Arguments over the relationship between Canaanite and Israelite religion often derive from fundamental differences in presupposition, methodology and definition, yet debate typically focuses in on details and encourages polarization between opposing views, inhibiting progress. This volume seeks to initiate a cultural change in scholarly practice by setting up dialogues between pairs of experts in the field who hold contrasting views. Each pair discusses a clearly defined issue through the lens of a particular biblical passage, responding to each other's arguments and offering their reflections on the process. Topics range from the apparent application of 'chaos' and 'divine warrior' symbolism to Yahweh in Habakkuk 3, the evidence for 'monotheism' in pre-Exilic Judah in 2 Kings 22-23, and the possible presence of 'chaos' or creatio ex nihilo in Genesis 1 and Psalm 74. This approach encourages the recognition of points of agreement as well as differences and exposes some of the underlying issues that inhibit consensus. In doing so, it consolidates much that has been achieved in the past, offers fresh ideas and perspective and, through intense debate, subjects new ideas to thorough critique and suggests avenues for further research.

The role of human sacrifice in the ancient Mediterranean world and its implications continue to be topics that fire the popular imagination and engender scholarly discussion and controversy. This volume aims to advance the discussion by providing balanced and judicious treatments of the various facets of these topics from a cross-disciplinary and cross-cultural perspective. It provides nuanced examinations of ancient ritual, exploring the various meanings that human sacrifice held for antiquity, and examines its varied repercussions up into the modern world. The book explores evidence to shed new light on the origins of the rite, to whom these sacrifices were offered, and by whom they were performed. It presents fresh insights into the social and religious meanings of this practice in its varied biblical landscape and ancient contexts, and demonstrates how human sacrifice has captured the imagination of later writers who have employed it in diverse cultural and theological discourses to convey their own views and ideologies. It provides valuable perspectives for understanding key cultural, theological and ideological dimensions, such as the sacrifice of Christ, scapegoating, self-sacrifice and martyrdom in post-biblical and modern times.

Ancient Magic and the Supernatural in the Modern Visual and Performing Arts examines the impact of ancient religious, mythological and magical models on modern mentalities and ideologies as expressed in the visual and performing arts.To what extent did mythological figures such as Circe and Medea influence the representation of the powerful "oriental" enchantress in modern Western art? What role did the ancient gods and heroes play in the construction of the imaginary worlds of the modern fantasy genre? What is the role of undead creatures like zombies and vampires in mythological films? The heroes, gods and demons of the ancient world always played a prominent role in the post-classical imagination.Similarly, the great adventures and the love affairs between gods and mortals have always influenced the reception of Classical culture and still features prominently in modern constructions of antiquity. Examples such the use of magic in Medea's myth as a symbol of cultural and political strangeness, the transformation of Circe in a femme fatale, the reshaping of the oriental cults of the Roman Empire as a menace to new-born Christianity and the revival and adaptation of ancient myths and religion in the arts provide an important backdrop for the exploration of contemporary fears, hopes and ideals across centuries. The volume further aims to deconstruct certain scholarly traditions by proposing original interdisciplinary approaches and collaborations and to show to what extent the visual and performing arts of different periods interlink and shape cultural and social identities.This book offers an original approach to different media - from comics to film, from painting to opera - by authors from different fields and countries. The volume provides the reader with a clear insight into mechanisms of re-elaboration and reception which can be steadily seen at work in artistic and commercial productions. It also supplies new approaches to the most debated questions of the relationship between magic, religion and superstition in the ancient and in the modern worlds. It shows and discusses the shifting and biased interpretations of these concepts in modern visual culture.

Aelius Aristides' Hieroi Logoi present a unique first-person narrative from the ancient world-a narrative that seems at once public and private, artful and naive. While scholars have embraced the Logoi as a rich source for Imperial-era religion, politics, and elite culture, the style of the text has presented a persistent stumbling block to literary analysis. Setting this dream-memoir of illness and divine healing in the context of Aristides' professional concerns as an orator, this book investigates the text's rhetorical aims and literary aspirations. At the Limits of Art argues that the Hieroi Logoi are an experimental work. Incorporating numerous dream accounts and narratives of divine cure in a multi-layered and open text, Aristides works at the limits of rhetorical convention to fashion an authorial voice that is transparent to the divine. Reading the Logoi in the context of contemporary oratorical practices, and in tandem with Aristides' polemical orations and prose hymns, the book uncovers the professional agendas motivating this unusual self-portrait. Aristides' sober view of oratory as a sacred pursuit was in conflict with a widespread contemporary preference for spectacular public performance. In the Hieroi Logoi, Aristides claims a place in the world of the Second Sophistic on his own terms, offering a vision of his professional inspiration in a style that pushes the limits of literary convention.

This is an insightful guide to the history, development and beliefs of this ancient religion, and its continuation as a lived religion today. The history of the development of Zoroastrianism spans over 3000 years, beginning in prehistory as an oral tradition, with roots in a common Indo-Iranian mythology. It then became established as part of an imperial Iranian ideology within an Ancient Near Eastern setting, and eventually emerged in variant forms in Iran, Central Asia and India in late antiquity. Zoroastrianism continues as a living faith for an estimated 150,000 adherents in the world today. Most Zoroastrians, if asked the question, 'In a nutshell, what do Zoroastrians believe?' would begin their answer with 'Good Thoughts, Good Words, Good Deeds'. "Zoroastrianism: A Guide for the Perplexed" takes this foundational trifold ethic to form the framework for discussing the ideological complexities and ethical underpinning of the religion; the current discussion concerning text and 'author'; and, the practical outworking and historical impact of the religion. "Continuum's Guides for the Perplexed" are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging - or indeed downright bewildering. Concentrating specifically on what it is that makes the subject difficult to grasp, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material.

This work discusses the decline of Greek religion and the christianization of town and countryside in the eastern Roman Empire between the death of Julian the Apostate and the laws of Justinian the Great against paganism, c. 370-529. It examines such questions as the effect of the laws against sacrifice and sorcery, temple conversions, the degradation of pagan gods into daimones, the christianization of rite, and the social, political and economic background of conversion to Christianity. Several local contexts are examined in great detail: Gaza, Athens, Alexandria, Aphrodisias, central Asia Minor, northern Syria, the Nile basin, and the province of Arabia. It lays particular emphasis on the criticism of epigraphy, legal evidence, and hagiographic texts, and traces the demographic growth of Christianity and the chronology of this process in select local contexts. It also seeks to understand the behavioral patterns of conversion.

Practiced today by more than 500 million adherents, Buddhism emerged from India between the sixth and fourth centuries BCE. Based around the original teachings of the Buddha, key texts emerged to promote a true understanding of Buddhist ethics and spiritual practices. The Buddhist traditions created a vast body of mythological literature, much of it focused on the life of the Buddha. For example, the 550 Jataka Tales tell of Buddha's early life and renunciation, as well as his previous human and animal incarnations. The stories also tell of Gautama Buddha's family, such as his mother Mara, and her dream of a white elephant preceding his birth; as well as his cousin, Devadatta, a disciple monk who rebelled against Buddha and tried to kill him. Buddhist literature includes numerous parables - such as the Turtle Who Couldn't Stop Talking - as well as recounting scenes from the Indian epic the Ramayana. History and myth intermingle in texts such as Ashokavadana, where the Mauryan emperor Ashoka is portrayed as a model of Buddhist kingship. Illustrated with 120 photographs and artworks, Buddhist Myths is an accessible, engaging and highly informative exploration of the fascinating mythology underlying one of the world's oldest and most influential religions.

This work discusses the decline of Greek religion and the christianization of town and countryside in the eastern Roman Empire between the death of Julian the Apostate and the laws of Justinian the Great against paganism, c. 370-529. It examines such questions as the effect of the laws against sacrifice and sorcery, temple conversions, the degradation of pagan gods into daimones, the christianization of rite, and the social, political and economic background of conversion to Christianity. Several local contexts are examined in great detail: Gaza, Athens, Alexandria, Aphrodisias, central Asia Minor, northern Syria, the Nile basin, and the province of Arabia. It lays particular emphasis on the criticism of epigraphy, legal evidence, and hagiographic texts, and traces the demographic growth of Christianity and the chronology of this process in select local contexts. It also seeks to understand the behavioral patterns of conversion.

Inspired by a critical reconsideration of current monolithic approaches to the study of Greek religion, this book argues that ancient Greeks displayed a disquieting capacity to validate two (or more) dissonant, if not contradictory, representations of the divine world in a complementary rather than mutually exclusive manner. From this perspective the six chapters explore problems inherent in: order vs. variety/chaos in polytheism, arbitrariness vs. justice in theodicy, the peaceful co-existence of mono- and polytheistic theologies, human traits in divine imagery, divine omnipotence vs. limitation of power, and ruler cult. Based on an intimate knowledge of ancient realia and literary testimonia the book stands out for its extensive application of relevant perceptions drawn from cultural anthropology, theology, cognitive science, psychology, and linguistics.