Gnosticism is a countercultural spirituality that forever changed the practice of Christianity. Before it emerged in the second century, passage to the afterlife required obedience to God and king. Gnosticism proposed that human beings were manifestations of the divine, unsettling the hierarchical foundations of the ancient world. Subversive and revolutionary, Gnostics taught that prayer and mediation could bring human beings into an ecstatic spiritual union with a transcendent deity. This mystical strain affected not just Christianity but many other religions, and it characterizes our understanding of the purpose and meaning of religion today. In The Gnostic New Age, April D. DeConick recovers this vibrant underground history to prove that Gnosticism was not suppressed or defeated by the Catholic Church long ago, nor was the movement a fabrication to justify the violent repression of alternative forms of Christianity. Gnosticism alleviated human suffering, soothing feelings of existential brokenness and alienation through the promise of renewal as God. DeConick begins in ancient Egypt and follows with the rise of Gnosticism in the Middle Ages, the advent of theosophy and other occult movements in the nineteenth and early twentieth centuries, and contemporary New Age spiritual philosophies. As these theories find expression in science-fiction and fantasy films, DeConick sees evidence of Gnosticism's next incarnation. Her work emphasizes the universal, countercultural appeal of a movement that embodies much more than a simple challenge to religious authority.

AUFSTIEG UND NIEDERGANG DER ROEMISCHEN WELT (ANRW) is a work of international cooperation in the field of historical scholarship. Its aim is to present all important aspects of the ancient Roman world, as well as its legacy and continued influence in medieval and modern times. Subjects are dealt with in individual articles written in the light of present day research. The work is divided into three parts: I. From the Origins of Rome to the End of the Republic II. The Principate III. Late Antiquity Each part consists of six systematic sections, which occasionally overlap: 1. Political History, 2. Law, 3. Religion, 4. Language and Literature, 5. Philosophy and the Sciences, 6. The Arts. ANRW is organized as a handbook. It is a survey of Roman Studies in the broadest sense, and includes the history of the reception and influence of Roman Culture up to the present time. The individual contributions are, depending on the nature of the subject, either concise presentations with bibliography, problem and research reports, or representative investigations covering broad areas of subjects. Approximately one thousand scholars from thirty-five nations are collaborating on this work. The articles appear in German, English, French or Italian. As a work for study and reference, ANRW is an indispensable tool for research and academic teaching in the following disciplines: Ancient, Medieval and Modern History; Byzantine and Slavonic Studies; Classical, Medieval Latin Romance and Oriental Philology; Classical, Oriental and Christian Archaeology and History of Art; Legal Studies; Religion and Theology, especially Church History and Patristics. In preparation: Part II, Vol. 26,4: Religion - Vorkonstantinisches Christentum: Neues Testament - Sachthemen, Fortsetzung Part II, Vol. 37,4: Wissenschaften: Medizin und Biologie, Fortsetzung. For further information about the project and to view the table of contents of earlier volumes please visit http://www.bu.edu/ict/anrw/index.html To search key words in the table of contents of all published volumes please refer to the search engine at http://www.uky.edu/ArtsSciences/Classics/biblio/anrw.html

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed! This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.

Mountains form the most spectacular creations on the planet and cover such a large amount of Earth's landmass that they can be seen clearly from outer space. Mountains are also a reminder that humans count for nothing in the greater scheme of things. They were formed by tectonic plate upheavals of such magnitude that the fossilised remains of prehistoric sea-creatures can be found on mountains tops; in fact, many Himalayan rocks were originally sediments on the primordial Tethys Ocean floor. In this first of the Sacred Landscape series Melusine Draco looks at ways of connecting with the genii locorum that inhabit the caves and mountains of our world. A companion volume to Sacred Landscape: Groves and Forests and Sacred Landscape: Lakes and Rivers.

Routledge Library Editions: Myth reissues four out-of-print classics that touch on various aspects of mythology. One book looks at the work of Martin Buber on myth, and another on the school of Gernet classicists. Another book studies comparative mythology and the work of Joseph Campbell, and the last book in the set looks at the role of the gods and their stories in Indo-European mythology. 1. Martin Buber on Myth S. Daniel Breslauer (1990) 2. The Methods of the Gernet Classicists: The Structuralists on Myth Roland A. Champagne (1992) 3. The Uses of Comparative Mythology Kenneth L. Golden (1992) 4. The War of the Gods Jarich G. Oosten (1985)

Giovanni Boccaccio's Genealogy of the Pagan Gods is an ambitious work of humanistic scholarship whose goal is to plunder ancient and medieval literary sources so as to create a massive synthesis of Greek and Roman mythology. The work also contains a famous defense of the value of studying ancient pagan poetry in a Christian world. The complete work in fifteen books contains a meticulously organized genealogical tree identifying approximately 950 Greco-Roman mythological figures. The scope is enormous: 723 chapters include over a thousand citations from two hundred Greek, Roman, medieval, and Trecento authors. Throughout the Genealogy, Boccaccio deploys an array of allegorical, historical, and philological critiques of the ancient myths and their iconography. Much more than a mere compilation of pagan myths, the Genealogy incorporates hundreds of excerpts from and comments on ancient poetry, illustrative of the new spirit of philological and cultural inquiry emerging in the early Renaissance. It is at once the most ambitious work of literary scholarship of the early Renaissance and a demonstration to contemporaries of the moral and cultural value of studying ancient poetry. This is the first volume of a projected three-volume set of Boccaccio's complete Genealogy.

This book addresses a particular and little-known form of writing, the prose dialogue, during the Late Antique period, when Christian authors adopted and transformed the dialogue form to suit the new needs of religious debate. Connected to, but departing from, the dialogues of Classical Antiquity, these new forms staged encounters between Christians and pagans, Jews, Manichaeans, and "heretical" fellow Christians. At times fiction, at others records of, or scripts for, actual debates, the dialogues give us a glimpse of Late Antique rhetoric as it was practiced and tell us about the theological arguments underpinning religious differences. By offering the first comprehensive analysis of Christian dialogues in Greek and Syriac from the earliest examples to the end of the sixth century CE, the present volume shows that Christian authors saw the dialogue form as a suitable vehicle for argument and apologetic in the context of religious controversy and argues that dialogues were intended as effective tools of opinion formation in Late Antique society. Most Christian dialogues are little studied, and often in isolation, but they vividly evoke the religious debates of the time and they embody the cultural conventions and refinements that Late Antique men and women expected from such debates.

Appearing earlier in the multivolume series "A History of Private Life", this text is a history of the Roman Empire in pagan times. It is an interpretation of the universal civilization of the Romans, so much of it Hellenic, that later gave way to Christianity. The civilization, culture, literature, art, and even religion of Rome are discussed in this work.

This book is about the multiplicity of gods and religions that characterized the Roman world before Constantine. It was not the noble gods such as Jove, Apollo and Diana, who were crucial to the lives of the common people in the empire, bur gods of an altogether more earthly, earth level, whose rituals and observances may now seem bizarre. As well as being of wide general interest, this book will appeal to students of the Roman Empire and of the history of religion.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1932.

AUFSTIEG UND NIEDERGANG DER ROEMISCHEN WELT (ANRW) is a work of international cooperation in the field of historical scholarship. Its aim is to present all important aspects of the ancient Roman world, as well as its legacy and continued influence in medieval and modern times. Subjects are dealt with in individual articles written in the light of present day research. The work is divided into three parts: I. From the Origins of Rome to the End of the Republic II. The Principate III. Late Antiquity Each part consists of six systematic sections, which occasionally overlap: 1. Political History, 2. Law, 3. Religion, 4. Language and Literature, 5. Philosophy and the Sciences, 6. The Arts. ANRW is organized as a handbook. It is a survey of Roman Studies in the broadest sense, and includes the history of the reception and influence of Roman Culture up to the present time. The individual contributions are, depending on the nature of the subject, either concise presentations with bibliography, problem and research reports, or representative investigations covering broad areas of subjects. Approximately one thousand scholars from thirty-five nations are collaborating on this work. The articles appear in German, English, French or Italian. As a work for study and reference, ANRW is an indispensable tool for research and academic teaching in the following disciplines: Ancient, Medieval and Modern History; Byzantine and Slavonic Studies; Classical, Medieval Latin Romance and Oriental Philology; Classical, Oriental and Christian Archaeology and History of Art; Legal Studies; Religion and Theology, especially Church History and Patristics. In preparation: Part II, Vol. 26,4: Religion - Vorkonstantinisches Christentum: Neues Testament - Sachthemen, Fortsetzung Part II, Vol. 37,4: Wissenschaften: Medizin und Biologie, Fortsetzung. For further information about the project and to view the table of contents of earlier volumes please visit http://www.bu.edu/ict/anrw/index.html To search key words in the table of contents of all published volumes please refer to the search engine at http://www.uky.edu/ArtsSciences/Classics/biblio/anrw.html

The popular image of the Viking as a horn-helmeted berserker plying the ocean in a dragon-headed long boat is firmly fixed in history. Imagining Viking "conquerors" as much more numerous, technologically superior, and somehow inherently more warlike than their neighbors has overshadowed the cooperation and cultural exchange which characterized much of the Viking Age. In actuality, the Norse explorers and traders were players in a complex exchange of technology, customs, and religious beliefs between the ancient pre-Christian societies of northern Europe and the Christian-dominated nations surrounding the Mediterranean. DuBois examines Anglo-Saxon, Celtic, and Mediterranean traditions to locate significant Nordic parallels in conceptions of supernatural beings, cults of the dead, beliefs in ghosts, and magical practices. These beliefs were actively held alongside Christianity for many years, and were finally incorporated into the vernacular religious practice. The Icelandic sagas reflect this complex process in their inclusion of both Christian and pagan details. This work differs from previous examinations in its inclusion of the Christian thirteenth century as part of the evolution of Nordic religions from localized pagan cults to adherents of a larger Roman faith.Thomas DuBois unravels for the first time the history of the Nordic religions in the Viking Age and shows how these ancient beliefs and their oral traditions incorporated both a myriad of local beliefs and aspects of foreign religions, most notably Christianity.

Offers an introduction to the basic beliefs, practices, and major deities of Greek and Roman religions A volume in the Blackwell Ancient Religions, Greek and Roman Religions offers an authoritative overview of the region's ancient religious practices. The author--a noted expert in the field--explores the presence of divinity in all aspects of ancient life and highlights the origins of myth, religious authority, institutions, beliefs, rituals, sacred texts, and ethics. Comprehensive in scope, the text focuses on myriad aspects that constitute Greco-Roman culture such as economic class, honor and shame, and slavery as well as the religious role of each member of the family. The integration of ethnic and community identity with divine elements are highlighted in descriptions of religious festivals. Greek and Roman Religions presents the evolution of ideas concerning death and the afterlife and the relation of death to concepts of ultimate justice. The author also offers insight into the elements of ancient religions that remain important in our contemporary quest for meaning. This vital text: Offers a comprehensive review of ancient Greek and Roman religions and their institutions, beliefs, rituals, and more Examines how the Roman culture and religions borrowed from the Greek traditions Explores the ancient civilizations of the Mediterranean Basin Contains suggestions at the end of each chapter for further reading that include both traditional studies and more recent examinations of topical issues Written for students of ancient religions and religious studies, this important resource provides an overview of the ancient culture and history of the general region as well as the basic background of Greek and Roman civilizations.

An unparalleled exploration of magic in the Greco-Roman world What did magic mean to the people of ancient Greece and Rome? How did Greeks and Romans not only imagine what magic could do, but also use it to try to influence the world around them? In Drawing Down the Moon, Radcliffe Edmonds, one of the foremost experts on magic, religion, and the occult in the ancient world, provides the most comprehensive account of the varieties of phenomena labeled as magic in classical antiquity. Exploring why certain practices, images, and ideas were labeled as "magic" and set apart from "normal" kinds of practices, Edmonds gives insight into the shifting ideas of religion and the divine in the ancient past and later Western tradition. Using fresh approaches to the history of religions and the social contexts in which magic was exercised, Edmonds delves into the archaeological record and classical literary traditions to examine images of witches, ghosts, and demons as well as the fantastic powers of metamorphosis, erotic attraction, and reversals of nature, such as the famous trick of drawing down the moon. From prayer and divination to astrology and alchemy, Edmonds journeys through all manner of ancient magical rituals and paraphernalia-ancient tablets, spell books, bindings and curses, love charms and healing potions, and amulets and talismans. He considers the ways in which the Greco-Roman discourse of magic was formed amid the cultures of the ancient Mediterranean, including Egypt and the Near East. An investigation of the mystical and marvelous, Drawing Down the Moon offers an unparalleled record of the origins, nature, and functions of ancient magic.

This title explores the female aspects of the Norse tradition, and aims to counter the popularly held view of Norse polytheism as wholly male, or even misogynistic. The author draws on research, myth, and a pantheon of female Norse divinity to uncover a female force in a male dominated tradition.

Amazons--fierce warrior women dwelling on the fringes of the known world--were the mythic archenemies of the ancient Greeks. Heracles and Achilles displayed their valor in duels with Amazon queens, and the Athenians reveled in their victory over a powerful Amazon army. In historical times, Cyrus of Persia, Alexander the Great, and the Roman general Pompey tangled with Amazons.

But just who were these bold barbarian archers on horseback who gloried in fighting, hunting, and sexual freedom? Were Amazons real? In this deeply researched, wide-ranging, and lavishly illustrated book, National Book Award finalist Adrienne Mayor presents the Amazons as they have never been seen before. This is the first comprehensive account of warrior women in myth and history across the ancient world, from the Mediterranean Sea to the Great Wall of China.

Mayor tells how amazing new archaeological discoveries of battle-scarred female skeletons buried with their weapons prove that women warriors were not merely figments of the Greek imagination. Combining classical myth and art, nomad traditions, and scientific archaeology, she reveals intimate, surprising details and original insights about the lives and legends of the women known as Amazons. Provocatively arguing that a timeless search for a balance between the sexes explains the allure of the Amazons, Mayor reminds us that there were as many Amazon love stories as there were war stories. The Greeks were not the only people enchanted by Amazons--Mayor shows that warlike women of nomadic cultures inspired exciting tales in ancient Egypt, Persia, India, Central Asia, and China.

Driven by a detective's curiosity, Mayor unearths long-buried evidence and sifts fact from fiction to show how flesh-and-blood women of the Eurasian steppes were mythologized as Amazons, the equals of men. The result is likely to become a classic.

Byzantium has recently attracted much attention, principally among cultural, social and economic historians. This book shifts the focus to philosophy and intellectual history, exploring the thought-world of visionary reformer Gemistos Plethon (c.1355-1452). It argues that Plethon brought to their fulfilment latent tendencies among Byzantine humanists towards a distinctive anti-Christian and pagan outlook. His magnum opus, the pagan Nomoi, was meant to provide an alternative to, and escape-route from, the disputes over the Orthodoxy of Gregory Palamas and Thomism. It was also a groundbreaking reaction to the bankruptcy of a pre-existing humanist agenda and to aborted attempts at the secularisation of the State, whose cause Plethon had himself championed in his two utopian Memoranda. Inspired by Plato, Plethon's secular utopianism and paganism emerge as the two sides of a single coin. On another level, the book challenges anti-essentialist scholarship that views paganism and Christianity as social and cultural constructions.