Etruscans were deemed "the most religious of men" by their Roman successors and it is hardly surprising that the topic of Etruscan religion has been explored for some time now. This volume offers a contribution to the continued study of Etruscan religion and daily life, by focusing on the less explored issue of ritual. Ritual is approached through fourteen case studies, considering mortuary customs, votive rituals and other religious and daily life practices. The book gathers new material, interpretations and approaches to the less emphasized areas of Etruscan religion, especially its votive aspects, based on archaeological and epigraphic sources.

Various goddesses of the ancient Mediterranean world were once understood to be Virgin Mothers--creators who birthed the entire cosmos without need of a male consort. This is the first book to explore evidence of the original parthenogenetic power of deities such as Athena, Hera, Artemis, Gaia, Demeter, Persephone, and the Gnostic Sophia. It provides stunning feminist insights about the deeper meaning of related stories, such as the judgment of Paris, the labors of Heracles, and the exploits of the Amazons. It also roots the Thesmophoria and Eleusinian Mysteries in female parthenogenetic power, thereby providing what is at long last a coherent understanding of these mysterious rites.

After more than a century of debate about the significance of imperial cults for the interpretation of Revelation, this is the first study to examine both the archaeological evidence and the Biblical text in depth. Friesen argues that a detailed analysis of imperial cults as they were practised in the first century CE in the region where John was active allows us to understand John's criticism of his society's dominant values. He demonstrates the importance of imperial cults for society at the time when Revelation was written, and shows the ways in which John refuted imperial cosmology.

The history of the Nabataean Kingdom of Hellenistic-Roman times, centred on Petra, is now well known, but until the publication of this book, no monograph has been devoted to Nabataean religion, known to us principally from inscriptions in Nabataean Aramaic, iconography, archaeology and Greek literary texts.
After a critical survey of the sources, the author analyses systematically the information on the individual gods worshipped by the Nabataeans, including a detailed illustrated account of temples and iconography. A further major section discusses religious themes: aniconism, henotheism, death-cult and the divinisation of kings. In a final chapter, Nabataean religion is considered in relation to Judaism, Christianity and Islam.
The book will be of particular interest to historians of religion in the Graeco-Roman Near East and to Semitic epigraphists.

From basic needs, such as lighting, heating or cooking, to symbolic or ritual engagement, hearths in indoor contexts serve as a focal point. This is especially evident, both spatially and architecturally, in structures containing central hearths. In assessing any gathering around a hearth, the types of social groups involved need to be determined and their interactions clearly assessed in each specific case. Beyond clearly domestic contexts, many rooms or buildings have been deemed religious or cultic places often based solely on the presence of a hearth, despite other possible interpretations. This volume appraises and contextualises diversity in practice centering on the hearth in the Aegean and, more widely, in areas of the Western Mediterranean closely connected to Greek civilization, notably through its colonies, revealing surprising similarities but also local adaptations. In the West, the use of the hearth often has a unique character arising from local adaptations born of indigenous practices. The combined approach presented here, detailing technical aspects of the hearths themselves, their architectural settings and any associated artefacts or furnishings, affords a rich spectrum for cross-cultural analysis between these Mediterranean regions.

This volume deals with the figure of Attis. The work aims to reconsider the mythical and cultic information about this character, trying to provide proof of the processes of "construction" and "reconstruction" that have contributed to the moulding of the different forms of Attis that developed as a result of various demands within different religious traditions. After an introduction about the history of the studies, the first part examines the oldest evidence on Attis, resorting to comparison with religious traditions earlier than or contemporary with Phrygian culture. The second part tackles the classical world and collects the elements of continuity and of innovation in respect of Asianic religious traditions. The third part analyses the problem of the processes of reinterpretation of the traditional cults that both the "pagan" philosophers and the fathers of the Church effected. The link between Attis and Death is discussed in the fourth part.

For the Greek, Dionysos was a very important god: for individuals as well as for the community as a whole. As there are only a few written sources dating from before the 5th Century BC the many images of Dionysos on Greek vases may well offer a genuine approach to the meaning given by the ancient viewer. This book explores the earliest images followed by those on small vases for private use, on mixing bowls of the symposion, on amphoras, on later drinking cups and on archaic sculptures. It gives an overview of Dionysian iconography of the 5th Century BC as well as an overall interpretation. The reader will learn why this god of vine and wine, of theatre and ecstasy, was so important for humans and why he played a key role in the life of the polis. Dionysos war fur die Griechen ein Gott von zentraler Bedeutung, sowohl im Leben des Einzelnen wie der Gemeinschaft. Weil vor dem 5. Jahrhundert v.Chr. sehr wenige Schriftzeugnisse existieren, koennen uns die vielen Darstellungen des Dionysos auf griechischen Vasen am ehesten einen Zugang zu dem vermitteln, was der antike Mensch uber ihn dachte. Analysiert werden zuerst die fruhesten Bilder, dann jene auf kleinen individuell gebrauchten Vasen, auf grossen, beim Symposion verwendeten Mischgefassen, auf Amphoren, auf den spateren Trinkschalen und schliesslich in der archaischen Skulptur. Das Buch schliesst mit einem Ausblick auf die Bildgeschichte des Dionysos im 5. Jahrhundert v.Chr. und einer umfassenden Deutung. Diese Interpretation hilft zu verstehen, warum Dionysos, der Gott der Rebe und des Weins, des Theaters, der Ekstase, fur den antiken Menschen so wichtig war und auch im oeffentlichen Leben der klassischen Polis eine so grosse Rolle gespielt hat.

Kinyras, in Greco-Roman sources, is the central culture-hero of early Cyprus: legendary king, metallurge, Agamemnon's (faithless) ally, Aphrodite's priest, father of Myrrha and Adonis, rival of Apollo, ancestor of the Paphian priest-kings, and much more. Kinyras increased in depth and complexity with the demonstration in 1968 that Kinnaru-the divinized temple-lyre-was venerated at Ugarit, an important Late Bronze Age city just opposite Cyprus on the Syrian coast. John Curtis Franklin seeks to harmonize Kinyras as a mythological symbol of pre-Greek Cyprus with what is known of ritual music and deified instruments in the Bronze Age Near East, using evidence going back to early Mesopotamia. Franklin addresses issues of ethnicity and identity; migration and colonization, especially the Aegean diaspora to Cyprus, Cilicia, and Philistia in the Early Iron Age; cultural interface of Hellenic, Eteocypriot, and Levantine groups on Cyprus; early Greek poetics, epic memory, and myth-making; performance traditions and music archaeology; royal ideology and ritual poetics; and a host of specific philological and historical issues arising from the collation of classical and Near Eastern sources. Kinyras includes a vital background study of divinized balang-harps in Mesopotamia by Wolfgang Heimpel. This paperback edition contains minor corrections, while retaining the foldout maps of the original hardback edition as spreads, alongside illustrations and artwork by Glynnis Fawkes.

The papers of the volume investigate how authoritative figures in the Second Temple Period and beyond contributed to forming the Scriptures of Judaism, as well as how these Scriptures shaped ideal figures as authoritative in Early Judaism. The topic of the volume thus reflects Ben Wright's research, who-especially with his work on Ben Sira, on the Letter of Aristeas, and on various problems of authority in Early Jewish texts-creatively contributed to the study of the formation of Scriptures, and to the understanding of the figures behind these texts.

Gorgeous Collector's Edition. From such texts as the Shah Nameh (the Persian Book of Kings), Masnavi-e Ma'navi, the Anvar-i Suhayli fables and works by the great poet Nizami, come ancient tales of a civilization that once stretched across the known world. Find here the wonderful stories of the magical bird the Simurgh, the Seven Labours of Rustem, the evil demon onager-giant Akwan Diw and the tragic romance of Laili and Majnun. Persian literature is amongst the most beautiful and inventive of all cultures, offering a joyful read of creation, love and conquest. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.

Covering an expanse of more than three thousand years, Hellenic Temples and Christian Churches charts, in one concise volume, the history of Greece's religious cultures from antiquity all the way through to present, post-independence Greece.

Focusing on the encounter and interaction between Hellenism and (Orthodox) Christianity, which is the most salient feature of Greece's religious landscape--influencing not only Greek religious history, but Greek culture and history as a whole--Vasilios N. Makrides considers the religious cultures of Greece both historically, from the ancient Greek through the Byzantine and the Ottoman periods up to the present, and systematically, by locating common characteristics and trajectoriesacross time. Weaving other traditions including Judaism and Islam into his account, Makrides highlights the patterns of development, continuity, and change that have characterized the country's long and unique religious history.

Contrary to the arguments of those who posit a single, exclusive religious culture for Greece, Makrides demonstrates the diversity and plurality that has characterized Greece's religious landscape across history. Beautifully written and easy to navigate, Hellenic Temples and Christian Churches offers an essential foundation for students, scholars, and the public on Greece's long religious history, from ancient Greece and the origins of Christianity to the formation of "Helleno-Christianity" in modern Greece.

Archetypal images, Carl Jung believed, when elaborated in tales and ceremonies, shape culture's imagination and behavior. Unfortunately, such cultural images can become stale and lose their power over the mind. But an artist or mystic can refresh and revive a culture's imagination by exploring his personal dream-images and connecting them to the past. Dante Alighieri presents his Divine Comedy as a dream-vision, carefully establishing the date at which it came to him (Good Friday, 1300), and maintaining the perspective of that time and place, throughout the work, upon unfolding history. Modern readers will therefore welcome a Jungian psychoanalytical approach, which can trace both instinctual and spiritual impulses in the human psyche. Some of Dante's innovations (admission of virtuous pagans to Limbo) and individualized scenes (meeting personal friends in the afterlife) more likely spring from unconscious inspiration than conscious didactic intent. For modern readers, a focus on Dante's personal dream-journey may offer the best way into his poem.

This phenomenologically oriented ethnography focuses on experiential aspects of Yanomami shamanism, including shamanistic activities in the context of cultural change. The author interweaves ethnographic material with theoretical components of a holographic principle, or the idea that the "part is equal to the whole," which is embedded in the nature of the Yanomami macrocosm, human dwelling, multiple-soul components, and shamans' relationships with embodied spirit-helpers. This book fills an important gap in the regional study of Yanomami people, and, on a broader scale, enriches understanding of this ancient phenomenon by focusing on the consciousness involved in shamanism through firsthand experiential involvement.

This volume collects papers written during the past two decades that explore various aspects of late Second Temple period Jewish literature and the figurative art of the Late Antique synagogues. Most of the papers have a special emphasis on the reinterpretation of biblical figures in early Judaism or demonstrate how various biblical traditions converged into early Jewish theologies. The structure of the volume reflects the main directions of the author's scholarly interest, examining the Dead Sea Scrolls, the Apocrypha and Pseudepigrapha, and Late Antique synagogues. The book is edited for the interest of scholars of Second Temple Judaism, biblical interpretation, synagogue studies and the effective history of Scripture.

A comprehensive investigation of notions of "time" in deuterocanonical and cognate literature, from the ancient Jewish up to the early Christian eras, requires further scholarship. The aim of this collection of articles is to contribute to a better understanding of "time" in deuterocanonical literature and pseudepigrapha, especially in Second Temple Judaism, and to provide criteria for concepts of time in wisdom literature, apocalypticism, Jewish and early Christian historiography and in Rabbinic religiosity. Essays in this volume, representing the proceedings of a conference of the "International Society for the Study of Deuterocanonical and Cognate Literature" in July 2019 at Greifswald, discuss concepts and terminologies of "time", stemming from novellas like the book of Tobit, from exhortations for the wise like Ben Sira, from an apocalyptic time table in 4 Ezra, the book of Giants or Daniel, and early Christian and Rabbinic compositions. The volume consists of four chapters that represent different approaches or hermeneutics of "time:" I. Axial Ages: The Construction of Time as "History", II. The Construction of Time: Particular Reifications, III. Terms of Time and Space, IV. The Construction of Apocalyptic Time. Scholars and students of ancient Jewish and Christian religious history will find in this volume orientation with regard to an important but multifaceted and sometimes disparate topic.