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Books > Music > Techniques of music > General
The beginning bass singer, with his range and tessitura at the
bottom end of the scale of voices, has unique difficulties finding
suitable vocal music, which is often very frustrating for him and
his teacher. As the young or beginning bass works and waits
patiently for his voice to develop, appropriate vocal literature
needs to be found which is within his present range and tessitura.
To address this problem, this new book lists selected songs
carefully chosen from the repertoire, with annotations. Some songs,
given as an illustration or example of what is appropriate, are
presented in their entirety. Each of these has its own background
material complete with interesting biographical information and
tips on interpretation. If the song is originally in a foreign
language a suitable English version is given as well. In addition,
the selected entries provide full access to suitable material;
annotations include composer, title, range, tessitura, tempo,
meter, difficulty, source, publisher, and pertinent comments. Also
includes indexes by composer, title, and publisher.
This new edition contains all the scales and arpeggios required for
ABRSM's Grade 2 Violin exam. Includes all Grade 2 scales and
arpeggios for the revised syllabus from 2012, with bowing patterns,
along with a helpful introduction including advice on preparing for
the exam.
This edition of Improve your sight-reading! Trombone Grades 1-5 has
been revised to support the ABRSM syllabus from 2022. It also
includes online audio of the 'going solo' pieces for students to
check their performances against. The ability to sight-read
fluently is a vital skill, enabling students to learn new pieces
more quickly and play with other musicians. The best-selling
Improve your sight-reading! series, by renowned educationalist Paul
Harris, is designed to develop sight-reading skills and improve
confidence. Step by step you build up a complete picture of each
piece, firstly through rhythmic and melodic exercises related to
specific technical issues, then by studying prepared pieces with
associated questions, and finally 'going solo' with a series of
meticulously graded sight-reading pieces.
(Waltons Irish Music Books). Everything you need to know about the
Irish mandolin, now an integral part of the Irish music scene. This
best-selling instruction book will take you from easy beginner's
exercises to advanced techniques.
Choral Treatises and Singing Societies in the Romantic Age charts
the interrelated beginning and development of choral methods and
community choruses beginning in the early nineteenth century. Using
more than one-hundred musical examples, illustrations, tables, and
photographs to document this phenomenon, author David Friddle
writes persuasively about this unusual tandem expansion. Beginning
in 1781, with the establishment of the first secular singing group
in Germany, Friddle shows how as more and more choral ensembles
were founded throughout Germany, then Europe, Scandinavia, and
North America, the need for singing treatises quickly became
apparent. Music pedagogues Hans Georg Nageli, Michael Traugott
Pfeiffer, and Johann Heinrich Pestalozzi invented the genre that
became modern choral methods; initially these books were
combinations of music fundamental primers, with frequent inclusion
of choral works intended for performance. Eventually authors
branched out into choral conducting textbooks, detailed
instructions on how to found such a community-based organization,
and eventually classroom music instruction. The author argues that
one of the greatest legacies of this movement was the introduction
of vocal music education into public schools, which led to greater
musical literacy as well as the proliferation of volunteer choirs.
All modern choral professionals can find the roots their career
during this century.
First Published in 1996. Routledge is an imprint of Taylor &
Francis, an informa company.
Specimen Aural Tests provide teachers and students with many
practice examples of the tests to use as part of a music lesson or
when preparing for an exam. This volume covers Grades 1-3 and
includes all new practice examples for each test in a range of
musical styles including answers where appropriate, and the
examiner rubrics (the exact words that will be used by the examiner
to deliver the tests), so that candidates can be fully prepared for
what will happen on the day. The Specimen Aural Tests volumes are
each available in versions with or without practice CDs.
Specimen Aural Tests provide teachers and students with many
practice examples of the tests to use as part of a music lesson or
when preparing for an exam. This volume covers Grade 8 and includes
all new practice examples for each test in a range of musical
styles including answers where appropriate, and the examiner
rubrics (the exact words that will be used by the examiner to
deliver the tests), so that candidates can be fully prepared for
what will happen on the day. The Specimen Aural Tests volumes are
each available in versions with or without practice CDs
Specimen Aural Tests provide teachers and students with many
practice examples of the tests to use as part of a music lesson or
when preparing for an exam. This volume covers Grades 4 & 5 and
includes all new practice examples for each test in a range of
musical styles including answers where appropriate, and the
examiner rubrics (the exact words that will be used by the examiner
to deliver the tests), so that candidates can be fully prepared for
what will happen on the day. The Specimen Aural Tests volumes are
each available in versions with or without practice CDs.
(Essential Elements Recorder). The new Essential Elements Classroom
Method for Recorder is designed for today's classroom, including
easy-to-use technology features that enhance the learning
experience for any teaching situation. Essential Elements for
Recorder is an effective tool for introducing or reinforcing
general music concepts, as an introduction to ensemble performance
(band, orchestra, and choir), or for individual or small group
instruction. Includes over 130 songs, instrument basics, music
reading, duets and rounds, music history, and a fingering chart.
A time-honored tradition just got better! The John W. Schaum Piano
Course has been newly revised with 100 percent new engravings and
typesetting, color highlighting for concept emphasis, updated song
titles and lyrics, and full-color illustrations. This is the Primer
level.
Cello Time Joggers is a landmark book in the popular Cello Time
series, which is enjoyed by students and teachers all over the
world. It contains Kathy and David Blackwell's trademark attractive
and engaging compositions that appeal to learners of all ages. This
book contains cello accompaniments for the tunes in Cello Time
Joggers. These fun, characterful duet parts are suitable for a
teacher or more advanced student, and will enhance lessons by
providing an alternative accompaniment option for these popular
pieces.
In The 21st-Century Voice: Contemporary and Traditional
Extra-Normal Voice, Michael Edward Edgerton considers contemporary
vocal techniques within an acoustic and anatomical framework.
Throughout, he proposes new directions for vocal exploration. Much
more than a historical treatise on 20th-century masterworks or
vocal science, The 21st-Century Voice explores experimental methods
of sound production, offering a systematic series of approaches and
methods for assessing, engaging, and, in some instances, overcoming
the assumed limits of vocal singing. Appearing a decade after the
publication of the first edition, this second edition draws on and
advances our current understandings of voice production. Divided
into four parts-air flow, source, resonance/articulation, and
heightened potentials-Edgerton considers crucial matters affecting
vocal production, such as 1.Registral challenges 2.Filtering
3.Airflow modification 4.Combinatorial, multiphonic principles
5.Extreme voice possibilities 6.Multidimensional vocal issues With
more than 250 illustrations, 150 associated audio tracks, an
extended appendix on voice science, a glossary of key terms, and
lists of representative compositions, The 21st-Century Voice will
appeal to composers and performers interested in exploring the
ever-broadening range of vocal possibilities. Its engagement with
the complexities of vocal production should also be relevant to
students and scholars of voice science, acoustics, linguistics,
computer modeling, and more.
Musical theatre students and performers are frequently asked to
learn musical material in a short space of time; sight-read pieces
in auditions; collaborate with accompanists; and communicate
musically with peers, directors, music directors and
choreographers. Many of these students and performers will have had
no formal musical training. This book offers a series of lessons in
music fundamentals, including theory, sight-singing and aural
tests, giving readers the necessary skills to navigate music and
all that is demanded of them, without having had a formal music
training. It focuses on the skills required of the musical theatre
performer and draws on musical theatre repertoire in order to
connect theory with practice. Throughout the book, each musical
concept is laid out clearly and simply with helpful hints and
reminders. The author takes the reader back to basics to ensure
full understanding of each area. As the concepts begin to build on
one another, the format and process is kept the same so that
readers can see how different aspects interrelate. Through
introducing theoretical ideas and putting each systematically into
practice with sight-singing and ear-training, the students gain a
much deeper and more integrated understanding of the material, and
are able to retain it, using it in voice lessons, performance
classes and their professional lives. The book is published
alongside a companion website, which offers supporting material for
the aural skills component and gives readers the opportunity to
drill listening exercises individually and at their own pace. Music
Fundamentals for Musical Theatre allows aspirational performers -
and even those who aren't enrolled on a course - to access the key
components of music training that will be essential to their
careers.
(Essential Elements). (Essential Elements for Band and Essential
Elements Interactive are fully compatible with Essential Elements
2000 ) Essential Elements for Band offers beginning students sound
pedagogy and engaging music, all carefully paced to successfully
start young players on their musical journey. EE features both
familiar songs and specially designed exercises, created and
arranged for the classroom in a unison-learning environment, as
well as instrument-specific exercises to focus each student on the
unique characteristics of their own instrument. EE provides both
teachers and students with a wealth of materials to develop total
musicianship, even at the beginning stages. Books 1 and 2 also
include access to Essential Elements Interactive (EEi), the
ultimate online music education resource - anywhere, anytime, and
on any device. Go to www.essentialelementsinteractive.com to learn
more Book 2 features: * Book 1 review section * Daily Warm-ups *
Rhythm Raps, sight-reading and improvisation * Theory, history and
multicultural music * Creativity and assessment *
Instrument-specific etudes * Rubank Studies and solo * 12 full band
arrangements, including a planned concert Book also includes My EE
Library* (www.myeelibrary.com) - Instant Stream/Download/CD*
...with Play-along mp3 tracks for ALL exercises, featuring a
professional player on each individual instrument * Internet access
required for My EE Library (book includes instructions to order
free opt. CD)
Hal Leonard proudly presents new "mini" editions of its
best-selling Real Books. These 5.5 x 8.5 little books pack a big
jazz punch; they include all 400 fantastic songs found in the 9 x
12 versions: All Blues * Au Privave * Autumn Leaves * Black Orpheus
* Bluesette * Body and Soul * Bright Size Life * Con Alma * Dolphin
Dance * Don't Get Around Much Anymore * Easy Living * Epistrophy *
Falling in Love with Love * Footprints * Four on Six * Giant Steps
* Have You Met Miss Jones? * How High the Moon * I'll Remember
April * Impressions * Lullaby of Birdland * Misty * My Funny
Valentine * Oleo * Red Clay * Satin Doll * Sidewinder * Stella by
Starlight * Take Five * There Is No Greater Love * Wave * and
hundreds more!
Give the reader the skill set needed to create brilliant jazz
compositions.
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