The Talmudic exegesis is constructed on special hermeneutic rules which have the logical meaning in fact. On the basis of this circumstance it is possible to speak about a special logical culture of the Talmud and to call the logic used there.

Countless words have described the horrific events of Oct. 7, 2023. Extreme Trauma takes a different tack.

It is the only book to identify the "silver lining" – the incredible Israeli resilience – that emerged from that dark day. While squarely addressing the psychopathological issues of Hamas’s rape practices, Extreme Trauma dares to offer a message of hope – that through newfound unity, Israel and the Jewish people will survive and thrive.

This is a hard book to read emotionally, yet hard to put down motivational.

In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were drafted into a hurriedly assembled band that would play marching music to other inmates, forced labourers who left each morning and returned, exhausted and often broken, at the end of the day. While still living amid the most brutal and dehumanising of circumstances, they were also made to give weekly concerts for Nazi officers, and individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives.

What role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends? In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba traces these tangled questions of deep moral complexity with sensitivity and care.

From Alma Rosé, the orchestra's main conductor, niece of Gustav Mahler and a formidable pre-war celebrity violinist, to Anita Lasker-Wallfisch, its teenage cellist and last surviving member, Sebba draws on meticulous archival research and exclusive first-hand accounts to tell the full and astonishing story of the orchestra, its members and the response of other prisoners for the very first time.

This book offers a novel approach for the study of law in the Judean Desert Scrolls, using the prism of legal theory. Following a couple of decades of scholarly consensus withdrawing from the "Essene hypothesis," it proposes to revive the term, and suggests employing it for the sectarian movement as a whole, while considering the group that lived in Qumran as the Yahad. It further proposes a new suggestion for the emergence of the Yahad, based on the roles of the Examiner and the Instructor in the two major legal codes, the Damascus Document and the Community Rule. The understanding of Essene law is divided into concepts and practices, in order to emphasize the discrepancy between creed, rhetoric, and practices. The abstract exploration of notions such as time, space, obligation, intention, and retribution, is then compared against the realities of social practices, including admission, initiation, covenant, leadership, reproof, and punishment. The legal analysis yields several new suggestions for the study of the scrolls: first, Amihay proposes to rename the two strands of thought of Jewish law, formerly referred to as "nominalism" and "realism," with the terms "legal essentialism" and "legal formalism." The two laws of admission in the Community Rule are distinguished as two different laws, one of an association for a group as a whole, the other as an admission of an individual. The law of reproof is proven to be an independent legal procedure, rather than a preliminary stage of prosecution. The methodological division in this study of thought and practice provides a nuanced approach for the study of law in general, and religious law in particular.

Shalom Sadik interrogates the nature of Maimonides' religious philosophy through examination of secrets in the philosopher's Guide for the Perplexed, the role of dialectic in his philosophy, the relationship between natural law and God's commandments, and the question of free will.

In this volume, Alessandro Grazi offers the first intellectual biography of the Italian Jewish writer and politician David Levi (1816-1898). In this intriguing journey through the mysterious rites of Freemasonry and the bizarre worldviews of Saint-Simonianism, you can discover Levi's innovative interpretation of Judaism and its role in modernity. As a champion of dialogue with Catholic intellectuals, Levi's importance transcends the Jewish world. The second part of the book presents an unpublished document, Levi's comedy "Il Mistero delle Tre Melarancie", a phantasmagorical adventure in search of his Jewish identity, with an English translation of its most relevant excerpt.