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Books > Religion & Spirituality > Non-Christian religions > Judaism > General
This is the second volume of the projected four-volume history of
the Second Temple period. It is axiomatic that there are large gaps
in the history of the Persian period, but the early Greek period is
possibly even less known. This volume brings together all we know
about the Jews during the period from Alexander's conquest to the
eve of the Maccabaean revolt, including the Jews in Egypt as well
as the situation in Judah. Based directly on the primary sources,
which are surveyed, the study addresses questions such as
administration, society, religion, economy, jurisprudence,
Hellenism and Jewish identity.These are discussed in the context of
the wider Hellenistic world and its history. A strength of the
study is its extensive up-to-date secondary bibliography
(approximately one thousand items).
A trial lawyer by trade, a Christian by heart - author Mark Lanier
has trained in biblical languages and devoted his life to studying
and living the Bible. Living daily with the demands of his career
and the desire for a godly life, Lanier recognizes the importance
and challenge of finding daily time to spend in God's Word. His
study of the first five books of the Bible - the Torah, the Law -
has brought Life to his life. In Torah for Living, Lanier shares a
year's worth of devotionals - one for each day of the year. In each
devotional, Lanier reflects on the biblical text, relates the text
to the struggles facing faithful readers of the Bible, and
concludes with a prayer for the day.
Eliezer-Zusman of Brody: The Early Modern Synagogue Painter and His
World discusses Jewish cultural and artistic migration from Eastern
Europe to German lands in the first half of the eighteenth century.
Focusing on Eliezer-Zusman of Brody, who painted synagogues in the
Franconia area, hitherto neglected biographical aspects and work
methods of religious artisans in Eastern and Central Europe during
the early modern period are revealed. What begins as a study of
synagogue paintings in Franconia presents an unexpectedly intensive
glimpse into the lives and sacred products of painters at the
periphery of Jewish Ashkenazi existence.
Luke, the eponymous author of the gospel that bears his name as
well as the book of Acts, wrote the largest portion of the New
Testament. Luke is generally thought to be a gentile. This book
addresses a question raised by Jesus's disciples at the very
beginning of Acts: "Lord, will you at this time restore the kingdom
to Israel?" The question is freighted with political and national
significance as it inquires about the restoration of political
sovereignty to the Jewish people. This book investigates Luke's
perspective on the salvation of Israel in light of Jewish
restoration eschatology. It situates Luke-Acts in the aftermath of
the destruction of the Second Temple in 70 CE. The author of
Luke-Acts did not write the Jews off but still awaited the
restoration of Israel. Luke conceived of Israel's eschatological
restoration in traditional Jewish terms. The nation of Israel would
experience liberation in the fullest sense, including national and
political restoration. Luke's Jewish Eschatology builds upon the
appreciation of the Jewish character of early Christianity in the
decades after the Holocaust, which has witnessed the reclamation of
the Jewishness of the historical Jesus and even Paul.
Mordecai M. Kaplan (1881-1983), founder of Reconstructionism and
the rabbi who initiated the first Bat Mitzvah, also produced the
longest Jewish diary on record. In twenty-seven volumes, written
between 1913 and 1978, Kaplan shares not only his reaction to the
great events of his time but also his very personal thoughts on
religion and Jewish life. In Communings of the Spirit: The Journals
of Mordecai M. Kaplan Volume III, 1942-1951, readers experience his
horror at the persecution of the European Jews, as well as his joy
in the founding of the State of Israel. Above all else, Kaplan was
concerned with the survival and welfare of the Jewish people. And
yet he also believed that the well-being of the Jewish people was
tied to the safety and security of all people. In his own words,
"Such is the mutuality of human life that none can be saved, unless
all are saved". In the first volume of Communings of the Spirit,
editor Mel Scult covers Kaplan's early years as a rabbi, teacher of
rabbis, and community leader. In the second volume, readers
experience the economic problems of the 1930s and their shattering
impact on the Jewish community. The third volume chronicles
Kaplan's spiritual and intellectual journey in the 1940s. With
candour and vivid detail, Kaplan explores his evolving beliefs
concerning a democratic Judaism; religious naturalism; and the
conflicts, uncertainties, and self-doubts he faced in the first
half of the twentieth century, including his excommunication by the
ultra-Orthodox in 1945 for taking a more progressive approach to
the liturgy. In his publications, Kaplan eliminated the
time-honored declarations of Jewish chosen-ness as well as the
outdated doctrines concerning the resurrection of the dead. He
wanted a prayer book that Jews could feel reflected their beliefs
and experiences; he believed that people must mean what they say
when they pray. Kaplan was a man of contradictions, but because of
that, all the more interesting and significant. Scholars of Judaica
and rabbinical studies will value this honest look at the
preeminent American Jewish thinker and rabbi of our times.
In The Jewish Museum: History and Memory, Identity and Art from
Vienna to the Bezalel National Museum, Jerusalem Natalia Berger
traces the history of the Jewish museum in its various
manifestations in Central Europe, notably in Vienna, Prague and
Budapest, up to the establishment of the Bezalel National Museum in
Jerusalem. Accordingly, the book scrutinizes collections and
exhibitions and broadens our understanding of the different ways
that Jewish individuals and communities sought to map their
history, culture and art. It is the comparative method that sheds
light on each of the museums, and on the processes that initiated
the transition from collection and research to assembling a type of
collection that would serve to inspire new art.
In these stormy times, voices from all fronts call for change. But
what kind of revolution brings true freedom to both society and the
human soul? Cultural observer Os Guinness explores the nature of
revolutionary faith, contrasting between secular revolutions such
as the French Revolution and the faith-led revolution of ancient
Israel. He argues that the story of Exodus is the highest, richest,
and deepest vision for freedom in human history. It serves as the
master story of human freedom and provides the greatest sustained
critique of the abuse of power. His contrast between "Paris" and
"Sinai" offers a framework for discerning between two kinds of
revolution and their different views of human nature, equality, and
liberty. Drawing on the Hebrew and Christian Scriptures, Guinness
develops Exodus as the Magna Carta of humanity, with a constructive
vision of a morally responsible society of independent free people
who are covenanted to each other and to justice, peace, stability,
and the common good of the community. This is the model from the
past that charts our path to the future. "There are two
revolutionary faiths bidding to take the world forward," Guinness
writes. "There is no choice facing America and the West that is
more urgent and consequential than the choice between Sinai and
Paris. Will the coming generation return to faith in God and to
humility, or continue to trust in the all sufficiency of
Enlightenment reason, punditry, and technocracy? Will its politics
be led by principles or by power?" While Guinness cannot predict
our ultimate fate, he warns that we must recognize the crisis of
our time and debate the issues openly. As individuals and as a
people, we must choose between the revolutions, between faith in
God and faith in Reason alone, between freedom and despotism, and
between life and death.
The fifteenth through the eighteenth centuries were truly an Age of
Secrecy in Europe, when arcane knowledge was widely believed to be
positive knowledge that extended into all areas of daily life, from
the economic, scientific, and political spheres to the general
activities of ordinary people. So asserts Daniel Jutte in this
engrossing, vivid, and award-winning work. He maintains that the
widespread acceptance and even reverence for this "economy of
secrets" in premodern Europe created a highly complex and sometimes
perilous space for mutual contact between Jews and Christians.
Surveying the interactions between the two religious groups in a
wide array of secret sciences and practices-including alchemy,
cryptography, medical arcana, technological and military secrets,
and intelligence-the author relates true stories of colorful
"professors of secrets" and clandestine encounters. In the process
Jutte examines how our current notion of secrecy is radically
different in this era of WikiLeaks, Snowden, et al., as opposed to
centuries earlier when the truest, most important knowledge was
generally considered to be secret by definition.
Jewish Love Magic: From Late Antiquity to the Middle Ages is the
first monograph dedicated to the supernatural methods employed by
Jews in order to generate love, grace or hate. Examining hundreds
of manuscripts, often unpublished, Ortal-Paz Saar skillfully
illuminates a major aspect of the Jewish magical tradition. The
book explores rituals, spells and important motifs of Jewish love
magic, repeatedly comparing them to the Graeco-Roman and Christian
traditions. In addition to recipes and amulets in Hebrew, Aramaic
and Judaeo-Arabic, primarily originating in the Cairo Genizah, also
rabbinic sources and responsa are analysed, resulting in a
comprehensive and fascinating picture. "Due to the general neglect
of the topic in previous scholarship, the richness of the research
corpus and the scientific precision of the author, Saar's Jewish
Love Magic is an important volume that should be on the shelf of
every scholar focusing on ancient Jewish magic, but also on Jewish
culture and cultural history in general. Furthermore, the book is
an enjoyable read also for a non-specialist audience thanks to its
clarity and fluency." - Alessia Belusci, Yale University, in:
Journal of Semitic Studies 64.2 (2019) "This is a valuable foray
into the relationship between institutionalised religion and magic
and the complex question of 'legitimacy'. Overall, the book
presents a compelling case for the existence of Jewish 'love
magic'." -Ann Jeffers, Journal for the Study of the Old Testament
43.5 (2019)
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