The first and only comprehensive biographical dictionary devoted to mythological women. Divinities, humans, female monsters and animals, hermaphrodites, and transsexuals are all here. Women of Classical Mythology offers unprecedented access to information on women largely neglected in reference works on Greek and Roman myth and gives a fresh look at the better-known figures. Each of the 2,600 entries places its subject both in the overall context of classical myth, and in the frame of reference of her better-known counterparts. For each figure there is a description of her particular contribution to folklore, and a list of the various poems, tragedies, epics, and other types of stories in which she plays a central role. In addition, the handy special index, "The Men in Their Lives," allows readers to locate a particular woman known primarily through her relations. The female characters in classical mythology often provide clues to genealogical, chronological, and historical puzzles. This book will be welcomed by classical scholars for the insights and relationships it reveals. Over 2,500 A-Z entries detail the woman's contribution and places her in context with male associates Includes a special index titled "The Men in Their Lives" which makes it simple to locate a figure through her relations such as Theseus' mother or Achilles' wife Cross references and end-of-entry citations allow readers to go from most entries directly to the classical sources

Winner of The PEN Hessell-Tiltman Prize 2022 Shortlisted for The Wolfson History Prize 2022 A The Times Books of the Year 2022 Three thousand years ago, in the Southwest Asian lands we now call Israel and Palestine, a group of people worshipped a complex pantheon of deities, led by a father god called El. El had seventy children, who were gods in their own right. One of them was a minor storm deity, known as Yahweh. Yahweh had a body, a wife, offspring and colleagues. He fought monsters and mortals. He gorged on food and wine, wrote books, and took walks and naps. But he would become something far larger and far more abstract: the God of the great monotheistic religions. But as Professor Francesca Stavrakopoulou reveals, God's cultural DNA stretches back centuries before the Bible was written, and persists in the tics and twitches of our own society, whether we are believers or not. The Bible has shaped our ideas about God and religion, but also our cultural preferences about human existence and experience; our concept of life and death; our attitude to sex and gender; our habits of eating and drinking; our understanding of history. Examining God's body, from his head to his hands, feet and genitals, she shows how the Western idea of God developed. She explores the places and artefacts that shaped our view of this singular God and the ancient religions and societies of the biblical world. And in doing so she analyses not only the origins of our oldest monotheistic religions, but also the origins of Western culture. Beautifully written, passionately argued and frequently controversial, God: An Anatomy is cultural history on a grand scale. 'Rivetingly fresh and stunning' - Sunday Times 'One of the most remarkable historians and communicators working today' - Dan Snow

From basic needs, such as lighting, heating or cooking, to symbolic or ritual engagement, hearths in indoor contexts serve as a focal point. This is especially evident, both spatially and architecturally, in structures containing central hearths. In assessing any gathering around a hearth, the types of social groups involved need to be determined and their interactions clearly assessed in each specific case. Beyond clearly domestic contexts, many rooms or buildings have been deemed religious or cultic places often based solely on the presence of a hearth, despite other possible interpretations. This volume appraises and contextualises diversity in practice centering on the hearth in the Aegean and, more widely, in areas of the Western Mediterranean closely connected to Greek civilization, notably through its colonies, revealing surprising similarities but also local adaptations. In the West, the use of the hearth often has a unique character arising from local adaptations born of indigenous practices. The combined approach presented here, detailing technical aspects of the hearths themselves, their architectural settings and any associated artefacts or furnishings, affords a rich spectrum for cross-cultural analysis between these Mediterranean regions.

This monograph begins with a puzzle: a Babylonian text from late 5th century BCE Uruk associating various diseases with bodily organs, which has evaded interpretation. The correct answer may reside in Babylonian astrology, since the development of the zodiac in the late 5th century BCE offered innovative approaches to the healing arts. The zodiac-a means of predicting the movements of heavenly bodies-transformed older divination (such as hemerologies listing lucky and unlucky days) and introduced more favorable magical techniques and medical prescriptions, which are comparable to those found in Ptolemy's Tetrabiblos and non-Hippocratic Greek medicine. Babylonian melothesia (i.e., the science of charting how zodiacal signs affect the human body) offers the most likely solution explaining the Uruk tablet.

Practiced today by more than 500 million adherents, Buddhism emerged from India between the sixth and fourth centuries BCE. Based around the original teachings of the Buddha, key texts emerged to promote a true understanding of Buddhist ethics and spiritual practices. The Buddhist traditions created a vast body of mythological literature, much of it focused on the life of the Buddha. For example, the 550 Jataka Tales tell of Buddha's early life and renunciation, as well as his previous human and animal incarnations. The stories also tell of Gautama Buddha's family, such as his mother Mara, and her dream of a white elephant preceding his birth; as well as his cousin, Devadatta, a disciple monk who rebelled against Buddha and tried to kill him. Buddhist literature includes numerous parables - such as the Turtle Who Couldn't Stop Talking - as well as recounting scenes from the Indian epic the Ramayana. History and myth intermingle in texts such as Ashokavadana, where the Mauryan emperor Ashoka is portrayed as a model of Buddhist kingship. Illustrated with 120 photographs and artworks, Buddhist Myths is an accessible, engaging and highly informative exploration of the fascinating mythology underlying one of the world's oldest and most influential religions.

Babylon under Western Eyes examines the mythic legacy of ancient Babylon, the Near Eastern city which has served western culture as a metaphor for power, luxury, and exotic magnificence for more than two thousand years. Sifting through the many references to Babylon in biblical, classical, medieval, and modern texts, Andrew Scheil uses Babylon's remarkable literary ubiquity as the foundation for a thorough analysis of the dynamics of adaptation and allusion in western literature. Touching on everything from Old English poetry to the contemporary apocalyptic fiction of the "Left Behind" series, Scheil outlines how medieval Christian society and its cultural successors have adopted Babylon as a political metaphor, a degenerate archetype, and a place associated with the sublime. Combining remarkable erudition with a clear and accessible style, Babylon under Western Eyes is the first comprehensive examination of Babylon's significance within the pantheon of western literature and a testimonial to the continuing influence of biblical, classical, and medieval paradigms in modern culture.

Various goddesses of the ancient Mediterranean world were once understood to be Virgin Mothers--creators who birthed the entire cosmos without need of a male consort. This is the first book to explore evidence of the original parthenogenetic power of deities such as Athena, Hera, Artemis, Gaia, Demeter, Persephone, and the Gnostic Sophia. It provides stunning feminist insights about the deeper meaning of related stories, such as the judgment of Paris, the labors of Heracles, and the exploits of the Amazons. It also roots the Thesmophoria and Eleusinian Mysteries in female parthenogenetic power, thereby providing what is at long last a coherent understanding of these mysterious rites.

The papers of the volume investigate how authoritative figures in the Second Temple Period and beyond contributed to forming the Scriptures of Judaism, as well as how these Scriptures shaped ideal figures as authoritative in Early Judaism. The topic of the volume thus reflects Ben Wright's research, who-especially with his work on Ben Sira, on the Letter of Aristeas, and on various problems of authority in Early Jewish texts-creatively contributed to the study of the formation of Scriptures, and to the understanding of the figures behind these texts.

Gorgeous Collector's Edition. From such texts as the Shah Nameh (the Persian Book of Kings), Masnavi-e Ma'navi, the Anvar-i Suhayli fables and works by the great poet Nizami, come ancient tales of a civilization that once stretched across the known world. Find here the wonderful stories of the magical bird the Simurgh, the Seven Labours of Rustem, the evil demon onager-giant Akwan Diw and the tragic romance of Laili and Majnun. Persian literature is amongst the most beautiful and inventive of all cultures, offering a joyful read of creation, love and conquest. Flame Tree Collector's Editions present the foundations of speculative fiction, authors, myths and tales without which the imaginative literature of the twentieth century would not exist, bringing the best, most influential and most fascinating works into a striking and collectable library. Each book features a new introduction and a Glossary of Terms.

Shulgi-simti is an important example of a woman involved in sponsoring religious activities though having a family life. An Ox of One's Own will be of interest to Assyriologists, particularly those interested in Early Mesopotamia, and scholars working on women in religion. An Ox of One's Own centers on the archive of a woman who died about 2050 B.C., one of King Shulgi's many wives. Her birth name is unknown, but when she married, she became Shulgi-simti, "Suitable for Shulgi." Attested for only about 15 years, she existed among a court filled with other wives, who probably outranked her. A religious foundation was run on her behalf whereby courtiers, male and female, donated livestock for sacrifices to an unusual mix of goddesses and gods. Previous scholarship has declared this a rare example of a queen conducting women's religion, perhaps unusual because they say she came from abroad. The conclusions of this book are quite different. An Ox of One's Own lays out the evidence that another woman was queen at this time in Nippur while Shulgi-simti lived in Ur and was a third-ranking concubine at best, with few economic resources. Shulgi-simti's religious exercises concentrated on a quartet of north Babylonian goddesses.

"The object of the present little book is to provide in connected form enough information to cover all the ordinary allusions met with, so that by reading it through, the student may get a conspectus of the whole field; while, by means of a copious index, it may also fulfill the function of the Classical Dictionary,"

After more than a century of debate about the significance of imperial cults for the interpretation of Revelation, this is the first study to examine both the archaeological evidence and the Biblical text in depth. Friesen argues that a detailed analysis of imperial cults as they were practised in the first century CE in the region where John was active allows us to understand John's criticism of his society's dominant values. He demonstrates the importance of imperial cults for society at the time when Revelation was written, and shows the ways in which John refuted imperial cosmology.

A comprehensive investigation of notions of "time" in deuterocanonical and cognate literature, from the ancient Jewish up to the early Christian eras, requires further scholarship. The aim of this collection of articles is to contribute to a better understanding of "time" in deuterocanonical literature and pseudepigrapha, especially in Second Temple Judaism, and to provide criteria for concepts of time in wisdom literature, apocalypticism, Jewish and early Christian historiography and in Rabbinic religiosity. Essays in this volume, representing the proceedings of a conference of the "International Society for the Study of Deuterocanonical and Cognate Literature" in July 2019 at Greifswald, discuss concepts and terminologies of "time", stemming from novellas like the book of Tobit, from exhortations for the wise like Ben Sira, from an apocalyptic time table in 4 Ezra, the book of Giants or Daniel, and early Christian and Rabbinic compositions. The volume consists of four chapters that represent different approaches or hermeneutics of "time:" I. Axial Ages: The Construction of Time as "History", II. The Construction of Time: Particular Reifications, III. Terms of Time and Space, IV. The Construction of Apocalyptic Time. Scholars and students of ancient Jewish and Christian religious history will find in this volume orientation with regard to an important but multifaceted and sometimes disparate topic.

Archetypal images, Carl Jung believed, when elaborated in tales and ceremonies, shape culture's imagination and behavior. Unfortunately, such cultural images can become stale and lose their power over the mind. But an artist or mystic can refresh and revive a culture's imagination by exploring his personal dream-images and connecting them to the past. Dante Alighieri presents his Divine Comedy as a dream-vision, carefully establishing the date at which it came to him (Good Friday, 1300), and maintaining the perspective of that time and place, throughout the work, upon unfolding history. Modern readers will therefore welcome a Jungian psychoanalytical approach, which can trace both instinctual and spiritual impulses in the human psyche. Some of Dante's innovations (admission of virtuous pagans to Limbo) and individualized scenes (meeting personal friends in the afterlife) more likely spring from unconscious inspiration than conscious didactic intent. For modern readers, a focus on Dante's personal dream-journey may offer the best way into his poem.

This volume collects papers written during the past two decades that explore various aspects of late Second Temple period Jewish literature and the figurative art of the Late Antique synagogues. Most of the papers have a special emphasis on the reinterpretation of biblical figures in early Judaism or demonstrate how various biblical traditions converged into early Jewish theologies. The structure of the volume reflects the main directions of the author's scholarly interest, examining the Dead Sea Scrolls, the Apocrypha and Pseudepigrapha, and Late Antique synagogues. The book is edited for the interest of scholars of Second Temple Judaism, biblical interpretation, synagogue studies and the effective history of Scripture.