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Books > Religion & Spirituality > Non-Christian religions > Judaism > General
The Ancient Sefer Torah of Bologna: Features and History contains studies on the most ancient, complete Pentateuch scroll known to date. It was considered in the Middle Ages and the Renaissance as the archetypal autograph written by Ezra the Scribe. The scroll was rediscovered by Mauro Perani in 2013 at the University Library of Bologna. In this volume, leading specialists study the history, textual and material features, and different halakhot or norms to copy a Sefer Torah, as adopted in the pre-Maimonidean scrolls. The Hebrew text is very close to the Aleppo codex, and the scroll was probably copied in Northern Iberia in ca. 1200 CE. The scroll contains letters with special shapes and tagin linking its production with a Jewish milieu which associated the scribal tradition with mystical and esoteric meanings. Besides its codicological and palaeographical interest, the "Ezra scroll" has been preserved for centuries among the treasures of the Dominican convent of San Domenico in Bologna and, in the early modern period, it was the object of reverence and curiosity among the Christians, before being almost entirely forgotten after its confiscation by the French revolutionary troops. This volume presents a detailed overview of the fascinating history and the peculiar makings of this remarkable artefact.
In Poetry and Memory in Karaite Prayer Joachim Yeshaya offers an edition of liturgical poems which the Karaite poet Moses Dar'i composed in twelfth-century Egypt as introductory poems for the Torah readings on each Sabbath. The Hebrew text and Judaeo-Arabic heading of each poem are provided in the original order attested in the manuscript NLR Evr. I 802, dated to the fifteenth century. Every poem comes with a commentary section consisting of English commentary essays and bilingual (Hebrew / English) line-by-line annotations. In the conclusion following this edition, Joachim Yeshaya demonstrates how Dar'i's liturgical poems are among the earliest examples of the introduction of poetry, Andalusian Rabbanite poetical norms, and the "memory" of being exiled from Jerusalem into Karaite prayer.
Hasidic Art and the Kabbalah presents eight case studies of manuscripts, ritual objects, and folk art developed by Hasidic masters in the mid-eighteenth to late nineteenth centuries, whose form and decoration relate to sources in the Zohar, German Pietism, and Safed Kabbalah. Examined at the delicate and difficult to define interface between seemingly simple, folk art and complex ideological and conceptual outlooks which contain deep, abstract symbols, the study touches on aspects of object history, intellectual history, the decorative arts, and the history of religion. Based on original texts, the focus of this volume is on the subjective experience of the user at the moment of ritual, applying tenets of process philosophy and literary theory - Wolfgang Iser, Gaston Bachelard, and Walter Benjamin - to the analysis of objects.
This book offers a welcome solution to the growing need for a common language in interfaith dialogue; particularly between the three Abrahamic faiths in our modern pluralistic society. The book suggests that the names given to God in the Hebrew Bible, the New Testament and the Quran, could be the very foundations and building blocks for a common language between the Jewish, Christian and Islamic faiths. On both a formal interfaith level, as well as between everyday followers of each doctrine, this book facilitates a more fruitful and universal understanding and respect of each sacred text; exploring both the commonalities and differences between the each theology and their individual receptions. In a practical application of the methodologies of comparative theology, Maire Byrne shows that the titles, names and epithets given to God in the sacred texts of Judaism, Christianity and Islam contribute towards similar images of God in each case, and elucidates the importance of this for providing a viable starting point for interfaith dialogue.
A New Physiognomy of Jewish Thinking is a search for authenticity that combines critical thinking with a yearning for heartfelt poetics. A physiognomy of thinking addresses the figure of a life lived where theory and praxis are unified. This study explores how the critical essays on music of German-Jewish thinker, Theodor Wiesengrund Adorno (1903-1969) necessarily accompany the downfall of metaphysics. By scrutinizing a critical juncture in modern intellectual history, marked in 1931 by Adorno's founding of the Frankfurt Institute for Social Research, neglected applications of Critical Theory to Jewish Thought become possible. This study proffers a constructive justification of a critical standpoint, reconstructively shown how such ideals are seen under the genealogical proviso of re/cognizing their original meaning. Re/cognition of A New Physiognomy of Jewish Thinking redresses neglected applications of Negative Dialectics, the poetics of God, the metaphysics of musical thinking, reification in Zionism, the transpoetics of Physics and Metaphysics, as well as correlating Aesthetic Theory to Jewish Law (halakhah). >
By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust. Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Fruhauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on the circulation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States and Israel, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context.
The eighteen studies in this volume in honor of Moshe Bernstein on the occasion of his 70th birthday mostly engage with Jewish scriptural interpretation, the principal theme of Bernstein's own research career as expressed in his collected essays, Reading and Re-Reading Scripture at Qumran (Brill, 2013). The essays develop a variety of aspects of scriptural interpretation. Although many of them are chiefly concerned with the Dead Sea Scrolls, the significant contribution of the volume as a whole is the way that even those studies are associated with others that consider the broader context of Jewish scriptural interpretation in late antiquity. As a result, a wider frame of reference for scriptural interpretation impinges upon how scripture was read and re-read in the scrolls from Qumran.
This volume approaches the topic of mobility in Southeast Europe by offering the first detailed historical study of the land route connecting Istanbul with Belgrade. After this route that diagonally crosses Southeast Europe had been established in Roman times, it was as important for the Byzantines as the Ottomans to rule their Balkan territories. In the nineteenth century, the road was upgraded to a railroad and, most recently, to a motorway. The contributions in this volume focus on the period from the Middle Ages to the present day. They explore the various transformations of the route as well as its transformative role for the cities and regions along its course. This not only concerns the political function of the route to project the power of the successive empires. Also the historical actors such as merchants, travelling diplomats, Turkish guest workers or Middle Eastern refugees together with the various social, economic and cultural effects of their mobility are in the focus of attention. The overall aim is to gain a deeper understanding of Southeast Europe by foregrounding historical continuities and disruptions from a long-term perspective and by bringing into dialogue different national and regional approaches.
No matter what we would make of Jesus, says Schalom Ben-Chorin, he was first a Jewish man in a Jewish land. Brother Jesus leads us through the twists and turns of history to reveal the figure who extends a "brotherly hand" to the author as a fellow Jew. Ben-Chorin's reach is astounding as he moves easily between literature, law, etymology, psychology, and theology to recover "Jesus' picture from the Christian overpainting." A commanding scholar of the historical Jesus who also devoted his life to widening Jewish-Christian dialogue, Ben-Chorin ranges across such events as the wedding at Cana, the Last Supper, and the crucifixion to reveal, in contemporary Christianity, traces of the Jewish codes and customs in which Jesus was immersed. Not only do we see how and why these events also resonate with Jews, but we are brought closer to Christianity in its primitive state: radical, directionless, even pagan. Early in his book, Ben-Chorin writes, "the belief of Jesus unifies us, but the belief in Jesus divides us." It is the kind of paradox from which arise endless questions or, as Ben-Chorin would have it, endless opportunities for Jews and Christians to come together for meaningful, mutual discovery.
An intimate and hopeful collection of meaningful, smart, funny, sad, emotional, and inspiring essays from today’s authors and advocates about what it means to be Jewish, how life has changed since the attacks on October 7th, 2023, and the unique culture that brings this group together. On October 7th, 2023, Jews in Israel were attacked in the largest pogrom since the Holocaust. It was a day felt by Jews everywhere who came together to process and speak out in ways some never had before. In this collection, 75 contributors speak to Jewish joy, celebration, laughter, food, trauma, loss, love, and family, and the common threads that course through the Jewish people: resilience and humor. Contributors include Mark Feuerstein, Jill Zarin, Steve Leder, Joanna Rakoff, Amy Ephron, Lisa Barr, Annabelle Gurwitch, Daphne Merkin, Bradley Tusk, Sharon Brous, Jenny Mollen, Nicola Kraus, Caroline Leavitt, and many others. On Being Jewish Now is edited by Zibby Owens, bestselling author, podcaster, bookstore owner, and CEO of Zibby Media.
Warsaw was once home to the largest and most diverse Jewish community in the world. It was a center of rich varieties of Orthodox Judaism, Jewish Socialism, Diaspora Nationalism, Zionism, and Polonization. This volume is the first to reflect on the entire history of the Warsaw Jewish community, from its inception in the late 18th century to its emergence as a Jewish metropolis within a few generations, to its destruction during the German occupation and tentative re-emergence in the postwar period. The highly original contributions collected here investigate Warsaw Jewry's religious and cultural life, press and publications, political life, and relations with the surrounding Polish society. This monumental volume is dedicated to Professor Antony Polonsky, chief historian of the new Warsaw Museum for the History of Polish Jews, on the occasion of his 75th birthday.
The Statue of Liberty holds a special place in the hearts of Americans, the people of France, and freedom lovers throughout the world. But up until now, the full story behind its origins has not been told. Author Richard N. Rhoades peels back the mystery surrounding the icon, explaining how French sculptor Frederic Auguste Bartholdi looked to a Roman goddess to serve as the model for the statue. On Oct. 28, 1886, at the unveiling ceremony, President Grover Cleveland praised Bartholdi's goddess statue as "greater than all that have been celebrated in ancient song." But Rhoades goes beyond the historical data and examines the statue's pagan origins by analyzing Scripture. He establishes that the most revealing chroniclers of the Statue of Liberty were the Hebrew prophets who predicted the building and setting of an image of the Great Goddess of the ancient world on her own pedestal in a latter day country codenamed "the land of Shinar." Discover the real origins of the Statue of Liberty, its adoption by the American people as a national icon and its historical and biblical signifi cance in "Lady Liberty: The Ancient Goddess of America."
For centuries, Jews have been known as the "people of the book." It is commonly thought that Judaism in the first several centuries CE found meaning exclusively in textual sources. But there is another approach to meaning to be found in ancient Judaism, one that sees it in the natural world and derives it from visual clues rather than textual ones. According to this conception, God embedded hidden signs in the world that could be read by human beings and interpreted according to complex systems. In exploring the diverse functions of signs outside of the realm of the written word, Swartz introduces unfamiliar sources and motifs from the formative age of Judaism, including magical and divination texts and new interpretations of legends and midrashim from classical rabbinic literature. He shows us how ancient Jews perceived these signs and read them, elaborating on their use of divination, symbolic interpretation of physical features and dress, and interpretations of historical events. As we learn how these ancient people read the world, we begin to see how ancient people found meaning in unexpected ways.
In the last several decades since the first publications of the biblical Dead Sea Scrolls, a revolution has occurred in the understanding of the history of the text of the Hebrew Bible during the Second Temple period. The present volume is a collection of articles documenting that revolution, written by Sidnie White Crawford over an almost thirty-year period beginning in 1990. As a member of the editorial team responsible for publishing the Qumran scrolls, the author was responsible for the critical editions of nine Deuteronomy scrolls and the four Reworked Pentateuch manuscripts; thus, her work played a critical role in the changing understanding of the textual history of the Pentateuch,especially the book of Deuteronomy and the Rewritten Bible texts. The author's lifework is brought together here in an accessible format. While the majority of the articles are reprints, the volume will close with two major new pieces: a text-critical study of the Deuteronomic Paraphrase of the Temple Scroll and a comprehensive overview of the history of the text of the Pentateuch. |
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