This is a book about the religious life of the Greeks from archaic times to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price examines local practices and concepts in the light of general Greek ideas, relating them to such issues as gender roles, political life, and the trial of Socrates. He lays emphasis on the reactions to Greek religions of ancient thinkers--Greek, Roman and Christian. The evidence drawn on is of all kinds: literary, inscriptional and archaeological.

This is a book about the religious life of the Greeks from archaic times to the fifth century AD, looked at in the context of a variety of different cities and periods. Simon Price examines local practices and concepts in the light of general Greek ideas, relating them to such issues as gender roles, political life, and the trial of Socrates. He lays emphasis on the reactions to Greek religions of ancient thinkers--Greek, Roman and Christian. The evidence drawn on is of all kinds: literary, inscriptional and archaeological.

Where do myths come from? What is their function and what do they mean? In this Very Short Introduction Robert Segal introduces the array of approaches used to understand the study of myth. These approaches hail from disciplines as varied as anthropology, sociology, psychology, literary criticism, philosophy, science, and religious studies. Including ideas from theorists as varied as Sigmund Freud, Claude Levi-Strauss, Albert Camus, and Roland Barthes, Segal uses the famous ancient myth of Adonis to analyse their individual approaches and theories. In this new edition, he not only considers the future study of myth, but also considers the interactions of myth theory with cognitive science, the implications of the myth of Gaia, and the differences between story-telling and myth. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

This is a substantially expanded and completely revises edition of a book first published by Fortress Press in 1988 as Maenads, Martyrs, Matrons, Monastics. The book collects translations of primary texts relevant to women's religion (pagan, Jewish, and Christian) in Western antiquity, from the fourth century BCE to the fifth century CE. This volume provides a unique and invaluable resource for scholars of classical antiquity, early Christianity and Judaism, and women's religion more generally.

This is an account of the foundation legend of Rome, how the twins Remus and Romulus were miraculously suckled by a she-wolf, and how Romulus founded Rome and Remus was killed at the moment of the foundation. What does the story mean? Why have a twin, if he has to be killed off? This is the first historical analysis of the origins and development of the myth, and it offers important insights into the nature of pre-imperial Rome and the ways in which myths could be created and elaborated in a nonliterate society.

Juvencus' Evangeliorum libri IV, or "The Four Books of the Gospels," is a verse rendering of the gospel narrative written ca. 330 CE. Consisting of around 3200 hexameter lines, it is the first of the Latin "Biblical epics" to appear in antiquity, and the first classicizing, hexameter poem on a Christian topic to appear in the western tradition. As such, it is an important text in literary and cultural history. This is the first English translation of the entire poem. The lack of a full English translation has kept many scholars and students, particularly those outside of Classics, and many educated general readers from discovering it. With a thorough introduction to aid in the interpretation and appreciation of the text this clear and accessible English translation will enable a clearer understanding of the importance of Juvencus' work to later Latin poetry and to the early Church.

The fascinating untold story of how the ancients imagined robots and other forms of artificial life-and even invented real automated machines The first robot to walk the earth was a bronze giant called Talos. This wondrous machine was created not by MIT Robotics Lab, but by Hephaestus, the Greek god of invention. More than 2,500 years ago, long before medieval automata, and centuries before technology made self-moving devices possible, Greek mythology was exploring ideas about creating artificial life-and grappling with still-unresolved ethical concerns about biotechne, "life through craft." In this compelling, richly illustrated book, Adrienne Mayor tells the fascinating story of how ancient Greek, Roman, Indian, and Chinese myths envisioned artificial life, automata, self-moving devices, and human enhancements-and how these visions relate to and reflect the ancient invention of real animated machines. As early as Homer, Greeks were imagining robotic servants, animated statues, and even ancient versions of Artificial Intelligence, while in Indian legend, Buddha's precious relics were defended by robot warriors copied from Greco-Roman designs for real automata. Mythic automata appear in tales about Jason and the Argonauts, Medea, Daedalus, Prometheus, and Pandora, and many of these machines are described as being built with the same materials and methods that human artisans used to make tools and statues. And, indeed, many sophisticated animated devices were actually built in antiquity, reaching a climax with the creation of a host of automata in the ancient city of learning, Alexandria, the original Silicon Valley. A groundbreaking account of the earliest expressions of the timeless impulse to create artificial life, Gods and Robots reveals how some of today's most advanced innovations in robotics and AI were foreshadowed in ancient myth-and how science has always been driven by imagination. This is mythology for the age of AI.

Thomas Harrison presents a study of the religious beliefs of the ancient Greek historian Herodotus - his beliefs in divine retribution, in oracles and divination, in miracles or in fate. The author shows not only how such beliefs were central to his work, but also how they were compatible with lived experience.

This is a study of Greek mythology in relation to its original contexts. Part one deals with the contexts in which myths were narrated: the home, public festivals, the lesche. Part two, the heart of the book, examines the relation between the realities of Greek life and the fantasies of mythology: the landscape, the family and religion are taken as case-studies. Part three focuses on the function of myth-telling, both as seen by the Greeks themselves and as perceived by later observers. The author sees his role as that of a cultural historian trying to recover the contexts and horizons of expectation which simultaneously make possible and limit meaning. He seeks to demonstrate how the seemingly endless variations of Greek mythology are a product of a particular community, situated in a particular landscape, and with these particular institutions.

The Greeks are on trial. They have been for generations, if not millennia, fromRome in the first century, to Romanticism in the nineteenth. We debate the place of the Greeks in the university curriculum, in New World culture--we even debate the place of the Greeks in the European Union. This book notices the lingering and half-hidden presence of the Greeks in some strange places--everywhere from the US Supreme Court to the Modern Olympic Games--and in so doing makes an important new contribution to a very old debate.

Greek Nymphs: Myth, Cult, Lore is the first comprehensive study of the nymph in the ancient Greek world. This well-illustrated book examines nymphs as both religious and mythopoetic figures, tracing their development and significance in Greek culture from Homer through the Hellenistic period. The book includes a survey of the evidence for myths and cults of the nymphs arranged by geographical region, as well as a special section on the worship of nymphs in caves throughout the Greek world.

Despite the rousing stories of male heroism in battles, the Trojan War transcended the activities of its human participants. For Homer, it was the gods who conducted and accounted for what happened. In the first part of this book, the authors find in Homer's "Iliad" material for exploring the everyday life of the Greek gods: what their bodies were made of and how they were nourished, the organization of their society, and the sort of life they led both in Olympus and in the human world. The gods are divided in their human nature: at once a fantasized model of infinite joys and an edifying example of engagement in the world, they have loves, festivities, and quarrels.
In the second part, the authors show how citizens carried on everyday relations with the gods and those who would become the Olympians, inviting them to reside with humans organized in cities. At the heart of rituals and of social life, the gods were omnipresent: in sacrifices, at meals, in political assemblies, in war, in sexuality. In brief, the authors show how the gods were indispensable to the everyday social organization of Greek cities.
To set on stage a number of gods implicated in the world of human beings, the authors give precedence to the feminine over the masculine, choosing to show how such great powers as Hera and Athena wielded their sovereignty over cities, reigning over not only the activities of women but also the moulding of future citizens. Equally important, the authors turn to Dionysus and follow the evolution of one of his forms, that of the phallus paraded in processions. Under this god, so attentive to all things feminine, the authors explore the typically civic ways of thinking about the relations between natural fecundity and the sexuality of daily life.

Exploring the Pagan Path brings together a number of well-known authors and other pioneers in the global Pagan community. Together, they take readers through the phases of exploring, learning, and living Paganism as they offer insight into the many facets of Pagan spirituality.

Winner of the Runciman Award Winner of the Charles J. Goodwin Award "Tells the story of how the Seleucid Empire revolutionized chronology by picking a Year One and counting from there, rather than starting a new count, as other states did, each time a new monarch was crowned...Fascinating." -Harper's In the aftermath of Alexander the Great's conquests, his successors, the Seleucid kings, ruled a vast territory stretching from Central Asia and Anatolia to the Persian Gulf. In 305 BCE, in a radical move to impose unity and regulate behavior, Seleucus I introduced a linear conception of time. Time would no longer restart with each new monarch. Instead, progressively numbered years-continuous and irreversible-became the de facto measure of historical duration. This new temporality, propagated throughout the empire and identical to the system we use today, changed how people did business, recorded events, and oriented themselves to the larger world. Some rebellious subjects, eager to resurrect their pre-Hellenic past, rejected this new approach and created apocalyptic time frames, predicting the total end of history. In this magisterial work, Paul Kosmin shows how the Seleucid Empire's invention of a new kind of time-and the rebellions against this worldview-had far reaching political and religious consequences, transforming the way we organize our thoughts about the past, present, and future. "Without Paul Kosmin's meticulous investigation of what Seleucus achieved in creating his calendar without end we would never have been able to comprehend the traces of it that appear in late antiquity...A magisterial contribution to this hitherto obscure but clearly important restructuring of time in the ancient Mediterranean world." -G. W. Bowersock, New York Review of Books "With erudition, theoretical sophistication, and meticulous discussion of the sources, Paul Kosmin sheds new light on the meaning of time, memory, and identity in a multicultural setting." -Angelos Chaniotis, author of Age of Conquests

Elisabeth Goldsmith begins Ancient Pagan Symbols with a poetic description of the creative forces of life and the metaphysical love affair between men and women, lingham and yoni, sun and moon--"sex. When first published in the 1920s, this book was thought scandalous, but it has endured generations to become one of the most important references for Pagan spiritualists.Goldsmith examines symbols found in the art and artifacts from across cultures and throughout history. Explanations reveal the symbolism of the elements, the lotus, the Tree of Life, the cross, the swastika, the trisula, and many more, fully illustrated and indexed for easy referral. "Traces interwoven symbolic correspondences among many countries. "Illustrated with symbols from many great pagan traditions including Egyptian, Greek, Roman, Nordic, Phoenician, Syrian, and many more.

Now in its eighth edition, this magisterial work offers a comprehensive survey of the stories of Greek myth, from the Olympian gods, through the lesser gods and deities, to the heroes, adventures, and foundation myths of the ancient Greek world. The Routledge Handbook of Greek Mythology sets out to provide a comprehensive history of the divine order and mythical prehistory of Greece, as systematized on a genealogical basis by Hesiod and the ancient mythographers, while also taking into account the ways in which individual myths have changed and evolved over time in different genres of literature. This new edition has been extensively rewritten and reorganized to make it more accessible to readers who may have no particular knowledge of the ancient world and Greek mythology, and to ensure that information on each myth or mythical figure is easy to find within the book. This new edition of the handbook continues to offer an essential reference resource for all students of Greek mythology, and it provides an accessible and comprehensive overview of these stories for anyone with an interest in the classical world.

Gnosticism is a countercultural spirituality that forever changed the practice of Christianity. Before it emerged in the second century, passage to the afterlife required obedience to God and king. Gnosticism proposed that human beings were manifestations of the divine, unsettling the hierarchical foundations of the ancient world. Subversive and revolutionary, Gnostics taught that prayer and mediation could bring human beings into an ecstatic spiritual union with a transcendent deity. This mystical strain affected not just Christianity but many other religions, and it characterizes our understanding of the purpose and meaning of religion today. In The Gnostic New Age, April D. DeConick recovers this vibrant underground history to prove that Gnosticism was not suppressed or defeated by the Catholic Church long ago, nor was the movement a fabrication to justify the violent repression of alternative forms of Christianity. Gnosticism alleviated human suffering, soothing feelings of existential brokenness and alienation through the promise of renewal as God. DeConick begins in ancient Egypt and follows with the rise of Gnosticism in the Middle Ages, the advent of theosophy and other occult movements in the nineteenth and early twentieth centuries, and contemporary New Age spiritual philosophies. As these theories find expression in science-fiction and fantasy films, DeConick sees evidence of Gnosticism's next incarnation. Her work emphasizes the universal, countercultural appeal of a movement that embodies much more than a simple challenge to religious authority.

Discover the celestial myths and cosmic rituals of ancient priests and kings . . .

Drawing on intimate knowledge of the more than 1,300 ancient sites he has visited, E. C. Krupp, acclaimed writer and preeminent researcher, takes you to the world's essential sacred places and celestial shrines. Join him on a rich narrative journey to see where the rulers of old communed with the gods of the sky.

"Highly recommended to everyone interested in the culture of astronomy and those peoples who practiced it in their own ways."—Sky & Telescope

"A lively account of the ways in which our ancestors conceived of and used the heavens."—New Scientist

"There can be no doubt that this imaginative and readable work by a widely read and widely traveled author will strike a chord in the minds of a great many modern readers."—Isis

"The fact that the book is written by an expert in his field comes through on every page, as does his enthusiasm for the subject."—Astronomy Now

"Krupp's indispensable volume is fascinating, well-illustrated, and covers much territory."—Parabola

This is a collection of essays by leading American and European scholars. Its purpose is to remedy the tendency among scholars working in Greek Religion to ignore the evidence for what have traditionally been called "magical" practices in ancient Greece. Because this neglect seems to arrive from adherence to a preconceived notion about a clear dichotomy between magical and religious ritual, the editors focus on the relationship between these two areas.

Gnosticism is a countercultural spirituality that forever changed the practice of Christianity. Before it emerged in the second century, passage to the afterlife required obedience to God and king. Gnosticism proposed that human beings were manifestations of the divine, unsettling the hierarchical foundations of the ancient world. Subversive and revolutionary, Gnostics taught that prayer and mediation could bring human beings into an ecstatic spiritual union with a transcendent deity. This mystical strain affected not just Christianity but many other religions, and it characterizes our understanding of the purpose and meaning of religion today. In The Gnostic New Age, April D. DeConick recovers this vibrant underground history to prove that Gnosticism was not suppressed or defeated by the Catholic Church long ago, nor was the movement a fabrication to justify the violent repression of alternative forms of Christianity. Gnosticism alleviated human suffering, soothing feelings of existential brokenness and alienation through the promise of renewal as God. DeConick begins in ancient Egypt and follows with the rise of Gnosticism in the Middle Ages, the advent of theosophy and other occult movements in the nineteenth and early twentieth centuries, and contemporary New Age spiritual philosophies. As these theories find expression in science-fiction and fantasy films, DeConick sees evidence of Gnosticism's next incarnation. Her work emphasizes the universal, countercultural appeal of a movement that embodies much more than a simple challenge to religious authority.