In antiquity, the Mediterranean region was linked by sea and land routes that facilitated the spread of religious beliefs and practices among the civilizations of the ancient world. The Cambridge Companion to Ancient Mediterranean Religions provides an introduction to the major religions of this area and explores current research regarding the similarities and differences among them. The period covered is from the prehistoric period to late antiquity, that is, ca.4000 BCE to 600 CE. The first nine essays in the volume provide an overview of the characteristics and historical developments of the major religions of the region, including those of Egypt, Mesopotamia, Syria-Canaan, Israel, Anatolia, Iran, Greece, Rome, and early Christianity. The last five essays deal with key topics in current research on these religions, including violence, identity, the body, gender and visuality, taking an explicitly comparative approach and presenting recent theoretical and methodological advances in contemporary scholarship.

In the midst of academic debates about the utility of the term "magic" and the cultural meaning of ancient words like mageia or khesheph, this Guide to the Study of Ancient Magic seeks to advance the discussion by separating out three topics essential to the very idea of magic. The three major sections of this volume address (1) indigenous terminologies for ambiguous or illicit ritual in antiquity; (2) the ancient texts, manuals, and artifacts commonly designated "magical" or used to represent ancient magic; and (3) a series of contexts, from the written word to materiality itself, to which the term "magic" might usefully pertain. The individual essays in this volume cover most of Mediterranean and Near Eastern antiquity, with essays by both established and emergent scholars of ancient religions. In a burgeoning field of "magic studies" trying both to preserve and to justify critically the category itself, this volume brings new clarity and provocative insights. This will be an indispensable resource to all interested in magic in the Bible and the Ancient Near East, ancient Greece and Rome, Early Christianity and Judaism, Egypt through the Christian period, and also comparative and critical theory. Contributors are: Magali Bailliot, Gideon Bohak, Veronique Dasen, Albert de Jong, Jacco Dieleman, Esther Eidinow, David Frankfurter, Fritz Graf, Yuval Harari, Naomi Janowitz, Sarah Iles Johnston, Roy D. Kotansky, Arpad M. Nagy, Daniel Schwemer, Joseph E. Sanzo, Jacques van der Vliet, Andrew Wilburn.

First and foremost, Witchcraft or Wicca is a religion. In "The Sabbats, "Edain McCoy reveals the eight major holidays of this faith and the many ways in which they are celebrated.
There are two basic types of holidays. The first come at the Solstices and Equinoxes. The others divide the time between those dates in two, resulting in eight major holidays or Sabbats with approximately the same amount of days between them. The balance, here, gives the appearance of spokes in a wheel, so this cycle is commonly called the Wheel of the Year.
The holidays represent two things. First, the harvest cycle. Each holiday represents a time in the growth of crops. From planting to growth, from harvesting to letting the lands lie fallow in the cold winter, the festivals follow the agricultural cycles of ancient times. However, they also represent the eternal love of the God and Goddess, following the God's birth from the Goddess and his death before she gives birth to him again. This also follows the pattern of the Sun which moves from warm and high in the sky to cold and low in the sky.
The book is filled with ways you can follow the Wheel of the Year, whether you work with a coven, with your family, or by yourself. You will learn the secrets of ritual construction and handicrafts appropriate to each of the festivals. You will also learn recipes for traditional foods for each holiday and even songs appropriate to the Sabbats.
This is a wonderful, joyous book filled with color, information, and wisdom. If you are involved with Paganism in any way, this book is a must for your studies and practices. This book functions as both a resource and as a practical manual for the celebration of the holidays. Get your copy today.

Anne Carson (b. June 21, 1950, in Toronto, Canada) is one of the most versatile of contemporary classicists, poets and translators in the English language. In this book, Ruprecht explores the role played by generic transgressions on the one hand, and by embodied spirituality on the other, throughout Carson's ambitious literary career. Where others see classical dichotomies (soul versus body, Classical versus Christian), Carson sees connection. Like Nietzsche before her, Carson decries the image of the Classics as merely bookish, and classicists as disembodied intellects. She has brought religious, bodily erotics back into the heart of the classical tradition.

The Etruscan Brontoscopic Calendar is a rare document of omens foretold by thunder. It long lay hidden, embedded in a Greek translation within a Byzantine treatise from the age of Justinian. The first complete English translation of the Brontoscopic Calendar, this book provides an understanding of Etruscan Iron Age society as revealed through the ancient text, especially the Etruscans' concerns regarding the environment, food, health, and disease. Jean MacIntosh Turfa also analyzes the ancient Near Eastern sources of the Calendar and the subjects of its predictions, thereby creating a picture of the complexity of Etruscan society reaching back the before the advent of writing and the recording of the calendar.

Originally published in 1910, this book analyses the customs and superstitions of modern Greece as a means of gaining a greater understanding of ancient Greek belief structures. Analogies and coincidences between ancient and modern Greece had been pointed out prior to the publication of this edition, but no large attempt had been made to trace the continuity of the life and thought of the Greek people, and to exhibit modern Greek folklore as an essential factor in the interpretation of ancient Greek religion. The text is highly accessible, and all quotations from ancient and modern Greek are translated into English. This is a fascinating book that will be of value to anyone with an interest in anthropology and the classical world.

The public/private distinction is fundamental to modern theories of the family, religion and religious freedom, and state power, yet it has had different salience, and been understood differently, from place to place and time to time. The volume brings together essays from an international array of experts in law and religion, in order to examine the public/private distinction in comparative perspective. The essays focus on the cultures and religions of the ancient Mediterranean, in the formative periods of Greece and Rome and the religions of Judaism, Christianity and Islam. Particular attention is given to the private exercise of religion, the relation between public norms and private life, and the division between public and private space and the place of religion therein.

In the first half of the 2d millennium BCE, translation occasionally depicted semantically incongruous correspondences. Such cases reflect ancient scribes substantiating their virtuosity with cuneiform writing by capitalizing on phonologic, graphemic, semantic, and other resemblances in the interlingual space. These scholar-scribes employed an essential scribal practice, analogical hermeneutics, an interpretative activity grounded in analogical reasoning and empowered by the potentiality of the cuneiform script. Scribal education systematized such practices, allowing scribes to utilize these habits in copying compositions and creating translations. In scribal education, analogical hermeneutics is exemplified in the word list "Izi", both in its structure and in its occasional bilingualism. By examining "Izi" as a product of the social field of scribal education, this book argues that scribes used analogical hermeneutics to cultivate their craft and establish themselves as knowledgeable scribes. Within a linguistic epistemology of cuneiform scribal culture, translation is a tool in the hands of a knowledgeable scholar.

There are very few accounts of the afterlife across the period from Homer to Dante. Most traditional studies approach the classical afterlife from the point of view of its "evolution" towards the Christian afterlife. This book tries to do something different: to explore afterlife narratives in spatial terms and to situate this tradition within the ambit of a fundamental need in human psychology for the synthesis of soul (or "self") and universe. Drawing on the works of Homer, Plato, Cicero, Virgil, and Dante, among others, as well as on modern works on psychology, cartography, and music theory, Mapping the Afterlife argues that the topography of the afterlife in the Greek and Roman tradition, and in Dante, reflects the state of "scientific" knowledge at the time of the various contexts in which we find it. The book posits that there is a dominant spatial idiom in afterlife landscapes, a "journey-vision paradigm"-the horizontal journey of the soul across the afterlife landscape, and a synoptic vision of the universe. Many scholars have argued that the vision of the universe is out of place in the underworld landscape. However, looking across the entire tradition, we find that afterlife landscapes, almost without exception, contain these two kinds of space in one form or another. This double vision of space brings the underworld, as the landscape of the soul, into contact with the "scientific" universe; and brings humanity into line with the cosmos.

This volume is the first monograph in English dedicated to the study of the Greek mythical hero Pelops. While popular in antiquity, Pelops' popularity has since faded; this book presents a comprehensive treatment of his character and legacy. Ancient tradition held that Pelops was the son of Tantalus and the ancestor of the Atreids, Agamemnon and Menelaos, who appear in the Homeric poems as leaders of the Greek forces against Troy. After arriving in Greece from the east, Pelops was eventually worshipped in Olympia, became the eponym of the Peloponnese, and was celebrated as one of the founders of the Olympic Games. However, his character is morally problematic, his family were heavily condemned, and few tales about Pelops exist. Patay-Horvath takes an interdisciplinary approach to the study of this obscure figure, presenting and analysing written sources and depictions of Pelops, the etymology of his name, the history of his mythical family, and the afterlife of his myths. Drawing on folklore and ethnography, art and archaeology, linguistics and geography, this volume provides a detailed and accessible overview of both old and new theories about Pelops, his descendants, and his legacy. Transformations of Pelops is suitable for students and scholars of ancient Greek history and mythology, classical philology, and archaeology.

This book is an interdisciplinary synthesis and interpretation about the experience of light as revealed in a wide range of art and literature from Paleolithic to Roman times. Humanistic in spirit and in its handling of facts, it marshals a substantial body of scholarship to develop an explication of light as a central, even dramatic, reality of human existence and experience in diverse cultural settings. David S. Herrstrom underscores our intimacy with light-not only its constant presence in our life but its insinuating character. Focusing on our encounters with light and ways of making sense of these, this book is concerned with the personal and cultural impact of light, exploring our resistance to and acceptance of light. Its approach is unique. The book's true subject is the individual's relationship with light, rather than the investigation of light's essential nature. It tells the story of light seducing individuals down through the ages. Consequently, it is not concerned with the "progress" of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions to it as reflected in art (Paleolithic through Roman), architecture (Egyptian, Grecian, Roman), mythology and religion (Paleolithic, Egyptian), and literature (e.g., Akhenaten, Plato, Aeschylus, Lucretius, John the Evangelist, Plotinus, and Augustine). This book celebrates the complexity of our relation to light's character. No individual experience of light is "truer" than any other; none improves on any previous experience of light's "tidal pull" on us. And the wondrous variety of these encounters has yielded a richly layered tapestry of human experience. By its broad scope and interdisciplinary approach, this pioneering book is without precedent.

Jane Ellen Harrison (1850 1928) was a pioneer in the academic study of myth in its historical and archaeological context, and was also one of the first women to make a full-time career as an academic. In her introduction to this book (1903), making the point that 'Greek religion' was usually studied using the surviving literary retellings of myths and legends, she states: 'The first preliminary to any scientific understanding of Greek religion is a minute examination of its ritual'. Using the then emerging disciplines of anthropology and ethnology, she demonstrates that the specific mythological tales of the Greeks embody systems of belief or philosophy which are not unique to Greek civilisation but which are widespread among societies both 'primitive' and 'advanced'. Her work was enormously influential not only on subsequent scholars of Greek religion but in the wider fields of literature, anthropology and psychoanalysis.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 3 focuses on the cults of Ge, Demeter, Hades, and Rhea.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 1 covers the Aniconic age, the Iconic age, and the cults of Cronos, Zeus, Hera and Athena.

This is a complete edition, with prolegomena, translation, and commentary of the first, "philosophical" part of Philodemus' De Pietate, preserved in papyri. Introducing a new method for reconstructing the fragmented papyrus rolls recovered from Herculaneum, this is the first edition based on the papyri themselves (where they still exist), rather than on faulty reproductions, and the first edition to bring together fragments hitherto thought to be from different rolls. It will also be the first translation of the work into any language. An innovative format presents on facing pages the technical details of the papyrus, and a conventional, continuous text with interpretive notes. The work itself comprises a polemical treatise on the gods, mythography, and religion, presenting a defence of Epicurus's view of religion as an outgrowth of cultural history, and a philosophical rationale for participation in traditional cult practices in order to further social cohesion.

The author discerns two distinct currents of personal religion, which he illustrates through striking instances of faith on the part of individual Greeks: popular piety, or the indirect approach to God through saints, idols, and images as intermediaries; and reflective piety, which seeks direct and immediate union with God himself.

Offers an in depth comparative look at the Epic of Gilgamesh and the Primeval History, which allows students to view the Genesis within its Near Eastern context. Offers a fresh model for approaching this comparative task, which has at times been stifled by religious dogmatism, on the one hand, or disciplinary insularity on the other. Written in a lucid style with explanation of all key terms and themes, this book is suitable for students with no background in the subjects.

Prophecy was a wide-spread phenomenon in the ancient world - not only in ancient Israel but in the whole Eastern Mediterranean cultural sphere. This is demonstrated by documents from the ancient Near East, that have been the object of Martti Nissinen's research for more than twenty years. Nissinen's studies have had a formative influence on the study of the prophetic phenomenon. The present volume presents a selection of thirty-one essays, bringing together essential aspects of prophetic divination in the ancient Near East. The first section of the volume discusses prophecy from theoretical perspectives. The second sections contains studies on prophecy in texts from Mari and Assyria and other cuneiform sources. The third section discusses biblical prophecy in its ancient Near Eastern context, while the fourth section focuses on prophets and prophecy in the Hebrew Bible/Old Testament. Even prophecy in the Dead Sea Scrolls is discussed in the fifth section. The articles are essential reading for anyone studying ancient prophetic phenomenon.

This volume offers new insights into ancient figurations of temporality by focusing on the relationship between gender and time across a range of genres. Each chapter in this collection places gender at the center of its exploration of time, and the volume includes time in treatises, genealogical lists, calendars, prophetic literature, ritual practice and historical and poetic narratives from the Greco-Roman world. Many of the chapters begin with female characters, but all of them emphasize how and why time is an integral component of ancient categories of female and male. Relying on theorists who offer ways to explore the connections between time and gender encoded in narrative tropes, plots, pronouns, images or metaphors, the contributors tease out how time and gender were intertwined in the symbolic register of Greek and Roman thought. Narratives of Time and Gender in Antiquity provides a rich and provocative theoretical analysis of time-and its relationship to gender-in ancient texts. It will be of interest to anyone working on time in the ancient world, or students of gender in antiquity.

This collaboration between two scholars from different fields of religious studies draws on three comparative data sets to develop a new theory of purity and pollution in religion, arguing that a culture's beliefs about cosmological realms shapes its pollution ideas and its purification practices. The authors of this study refine Mary Douglas' foundational theory of pollution as "matter out of place," using a comparative approach to make the case that a culture's cosmology designates which materials in which places constitute pollution. By bringing together a historical comparison of Ancient Near Eastern and Mediterranean religions, an ethnographic study of indigenous shamanism on Jeju Island, Korea, and the reception history of biblical rhetoric about pollution in Jewish and Christian cultures, the authors show that a cosmological account of purity works effectively across multiple disparate religious and cultural contexts. They conclude that cosmologies reinforce fears of pollution, and also that embodied experiences of purification help generate cosmological ideas. Providing an innovative insight into a key topic of ritual studies, this book will be of vital interest to scholars and graduate students in religion, biblical studies, and anthropology.

The hatching of the Cosmic Egg, the swallowing of Phanes by Zeus, and the murder of Dionysus by the Titans were just a few of the many stories that appeared in ancient Greek epic poems that were thought to have been written by the legendary singer Orpheus. Most of this poetry is now lost, surviving only in the form of brief quotations by Greek philosophers. Orphic Tradition and the Birth of the Gods brings together the scattered fragments of four Orphic theogonies: the Derveni, Eudemian, Hieronyman, and Rhapsodic theogonies. Typically, theogonies are thought to be poetic accounts of the creation of the universe and the births of the gods, leading to the creation of humans and the establishment of the present state of the cosmos. The most famous example is Hesiod's Theogony, which unlike the Orphic theogonies has survived. But did Orphic theogonies look anything like Hesiod's Theogony? Meisner applies a new theoretical model for studying Orphic theogonies and suggests certain features that characterize them as different from Hesiod: the blending of Near Eastern narrative elements that are missing in Hesiod; the probability that these were short hymns, more like the Homeric Hymns than Hesiod; and the continuous discourse between myth and philosophy that can be seen in Orphic poems and the philosophers who quote them. Most importantly, this book argues that the Orphic myths of Phanes emerging from the Cosmic Egg and Zeus swallowing Phanes are at least as important as the well-known myth of Dionysus being dismembered by the Titans, long thought to have been the central myth of Orphism. As this book amply demonstrates, Orphic literature was a diverse and ever-changing tradition by which authors were able to think about the most current philosophical ideas through the medium of the most traditional poetic forms.

The first book-length comparative and interdisciplinary treatment of divine envy and vengeance in the biblical and classical worlds.

Brings together two academic fields that have been infrequently in full conversation: papyrology and the study of religion. Offers the latest research on the topic, focusing on a diverse range of case studies from different religious groups and documents written in numerous contemporary languages.

This book features detailed analysis of an ancient secret scroll from the Middle East known as the Rivers Scroll or Diwan Nahrawatha, providing valuable insight into the Gnostic Mandaean religion. This important scroll offers a window of understanding into the Mandaean tradition, with its intricate worldview, ritual life, mysticism and esoteric qualities, as well as intriguing art. The text of the Rivers Scroll and its artistic symbolism have never before been properly analyzed and interpreted, and the significance of the document has been lost in scholarship. This study includes key segments translated into English for the first time and gives the scroll the worthy place it deserves in the history of the Mandaean tradition. It will be of interest to scholars of Gnosticism, religious studies, archaeology and Semitic languages.