Jane Ellen Harrison (1850 1928) was a pioneer in the academic study of myth in its historical and archaeological context, and was also one of the first women to make a full-time career as an academic. In her introduction to this book (1903), making the point that 'Greek religion' was usually studied using the surviving literary retellings of myths and legends, she states: 'The first preliminary to any scientific understanding of Greek religion is a minute examination of its ritual'. Using the then emerging disciplines of anthropology and ethnology, she demonstrates that the specific mythological tales of the Greeks embody systems of belief or philosophy which are not unique to Greek civilisation but which are widespread among societies both 'primitive' and 'advanced'. Her work was enormously influential not only on subsequent scholars of Greek religion but in the wider fields of literature, anthropology and psychoanalysis.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 3 focuses on the cults of Ge, Demeter, Hades, and Rhea.

Lewis Richard Farnell's five-volume The Cults of the Greek States, first published between 1896 and 1909, disentangles classical Greek mythology and religion, since the latter had often been overlooked by nineteenth-century English scholars. Farnell describes the cults of the most significant Greek gods in order to establish their zones of influence, and outlines the personality, monuments, and ideal types associated with each deity. He also resolutely avoids the question of divine origins and focuses instead on the culture surrounding each cult, a position which initially drew some criticism, but which allowed him more space to analyse the religious practices themselves. Written to facilitate a comparative approach to Greek gods, his work is still regularly cited today for its impressive collection of data about the worship of the most popular deities. Volume 1 covers the Aniconic age, the Iconic age, and the cults of Cronos, Zeus, Hera and Athena.

This is a complete edition, with prolegomena, translation, and commentary of the first, "philosophical" part of Philodemus' De Pietate, preserved in papyri. Introducing a new method for reconstructing the fragmented papyrus rolls recovered from Herculaneum, this is the first edition based on the papyri themselves (where they still exist), rather than on faulty reproductions, and the first edition to bring together fragments hitherto thought to be from different rolls. It will also be the first translation of the work into any language. An innovative format presents on facing pages the technical details of the papyrus, and a conventional, continuous text with interpretive notes. The work itself comprises a polemical treatise on the gods, mythography, and religion, presenting a defence of Epicurus's view of religion as an outgrowth of cultural history, and a philosophical rationale for participation in traditional cult practices in order to further social cohesion.

The author discerns two distinct currents of personal religion, which he illustrates through striking instances of faith on the part of individual Greeks: popular piety, or the indirect approach to God through saints, idols, and images as intermediaries; and reflective piety, which seeks direct and immediate union with God himself.

Offers an in depth comparative look at the Epic of Gilgamesh and the Primeval History, which allows students to view the Genesis within its Near Eastern context. Offers a fresh model for approaching this comparative task, which has at times been stifled by religious dogmatism, on the one hand, or disciplinary insularity on the other. Written in a lucid style with explanation of all key terms and themes, this book is suitable for students with no background in the subjects.

Prophecy was a wide-spread phenomenon in the ancient world - not only in ancient Israel but in the whole Eastern Mediterranean cultural sphere. This is demonstrated by documents from the ancient Near East, that have been the object of Martti Nissinen's research for more than twenty years. Nissinen's studies have had a formative influence on the study of the prophetic phenomenon. The present volume presents a selection of thirty-one essays, bringing together essential aspects of prophetic divination in the ancient Near East. The first section of the volume discusses prophecy from theoretical perspectives. The second sections contains studies on prophecy in texts from Mari and Assyria and other cuneiform sources. The third section discusses biblical prophecy in its ancient Near Eastern context, while the fourth section focuses on prophets and prophecy in the Hebrew Bible/Old Testament. Even prophecy in the Dead Sea Scrolls is discussed in the fifth section. The articles are essential reading for anyone studying ancient prophetic phenomenon.

This volume offers new insights into ancient figurations of temporality by focusing on the relationship between gender and time across a range of genres. Each chapter in this collection places gender at the center of its exploration of time, and the volume includes time in treatises, genealogical lists, calendars, prophetic literature, ritual practice and historical and poetic narratives from the Greco-Roman world. Many of the chapters begin with female characters, but all of them emphasize how and why time is an integral component of ancient categories of female and male. Relying on theorists who offer ways to explore the connections between time and gender encoded in narrative tropes, plots, pronouns, images or metaphors, the contributors tease out how time and gender were intertwined in the symbolic register of Greek and Roman thought. Narratives of Time and Gender in Antiquity provides a rich and provocative theoretical analysis of time-and its relationship to gender-in ancient texts. It will be of interest to anyone working on time in the ancient world, or students of gender in antiquity.

This collaboration between two scholars from different fields of religious studies draws on three comparative data sets to develop a new theory of purity and pollution in religion, arguing that a culture's beliefs about cosmological realms shapes its pollution ideas and its purification practices. The authors of this study refine Mary Douglas' foundational theory of pollution as "matter out of place," using a comparative approach to make the case that a culture's cosmology designates which materials in which places constitute pollution. By bringing together a historical comparison of Ancient Near Eastern and Mediterranean religions, an ethnographic study of indigenous shamanism on Jeju Island, Korea, and the reception history of biblical rhetoric about pollution in Jewish and Christian cultures, the authors show that a cosmological account of purity works effectively across multiple disparate religious and cultural contexts. They conclude that cosmologies reinforce fears of pollution, and also that embodied experiences of purification help generate cosmological ideas. Providing an innovative insight into a key topic of ritual studies, this book will be of vital interest to scholars and graduate students in religion, biblical studies, and anthropology.

The hatching of the Cosmic Egg, the swallowing of Phanes by Zeus, and the murder of Dionysus by the Titans were just a few of the many stories that appeared in ancient Greek epic poems that were thought to have been written by the legendary singer Orpheus. Most of this poetry is now lost, surviving only in the form of brief quotations by Greek philosophers. Orphic Tradition and the Birth of the Gods brings together the scattered fragments of four Orphic theogonies: the Derveni, Eudemian, Hieronyman, and Rhapsodic theogonies. Typically, theogonies are thought to be poetic accounts of the creation of the universe and the births of the gods, leading to the creation of humans and the establishment of the present state of the cosmos. The most famous example is Hesiod's Theogony, which unlike the Orphic theogonies has survived. But did Orphic theogonies look anything like Hesiod's Theogony? Meisner applies a new theoretical model for studying Orphic theogonies and suggests certain features that characterize them as different from Hesiod: the blending of Near Eastern narrative elements that are missing in Hesiod; the probability that these were short hymns, more like the Homeric Hymns than Hesiod; and the continuous discourse between myth and philosophy that can be seen in Orphic poems and the philosophers who quote them. Most importantly, this book argues that the Orphic myths of Phanes emerging from the Cosmic Egg and Zeus swallowing Phanes are at least as important as the well-known myth of Dionysus being dismembered by the Titans, long thought to have been the central myth of Orphism. As this book amply demonstrates, Orphic literature was a diverse and ever-changing tradition by which authors were able to think about the most current philosophical ideas through the medium of the most traditional poetic forms.

The first book-length comparative and interdisciplinary treatment of divine envy and vengeance in the biblical and classical worlds.

Close examination of the significant theme of other-worldly encounters in Norse myth and legend, including giantesses, monsters and the Dead. A particular, recurring feature of Old Norse myths and legends is an encounter between creatures of This World [gods and human beings] and those of the Other [giants, giantesses, dwarves, prophetesses, monsters and the dead]. Concentrating on cross-gendered encounters, this book analyses these meetings, and the different motifs and situations they encompass, from the consultation of a prophetess by a king or god, to sexual liaisons and return from the dead. It considers the evidence for their pre-Christian origins, discusses how far individual poets and prose writers were free to modify them, and suggests that they survived in medieval Christian society because [like folk-tale] they provide a non-dogmatic way of resolving social and psychological problems connected with growing up, succession from one generation to the next, sexual relationships and bereavement.

Brings together two academic fields that have been infrequently in full conversation: papyrology and the study of religion. Offers the latest research on the topic, focusing on a diverse range of case studies from different religious groups and documents written in numerous contemporary languages.

This book features detailed analysis of an ancient secret scroll from the Middle East known as the Rivers Scroll or Diwan Nahrawatha, providing valuable insight into the Gnostic Mandaean religion. This important scroll offers a window of understanding into the Mandaean tradition, with its intricate worldview, ritual life, mysticism and esoteric qualities, as well as intriguing art. The text of the Rivers Scroll and its artistic symbolism have never before been properly analyzed and interpreted, and the significance of the document has been lost in scholarship. This study includes key segments translated into English for the first time and gives the scroll the worthy place it deserves in the history of the Mandaean tradition. It will be of interest to scholars of Gnosticism, religious studies, archaeology and Semitic languages.

This book is an exploration of the ideals and values of the ascetic and monastic life, as expressed through clothes. Clothes are often seen as an extension of us as humans, a determinant of who we are and how we experience and interact with the world. In this way, they can play a significant role in the embodied and material aspects of religious practice. The focus of this book is on clothing and garments among ancient monastics and ascetics in Egypt, but with a broader outlook to the general meaning and function of clothes in religion. The garments of the Egyptian ascetics and monastics are important because they belong to a period of transition in the history of Christianity and very much represent this way of living. This study combines a cognitive perspective on clothes with an attempt to grasp the embodied experiences of being clothed, as well as viewing clothes as potential actors. Using sources such as travelogues, biographies, letters, contracts, images, and garments from monastic burials, the role of clothes is brought into conversation with material religion more generally. This unique study builds links between ancient and contemporary uses of religious clothing. It will, therefore, be of interest to any scholar of religious studies, religious history, religion in antiquity, and material religion.

Good selection of international authors. Covers three key aspects of the topic. Integrates ancient spirituality and philosophical/religious concepts into Jungian psychology.

Good selection of international authors. Covers three key aspects of the topic. Integrates ancient spirituality and philosophical/religious concepts into Jungian psychology.

In analyzing the parallels between myths glorifying the Indian Great Goddess, Durga, and those glorifying the Sun, Surya, found in the Marka??eya Pura?a, this book argues for an ideological ecosystem at work in the Marka??eya Pura?a privileging worldly values, of which Indian kings, the Goddess (Devi), the Sun (Surya), Manu and Marka??eya himself are paragons. This book features a salient discovery in Sanskrit narrative text: just as the Marka??eya Pura?a houses the Devi Mahatmya glorifying the supremacy of the Indian Great Goddess, Durga, it also houses a Surya Mahatmya, glorifying the supremacy of the Sun, Surya, in much the same manner. This book argues that these mahatmyas were meaningfully and purposefully positioned in the Marka??eya Pura?a, while previous scholarship has considered this haphazard interpolation for sectarian aims. The book demonstrates that deliberate compositional strategies make up the Saura-Sakta symbiosis found in these mirrored mahatmyas. Moreover, the author explores what he calls the "dharmic double helix" of Brahmanism, most explicitly articulated by the structural opposition between prav?tti (worldly) and niv?tti (other-worldy) dharmas. As the first narrative study of the Surya Mahatmya, along with the first study of the Marka??eya Pura?a (or any Pura?a), as a narrative whole, this book will be of interest to academics in the field of Religion, Hindu Studies, South Asian Studies, Goddess Studies, Narrative Theory and Comparative Mythology.

Cave and Worship in Ancient Greece brings together a series of stimulating chapters contributing to the archaeology and our modern understanding of the character and importance of cave sanctuaries in the fi rst millennium BCE Mediterranean. Written by emerging and established archaeologists and researchers, the book employs a fascinating and wide range of approaches and methodologies to investigate, and interpret material assemblages from cave shrines, many of which are introduced here for the fi rst time. An introductory section explores the emergence and growth of caves as centres of cult and religion. The chapters then probe some of the meanings attached to cave spaces and votive materials such as terracotta fi gurines, and ceramics, and those who created and used them. The authors use sensory and gender approaches, discuss the identity of the worshippers, and the contribution of statistical analysis to the role of votive materials. At the heart of the volume is the examination of cave materials excavated on the Cycladic islands and Crete, in Attika and Aitoloakarnania, on the Ionian islands and in southern Italy. This is a welcome volume for students of prehistoric and classical archaeology,enthusiasts of the history of caves, religion, ancient history, and anthropology.

Mithras explores the history and practices of Mithraism, examining literary and material evidence for Mithras and the reception of his mysteries today. It offers the latest research on the figure of Mithras and provides a comprehensive overview of Mithraism.

Winner of The PEN Hessell-Tiltman Prize 2022 Shortlisted for The Wolfson History Prize 2022 A The Times Books of the Year 2022 A fascinating, surprising and often controversial examination of the real God of the Bible, in all his bodily, uncensored, scandalous forms. Three thousand years ago, in the Southwest Asian lands we now call Israel and Palestine, a group of people worshipped a complex pantheon of deities, led by a father god called El. El had seventy children, who were gods in their own right. One of them was a minor storm deity, known as Yahweh. Yahweh had a body, a wife, offspring and colleagues. He fought monsters and mortals. He gorged on food and wine, wrote books, and took walks and naps. But he would become something far larger and far more abstract: the God of the great monotheistic religions. But as Professor Francesca Stavrakopoulou reveals, God's cultural DNA stretches back centuries before the Bible was written, and persists in the tics and twitches of our own society, whether we are believers or not. The Bible has shaped our ideas about God and religion, but also our cultural preferences about human existence and experience; our concept of life and death; our attitude to sex and gender; our habits of eating and drinking; our understanding of history. Examining God's body, from his head to his hands, feet and genitals, she shows how the Western idea of God developed. She explores the places and artefacts that shaped our view of this singular God and the ancient religions and societies of the biblical world. And in doing so she analyses not only the origins of our oldest monotheistic religions, but also the origins of Western culture. Beautifully written, passionately argued and frequently controversial, God: An Anatomy is cultural history on a grand scale. 'Rivetingly fresh and stunning' - Sunday Times 'One of the most remarkable historians and communicators working today' - Dan Snow

Numerous ancient texts describe human sacrifices and other forms of ritual killing: in 480 BC Themistocles sacrifices three Persian captives to Dionysus; human scapegoats called pharmakoi are expelled yearly from Greek cities, and according to some authors they are killed; Locrin girls are hunted down and slain by the Trojans; on Mt Lykaion children are sacrificed and consumed by the worshippers; and many other texts report human sacrifices performed regularly in the cult of the gods or during emergencies such as war and plague. Archaeologists have frequently proposed human sacrifice as an explanation for their discoveries: from Minoan Crete children's bones with knife-cut marks, the skeleton of a youth lying on a platform with a bronze blade resting on his chest, skeletons, sometimes bound, in the dromoi of Mycenaean and Cypriot chamber tombs; and dual man-woman burials, where it is suggested that the woman was slain or took her own life at the man's funeral. If the archaeologists' interpretations and the claims in the ancient sources are accepted, they present a bloody and violent picture of the religious life of the ancient Greeks, from the Bronze Age well into historical times. But the author expresses caution. In many cases alternative, if less sensational, explanations of the archaeological are possible; and it can often be shown that human sacrifices in the literary texts are mythical or that late authors confused mythical details with actual practices.Whether the evidence is accepted or not, this study offers a fascinating glimpse into the religious thought of the ancient Greeks and into changing modern conceptions of their religious behaviour.

Laurie Brands Gagne believes the image of God as stern Father or Judge has done much damage over the centuries and has engendered a sense of shame and guilt, especially in women. She sees our own civilization as one that is cut off from the natural world and from the precious part of ourselves that is earthy and sensual. In The Uses of Darkness: Women's Underworld Journeys, Ancient and Modern, Gagne explores women's journeys through the underworld to reclaim the wisdom and sensuality contained in these stories for heirs of the God the Father tradition. She looks at the ancient stories of Inanna, Demeter, and Psyche and the reflections of these archetypal figures in the work of women such as Sylvia Plath, Joan Didion, Mary Gordon, Virginia Woolf, and Etty Hillesum to illustrate that the alternative tradition these journey stories represent has much to offer modern Christians. Gagne successfully demonstrates that only by turning to confront the mystery that has been obscured by the image of God as stern Father or Judge can a woman raised in the Christian tradition acquire a sense of self strong enough to integrate experiences of profound loss. Most importantly, by drawing on the wisdom of the goddess tradition, both men and women are able to effect a more meaningful reappropriation of Christianity. Gagne's examination of the dark experience of the underworld in the goddess tradition discovers the elements of all spiritual journeys: self-transcendence followed by self-transformation. Anyone who has struggled with love and loss and whose spirit has been suppressed by the image of God as Judge, yet who will not reject Christianity, will benefit from this work.