Media studies is an emerging discipline that is quickly making an impact within the wider field of biblical scholarship. This volume is designed to evaluate the status quaestionis of the Dead Sea Scrolls as products of an ancient media culture, with leading scholars in the Dead Sea Scrolls and related disciplines reviewing how scholarship has addressed issues of ancient media in the past, assessing the use of media criticism in current research, and outlining potential directions for future discussions.

King David if one of the most central figures in all of the major monotheistic traditions. He generally connotes the heroic past of the (more imagined than real) ancient Israelite empire and is associated with messianic hopes for the future. Nevertheless, his richly ambivalent and fascinating literary portrayal in the Hebrew Bible is one of the most complex of all biblical characters. This volume aims at taking a new, critical look at the process of biblical creation and subsequent exegetical transformation of the character of David and his attributed literary composition (the Psalms), with particular emphasis put on the multilateral fertilization and cross-cultural interchanges among Jews, Christians and Muslims.

This is a biography of Queen Berenice, the daughter of King Agrippa I, sister of King Agrippa II, wife of two kings and lover of the emperor designate Flavius Titus. A Jew of the 1st century, she witnessed some of the foundational events of her time like the emergence of Christianity and the destruction of the Second Temple in Jerusalem, is. She met and socialized with the most important people of her day - Philo the Philosopher (who was at one time her brother-in-law), Paul the Apostle (whose trial she witnessed) and Josephus the Historian who told part of her story.

The Dead Sea Scrolls have demonstrated the fluidity of biblical and early Jewish texts in antiquity. How did early Jewish scribes understand the nature of their pluriform literature? How should modern textual critics deal with these fluid texts? Centered on the Serekh ha-Yahad - or Community Rule - from Qumran as a test case, this volume tracks the development of its textual tradition in multiple trajectories, and suggests that it was not understood as a single, unified composition even in antiquity. Attending to material, textual, and literary factors, the book argues that ancient claims for textual identity ought to be given priority in discussions among textual critics about the ontology of biblical books

Moving away from focusing on wisdom as a literary genre, this book delves into the lived, embodied and formative dimensions of wisdom as they are delineated in Jewish sources from the Persian, Hellenistic and early Roman eras. Considering a diverse body of texts beyond later canonical boundaries, the book demonstrates that wisdom features not as an abstract quality, but as something to be performed and exercised at both the individual and community level. The analysis specifically concentrates on notions of a 'wise' person, including the rise of the sage as an exemplary figure. It also looks at how ancestral figures and contemporary teachers are imagined to manifest and practice wisdom, and considers communal portraits of a wise and virtuous life. In so doing, the author demonstrates that the previous focus on wisdom as a category of literature has overshadowed significant questions related to wisdom, behaviour and social life. Jewish wisdom is also contextualized in relation to its wider ancient Mediterranean milieu, making the book valuable for biblical scholars, classicists, scholars of religion and the ancient Near East and theologians.

A surprising history of how the pig has influenced Jewish identity.

Jews do not eat pig. This (not always true) observation has been made by both Jews and non-Jews for more than three thousand years and is rooted in biblical law. Though the Torah prohibits eating pig meat, it is not singled out more than other food prohibitions. Horses, rabbits, squirrels, and even vultures, while also not kosher, do not inspire the same level of revulsion for Jews as the pig. The pig has become an iconic symbol for people to signal their Jewishness, non-Jewishness, or rebellion from Judaism. There is nothing in the Bible that suggests Jews are meant to embrace this level of pig-phobia.

Starting with the Hebrew Bible, Jordan D. Rosenblum historicizes the emergence of the pig as a key symbol of Jewish identity, from the Roman persecution of ancient rabbis, to the Spanish Inquisition, when so-called Marranos (“Pigs”) converted to Catholicism, to Shakespeare’s writings, to modern memoirs of those leaving Orthodox Judaism. The pig appears in debates about Jewish emancipation in eighteenth-century England and in vaccine conspiracies; in World War II rallying cries, when many American Jewish soldiers were “eating ham for Uncle Sam;” in conversations about pig sandwiches reportedly consumed by Karl Marx; and in recent deliberations about the kosher status of Impossible Pork.

All told, there is a rich and varied story about the associations of Jews and pigs over time, both emerging from within Judaism and imposed on Jews by others. Expansive yet accessible, Forbidden offers a captivating look into Jewish history and identity through the lens of the pig.

Apocryphal traditions, often shared by Jews and Christians, have played a significant role in the history of both religions. The 26 essays in this volume examine regional and linguistic developments in Ethiopia, Egypt, Syria, Armenia, the Balkans, and Italy. Dissenting groups, such as the Samaritans, followers of John the Baptist, and mediaeval dualists are also discussed. Furthermore, the book looks at interactions of Judaism and Christianity with the religions of Iran. Seldom verified or authorized, and frequently rejected by Churches, apocryphal texts had their own process of development, undergoing significant transformations. The book shows how apocryphal accounts could become a medium of literary and artistic elaboration and mythological creativity. Local adaptations of Biblical stories indicate that copyists, authors and artists conceived of themselves as living not in a post-Biblical era, but in direct continuity with Biblical personages.

As inheritors of Platonic traditions, many Jews and Christians today do not believe that God has a body. God is instead invisible and incorporeal, and even though Christians believe that God can be seen in Jesus, God otherwise remains veiled from human sight. In this ground-breaking work, Brittany E. Wilson challenges this prevalent view by arguing that early Jews and Christians often envisioned God as having a visible form. Within the New Testament, Luke-Acts in particular emerges as an important example of a text that portrays God in visually tangible ways. According to Luke, God is a perceptible, concrete being who can take on a variety of different forms, as well as a being who is intimately intertwined with human fleshliness in the form of Jesus. In this way, the God of Israel does not adhere to the incorporeal deity of Platonic philosophy, especially as read through post-Enlightenment eyes. Given the corporeal connections between God and Jesus, Luke's depiction of Jesus's body also points ahead to future controversies concerning his divinity and humanity in the early church. Indeed, questions concerning God's body are inextricably linked with Christology and shed light on how we are to understand Jesus's own visible embodiment in relation to God. In The Embodied God, Wilson reframes approaches to early Christology within New Testament scholarship and calls for a new way of thinking about divine-and human-bodies and embodied experience.