This book includes the whole transcription of the trial of a converted Muslim (Morisco) from Toledo, condemned to die at the stake at the beginning of the 17th century. In their study of the trial, the authors address the question of how and to what extent Inquisition documents can be used as an historical source by contextualizing and analysing its multifaceted aspects as well as its protagonists and participants, victim, witnesses, and inquisitors. The authors elucidate the beliefs and practices of the culprit, situating his ordeal in the framework of Morisco life and its connections with North African Islam. By so doing they shed light on questions of Inquisitorial procedure, witnessing and testimony, the extent of confession, the effects of life in prison, the relations of trust between inmates and the consequences of isolation.

In this volume, Hanna Vanonen offers a fresh view to the Milhamah and Sefer ha-Milhamah manuscripts by producing a thorough close-reading analysis of them, paying attention not only to their contents but also to manuscripts as material artifacts. Vanonen demonstrates that studying the stability and instability of the War traditions does more justice to the complex material than a traditional chronological literary-critical model. In addition, Vanonen argues that at least liturgical use and study purposes may have created needs for producing different manuscripts that were simultaneously important.

The history of the Palestine War does not only concern military history. It also involves social, humanitarian and religious history, as in the case of the Roman Catholic Diocese of Jerusalem. A Liminal Church offers a complex narrative of the Latin patriarchal diocese, commonly portrayed as monolithically aligned with anti-Zionist and anti-Muslim positions during the "long" year of 1948. Making use of largely unpublished archives in the Middle East, Europe and the United States, including the recently released Pius XII papers, Maria Chiara Rioli depicts a church engaged in multiple and sometimes contradictory pastoral initiatives, amid harsh battles, relief missions for Palestinian refugees, theological reflections on Jewish converts to Catholicism, political relations with the Israeli and Jordanian authorities, and liturgical responses to a fluid and uncertain scenario. The pieces of this history include the Jerusalem grand mufti's appeal to Pius XII to support the Arab cause, the Catholic liturgies for peace and international mobilization during the Palestine War and Suez crisis, refugees petitioning the patriarch for aid, and Jewish converts establishing Christian kibbutzim. New archival collections and records reveal hidden aspects of the lives of women, children and other silenced actors, faith communities and religious institutions during and after 1948, connecting narratives that have been marginalized by a dominant historiography more focused on military campaigns or confessional conflicts. A Liminal Church weaves diocesan history with global history. In the momentous decade from 1946 to 1956, the study of the transnational Jerusalem Latin diocese, as split between Israel, Jordan, Egypt and Cyprus, with ties to diaspora and religious international networks and comprising clergy from all over the world, attests to the possibilities of contrapuntal narratives, reintroducing complexity to a deeply and painfully polarized debate, exposing false assumptions and situating changes and ruptures in a long-term perspective.

Mordecai M. Kaplan (1881-1983), founder of Reconstructionism and the rabbi who initiated the first Bat Mitzvah, also produced the longest Jewish diary on record. In twenty-seven volumes, written between 1913 and 1978, Kaplan shares not only his reaction to the great events of his time but also his very personal thoughts on religion and Jewish life. In Communings of the Spirit: The Journals of Mordecai M. Kaplan Volume III, 1942-1951, readers experience his horror at the persecution of the European Jews, as well as his joy in the founding of the State of Israel. Above all else, Kaplan was concerned with the survival and welfare of the Jewish people. And yet he also believed that the well-being of the Jewish people was tied to the safety and security of all people. In his own words, "Such is the mutuality of human life that none can be saved, unless all are saved". In the first volume of Communings of the Spirit, editor Mel Scult covers Kaplan's early years as a rabbi, teacher of rabbis, and community leader. In the second volume, readers experience the economic problems of the 1930s and their shattering impact on the Jewish community. The third volume chronicles Kaplan's spiritual and intellectual journey in the 1940s. With candour and vivid detail, Kaplan explores his evolving beliefs concerning a democratic Judaism; religious naturalism; and the conflicts, uncertainties, and self-doubts he faced in the first half of the twentieth century, including his excommunication by the ultra-Orthodox in 1945 for taking a more progressive approach to the liturgy. In his publications, Kaplan eliminated the time-honored declarations of Jewish chosen-ness as well as the outdated doctrines concerning the resurrection of the dead. He wanted a prayer book that Jews could feel reflected their beliefs and experiences; he believed that people must mean what they say when they pray. Kaplan was a man of contradictions, but because of that, all the more interesting and significant. Scholars of Judaica and rabbinical studies will value this honest look at the preeminent American Jewish thinker and rabbi of our times.

In these stormy times, voices from all fronts call for change. But what kind of revolution brings true freedom to both society and the human soul? Cultural observer Os Guinness explores the nature of revolutionary faith, contrasting between secular revolutions such as the French Revolution and the faith-led revolution of ancient Israel. He argues that the story of Exodus is the highest, richest, and deepest vision for freedom in human history. It serves as the master story of human freedom and provides the greatest sustained critique of the abuse of power. His contrast between "Paris" and "Sinai" offers a framework for discerning between two kinds of revolution and their different views of human nature, equality, and liberty. Drawing on the Hebrew and Christian Scriptures, Guinness develops Exodus as the Magna Carta of humanity, with a constructive vision of a morally responsible society of independent free people who are covenanted to each other and to justice, peace, stability, and the common good of the community. This is the model from the past that charts our path to the future. "There are two revolutionary faiths bidding to take the world forward," Guinness writes. "There is no choice facing America and the West that is more urgent and consequential than the choice between Sinai and Paris. Will the coming generation return to faith in God and to humility, or continue to trust in the all sufficiency of Enlightenment reason, punditry, and technocracy? Will its politics be led by principles or by power?" While Guinness cannot predict our ultimate fate, he warns that we must recognize the crisis of our time and debate the issues openly. As individuals and as a people, we must choose between the revolutions, between faith in God and faith in Reason alone, between freedom and despotism, and between life and death.

Eliezer-Zusman of Brody: The Early Modern Synagogue Painter and His World discusses Jewish cultural and artistic migration from Eastern Europe to German lands in the first half of the eighteenth century. Focusing on Eliezer-Zusman of Brody, who painted synagogues in the Franconia area, hitherto neglected biographical aspects and work methods of religious artisans in Eastern and Central Europe during the early modern period are revealed. What begins as a study of synagogue paintings in Franconia presents an unexpectedly intensive glimpse into the lives and sacred products of painters at the periphery of Jewish Ashkenazi existence.

Antique Jewish art visualized the idea that the essence of God is beyond the world of forms. In the Bible, the Israelites were commanded to build sanctuaries without cult statues. Following the destruction of the Second Temple, Jews turned to literary and visual aids to fill the void. In this accessible survey, Shulamit Laderman traces the visualizations of the Tabernacle implements, including the seven-branch menorah, the Torah ark, the shofar, the four species, and other motifs associated with the Hebrew Bible and the Jewish calendar. These motifs evolved into iconographic symbols visualized in a range of media, including coins, funerary art, and synagogue decorations in both Israel and the Diaspora. Particular attention is given to important discoveries such as the frescoes of the third-century CE synagogue in Dura-Europos, mosaic floors in synagogues in Galilee, and architectural and carved motifs that decorated burial places.

The seminal medieval history of the Second Commonwealth period of ancient Jewish history. Sepher Yosippon was written in Hebrew by a medieval historian and noted by modern scholars for its eloquent style. This is the first known chronicle of Jewish history and legend-from Adam to the destruction of the Second Temple-since the canonical histories written by Flavius Josephus in Greek and later translated by Christian scholars into Latin. Sepher Yosippon has been cited and referred to by scholars, poets, and authors as the authentic source for ancient Israel for over a millennium, until overshadowed by the twentiethcentury Hebrew translations of Josephus. It is based on Pseudo Hegesippus's fourth-century anti-Jewish summary of Josephus's Jewish War. However, the anonymous author (a.k.a. Joseph ben Gurion Hacohen) also consulted with the Latin versions of Josephus's works available to him. At the same time, he included a wealth of Second Temple literature as well as Roman and Christian sources. This book contains Steven Bowman's translation of the complete text of David Flusser's standard Hebrew edition of Sepher Yosippon, which includes the later medieval interpolations referring to Jesus. The present English edition also contains the translator's introduction as well as a preface by the fifteenth-century publisher of the book. The anonymous author of this text remains unique for his approach to history, his use of sources, and his almost secular attitude, which challenges the modern picture of medieval Jews living in a religious age. In his influential novel, A Guest for the Night, the Nobel Laureate author Shmuel Yosef Agnon emphasized the importance of Sepher Yosippon as a valuable reading to understand human nature. Bowman's translation of Flusser's notes, as well as his own scholarship, offers a well-wrought story for scholars and students interested in Jewish legend and history in the medieval period, Jewish studies, medieval literature, and folklore studies.

This book discusses the "long fifteenth century" in Iberian history, between the 1391 pogroms and the forced conversions of Aragonese Muslims in 1526, a period characterized by persecutions, conversions and social violence, on the one hand, and cultural exchange, on the other. It was a historical moment of unstable religious ideas and identities, before the rigid turn taken by Spanish Catholicism by the middle of the sixteenth century; a period in which the physical and symbolic borders separating the three religions were transformed and redefined but still remained extraordinarily porous. The collection argues that the aggressive tone of many polemical texts has until now blinded historiography to the interconnected nature of social and cultural intimacy, above all in dialogue and cultural transfer in later medieval Iberia. Contributors are Ana Echevarria, Gad Freudenthal, Mercedes Garcia-Arenal, Maria Laura Giordano, Yonatan Glazer-Eytan, Eleazar Gutwirth, Felipe Pereda, Rosa M. Rodriguez Porto, Katarzyna K. Starczewska, John Tolan, Gerard Wiegers, and Yosi Yisraeli.