The history of the Palestine War does not only concern military history. It also involves social, humanitarian and religious history, as in the case of the Roman Catholic Diocese of Jerusalem. A Liminal Church offers a complex narrative of the Latin patriarchal diocese, commonly portrayed as monolithically aligned with anti-Zionist and anti-Muslim positions during the "long" year of 1948. Making use of largely unpublished archives in the Middle East, Europe and the United States, including the recently released Pius XII papers, Maria Chiara Rioli depicts a church engaged in multiple and sometimes contradictory pastoral initiatives, amid harsh battles, relief missions for Palestinian refugees, theological reflections on Jewish converts to Catholicism, political relations with the Israeli and Jordanian authorities, and liturgical responses to a fluid and uncertain scenario. The pieces of this history include the Jerusalem grand mufti's appeal to Pius XII to support the Arab cause, the Catholic liturgies for peace and international mobilization during the Palestine War and Suez crisis, refugees petitioning the patriarch for aid, and Jewish converts establishing Christian kibbutzim. New archival collections and records reveal hidden aspects of the lives of women, children and other silenced actors, faith communities and religious institutions during and after 1948, connecting narratives that have been marginalized by a dominant historiography more focused on military campaigns or confessional conflicts. A Liminal Church weaves diocesan history with global history. In the momentous decade from 1946 to 1956, the study of the transnational Jerusalem Latin diocese, as split between Israel, Jordan, Egypt and Cyprus, with ties to diaspora and religious international networks and comprising clergy from all over the world, attests to the possibilities of contrapuntal narratives, reintroducing complexity to a deeply and painfully polarized debate, exposing false assumptions and situating changes and ruptures in a long-term perspective.

This book includes the whole transcription of the trial of a converted Muslim (Morisco) from Toledo, condemned to die at the stake at the beginning of the 17th century. In their study of the trial, the authors address the question of how and to what extent Inquisition documents can be used as an historical source by contextualizing and analysing its multifaceted aspects as well as its protagonists and participants, victim, witnesses, and inquisitors. The authors elucidate the beliefs and practices of the culprit, situating his ordeal in the framework of Morisco life and its connections with North African Islam. By so doing they shed light on questions of Inquisitorial procedure, witnessing and testimony, the extent of confession, the effects of life in prison, the relations of trust between inmates and the consequences of isolation.

In this volume, Hanna Vanonen offers a fresh view to the Milhamah and Sefer ha-Milhamah manuscripts by producing a thorough close-reading analysis of them, paying attention not only to their contents but also to manuscripts as material artifacts. Vanonen demonstrates that studying the stability and instability of the War traditions does more justice to the complex material than a traditional chronological literary-critical model. In addition, Vanonen argues that at least liturgical use and study purposes may have created needs for producing different manuscripts that were simultaneously important.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.

In May 1933, a young man named Rudolf Schwab fled Nazi-occupied Germany. His departure allegedly came at the insistence of a close friend who later joined the Party. Schwab eventually arrived in South Africa, one of the few countries left where Jews could seek refuge, and years later, resumed a relationship in letters with the Nazi who in many ways saved his life. From Things Lost: Forgotten Letters and the Legacy of the Holocaust is a story of displacement, survival, and an unlikely friendship in the wake of the Holocaust via an extraordinary collection of letters discovered in a forgotten trunk. Only a handful of extended Schwab family members were alive in the war's aftermath. Dispersed across five continents, their lives mirrored those of countless refugees who landed in the most unlikely places. Over years in exile, a web of communication became an alternative world for these refugees, a place where they could remember what they had lost and rebuild their identities anew. Among the cast of characters that historian Shirli Gilbert came to know through the letters, one name that appeared again and again was Karl Kipfer. He was someone with whom Rudolf clearly got on exceedingly well-there was lots of joking, familiarity, and sentimental reminiscing. ""That was Grandpa's best friend growing up,"" Rudolf's grandson explained to Gilbert; ""He was a Nazi and was the one who encouraged Rudolf to leave Germany. . . . He also later helped him to recover the family's property."" Gilbert takes readers on a journey through a family's personal history wherein we learn about a cynical Karl who attempts to make amends for his ""undemocratic past,"" and a version of Rudolf who spends hours aloof at his Johannesburg writing desk, dressed in his Sunday finest, holding together the fragile threads of his existence. The Schwab family's story brings us closer to grasping the complex choices and motivations that-even in extreme situations, or perhaps because of them-make us human. In a world of devastation, the letters in From Things Lost act as a surrogate for the gravestones that did not exist and funerals that were never held. Readers of personal accounts of the Holocaust will be swept away by this intimate story.

Eliezer-Zusman of Brody: The Early Modern Synagogue Painter and His World discusses Jewish cultural and artistic migration from Eastern Europe to German lands in the first half of the eighteenth century. Focusing on Eliezer-Zusman of Brody, who painted synagogues in the Franconia area, hitherto neglected biographical aspects and work methods of religious artisans in Eastern and Central Europe during the early modern period are revealed. What begins as a study of synagogue paintings in Franconia presents an unexpectedly intensive glimpse into the lives and sacred products of painters at the periphery of Jewish Ashkenazi existence.