This edition of Books I & II of St Augustine's The City of God (De Civitate Dei) is the only edition in English to provide a text and translation as well as a detailed commentary of this most influential document in the history of western Christianity. In these books, written in the aftermath of the sack of Rome in AD 410 by the Goths, Augustine replies to the pagans, who attributed the fall of Rome to the Christian religion and its prohibition of the worship of the pagan gods. Latin text with facing-page English translation, introduction and commentary.

Contents: origin and progress of idolatry; on barrows; origin and extent of druidism; Silbury Hill; on the serpent at Abury; temples at Abury; temples of Mercury and Venus; ancient British trackway; St. Ann's Hill, remarks on the feudal system; temples of Mars and Jupiter; Stonehenge; names of Stonehenge; on the Fosse of Stonehenge and the stones located on it; Stonehenge and the conjoint Temple of Saturn and the Sun; Platonic cycle; summary of the foregoing arguments and conclusion.

Now fully revised-the classic study of Neo-Paganism Almost thirty years since its original publication, Drawing Down the Moon continues to be the only detailed history of the burgeoning but still widely misunderstood Neo- Pagan subculture. Margot Adler attended ritual gatherings and interviewed a diverse, colorful gallery of people across the United States, people who find inspiration in ancient deities, nature, myth, even science fiction. In this new edition featuring an updated resource guide of newsletters, journals, books, groups, and festivals, Margot Adler takes a fascinating and honest look at the religious experiences, beliefs, and lifestyles of modern America's Pagan groups.

Sacred mysteries among the Mayas and the Quiches 11,500 years ago and their relation to the sacred mysteries of Egypt, Greece, Chaldea and India; Freemasonry in times anterior in the Temple of Solomon. The author presents to the reader some of the historical facts that have been brought to light by deciphering bas-reliefs and mural inscriptions, by means of the ancient hieractic Maya alphabet discovered by the author. He presents only facts that can be proven by well-known ancient and modern writers and by the inscriptions carved on stone by the Mayan people.

Racist paganism is a thriving but understudied element of the American religious and cultural landscape. Gods of the Blood is the first in-depth survey of the people, ideologies, and practices that make up this fragmented yet increasingly radical and militant milieu. Over a five-year period during the 1990s Mattias Gardell observed and participated in pagan ceremonies and interviewed pagan activists across the United States. His unprecedented entree into this previously obscure realm is the basis for this firsthand account of the proliferating web of organizations and belief systems combining pre-Christian pagan mythologies with Aryan separatism. Gardell outlines the historical development of the different strands of racist paganism-including Wotanism, Odinism and Darkside Asatru-and situates them on the spectrum of pagan belief ranging from Wicca and goddess worship to Satanism. Gods of the Blood details the trends that have converged to fuel militant paganism in the United States: anti-government sentiments inflamed by such events as Ruby Ridge and Waco, the rise of the white power music industry (including whitenoise, dark ambient, and hatecore), the extraordinary reach of modern communications technologies, and feelings of economic and cultural marginalization in the face of globalization and increasing racial and ethnic diversity of the American population. Gardell elucidates how racist pagan beliefs are formed out of various combinations of conspiracy theories, anti-Semitism, warrior ideology, populism, beliefs in racial separatism, Klandom, skinhead culture, and tenets of national socialism. He shows how these convictions are further animated by an array of thought selectively derived from thinkers including Nietzche, historian Oswald Spengler, Carl Jung, and racist mystics. Scrupulously attentive to the complexities of racist paganism as it is lived and practiced, Gods of the Blood is a fascinating, disturbing, and important portrait of the virulent undercurrents of certain kinds of violence in America today.

The author draws on textual readings, archaeological and historical data, and epigraphy to determine what may be known about the Israelite religions during the Iron Age (1200 - 586 BCE). The evidence is synthesized within the structure of an Israelite worldview and ethos involving kin, tribes, land, traditional ways and places of worship, and a national deity. Professor Zevit originated this interpretive matrix through insights, ideas and models developed in the academic study of religion and history within the context of the humanities. He is original, for instance, in his conclusions about the pre-canonical history of many psalms, the two-stage history of Israelite altars, and the unrecognised religious significance of some Hebrew inscriptions and archaeological sites. Throughout the book, the author has set a precedent which should encourage dialogue and co-operative study between ancient historians and archaeologists, but particularly between Iron Age archaeologists and biblical scholars. The work challenges many conclusions of previous scholarship about the nature of Israelite religion, even as it presents scholars with new data, new interpretations of old data, and suggestions for new questions for research.

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"Folk religionists and those interested in placing 'pagan phenomena' in the context of worldwide religiousity will find York's book interesting."
--"Missiology: An International Review"

"I have little doubt that it will reinvigorate not only the debate over the definition of religion but, perhaps more significantly, the debate over where one religion starts and another ends."--"Journal for the Scientific Study of Religion"

"Scholarly, but wholly accessible."--"Terry Gifford (University of Leeds)"

"This work will interest anyone investigating the nexus of science, social policy, and the law in modern America."--"Sociology of Religion"

"Part travelogue, part theological argument, part sociological study, Michael York's "Pagan Theology" is a tour through paganism's multiple forms in space and time. York does an admirable job of making paganism visible as an important area of study in religion. "Pagan Theology" will appeal to an international audience of scholars and practitioners of Paganism, but should also be of interest to scholars of religion more broadly, since York examines paganism in a global context, and as it occurs within other world religions, as root religion."--"The Pomegranate"

"York has collected a great diversity of global religious information to compare and contrast the fundamental and universal religious elements they contain. This appears to be his life work."
--"Journal of the American Academy of Religion"

aThere is interesting and valuable information in" Pagan Theory," The author has done his homework, and much of what he writes is taken from first-handobservation.a
--facingnorth.net )

"Michael York has laid the intellectual groundwork for a new approach to theology, one which hopefully might reconcile the appalling feuding ones of our time."
--The Quest"

"York endeavors to demonstrate that paganism in its many varieties has an underlying unity."
--"Library Journal"

In Pagan Theology, Michael York situates Paganism--one of the fastest-growing spiritual orientations in the West--as a world religion. He provides an introduction to, and expansion of, the concept of Paganism and provides an overview of Paganism's theological perspective and practice. He demonstrates it to be a viable and distinguishable spiritual perspective found around the world today in such forms as Chinese folk religion, Shinto, tribal religions, and neo-Paganism in the West.

While adherents to many of these traditions do not use the word "pagan" to describe their beliefs or practices, York contends that there is an identifiable position possessing characteristics and understandings in common for which the label "pagan" is appropriate. After outlining these characteristics, he examines many of the world's major religions to explore religious behaviors in other religions which are not themselves pagan, but which have pagan elements. In the course of examining such behavior, York provides rich and lively descriptions of religions in action, including Buddhism and Hinduism.

Pagan Theology claims Paganism's place as a world religion, situating it as a religion, a behavior, and a theology.

What did the Romans know about their gods? Why did they perform the rituals of their religion, and what motivated them to change those rituals? To these questions Clifford Ando proposes simple answers: In contrast to ancient Christians, who had faith, Romans had knowledge, and their knowledge was empirical in orientation. In other words, the Romans acquired knowledge of the gods through observation of the world, and their rituals were maintained or modified in light of what they learned. After a preface and opening chapters that lay out this argument about knowledge and place it in context, "The Matter of the Gods "pursues a variety of themes essential to the study of religion in history.

First published in 1898, this guide to the primitive lore of Scandinavia recounts the creation of the world from the earliest fog-country and fire-land, the birth of the gods, their ascendancy, and their twilight. It profiles the chief gods and their attendant myths, including the all-wise Odin, father of the gods; hammer-wielding Thor; Baldur, the beautiful and wise; and malicious Loki, the devil of the North. It chronicles forms of worship and religious life, plus the most famous of the hero sagas: the Volsungs, the Helgi sagas; Volund the smith; the Hjathningar, and Beowulf. Unbridged republication of the A. Clinton Crowell translation as published by Thomas Y. Crowell Company. New York, 1913.

"Tantalizingly rich ...this is a splendid book."--Greece and Rome "Burken relegates his learned documentation to the notes and writes in a lively and fluent style. The book is recommended as a major contribution to the interpretation of ancient Greek myth and ritual. The breadth alone of Burkert's learning renders his book indispensable."--Classical Outlook "Impressive...founded on a striking knowledge of the complex evidence (literary, epigraphical, archaeological, comparative) for this extensive subject. Burkert offers a rare combination of exact scholarship with imagination and even humor. A brilliant book, in which ...the reader can see at every point what is going on in the author's mind--and that is never uninteresting, and rarely unimportant."--Times Literary Supplement "Burkert's work is of such magnitude and depth that it may even contribute to that most difficult of tasks, defining myth, ritual, and religion. . [He] locates his work in the context of culture and the historv of ideas, and he is not hesitant to draw on sociology and biology. Consequently his work is of significance for philosophers, historians, and even theologians, as well as for classicists and historians of Greek culture. His hypotheses are courageous and his conclusions are bold; both establish standards for methodology as well as results. "--Religious Studies Review

The slaughter of animals for religious feasts, the tinkling of bells to ward off evil during holy rites, the custom of dancing in religious services-these and many other pagan practices persisted in the Christian church for hundreds of years after Constantine proclaimed Christianity the one official religion of Rome. In this book, Ramsay MacMullen investigates the transition from paganism to Christianity between the fourth and eighth centuries. He reassesses the triumph of Christianity, contending that it was neither tidy nor quick, and he shows that the two religious systems were both vital during an interactive period that lasted far longer than historians have previously believed. MacMullen explores the influences of paganism and Christianity upon each other. In a rich discussion of the different strengths of the two systems, he demonstrates that pagan beliefs were not eclipsed or displaced by Christianity but persisted or were transformed. The victory of the Christian church, he explains, was one not of obliteration but of widening embrace and assimilation. This fascinating book also includes new material on the Christian persecution of pagans over the centuries through methods that ranged from fines to crucifixion; the mixture of motives in conversion; the stubbornness of pagan resistance; the difficulty of satisfying the demands and expectations of new converts; and the degree of assimilation of Christianity to paganism.

Keel and Uehlinger's unique study brings the massive Palestinian archaeological evidence of 8,500 amulets and inscriptions to bear on these questions. Vindicating the use of symbols and visual remains to investigate ancient religion, the authors employ iconographic evidence from around 1750 B.C.E. through the Persian period (c. 333 B.C.E.) to reconstruct the emergence and development of the Yahweh cult in relation to its immediate neighbors and competitors. They also fully explore whether female characteristics were present in the early Yahweh figure and how they might have evolved in Israelite religion. Keel and Uehlinger's major study marks the maturation of iconographical studies and affords an exciting glimpse into the vibrant religious life of ancient Canaan and Israel.

This is the first English translation of, and commentary on, Valerius Maximus, an early first century AD author. His collection of examples of Roman religious practice and thought offers a unique perspective from the early principate on Roman beliefs about their religious heritage.

The numerous portrayals of gods and humans on horseback which occur in Graeco-Roman art may appear to the unaccustomed eye to have many variations but, according to Mackintosh, are in fact based on a few stock images, which could be manipulated to fit the occasion. In this thorough study, she approaches the questions of how and where the genre first arose in art, how ot developed as it was adapted' by subsequebt artists and how, in particular, imperial Rome made its mark on and through the Divine Rider. The author bases her study on close examination of horse and rider' statues, votives and reliefs from across Europe, taking into consideration the dating, material and mythological association.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The foremost religious festival of ancient Athens-the city dedicated to Athena, goddess of war, fertility, arts, and wisdom-was the Panathenaia. Challenging old assumptions and refuting new theories, Worshipping Athena addresses the many problems of interpretation and understanding that have swirled for years around the Panathenaia. Among the issues discussed is the recent sensational controversy over the Parthenon frieze, perhaps the best known but least understood work of Greek art. For centuries the frieze has been thought to represent the Panathenaia procession, but recently the argument has been advanced that it depicts the sacrifice of the daughters of the Athenian king Erechtheus. Worshipping Athena offers compelling evidence that the frieze does indeed depict the festal procession and also demonstrates that scenes of contemporary ritual were not unique to the Parthenon. Editor Jenifer Neils and the contributors-eminent classicists, archaeologists, and art historians-explore the role of the Panathenaia in Athenian life and compare it with similar festivals held throughout the ancient Greek world. They discuss such topics as the Panathenaia's mythical origins, the phenomenon of the festival's valuable prizes (oil-filled amphoras, rather than the customary laurel wreath), and the architecture, sculpture, and painting related to the festival. Worshipping Athena will provide valuable insights to scholars and students concerned with ancient religion, mythology, art, literature, and gender issues, as well as anyone with a keen interest in the ritual topography of the Athenian Acropolis and the iconography of the Parthenon frieze.

This book is about the multiplicity of gods and religions that characterized the Roman world before Constantine. It was not the noble gods such as Jove, Apollo and Diana, who were crucial to the lives of the common people in the empire, but gods of an altogether more earthly, earthy level, whose rituals and observances may now seem bizarre.

The book opens with an account of the nature of popular religion and the way in which the gods and myths of subject peoples were taken up by the Roman colonizers and spread throughout the empire. Successive chapters are devoted to the Great Mother, Isis, the cults of Syria, Mithras, The Horsemen, Dionysus, and to practices related to the performance of magic. It was above all with these popular religions that the early Christians fought for supremacy. In the concluding part of the book Professor Turcan describes this contest and its eventual outcome in the triumph of Christianity throughout the Roman world.

The author assumes little background or specialist knowledge. Each chapter is fully referenced and where appropriate illustrated with photographs and diagrams. The book includes a guide for further reading specifically for English-speaking students.

As well as being of wide general interest, this book will appeal to students of the Roman Empire and of the history of religion.

The decline of Mithraism in the fourth century AD is used as a case-study for understanding the end of other classes of paganism' in the Roman western provinces. The author reviews epigraphic and numismatic evidence to date the final uses of Mithraea. He then discusses examples of wilful damage to Mithraic monuments. Drawing all this archaeological evidence into a historical framework, Sauer argues that rather than losing its social function as the Roman army became splintered, Mithraism was a healthy religion with active shrines until the very late fourth century. Rather than fading away, its desecrated monuments indicate that the religion was the victim of a sustained Christian attack which was also directed at other established faiths in the western provinces.

This is the biography of an archetype, a potential being who exists in all of us and who, since the beginning of human history, has emerged in varying degrees into consciousness in the many diverse cultural forms to which we apply the word goddess in the sense of female deity. It is only in relatively recent times that we have begun to recognize the presence behind these many goddess masks of a being who is Goddess as opposed to God, a force who long preceded her male counterpart as an appropriate metaphor for the Great Mystery of existence.

Contents: The Chaldeans; Sketch of the History of Chaldean Astronomy and Its Influence Upon the Religion; Babylonia and Greece; Dissemination in the West; Power of Astrology; Hermetic Books; Israel and Astrology; The Oriental Mysteries; Theology; Sacred Numbers; The Sun as the Highest God; Development of Solar Theology; Astral Mysticism Ethics and Cult; Mystic Element in Astral Religion; Cosmic Emotion; Eschatology; Astral Mysticism as a Preparation for the Future Life; Principal Doctrines; Magic Processes.

This volume provides new directions for thinking about the structure, organization, and "function" of the gods of the Levantine and ancient Near Eastern worlds, arguing that the structure of the pantheon worshiped in Syria-Palestine mirrored the social structure of the city-states of that region.

In "Honor Thy Gods" Jon Mikalson uses the tragedies of Aeschylus, Sophocles, and Euripides to explore popular religious beliefs and practices of Athenians in the fifth and fourth centuries B.C. and examines how these playwrights portrayed, manipulated, and otherwise represented popular religion in their plays. He discusses the central role of honor in ancient Athenian piety and shows that the values of popular piety are not only reflected but also reaffirmed in tragedies.
Mikalson begins by examining what tragic characters and choruses have to say about the nature of the gods and their intervention in human affairs. Then, by tracing the fortunes of diverse characters -- among them Creon and Antigone, Ajax and Odysseus, Hippolytus, Pentheus, and even Athens and Troy -- he shows that in tragedy those who violate or challenge contemporary popular religious beliefs suffer, while those who support these beliefs are rewarded.
The beliefs considered in Mikalson's analysis include Athenians' views on matters regarding asylum, the roles of guests and hosts, oaths, the various forms of divination, health and healing, sacrifice, pollution, the religious responsibilities of parents, children, and citizens, homicide, the dead, and the afterlife. After summarizing the vairous forms of piety and impiety related to these beliefs found in the tragedies, Mikalson isolates "honoring the gods" as the fundamental concept of Greek piety. He concludes by describing the different relationships of the three tragedians to the religion of their time and their audience, arguing that the tragedies of Euripides most consistently support the values of popular religion.

In the centuries following the conquests of Alexander the Great the dramatic unification of the Mediterranean world created exceptionally fertile soil for the growth of new religions. Christianity, for example, was one of the innovative religious movements that arose during this time. However, Christianity had many competitors, and one of the most remarkable of these was the ancient Roman "mystery religion" of Mithraism.
Like the other "mystery cults" of antiquity, Mithraism kept its beliefs strictly secret, revealing them only to initiates. As a result, the cult's teachings were never written down. However, the Mithraists filled their temples with an enigmatic iconography, an abundance of which has been unearthed by archaeologists. Until now, all attempts to decipher this iconography have proven fruitless. Most experts have been content with a vague hypothesis that the iconography somehow derived from ancient Iranian religion.
In this groundbreaking work, David Ulansey offers a radically different theory. He argues that Mithraic iconography was actually an astronomical code, and that the cult began as a religious response to a startling scientific discovery. As his investigation proceeds, Ulansey penetrates step by step the mysteries concealed in Mithraic iconography, until finally he is able to reveal the central secret of the cult: a secret consisting of an ancient vision of the ultimate nature of the universe.
Brimming with the excitement of discovery--and reading like an intellectual detective story--Ulansey's compelling book will intrigue scholars and general readers alike.