The mythology and folklore of England is as old as the land itself, rich in symbolism and full of tales of quests and heroic daring-do, ghosts and witches, romantic heroines and noble outlaws. Who hasn't heard of the master sorcerer Merlin, Robin Hood and his merry men, or the legendary monster Grendel? Beginning with the great Anglo-Saxon epic Beowulf, English Myths explores the early legends of post-Roman England, many of which blend history and myth. The book goes on to examine the rich seam of Arthurian and romantic legends first told in the Medieval era, before looking at English folk heroes and the beasts, witches and ghosts that have haunted the land. Discover the brothers Hengist and Horsa, legendary leaders of the first Angles, Saxons and Jutes to settle in England; learn the tragic story of Cornish hero Tristan and his love for Irish princess Iseult; tremble at the Black Dog ghost, a nocturnal hellhound found stalking the country from Suffolk in the east to Devon in the west; and enjoy the tale of George and the dragon, who saved the nation from a rampaging serpent and became the patron saint of the country. Illustrated with 150 photographs and artworks, English Myths is an accessible, entertaining and highly informative exploration of the fascinating mythology underlying one of the world's oldest and most influential cultures.

During the fifth and sixth centuries A.D. there arose on the Euphrates frontier, between the empires of Rome and Iran, a city girded with glittering gypsum walls. Within these walls stood a great church, a shrine for the relics of Saint Sergius, who was martyred there, at Rusafa, in the early fourth century. Around Rusafa stretched the "Barbarian Plain," inhabited by Rome's Arab allies, many of whom revered the saint. Elizabeth Key Fowden examines the rise of the cult of Sergius in late antiquity, drawing on literary accounts, inscriptions, archaeology, images, and the landscape itself to construct a many-faceted picture of the role of religion in this frontier society. Focusing on the socio-cultural as well as the political dimensions of the Sergius cult, her study sheds light on the lives of the ordinary faithful, as well as on religion's place in the strategic calculations of hostile empires.
Beginning with a detailed analysis of the surviving accounts of the martyrdom of Sergius, Fowden provides a discussion of Syrian Rusafa-Sergiopolis, traces the spread of the Sergius cult in Syria and Mesopotamia, and provides a provocative interpretation of the relation between the saint's presence at Rusafa and his role in frontier defense. She also discusses Arab Christianity in the context of late Roman culture in the East, as well as the continuation of the Sergius tradition after the Muslim conquest, emphasizing the changes and continuities brought by the rise of Islam.

How did the world begin? How were the first people created and which specific roles were they supposed to play in the cosmos? Like other mythologies worldwide, China's creation and origin myths explain how man created order out of chaos and imposed culture on nature. Cross-cultural approaches to myth make us aware of the limitations of our own familiar classifications. This book makes a provocative case for the comparative study of the hidden treasures of China's oral and written myth traditions in different languages and cultures, a legacy generously left behind by singers, storytellers, poets, and writers. This book opens new doors to the study of Chinese mythologies, a surprising and so far almost unknown world outside China.

Black Prometheus addresses the specific conditions under and the pointed implications with which an ancient story about different orders of gods dueling over the fate of humanity became such a prominent fixture of Atlantic modernity. The Prometheus myth, for several reasons-its fortuitous geographical associations with both Africa and the Caucasus; its resonant iconography of bodily suffering; and its longue duree function as a limit case for a Platonic-cum-Christian political theology of the Absolute, became a crucial site for conceptualizing human liberation in the immanent space of a finite globe structured by white domination and black slavery. The titan's defiant theft of fire from the regnant gods was translated through a high-stakes racial coding either as an "African" revolt against the cosmic status quo that augured a pure autonomy, a black revolutionary immanence against which idealist philosophers like Hegel defined their projects and slaveholders defended their lives and positions. Or as a "Caucasian" reflection of the divine power evidently working in favor of Euro-Christian civilization that transmuted the naked egoism of conquest into a righteous heteronomy-Euro-Christian civilization's mobilization by the Absolute or its internalization of a transcendent principle of universal Reason. The Prometheus myth was available and attractive to its eighteenth- and nineteenth-century revivalists and reinventors-from canonical figures like Voltaire, Percy Shelley, Frederick Douglass, and Karl Marx to anonymous contributors of ephemera to abolitionist periodicals-not so much as a handy emblem of an abstract humanism but as the potential linchpin of a racialist philosophy of history.

Edith Hamilton's MYTHOLOGY succeeds like no other book in bringing to life for the modern reader the Greek, Roman, and Norse myths that are the keystone of Western culture-the stories of gods and heroes that have inspired human creativity from antiquity to the present. We meet the Greek gods on Olympus and Norse gods in Valhalla. We follow the drama of the Trojan War and the wanderings of Odysseus. We hear the tales of Jason and the Golden Fleece, Cupid and Psyche, and might King Midas. We discover the origins of the names of the constellations. And we recognize reference points for countless works of art, literature, and cultural inquiry-from Freud's Oedipus complex to Wagner's Ring Cycle of operas to Eugene O'Neill's Mourning Becomes Electra. Praised throughout the world for its authority and lucidity, MYTHOLOGY is Edith Hamilton's masterpiece-the standard by which all other books on mythology are measured.

In this definitive assessment of the various representations and approaches to Athena, Susan Deacy does what no other has done before and brings all the aspects of this legendary figure into one, outstanding study.

A survey of one of the most enduringly popular of ancient deities, the book introduces Athena's myth, cult and reception, while directing the reader to detailed discussion as and when it is appropriate.

Students will find it a great help in their studies, and for the general reader with an interest in the ancient world and for those from related disciplines such as literature, art history and religion, it provides a mine of information and insight into this fascinating classical figure.

This book provides a wide-ranging collection of original source material that covers the history of medieval religion from the fall of the Roman Empire to the Renaissance.

Easy to read and accessible to students, with introductions to each section explaining the main themes and issues raised, it provides coverage of the key elements of the history of the Western Church in the period, including:

• the Papacy
• saints
• monastic orders
• popular piety and devotion
• sections on the Eastern Church, Judaism, Islam and Mysticism.

The texts selected are arranged clearly in chronological order and each one is introduced by a brief editorial note to provide context. Medieval Religion also includes a comprehensive further reading section.

Take one part of the world''s oldest spiritual system (shamanism), mix in one part of one of the world''s most popular spiritual cultures (the Celts), and bring it up to date by blending in modern forms of shamanism. The result is one of the most amazing books you''ll ever use, D. J. Conway''s "By Oak, Ash, & Thorn."
This book is filled with information that can start you on a lifetime of study, practice, and spirituality. First, you''ll learn about ancient and modern forms of shamanism. You''ll discover the secrets of the three shamanic worlds, and how you can travel through these mysterious realms. You''ll be shown how to communicate and deal with the entities and allies you meet there. You''ll also learn about the tools that a shaman uses.
The thing that makes this book unique is that it comes from the viewpoint of Celtic shamanism, and not some generalized form. As a result, the worlds are specifically Celtic in nature. The tools come from Celtic myth and lore. The fifty entities you meet are named and defined as the Faery Folk and their kin -- from the Bean sidhe (banshee) to the Will o'' the Wisp (a faery who appears at night in lonely places carrying a lantern to confuse travellers). Almost fifty more animal allies are listed and described. You will also learn the mysteries of the vision quest and how it applies and can be used by Celtic shamans.
Before starting your journey you will take a test to determine your strengths and weaknesses as a potential shaman.
Other topics include:
- Shamanic Healing
- Soul Retrieval
- Shape-shifting
- Invisibility
- Divination with stones, the omen stick and the Ogam alphabet
- Pathworking through the three shamanic worlds
- Different forms of Celtic magic
- Herbs
This only begins to hint at everything that you can learn from this book. Get your copy today.

What activities did the women of ancient Greece perform in the sphere of ritual, and what were the meanings of such activities for them and their culture? By offering answers to these questions, this study aims to recover and reconstruct an important dimension of the lived experience of ancient Greek women. A comprehensive and sophisticated investigation of the ritual roles of women in ancient Greece, it draws on a wide range of evidence from across the Greek world, including literary and historical texts, inscriptions, and vase-paintings, to assemble a portrait of women as religious and cultural agents, despite the ideals of seclusion within the home and exclusion from public arenas that we know restricted their lives. As she builds a picture of the extent and diversity of women's ritual activity, Barbara Goff shows that they were entrusted with some of the most important processes by which the community guaranteed its welfare. She examines the ways in which women's ritual activity addressed issues of sexuality and civic participation, showing that ritual could offer women genuinely alternative roles and identities even while it worked to produce wives and mothers who functioned well in this male-dominated society. Moving to more speculative analysis, she discusses the possibility of a women's subculture focused on ritual and investigates the significance of ritual in women's poetry and vase-paintings that depict women. She also includes a substantial exploration of the representation of women as ritual agents in fifth-century Athenian drama.

As long as we have been human, we have been mythmakers. In A Short History of Myth, Karen Armstrong holds up the mirror of mythology to show us the history of ourselves, and embarks on a journey that begins at a Neanderthal graveside and ends buried in the heart of the modern novel. Surprising, powerful and profound, A Short History of Myth examines the world's most ancient art form - the making and telling of stories - and why we still need it. The Myths series brings together some of the world's finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and Jeanette Winterson.

Myth, Locality, and Identity argues that Pindar engages in a striking, innovative style of mythmaking that represents and shapes Sicilian identities in his epinician odes for Sicilian victors in the fifth century BCE. While Sicily has been thought to be lacking in local traditions for Pindar to celebrate, Lewis argues that the Sicilian odes offer examples of the formation of local traditions: the monster Typho whom Zeus defeated to become king of the gods, for example, now lives beneath Mt. Aitna; Persephone receives the island of Sicily as a gift from Zeus; and the Peloponnesian river Alpheos travels to Syracuse in pursuit of the local spring nymph Arethusa. By weaving regional and Panhellenic myth into the local landscape, as the book shows, Pindar infuses physical places with meaning and thereby contextualizes people, cities, and their rulers within a wider Greek framework. During this time period, Greek Sicily experienced a unique set of political circumstances: the inhabitants were continuously being displaced, cities were founded and resettled, and political leaders rose and fell from power in rapid succession. This book offers the first sustained analysis of myth in Pindar's odes for Sicilian victors across the island that accounts for their shared context. The nodes of myth and place that Pindar fuses in this poetry reinforce and develop a sense of place and community for citizens locally; at the same time, they raise the profile of physical sites and the cities attached to them for larger audiences across the Greek world. In addition to providing new readings of Pindaric odes and offering a model for the formation of Sicilian identities in the first half of the fifth century, the book contributes new insights into current debates on the relationship between myth and place in classical literature.

The figure of Anna Perenna embodies the complexity and richness of the Roman mythological tradition. In exploring Anna Perenna, the contributors apply different perspectives and critical methods to an array of compelling evidence drawn from central texts, monuments, coins, and inscriptions that encapsulate Rome's shifting artistic and political landscape. As a collection, Uncovering Anna Perenna provides a unique examination that represents the interdisciplinary intersection between Roman literature, history, and culture. The assembled chapters offer thought-provoking and insightful discussions written by specialists in Roman myth and religion, literary studies, and ancient history. A convergence of different perspectives within the collection, including comparative literature, gender and sexuality, literary criticism, and reception, results in a rich and varied investigation. Organized into four parts, the volume explores Anna along four conceptual lines: her liminal nature as a Carthaginian figure coopted into Rome's literary, mythological, and artistic heritage; her capacity as a Roman goddess and nymph; her political and cultural associations with plebeian and populist ideology; and her intriguing influence on James Joyce's Finnegans Wake.

Monsters. Real or imagined, literal or metaphorical, they have exerted a dread fascination on the human mind for many centuries. They attract and repel us, intrigue and terrify us, and in the process reveal something deeply important about the darker recesses of our collective psyche. Stephen Asma's On Monsters is a wide-ranging cultural and conceptual history of monsters-how they have evolved over time, what functions they have served for us, and what shapes they are likely to take in the future. Asma begins with a letter from Alexander the Great in 326 B.C. detailing an encounter in India with an "enormous beast-larger than an elephantthree ominous horns on its forehead." From there the monsters come fast and furious-Behemoth and Leviathan, Gog and Magog, the leopard-bear-lion beast of Revelation, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs of tomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory just beyond the safe enclosures of rational thought. Exploring philosophical treatises, theological tracts, newspapers, pamphlets, films, scientific notebooks, and novels, Asma unpacks traditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated. Asma suggests that how we handle monsters reflects how we handle uncertainty, ambiguity, insecurity. And in a world that is daily becoming less secure and more ambiguous, he shows how we might learn to better live with monsters-and thereby avoid becoming one.

This volume examines the phenomena of ancient Greek prophecy and divination. With contributions from a distinguished, international cast of scholars, it offers fresh perspectives and interpretations of key aspects of these practices. Considering issues such as comparativism, ethnography, cognitive function, orality, and intertextuality, the volume demonstrates their relevance to the elucidation of Greek prophetic practices. The volume also shows how multi- and inter-disciplinary approaches can be applied to a range of topics, from an examination of the very inception of Greek divination, explored within the frame of more archaic cult ideas, through emic elaboration of divinatory practice in Archaic and Classical periods, to consideration of intentional manipulation of prophecy, as depicted in Hellenistic and Imperial Roman sources. Collectively, the essays deepen our understanding of ancient Greek prophecy by offering insights into divinition astehkne, the centrality or marginality of Delphi and the Pythic priestess, prophetic ambiguity, and cognition, including cognitive dissonance.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed their themes, their relevance to Greek religion and society, and their relationship to the landscape. "Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater. "Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities. "The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities. "Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes. "Family sagas" explores the dramas and catastrophes that befall heroes and heroines. "A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld. "Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks."

This text focuses on the legal status of the Jews within the Roman Empire and the changes that this underwent when the empire became Christian. Conflicts between Roman and Jewish jurisdiction form an important theme, while particular studies deal with questions of conversion, the observance of the Sabbath and Festivals, Hadrian's decree prohibiting circumcision, and with the treatment given to the Samaritans. In the field of family law, Profesor Rabello looks at issues to do with the patria potestas, family courts, marriage and divorce, and it is in these areas, he would hold, that a basic understanding can be found of how the early Catholic Church treated Jews and Judaism.

The public/private distinction is fundamental to modern theories of the family, religion and religious freedom, and state power, yet it has had different salience, and been understood differently, from place to place and time to time. The volume brings together essays from an international array of experts in law and religion, in order to examine the public/private distinction in comparative perspective. The essays focus on the cultures and religions of the ancient Mediterranean, in the formative periods of Greece and Rome and the religions of Judaism, Christianity and Islam. Particular attention is given to the private exercise of religion, the relation between public norms and private life, and the division between public and private space and the place of religion therein.

Over 1700 entries cover mythology and religion of heathen Germanic tribes: Scandinavians, Goths, Angles and Saxons, 1500 BC-1000 AD. For two and a half thousand years, from 1500 BC to AD 1000, a culture as significant as the classical civilisation of the Mediterranean world settled an immense area in northern Europe that stretched from Iceland to the Black Sea.But the sources of our knowledge about these societies are relatively few, leaving the gods of the North shrouded in mystery. In compiling this dictionary Rudolf Simek has made the fullest possible use of the information available -Christian accounts, Eddic lays, the Elder Edda, runic inscriptions, Roman authors (especially Tacitus), votive stones, place names and archaeological discoveries. He has adhered throughout to a broad definition of mythology which presents the beliefs of the heathen Germanic tribes in their entirety: not only tales of the gods, but beings from lower levels of belief: elves, dwarfs and giants; the beginning and end of the world; the creation of man,death and the afterlife; cult, burial customs and magic - an entire history of Germanic religion. RUDOLF SIMEK is Professor of Medieval German and Scandinavian literature at the University of Bonn in Germany.

Offers an in depth comparative look at the Epic of Gilgamesh and the Primeval History, which allows students to view the Genesis within its Near Eastern context. Offers a fresh model for approaching this comparative task, which has at times been stifled by religious dogmatism, on the one hand, or disciplinary insularity on the other. Written in a lucid style with explanation of all key terms and themes, this book is suitable for students with no background in the subjects.

The figure of Orpheus has long exercised a potent influence on religious thought. Yet what we know directly about Orphism comes from a scatter of isolated and often very short fragments quoted in the works of Platonists of the Roman period, notably Proclus, Damascius and Olympiodorus. The author's concern here is to establish the context in which these passages were cited, and to trace the development of the written tradition, from the texts which contain a critique of the beliefs of the Homeric era to those, whether newly composed or transformed, which show signs of adaptation to later religious and philosophical movements, among them Stoicism and Platonism. In sharp contrast to views held by others, it is argued that it is possible to map out a process of evolution, amongst other criteria by focusing on the role and place of Chronos in the Orphic theogony. The author also asks whether there really ever existed true Orphic sects with a cult with specific rites, and would conclude that the present evidence cannot be held to substantiate this. Orphee a pendant longtemps exerce une puissante influence sur la pensee religieuse. Cependant, ce que nous connaissons directement de l'OrphA-sme se reduit A une poignee de fragments isoles et souvent tres courts qui se trouvent eparpilles dans les oeuvres de Platoniciens ayant vecu sous l'Empire romain, surtout Proclus, Damascius et Olympiodore. Dans les articles qui composent ce recueil, l'auteur s'est attache A reconstituer les contextes dans lesquels ces passages sont cites, et A comprendre comment s'est developpee la tradition ecrite A laquelle ils appartiennent, depuis les textes qui critiquent les croyances vehiculees par Homere et par Hesiode et qui, ayant fait l'objet d'une redaction ou d'une transformation recente, presentent les signes d'une adaptation A des mouvements religieux ou philosophiques tardifs, le StoA-cisme et le medio-Platonisme entre autres. S'opposant en cela A b

In the course of the last two decades, both the historical reconstruction of the Iron I-Iron IIA period in Israel and Judah and the literary-historical reconstruction of the Books of Samuel have undergone major changes. With respect to the quest for the "historical David", terms like "empire" or "Grossreich" have been set aside in favor of designations like "mercenary" or "hapiru leader", corresponding to the image of the son of Jesse presented in I Sam. At the same time, the literary-historical classification of these chapters has itself become a matter of considerable discussion. As Leonhard Rost's theory of a source containing a "History of David's Rise" continues to lose support, it becomes necessary to pose the question once again: Are we dealing with a once independent 'story of David' embracing both the HDR and the "succession narrative" are there several independent versions of an HDR to be detected, or do I Sam 16-II Sam 5* constitute a redactional bridge between older traditions about Saul on the one hand and David on the other? In either case, what parts of the material in I Sam 16-II Sam 5 are based on ancient traditions, and may therefore serve as a source for any tentative historical reconstruction? The participants in the 2018 symposium at Jena whose essays are collected in this volume engage these questions from different redaction-critical and archaeological perspectives. Together, they provide an overview of contemporary historical research on the book of First Samuel.