Ellen Muehlberger explores the diverse and inventive ideas Christians held about angels in late antiquity. During the fourth and fifth centuries, Christians began experimenting with new modes of piety, adapting longstanding forms of public authority to Christian leadership and advancing novel ways of cultivating body and mind to further the progress of individual Christians. Muehlberger argues that in practicing these new modes of piety, Christians developed new ways of thinking about angels. The book begins with a detailed examination of the two most popular discourses about angels that developed in late antiquity. In the first, developed by Christians cultivating certain kinds of ascetic practices, angels were one type of being among many in a shifting universe, and their primary purpose was to guard and to guide Christians. In the other, articulated by urban Christian leaders in contest with one another, angels were morally stable characters described in the emerging canon of Scripture, available to enable readers to render Scripture coherent with emerging theological positions. Muehlberger goes on to show how these two discourses did not remain isolated in separate spheres of cultivation and contestation, but influenced one another and the wider Christian culture. She offers in-depth analysis of popular biographies written in late antiquity, of the community standards of emerging monastic communities, and of the training programs developed to prepare Christians to participate in ritual, demonstrating that new ideas about angels shaped and directed the formation of the definitive institutions of late antiquity. Angels in Late Ancient Christianity is a meticulous and thorough study of early Christian ideas about angels, but it also offers a different perspective on late ancient Christian history, arguing that angels were central rather than peripheral to the emergence of Christian institutions and Christian culture in late antiquity.

Examining the diverse religious texts and practices of the late Hellenistic and Roman periods, this collection of essays investigates the many meanings and functions of ritual sacrifice in the ancient world. The essays survey sacrificial acts, ancient theories, and literary as well as artistic depictions of sacrifice, showing that any attempt to identify a single underlying significance of sacrifice is futile. Sacrifice cannot be defined merely as a primal expression of violence, despite the frequent equation of sacrifice to religion and sacrifice to violence in many modern scholarly works; nor is it sufficient to argue that all sacrifice can be explained by guilt, by the need to prepare and distribute animal flesh, or by the communal function of both the sacrificial ritual and the meal.
As the authors of these essays demonstrate, sacrifice may be invested with all of these meanings, or none of them. The killing of the animal, for example, may take place offstage rather than in sight, and the practical, day-to-day routine of plant and animal offerings may have been invested with meaning, too. Yet sacrificial acts, or discourses about these acts, did offer an important site of contestation for many ancient writers, even when the religions they were defending no longer participated in sacrifice. Negotiations over the meaning of sacrifice remained central to the competitive machinations of the literate elite, and their sophisticated theological arguments did not so much undermine sacrificial practice as continue to assume its essential validity.
Ancient Mediterranean Sacrifice offers new insight into the connections and differences among the Greek and Roman, Jewish and Christian religions.

Religion is a particularly useful field within which to study Roman self-definition, for the Romans considered themselves to be the most religious of all peoples and ascribed their imperial success to their religiosity. This study builds on the observation that the Romans were remarkably open to outside influences to explore how installing foreign religious elements as part of their own religious system affected their notions of what it meant to be Roman. The inclusion of so many foreign elements posed difficulties for defining a sense of Romanness at the very moment when a territorial definition was becoming obsolete. Using models drawn from anthropology, this book demonstrates that Roman religious activity beginning in the middle Republic (early third century B.C.E.) contributed to redrawing the boundaries of Romanness. The methods by which the Romans absorbed cults and priests and their development of practices in regard to expiations and the celebration of ludi allowed them to recreate a clear sense of identity, one that could include the peoples they had conquered. While this identity faced further challenges during the civil wars of the Late Republic, the book suggests that Roman openness remained a vital part of their religious behavior during this time. Foreign Cults in Rome concludes with a brief look at the reforms of the first emperor Augustus, whose activity can be understood in light of Republican activity, and whose actions laid the foundation for further adaptation under the Empire.

John Nemec examines the beginnings of the non-dual tantric philosophy of the famed Pratyabhijna or "Recognition of God]" School of tenth-century Kashmir, the tradition most closely associated with Kashmiri Shaivism. In doing so it offers, for the very first time, a critical edition and annotated translation of a large portion of the first Pratyabhijna text ever composed, the Sivadrsti of Somananda. In an extended introduction, Nemec argues that the author presents a unique form of non-dualism, a strict pantheism that declares all beings and entities found in the universe to be fully identical with the active and willful god Siva. This view stands in contrast to the philosophically more flexible panentheism of both his disciple and commentator, Utpaladeva, and the very few other Saiva tantric works that were extant in the author's day. Nemec also argues that the text was written for the author's fellow tantric initiates, not for a wider audience. This can be adduced from the structure of the work, the opponents the author addresses, and various other editorial strategies. Even the author's famous and vociferous arguments against the non-tantric Hindu grammarians may be shown to have been ultimately directed at an opposing Hindu tantric school that subscribed to many of the grammarians' philosophical views. Included in the volume is a critical edition and annotated translation of the first three (of seven) chapters of the text, along with the corresponding chapters of the commentary. These are the chapters in which Somananda formulates his arguments against opposing tantric authors and schools of thought. None of the materials made available in the present volume has ever been translated into English, apart from a brief rendering of the first chapter that was published without the commentary in 1957. None of the commentary has previously been translated into any language at all."

The city of Constantinople was named New Rome or Second Rome very soon after its foundation in AD 324; over the next two hundred years it replaced the original Rome as the greatest city of the Mediterranean. In this unified essay collection, prominent international scholars examine the changing roles and perceptions of Rome and Constantinople in Late Antiquity from a range of different disciplines and scholarly perspectives. The seventeen chapters cover both the comparative development and the shifting status of the two cities. Developments in politics and urbanism are considered, along with the cities' changing relationships with imperial power, the church, and each other, and their evolving representations in both texts and images. These studies present important revisionist arguments and new interpretations of significant texts and events. This comparative perspective allows the neglected subject of the relationship between the two Romes to come into focus while avoiding the teleological distortions common in much past scholarship.
An introductory section sets the cities, and their comparative development, in context. Part Two looks at topography, and includes the first English translation of the Notitia of Constantinople. The following section deals with politics proper, considering the role of emperors in the two Romes and how rulers interacted with their cities. Part Four then considers the cities through the prism of literature, in particular through the distinctively late antique genre of panegyric. The fifth group of essays considers a crucial aspect shared by the two cities: their role as Christian capitals. Lastly, a provocative epilogue looks at the enduring Roman identity of the post-Heraclian Byzantine state. Thus, Two Romes not only illuminates the study of both cities but also enriches our understanding of the late Roman world in its entirety.

Though many practitioners of yoga and meditation are familiar with the Sri Cakra yantra, few fully understand the depth of meaning in this representation of the cosmos. Even fewer have been exposed to the practices of mantra and puja (worship) associated with it. Andre Padoux, with Roger Orphe-Jeanty, offers the first English translation of the Yoginihrdaya, a seminal Hindu tantric text dating back to the 10th or 11th century CE. The Yoginihrdaya discloses to initiates the secret of the Heart of the Yogini, or the supreme Reality: the divine plane where the Goddess (Tripurasundari, or Consciousness itself) manifests her power and glory. As Padoux demonstrates, the Yoginihrdaya is not a philosophical treatise aimed at expounding particular metaphysical tenets. It aims to show a way towards liberation, or, more precisely, to a tantric form of liberation in this life--jivanmukti, which grants both liberation from the fetters of the world and domination over it.

In her latest book, Ross Shepard Kraemer shows how her mind has changed or remained the same since the publication of her ground-breaking study, Her Share of the Blessings: Women's Religions Among Pagans, Jews and Christians in the Greco-Roman World (OUP 1992). Unreliable Witnesses scrutinizes more closely how ancient constructions of gender undergird accounts of women's religious practices in the Greco-Roman Mediterranean.
Kraemer analyzes how gender provides the historically obfuscating substructure of diverse texts: Livy's account of the origins of the Roman Bacchanalia; Philo of Alexandria's envisioning of idealized, masculinized women philosophers; rabbinic debates about women studying Torah; Justin Martyr's depiction of an elite Roman matron who adopts chaste Christian philosophical discipline; the similar representation of Paul's fictive disciple, Thecla, in the anonymous Acts of (Paul and) Thecla; Severus of Minorca's depiction of Jewish women as the last hold-outs against Christian pressures to convert, and others.
While attentive to arguments that women are largely fictive proxies in elite male contestations over masculinity, authority, and power, Kraemer retains her focus on redescribing and explaining women's religious practices. She argues that - gender-specific or not - religious practices in the ancient Mediterranean routinely encoded and affirmed ideas about gender. As in many cultures, women's devotion to the divine was both acceptable and encouraged, only so long as it conformed to pervasive constructions of femininity as passive, embodied, emotive, insufficiently controlled and subordinated to masculinity.
Extending her findings beyond the ancient Mediterranean, Kraemer proposes that, more generally, religion is among the many human social practices that are both gendered and gendering, constructing and inscribing gender on human beings and on human actions and ideas. Her study thus poses significant questions about the relationships between religions and gender in the modern world.

Discover the traditional stories and wisdom behind your favourite yoga poses in this stunningly illustrated book of Indian mythology for yogis of all levels. A beautifully written introduction to Indian mythology, join storyteller, scholar and teacher, Dr Raj Balkaran, and explore the unforgettable tales behind 50 key yoga poses, such as: Virabhadrasana II, the original warrior pose Tadasana, mountain pose Bhujangasana, cobra pose Garudasana, eagle pose Padmasana, lotus pose Virasana, hero pose Savasana, corpse pose Meet iconic Gods and Goddesses, from Ganesa, the elephant-headed god of wisdom, to Siva, Lord of Yogis, and Kali, goddess of mind, body, soul and death. Explore the rivalry between the sages Vasistha and Visvamitra, and their cosmic feud over a wish-fulfilling cow. Plunge into the depths of one of the richest myths in Hinduism: the battle between the demons and the gods who churn the cosmic oceans in search for the elixir of immortality. And learn how Siva got his blue throat! Learn, through the mythology of the poses, more about the roots of this ancient practice and how you can use their teachings to better appreciate and respect yoga's true origins. Enhance your practice by reading one story before or at the end of class, and incorporating the poses and their teaching into your life, as well as your yoga practice, and transform the way you view and practice this timeless art.

Practiced today by more than 500 million adherents, Buddhism emerged from India between the sixth and fourth centuries BCE. Based around the original teachings of the Buddha, key texts emerged to promote a true understanding of Buddhist ethics and spiritual practices. The Buddhist traditions created a vast body of mythological literature, much of it focused on the life of the Buddha. For example, the 550 Jataka Tales tell of Buddha's early life and renunciation, as well as his previous human and animal incarnations. The stories also tell of Gautama Buddha's family, such as his mother Mara, and her dream of a white elephant preceding his birth; as well as his cousin, Devadatta, a disciple monk who rebelled against Buddha and tried to kill him. Buddhist literature includes numerous parables - such as the Turtle Who Couldn't Stop Talking - as well as recounting scenes from the Indian epic the Ramayana. History and myth intermingle in texts such as Ashokavadana, where the Mauryan emperor Ashoka is portrayed as a model of Buddhist kingship. Illustrated with 120 photographs and artworks, Buddhist Myths is an accessible, engaging and highly informative exploration of the fascinating mythology underlying one of the world's oldest and most influential religions.

Examining the theme of child sacrifice as a psychological challenge, this book applies a unique approach to religious ideas by looking at beliefs and practices that are considered deviant, but also make up part of mainstream religious discourse in Judaism, Islam, and Christianity. Ancient religious mythology, which survives through living traditions and transmitted narratives, rituals, and writings, is filled with violent stories, often involving the targeting of children as ritual victims. Christianity offers Abraham's sacrifice and assures us that the "only begotten son" has died, and then been resurrected. This version of the sacrifice myth has dominated the West. It is celebrated in an act of fantasy cannibalism, in which the believers share the divine son's flesh and blood. This book makes the connection between Satanism stories in the 1980s, the Blood Libel in Europe, The Eucharist, and Eastern Mediterranean narratives of child sacrifice.

A Feminist Mythology takes us on a poetic journey through the canonical myths of femininity, testing them from the point of view of our modern condition. A myth is not an object, but rather a process, one that Chiara Bottici practises by exploring different variants of the myth of "womanhood" through first- and third-person prose and poetry. We follow a series of myths that morph into each other, disclosing ways of being woman that question inherited patriarchal orders. In this metamorphic world, story-telling is not just a mix of narrative, philosophical dialogues and metaphysical theorizing: it is a current that traverses all of them by overflowing the boundaries it encounters. In doing so, A Feminist Mythology proposes an alternative writing style that recovers ancient philosophical and literary traditions from the pre-Socratic philosophers and Ovid's Metamorphoses to the philosophical novellas and feminist experimental writings of the last century.

Moving away from focusing on wisdom as a literary genre, this book delves into the lived, embodied and formative dimensions of wisdom as they are delineated in Jewish sources from the Persian, Hellenistic and early Roman eras. Considering a diverse body of texts beyond later canonical boundaries, the book demonstrates that wisdom features not as an abstract quality, but as something to be performed and exercised at both the individual and community level. The analysis specifically concentrates on notions of a 'wise' person, including the rise of the sage as an exemplary figure. It also looks at how ancestral figures and contemporary teachers are imagined to manifest and practice wisdom, and considers communal portraits of a wise and virtuous life. In so doing, the author demonstrates that the previous focus on wisdom as a category of literature has overshadowed significant questions related to wisdom, behaviour and social life. Jewish wisdom is also contextualized in relation to its wider ancient Mediterranean milieu, making the book valuable for biblical scholars, classicists, scholars of religion and the ancient Near East and theologians.