When we try to make sense of pictures, what do we gain when we use a particular method - and what might we be missing or even losing? Empirical experimentation on three types of mythological imagery - a Classical Greek pot, a frieze from Hellenistic Pergamon and a second-century CE Roman sarcophagus - enables Katharina Lorenz to demonstrate how theoretical approaches to images (specifically, iconology, semiotics, and image studies) impact the meanings we elicit from Greek and Roman art. A guide to Classical images of myth, and also a critical history of Classical archaeology's attempts to give meaning to pictures, this book establishes a dialogue with the wider field of art history and proposes a new framework for the study of ancient visual culture. It will be essential reading not just for students of classical art history and archaeology, but for anyone interested in the possibilities - and the history - of studying visual culture.

In a moonlit graveyard somewhere in southern Italy, a soldier removes his clothes in readiness to transform himself into a wolf. He depends upon the clothes to recover his human shape, and so he magically turns them to stone, but his secret is revealed when, back in human form, he is seen to carry a wound identical to that recently dealt to a marauding wolf. In Arcadia a man named Damarchus accidentally tastes the flesh of a human sacrifice and is transformed into a wolf for nine years. At Temesa Polites is stoned to death for raping a local girl, only to return to terrorize the people of the city in the form of a demon in a wolfskin. Tales of the werewolf are by now well established as a rich sub-strand of the popular horror genre; less widely known is just how far back in time their provenance lies. These are just some of the werewolf tales that survive from the Graeco-Roman world, and this is the first book in any language to be devoted to their study. It shows how in antiquity werewolves thrived in a story-world shared by witches, ghosts, demons, and soul-flyers, and argues for the primary role of story-telling-as opposed to rites of passage-in the ancient world's general conceptualization of the werewolf. It also seeks to demonstrate how the comparison of equally intriguing medieval tales can be used to fill in gaps in our knowledge of werewolf stories in the ancient world, thereby shedding new light on the origins of the modern phenomenon. All ancient texts bearing upon the subject have been integrated into the discussion in new English translations, so that the book provides not only an accessible overview for a broad readership of all levels of familiarity with ancient languages, but also a comprehensive sourcebook for the ancient werewolf for the purposes of research and study.

Many scholars today believe that early Greek literature, as represented by the great poems of Homer and Hesiod, was to some extent inspired by texts from the neighbouring civilizations of the ancient Near East, especially Mesopotamia. It is true that, in the case of religious poetry, early Greek poets sang about their gods in ways that resemble those of Sumerian or Akkadian hymns from Mesopotamia, but does this mean that the latter influenced the former, and if so, how? This volume is the first to attempt an answer to these questions by undertaking a detailed study of the ancient texts in their original languages, from Sumerian poetry in the 20th century BC to Greek sources from the times of Homer, Hesiod, Pindar, and Aeschylus. The Gods Rich in Praise presents the core groups of sources from the ancient Near East, describing the main features of style and content of Sumerian and Akkadian religious poetry, and showing how certain compositions were translated and adapted beyond Mesopotamia. It proceeds by comparing selected elements of form and content: hymnic openings, negative predication, the birth of Aphrodite in the Theogony of Hesiod, and the origins and development of a phrase in Hittite prayers and the Iliad of Homer. The volume concludes that, in terms of form and style, early Greek religious poetry was probably not indebted to ancient Near Eastern models, but also argues that such influence may nevertheless be perceived in certain closely defined instances, particularly where supplementary evidence from other ancient sources is available, and where the extant sources permit a reconstruction of the process of translation and adaptation.

The history and writings of the Samaritans remain an often overlooked subject in the field of biblical studies. This volume, which assembles papers presented at a 2010 symposium held in Zurich, illuminates the history of the Samaritans as well as passages that address them in biblical sources. Through a subsequent comparison to perspectives found in Samaritan sources concerning biblical, early Jewish, and early Christian history, we are presented with counterpoising perceptions that open up new opportunities for discourse.

The fourth century of our common era began and ended with a miracle. Traditionally, in the year 312, the Roman emperor Constantine experienced a "vision of the Cross" that led him to convert to Christianity and to defeat his last rival to the imperial throne; and, in 394, a divine wind carried the emperor Theodosius to victory at the battle of the Frigidus River. In A Century of Miracles, historian H. A. Drake explores the role miracle stories such as these played in helping Christians, pagans, and Jews think about themselves and each other. These stories, he concludes, bolstered Christian belief that their god wanted the empire to be Christian. Most importantly, they help explain how, after a century of trumpeting the power of their god, Christians were able to deal with their failure to protect the city of Rome from a barbarian sack by the Gothic army of Alaric in 410. Thoroughly researched within a wide range of faiths and belief systems, A Century of Miracles provides an absorbing illumination of this complex, polytheistic, and decidedly mystical phenomenon.

In Ancient Egypt: State and Society, Alan B. Lloyd attempts to define, analyse, and evaluate the institutional and ideological systems which empowered and sustained one of the most successful civilizations of the ancient world for a period in excess of three and a half millennia. The volume adopts the premise that all societies are the product of a continuous dialogue with their physical context - understood in the broadest sense - and that, in order to achieve a successful symbiosis with this context, they develop an interlocking set of systems, defined by historians, archaeologists, and anthropologists as culture. Culture, therefore, can be described as the sum total of the methods employed by a group of human beings to achieve some measure of control over their environment. Covering the entirety of the civilization, and featuring a large number of up-to-date translations of original Egyptian texts, Ancient Egypt focuses on the main aspects of Egyptian culture which gave the society its particular character, and endeavours to establish what allowed the Egyptians to maintain that character for an extraordinary length of time, despite enduring cultural shock of many different kinds.

What is so special about spring water? How are wells holy? Why are so many known for 'the healing of eyes'? The ancient holy wells of the British Isles are amongst the most beautiful and magical places anyone can visit. Often untouched by all but the most delicate hands, and located in some of the most secret nooks and crannies of the country, their stories evoke a lost world of pagan gods, healing forces, second sight and holy visions. This beautiful book, beautifully illustrated throughout by the author, tells the story of the holy waters of the British Isles through hand-picked examples. A useful gazetteer at the back of the book catalogues further rewarding sites to visit. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

Before invasion, Turtle Island-or North America-was home to vibrant cultures that shared long-standing philosophical precepts. The most important and wide-spread of these was the view of reality as a collaborative binary known as the Twinned Cosmos of Blood and Breath. This binary system was built on the belief that neither half of the cosmos can exist without its twin; both halves are, therefore, necessary and good. Western anthropologists typically shorthand the Twinned Cosmos as "Sky and Earth," but this erroneously saddles it with Christian baggage and, worse, imposes a hierarchy that puts sky quite literally above earth. None of this Western ideology legitimately applies to traditional Indigenous American thought, which is about equal cooperation and the continual recreation of reality. Spirits of Blood, Spirits of Breath examines traditional historical concepts of spirituality among North American Indians both at and, to the extent it can be determined, before contact. In doing so, Barbara Mann rescues the authentically indigenous ideas from Western, and especially missionary, interpretations. In addition to early European source material, she uses Indian oral traditions, traced as much as possible to early sources, and Indian records, including pictographs, petroglyphs, bark books, and wampum. Moreover, Mann respects each Native culture as a discrete unit, rather than generalizing them as is often done in Western anthropology. To this end, she collates material in accordance with actual historical, linguistic, and traditional linkages among the groups at hand, with traditions clearly identified by group and, where recorded, by speaker. In this way she provides specialists and non-specialists alike a window into the seemingly lost, and often caricatured world of Indigenous American thought.

How did ancient Greek men and women deal with the uncertainty and risk of everyday life? What did they fear most, and how did they manage their anxieties? Esther Eidinow sets side-by-side two collections of material usually studied in isolation: binding curse tablets from across the ancient world, and the collection of published private questions from the oracle at Dodona in north-west Greece. Eidinow uses these texts to explore perceptions of risk and uncertainty in ancient society, challenging previous explanations. In these records we hear voices that are rarely, if ever, heard in literary texts and history books. The questions and curses in these tablets comprise fervent, sometimes ferocious appeals to the gods. The stories they tell offer tantalizing glimpses of everyday life, carrying the reader through the teeming ancient city - both its physical setting and its social dynamics. Among these tablets we find prostitutes and publicans, doctors and soldiers, netmakers and silver-workers, actors and seamstresses. Anxious litigants ask the gods to silence their opponents. Men inquire about the paternity of their children. Women beg the gods to help them keep their men. Business rivals try to corner the market. Slaves plead to escape their masters. This material takes us beyond the headlines of ancient history, offering new insights into institutions, activities, and relationships. Above all, individually and together, these texts help us to understand some of the ways in which ancient Greek men and women understood the world. In turn, the beliefs and activities of an ancient culture may shed light on modern attitudes to risk.

This book focuses primarily on the end of the pagan religious tradition and the dismantling of its material form in North Africa (modern Algeria, Tunisia, and Libya) from the 4th to the 6th centuries AD. Leone considers how urban communities changed, why some traditions were lost and some others continued, and whether these carried the same value and meaning upon doing so. Addressing two main issues, mainly from an archaeological perspective, the volume explores the change in religious habits and practices, and the consequent recycling and reuse of pagan monuments and materials, and investigates to what extent these physical processes were driven by religious motivations and contrasts, or were merely stimulated by economic issues.

In this study of the ritual of animal sacrifice in ancient Greek religion, Judaism, and Christianity in the period between 100 BC and AD 200, Maria-Zoe Petropoulou explores the attitudes of early Christians towards the realities of sacrifice in the Greek East and in the Jerusalem Temple (up to AD 70). Contrary to other studies in this area, she demonstrates that the process by which Christianity finally separated its own cultic code from the strong tradition of animal sacrifice was a slow and difficult one. Petropoulou places special emphasis on the fact that Christians gave completely new meanings to the term sacrifice'. She also explores the question why, if animal sacrifice was of prime importance in the eastern Mediterranean at this time, Christians should ultimately have rejected it.

The essays in this compendium examine Late-Biblical writings dating from the Hellenistic period that relate to religion and society. A focus is placed on threat scenarios and on the drawing of differences to the Hellenistic environment and the question of identity for believers during the pre-Christian centuries.

Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.

This volume presents four of the most intricate and fascinating mythological poems of the Poetic Edda, with parallel translations and individual introductions and commentaries. 'Havamal', notable for its unforgettable flashes of beauty and despair, explores the nature of human knowledge. 'Hymiskvita' is the boisterous tale of the giant Hymir. 'Grimnismal', the lay of Grimnir, the Visored God, is a dramatic monologue spoken by Otin. The final poem, 'Grottasongr', is the song of two girls kept as slaves by King Froti to work at his magic grindstone. Ursula Dronke provides new and illuminating textual readings of these celebrated works.

Brittany has long been famous for its Neolithic monuments, which include the largest prehistoric standing stone ever to have been erected in Western Europe, and the spectacular Carnac alignments. How and by whom were they built? This fully illustrated study aims to answer those questions using the results of recent French research on these sites, along with the insights provided by the author's own field studies. The emphasis is on the landscape setting of these monuments, and how that landscape may have influenced or inspired the construction of megalithic tombs and settings of standing stones. The development of the monuments is set within a chronological narrative, from the last hunter-gatherers of the late 6th millennium BC and the arrival of the first farmers, down to the end of the Neolithic period 3000 years later.

An unparalleled exploration of magic in the Greco-Roman world What did magic mean to the people of ancient Greece and Rome? How did Greeks and Romans not only imagine what magic could do, but also use it to try to influence the world around them? In Drawing Down the Moon, Radcliffe Edmonds, one of the foremost experts on magic, religion, and the occult in the ancient world, provides the most comprehensive account of the varieties of phenomena labeled as magic in classical antiquity. Exploring why certain practices, images, and ideas were labeled as "magic" and set apart from "normal" kinds of practices, Edmonds gives insight into the shifting ideas of religion and the divine in the ancient past and later Western tradition. Using fresh approaches to the history of religions and the social contexts in which magic was exercised, Edmonds delves into the archaeological record and classical literary traditions to examine images of witches, ghosts, and demons as well as the fantastic powers of metamorphosis, erotic attraction, and reversals of nature, such as the famous trick of drawing down the moon. From prayer and divination to astrology and alchemy, Edmonds journeys through all manner of ancient magical rituals and paraphernalia-ancient tablets, spell books, bindings and curses, love charms and healing potions, and amulets and talismans. He considers the ways in which the Greco-Roman discourse of magic was formed amid the cultures of the ancient Mediterranean, including Egypt and the Near East. An investigation of the mystical and marvelous, Drawing Down the Moon offers an unparalleled record of the origins, nature, and functions of ancient magic.

Pindar and the Cult of Heroes combines a study of Greek culture and religion (hero cult) with a literary-critical study of Pindar's epinician poetry. It looks at hero cult generally, but focuses especially on heroization in the 5th century BC. There are individual chapters on the heroization of war dead, of athletes, and on the religious treatment of the living in the 5th century. Hero cult, Bruno Currie argues, could be anticipated, in different ways, in a person's lifetime. Epinician poetry too should be interpreted in the light of this cultural context; fundamentally, this genre explores the patron's religious status. The book features extensive studies of Pindar's Pythians 2, 3, 5, Isthmian 7, and Nemean 7.