Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts. In this volume, Sarit Shalev-Eyni considers the Mahzor as a cosmological calendar, while Katrin Kogman-Appel looks at the work of Elisha ben Abraham, known as Cresques, in fourtheenth-century Mallorca. Evelyn M. Cohen discusses a surprising model for Charlotte Rothschild's Haggadah of 1842 and Ronit Sternberg examines sampler embroidery past and present as an expression of merging Jewish identity. Jechezkiel David Kirszenbaum's exploration of personal displacementis the subject of an article by Caroline Goldberg Igra, and the Great Synagogue on Tlomackie Street in Warsaw one by Eleanora Bergman. The Special Item by Sergey R. Kravtsov and Vladimir Levin is devoted to Perek Shirah on a wall of the Great Synagogue in Radyvyliv. The volume also includes book reviews and an appreciation of the life of Alfred Moldovan by William L. Gross. Contributors: Ziva Amishai-Maisels, Professor, History of Art Department, Hebrew University of Jerusalem, Eleonora Bergman, Emanuel Ringelbaum Jewish Historical Institute, Warsaw, Evelyn M. Cohen, Professor, Jewish Theological Seminary (JTS), New York, Caroline Goldberg Igra, Guest Curator, Beit Hatfusot, Tel Aviv, William L. Gross, Collector, Tel Aviv, Katrin Kogman-Appel, Professor, Ben-Gurion University of the Negev, Beersheva, Sergey R. Kravtsov, Center for Jewish Art, Hebrew University of Jerusalem, Vladimir Levin, Center for Jewish Art, Hebrew University of Jerusalem, Sarit Shalev-Eyni, History of Art Department, Hebrew University of Jerusalem, Larry Silver, History of Art Department, University of Pennsylvania, Ronit Steinberg, History and Theory Department, Bezalel Academy of Arts and design, Jerusalem Volumes of Ars Judaica are distributed by the Littman Library of Jewish Civilization throughout the world, except Israel. Orders and enquiries from Israeli customers should be directed to: Ars Judaica Department of Jewish Art Bar-Ilan University Ramat-Gan 52900 telephone 03 5318413 fax 03 6359241 email [email protected]

An authoritative call to end anti-fat bias and champion the acceptance of all bodies.

In this remarkable book, Minna Bromberg lays bare the harm of anti-fat bias and the restorative potential for body liberation in Jewish tradition to confront fatphobia. Bromberg traces her own journey of identity formation, bodily autonomy, and self-acceptance from her earliest memories of dieting at the age of seven to her young adult activism to the founding of her organization, Fat Torah. Letters reflecting on her personal experiences are interwoven with critical discussions about the need to address harmful stigma about fat bodies, to end fat shaming, and to engage meaningfully with questions of fat accessibility. Bromberg persuasively demonstrates what we can learn from Jewish tradition that will allow us to usher in a culture of healing and acceptance of all bodies created in the Divine image.

Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore. As such it is a valuable resource for art historians, collectors, curators, and all those interested in the visual arts. In this volume, Avraham Faust considers a unique phenomenon in the material culture of ancient Israel during the biblical period: pottery without painted decoration. Moshe Idel, an expert on Jewish mysticism, sheds new light on the figure of Helios in the Hammath Tiberias synagogue mosaic, comparing it to descriptions of angel 'Anafi'el in the Heikhalot literature and medieval Kabbalistic texts. Rahel Fronda attributes a group of medieval Ashkenazi Bible manuscripts containing similar micrographic ornaments to the same scribal workshop, possibly near Wurzburg. Alexander Mishory reveals a Scroll of Esther illuminated by one of the first Bezalel artists, Shmuel Ben-David, and focuses on his use of fowl and fox imagery deriving from an Arab fable. Artur Tanikowski discusses social awareness and humanist values in the work of Polish modernists of Jewish origin. The Special Item by Nurit Sirkis Bank is dedicated to hasidic wedding rings. A silver ring, square on the outside, round within, and engraved with the Hebrew letter he is understood as a symbol of unity and harmony between man and woman, the human and the Divine, nature and culture, and even good and evil. Contributor Information: Walter Cahn, Professor, History of Art Department, Yale University, Avraham Faust, Director, Tel 'Eton Excavations, Institute of Archaeology, Martin (Szusz) Department of Land of Israel Studies and Archaeology, Bar-Ilan University, Rahel Fronda, Hebraica and Judaica Subject Librarian, Bodleian Library, University of Oxford, Carole Herselle Krinsky, Professor, Art History Department, New York University, Moshe Idel, Professor, Department of Jewish Thought, Hebrew University of Jerusalem; Senior Researcher, Shalom Hartman Institute, David Malkiel, Professor, Department of Jewish History, Bar-Ilan University, Alec Mishory, independent scholar, Israel, Ilia Rodov, Lecturer, Department of Jewish Art, Bar-Ilan University, Nurit Sirkis Bank, Curator, Wolfson Museum of Jewish Art, Hechal Shlomo; doctoral candidate, Bar-Ilan University, David Stern, Professor, Jewish Studies Faculty, University of Pennsylvania, Artur Tanikowski, Graphic Department, Academy of Fine Arts, Warsaw; Faculty of Humanities, Fryderyk Chopin Uiversity of Music, Warsaw; Curator, Museum of the History of Polish Jews, Warsaw Volumes of Ars Judaica are distributed by the Littman Library of Jewish Civilization throughout the world, except Israel. Orders and enquiries from Israeli customers should be directed to: Ars Judaica Department of Jewish Art Bar-Ilan University Ramat-Gan 52900 Telephone: 03 5318413 Email: [email protected]

Authentic and simple, this retelling of the Passover story in the Haggadah is designed to guide Passover participants through the Seder while educating them about the practice. Detailing the meaning of the ceremony in the past and present, the book also discusses the authenticity of the ceremony and the story, allowing those with little or no experience conducting a Seder to do so with confidence. A phonetic version of the Hebrew text is also included to aid those unfamiliar with Hebrew pronunciation.

This is the untold story of the rediscovery of the ancient City of David in Jerusalem and the powerful evidence that proves the Jewish people’s historical and indigenous connection to the Holy Land.

Since the founding of Israel in 1948, the Jewish people have faced nine wars against multiple enemies. Yet, beyond the physical conflicts, a deeper ideological battle has been waged against Israel and the Jewish people. This war, crafted by certain Arab leaders and echoed by international organizations like the United Nations, seeks to erase the Jewish people’s ancestral ties to the land, casting them as outsiders, imposters, and “settlers.”

One thing, however, stands in the way of the denialists: the 3,800-year history of the City of David, a site lying just south of the Old City. Archeologists at the site are unearthing evidence that proves the Jewish people’s origin story in the land for over three millennia. Every shovel of dirt reveals that while others may claim to be indigenous to Jerusalem, the Jewish people are, in fact, more indigenous to the Land of Israel than perhaps any other group living anywhere in the world.

This is the timely story of those who transformed City of David from a neglected hilltop village into one of the most important archeological heritage sites in the world, while facing powerful global institutions and terror groups that would do almost anything to keep this truth hidden. Highly relevant to the Israeli-Palestinian conflict, this book foreshadows the events and historical denialism that unfolded with Hamas’s attack on Israel on October 7, 2023.

David Tabor (1913-2005) was a highly respected and much loved member of the Cambridge Jewish community for almost sixty years. This book contains his Kol Nidre addresses, Bar Mitzvah talks and funeral eulogies, as well as a selection of poems, articles and other talks on Jewish topics.

Jews own and control the world How did they do it? Christianity Mohammedans Knights Hospitaler Teutonic Knights Knights Templar Assassins Freemasonry Inquisition Banking

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Talmudic exegesis is constructed on special hermeneutic rules which have the logical meaning in fact. On the basis of this circumstance it is possible to speak about a special logical culture of the Talmud and to call the logic used there.