows the cult to be singularly representative of the inner tensions and working dynamics of popular devotional Hinduism.

In Queering Black Atlantic Religions Roberto Strongman examines Haitian Vodou, Cuban Lucumi/Santeria, and Brazilian Candomble to demonstrate how religious rituals of trance possession allow humans to understand themselves as embodiments of the divine. In these rituals, the commingling of humans and the divine produces gender identities that are independent of biological sex. As opposed to the Cartesian view of the spirit as locked within the body, the body in Afro-diasporic religions is an open receptacle. Showing how trance possession is a primary aspect of almost all Afro-diasporic cultural production, Strongman articulates transcorporeality as a black, trans-Atlantic understanding of the human psyche, soul, and gender as multiple, removable, and external to the body.

India is a highly diverse country, home to a wide array of languages, religions, and cultural traditions. Analyzing the dynamic religious traditions of this democratic nation sheds light on the complex evolution from India's past to today's modern culture. Written by leading experts in the field, Religions of India provides students with an introduction to India's vibrant religious faiths. To understand its heritage and core values, the beginning chapters introduce the indigenous Dharmic traditions of Hinduism, Jainism, Buddhism, and Sikhism, while the later chapters examine the outside influences of Zoroastrianism, Judaism, Christianity, and Islam. These chapters are designed for cross-religious comparison, with the history, practices, values, and worldviews of each belief system explained. The final chapter helps students relate what they have learnt to religious theory, preparing the way for future study. This thoroughly revised second edition combines solid scholarship with clear and lively writing to provide students with an accessible and comprehensive introduction to religion in India. This is the ideal textbook for students approaching religion in Asia, South Asia, or India for the first time. Features to aid study include: discussion questions at the end of each chapter, images, a glossary, suggestions for further reading, and an Companion Website with additional links for students to further their study.

Valeri presents an overview of Hawaiian religious culture, in which hierarchies of social beings and their actions are mirrored by the cosmological hierarchy of the gods. As the sacrifice is performed, the worshipper is incorporated into the god of his class. Thus he draws on divine power to sustain the social order of which his action is a part, and in which his own place is determined by the degree of his resemblance to his god. The key to Hawaiian society--and a central focus for Valeri--is the complex and encompassing sacrificial ritual that is the responsibility of the king, for it displays in concrete actions all the concepts of pre-Western Hawaiian society. By interpreting and understanding this ritual cycle, Valeri contends, we can interpret all of Hawaiian religious culture.

Walter E. A. van Beek draws on over four decades of extensive fieldwork to offer an in-depth study of the religion of the Kapsiki/Higi, who live in the Mandara Mountains on the border between North Cameroon and Northeast Nigeria. Concentrating on ritual as the core of traditional religion, van Beek shows how Kapsiki/Higi practices have endured through the long and turbulent history of the region. Kapsiki rituals reveal a focus on two fundamental concepts: dwelling and belonging. Van Beek examines their sacrificial practices, through which the Kapsiki show a complex and pervasive connection with the Mandara Mountains, as well as the character of their relationships among themselves and with outsiders. Van Beek also explores their rituals of belonging, rites of passage which take place from birth through initiation and marriage - and even death, with the tradition of the ''dancing dead,'' when a fully decorated corpse on the shoulders of a smith ''dances'' with his mourning kinsmen. The Dancing Dead is the result of the author's lifelong study of the Kapsiki/Higi. It gives a unique description of the rituals in an African traditional religion based not upon ancestors, but on a completely relational thought system, where in the end all rituals are integrated into one major cycle.

This account of an East African religion as it was during the 1950s discusses a variety of issues in the study of religion, within the context of case materials and other field data. The Taita people of southern Kenya called their religion Butasi after its central act which combined utterance with spraying-out of liquid from the mouth. Taking up the central theme of mystical anger, Dr Harris explores the social and cultural aspects of doctrines and rituals. She shows that the interpretation and shaping of the experience of misfortune occurred in religious interaction: between living humans having mystical attributes, and between them and person-like mystical agencies. Many of the concepts, practices, themes and elements discussed have been reported for other African religions, often with little comment or analysis. Here they are brought together, explored, and related to one another. The result is a many-sided, yet integrated picture of a single religion. Presented in clear and non-technical language, the study serves to illuminate many religions throughout the world.

Vodou is among the most misunderstood and maligned of the world's religions. Mama Lola shatters the stereotypes by offering an intimate portrait of Vodou in everyday life. Drawing on a 35 year long friendship with Mama Lola, a Vodou priestess, Karen McCarthy Brown tells tales spanning five generations of Vodou healers in Mama Lola's family, beginning with an African ancestor and ending with Claudine Michel's account of working with Mama Lola after the Haitian earthquake. Out of these stories, in which dream and vision flavor everyday experience and the Vodou spirits guide decision making, Vodou emerges as a religion focused on healing brought about by mending broken relationships between the living, the dead, and the Vodou spirits. Deeply exploring the role of women in religious practices and the related themes of family and of religion and social change, Brown provides a rich context in which to understand the authority that urban Haitian women exercise in the home and in the Vodou temple.

Across the world from personal relationships to global politics, differences-cultural, religious, racial, gender, age, ability-are at the heart of the most disruptive and disturbing concerns. While it is laudable to nurture an environment promoting the tolerance of difference, Creative Encounters, Appreciating Difference argues for the higher goal of actually appreciating difference as essential to creativity and innovation, even if often experienced as stressful and complex. Even encounters that are apparently harmful and negatively valued (arguments, conflict, war, oppression) usually heighten the potential for creativity, innovation, movement, action, and identity. Drawing on classic encounters that have played a significant role in the founding of the academic study of religion and the social sciences, this book explores in some depth the dynamics of encounter to reveal both its problematic and creative aspects and to develop perspectives and strategies to assure encounters both include the appreciation of difference and also are recognized as creative and innovative. The two examples most extensively considered show that the academic study of the peoples indigenous to North America and to Australia involved creative constructions (concoctions) of primary examples in order to establish and give authority to academic theories and definitions. Rather than damning these examples as "bad scholarship," this book considers them to be encounters engendering creative constructions that are distinctive to academia, yet their potential for harm must be understood. Most important to the book is a persistent development of perspectives and strategies for understanding and approaching encounters in order to assure the appreciation of difference is accompanied by the potential for creativity and innovation. Specific perspectives and strategies are related to naming, moving, gesture, and play and, particularly relevant to religion, the development of an aesthetic of impossibles. Since these historical examples engage highly relevant present concerns -the distinction of real and fake, truth and lie, map and territory-the threading essays show how these more or less classic examples might contribute to appreciating these contemporary concerns that are generated in the presence of difference.

Known in the Dominican Republic and Togo as Vodu, in Benin as Vodun, and in Haiti as Vodou, West African religion has, for hundreds of years, served as a repository of sacred knowledge while simultaneously evolving in response to human experience and globalization. Spirit Service: Vodun and Vodou in the African Atlantic World explores this dynamic religion, its mobility, and its place in the modern world. By examining the systems-ritual practices, community-based spirit veneration, and spiritual means of securing opportunity and well-being-alongside the individuals who worship, this rich collection offers the first comprehensive ethnographic study of West African spirit service on a broad scale. Contributors consider social encounters between African/Haitian practitioners and European / North American spiritual seekers, economies and histories, funerary rites and spirit possessions, and examinations of gender and materiality. Offering much-needed perspective on this historically disparaged religion, Spirit Service reminds us all that the gods are growing, assimilating, and demanding recognition and respect.

This book, first published in 1997, examines the influence of angelology on the christology of the Apocalypse of John. In the Apocalypse, Jesus appears in glorious form reminiscent of angels in Jewish and Christian literature in the period between 200 BCE and 200 CE. Dr Carrell asks what significance this has for the christology of the Apocalypse. He concludes that by portraying Jesus in such a way that he has the form and function of an angel, and yet is also divine, the Apocalypse both upholds monotheism and at the same time provides a means for Jesus to be presented in visible, glorious form to his Church.

This study surveys systematically the full scope of Melanesian religion, from traditional beliefs and practices to the development of strong indigenous Christian churches and theology. Garry Trompf writes from extensive knowledge of the social and religious aspects and from his own experience living and working in Papua New Guinea. Melanesian Religion provides an invaluable guide and analysis to pressing issues of religious and social change in the Pacific. It provides a useful overview for readers with general interests in the South Pacific region, and in the formulation of indigenous responses to external institutions, beliefs and value systems. The Melanesian peoples of the south-west Pacific form about one-quarter of the world's cultures - cultures in which a deep sense of spiritual consciousness has engendered rich diversity of religious experience. Professor Trompf argues that, to be complete, any interpretation of the social and economic patterns of Melanesian life, past and present, must take proper account of this religious context.

Medicine Bundle Indian Sacred Performance and American Literature, 1824-1932 Joshua David Bellin "An excellent book about the way in which performance constitutes (rather than merely reflects) cultural differences between and among Native American and Anglo-American peoples."--Joseph Roach, Yale University "Bellin's important book challenges readers to rethink questions of colonization and acculturation. . . . Highly recommended. "--"Choice" From the 1820s to the 1930s, Christian missionaries and federal agents launched a continent-wide assault against Indian sacred dance, song, ceremony, and healing ritual in an attempt to transform Indian peoples into American citizens. In spite of this century-long religious persecution, Native peoples continued to perform their sacred traditions and resist the foreign religions imposed on them, as well as to develop new practices that partook of both. At the same time, some whites began to explore Indian performance with interest, and even to promote Indian sacred traditions as a source of power for their own society. The varieties of Indian performance played a formative role in American culture and identity during a critical phase in the nation's development. In "Medicine Bundle," Joshua David Bellin examines the complex issues surrounding Indian sacred performance in its manifold and intimate relationships with texts and images by both Indians and whites. From the paintings of George Catlin, the traveling showman who exploited Indian ceremonies for the entertainment of white audiences, to the autobiography of Black Elk, the Lakota holy man whose long life included stints as a dancer in Buffalo Bill's Wild West show, a supplicant in the Ghost Dance movement, and a catechist in the Catholic Church, Bellin reframes American literature, culture, and identity as products of encounter with diverse performance traditions. Like the traditional medicine bundle of sacred objects bound together for ritual purposes, Indian performance and the performance of Indianness by whites and Indians alike are joined in a powerful intercultural knot. Joshua David Bellin is a member of the faculty of La Roche College and the author of "The Demon of the Continent: Indians and the Shaping of American Literature," also available from the University of Pennsylvania Press. 2007 272 pages 6 x 9 ISBN 978-0-8122-4034-4 Cloth $59.95s 39.00 World Rights Literature, Native American Studies, Cultural Studies Short copy: Joshua David Bellin examines the complex issues surrounding Indian sacred performance in its manifold and intimate relationships with texts and images by both Indians and whites.

Indigenous Sustainable Wisdom: First Nation Know-how for Global Flourishing's contributors describe ways of being in the world that reflect a worldview that guided humanity for 99% of human history: They describe the practical traditional wisdom that stems from Nature-based relational cultures that were or are guided by this worldview. Such cultures did not cause the kinds of anti-Nature and de-humanizing or inequitable policies and practices that now pervade our world. Far from romanticizing Indigenous histories, Indigenous Sustainable Wisdom offers facts about how human beings, with our potential for good and evil behaviors, can live in relative harmony again. Contributions cover views from anthropology, psychology, sociology, leadership, native science, native history, and native art.

Tabona Shoko contends that religion and healing are intricately intertwined in African religions. This book on the religion of the Karanga people of Zimbabwe sheds light on important methodological issues relevant to research in the study of African religions. Analysing the traditional Karanga views of the causes of illness and disease, mechanisms of diagnosis at their disposal and the methods they use to restore health, Shoko discusses the views of a specific African Independent Church of the Apostolic tradition. The conclusion Shoko reaches about the central religious concerns of the Karanga people is derived from detailed field research consisting of interviews and participant observation. This book testifies that the centrality of health and well-being is not only confined to traditional religion but reflects its adaptive potential in new religious systems manifest in the phenomenon of Independent Churches. Rather than succumbing to the folly of static generalizations, Tabona Shoko offers important insights into a particular society upon which theories can be reassessed, adding new dimensions to modern features of the religious scene in Africa.

Since time immemorial indigenous people have engaged in legal relationships with other-than-human-persons. These relationships are exemplified in enspirited sacred natural sites, which are owned and governed by numina spirits that can potentially place legal demands on humankind in return for protection and blessing. Although conservationists recognise the biodiverse significance of most sacred natural sites, the role of spiritual agency by other-than-human-persons is not well understood. Consequently, sacred natural sites typically lack legal status and IUCN-designated protection. More recent ecocentric and posthuman worldviews and polycentric legal frameworks have allowed courts and legislatures to grant 'rights' to nature and 'juristic personhood' and standing to biophysical entities. This book examines the indigenous literature and recent legal cases as a pretext for granting juristic personhood to enspirited sacred natural sites. The author draws on two decades of his research among Tibetans in Kham (southwest China), to provide a detailed case study. It is argued that juristic personhood is contingent upon the presence and agency of a resident numina and that recognition should be given to their role in spiritual governance over their jurisdiction. The book concludes by recommending that advocacy organisations help indigenous people with test cases to secure standing for threatened sacred natural sites (SNS) and calls upon IUCN, UNESCO (MAB and WHS), ASEAN Heritage and EuroNatura to retrospectively re-designate their properties, reserves, parks and initiatives so that SNS and spiritual governance are fully recognised and embraced. It will be of great interest to advanced students and researchers in environmental law, nature conservation, religion and anthropology.

In Afrolatinx religious practices such as Cuban Espiritismo, Puerto Rican Santeria, and Brazilian Candomble, the dead tell stories. Communicating with and through mediums' bodies, they give advice, make requests, and propose future rituals, creating a living archive that is coproduced by the dead. In this book, Solimar Otero explores how Afrolatinx spirits guide collaborative spiritual-scholarly activist work through rituals and the creation of material culture. By examining spirit mediumship through a Caribbean cross-cultural poetics, she shows how divinities and ancestors serve as active agents in shaping the experiences of gender, sexuality, and race. Otero argues that what she calls archives of conjure are produced through residual transcriptions or reverberations of the stories of the dead whose archives are stitched, beaded, smoked, and washed into official and unofficial repositories. She investigates how sites like the ocean, rivers, and institutional archives create connected contexts for unlocking the spatial activation of residual transcriptions. Drawing on over ten years of archival research and fieldwork in Cuba, Otero centers the storytelling practices of Afrolatinx women and LGBTQ spiritual practitioners alongside Caribbean literature and performance. Archives of Conjure offers vital new perspectives on ephemerality, temporality, and material culture, unraveling undertheorized questions about how spirits shape communities of practice, ethnography, literature, and history and revealing the deeply connected nature of art, scholarship, and worship.

DEEP IN THE JUNGLES OF CENTRAL AMERICA, BURIED BENEATH A TEMPLE IN THE RUINS OF A LOST CITY, A YOUNG WOMAN DISCOVERS A MAGNIFICENT AND PERFECT CRYSTAL SKULL. WAS THIS ONE OF THE 13 SACRED CRYSTAL SKULLS OF LEGEND, PROPHESIED ONE DAY TO RETURN?

As great a mystery as the Pyramids of Egypt, the Great Sphinx or Stonehenge, the crystal skulls have created a storm of archaeological controversy…

Were they left behind after the destruction of a previous world or are they ingenious modern fakes?

Do they really possess telepathic qualities, allowing us to see deep into the past and predict the future?

What were the extraordinary findings of the tests carried out on the skulls by leading scientists?

Why do Native Americans claim the crystal skulls are stores of great knowledge programmed with an important message for mankind?

In a real-life detective story of the ancient world – with overwhelming implications for the modern one – the authors set out on an incredible quest to find the truth. This is the extraordinary story of the crystal skulls.

Chris Morton and Ceri Louise Thomas run an independent television production company specializing in making films with a philosophical, spiritual or environmental emphasis. Their highly-acclaimed documentary 'The Mystery of the Crystal Skulls' has recently been shown on BBC1 in Britain and on the Arts and Entertainment Network in the USA and Canada. It has subsequently been sold to numerous stations around the world.