Bhagavad gita: the Global Dharma for the Third Millennium Bhagavad gita is one of the prasthana traya required to study Vedic knowledge - the other 2 being the Upanishads and Vedanta sutra or Brahma sutra. This series, composed by 19 volumes (one for each of the 18 chapters, plus one Appendix) presents elaborate translations and commentaries, as well as the original Sanskrit text with transliteration.

"Primitive Man as Philosopher" is influential anthropologist and ethnologist Paul Radin's enduringly relevant survey of an array of aboriginal cultures and belief systems, including those of the Winnebago, Oglala Sioux, Maori, Banda, the Buin of Melanesia, Tahitian, Hawaiian, Zuni, and Ewe. Radin examines the conditioning of thought and religion practiced among the members of each society and the freedom of individuals to deviate from the group and to affect change. Written in a straightforward, almost conversational style, Radin's discourse is rooted in firsthand accounts. He allows his subjects to speak for themselves by quoting extensively from interviews (many of which he conducted in the course of his own fieldwork), and includes a veritable anthology of poems and songs from the varied traditions. Radin, known in his field for his honesty and integrity, offers brilliant interpretations of myth and symbolism in his exploration of their deeper meanings in each culture. Readers both in and out of the field will appreciate the rich and varied insights of this classic of anthropology. Celebrated anthropologist Neni Panourgiá provides a new introduction to this landmark and pioneering work.

To what extent did mythological figures such as Circe and Medea influence the representation of the powerful 'oriental' enchantress in modern Western art? What role did the ancient gods and heroes play in the construction of the imaginary worlds of the modern fantasy genre? What is the role of undead creatures like zombies and vampires in mythological films? Looking across the millennia, from the distrust of ancient magic and oriental cults, which threatened the new-born Christian religion, to the revival and adaptation of ancient myths and religion in the arts centuries later, this book offers an original analysis of the reception of ancient magic and the supernatural, across a wide variety of different media - from comics to film, from painting to opera. Working in a variety of fields across the globe, the authors of these essays deconstruct certain scholarly traditions by proposing original interdisciplinary approaches and collaborations, showing to what extent the visual and performing arts of different periods interlink and shape cultural and social identities.