An important new resource for WPA preparation courses in rhetoric and composition PhD programs. In Going Public, Rose and Weiser moderate a discussion of the role of the writing program vis-a-vis the engagement movement, the service learning movement, and current interest in public discourse/civic rhetoric among scholars of rhetoric and composition. This is a thoughtful collection on the ways that engagement-focused programs may be changing conceptions of WPA identity. As institutions begin to include more explicit engagement with citizen and stakeholder communities as an element of their mission, writing program administrators find themselves with an opportunity to articulate the ways in which writing program goals and purposes significantly contribute to achieving these new institutional goals. Writing programs are typically situated at points where students make the transition from community to college (e.g., first-year composition) or from college to community (e.g. professional writing), and are already dedicated to developing literacies that are critically needed in communities.
In Going Public, Rose and Weiser locate their discussion in the context of three current conversations in higher education: 1) the engagement movement, particularly as this movement serves to address and respond to calls for greater accountability to broader publics; 2) recent interest in public discourse/civic rhetoric among scholars of rhetorical history and contemporary rhetorical theory; 3) the service learning movement in higher education, especially the ways in which college and university writing programs have contributed to this movement.
While there have been a number of publications describing service-learning and community leadership programs, most of these focus on curricular elements and address administrative issues, if at all, primarily from a curricular perspective. The emphasis of the current book is on the ways that engagement-focused programs change conceptions of WPA identity. Going Public, then, is not only a significant contribution to the scholarly literature, but also supplies an important new resource for WPA preparation courses in rhetoric and composition PhD programs.

This is an essential book for everyone who wants to write clearly about any subject and use writing as a means of learning.

Quality assurance has been a major issue in Higher Education discourse during the past decade. Evaluations, accreditations and assessments have almost become standard procedures within the framework of translation studies. This quest for quality has not only to integrate market needs and new market requirements, but also novel strategies in training - whereby training learners and trainers has to be given equal attention. Translation quality has become a key issue in the interlinguistic and intercultural communication market as well as in the translator education environment. It has to be looked upon as a multifaceted issue to which all major players have to contribute: institutes of higher education, labor market and individual translators. Within the framework of the CIUTI FORUM 2008, the speakers emphasized the different aspects of quality from the point of view of the trainer, the professional and the market. This volume tries to highlight all those quality issues from an international, interdisciplinary and multifaceted perspective.

Calling on the image of the Midwest s vanished inland sea, Susan Neville has written a compelling collection of essays that ponder writing and the "landlocked imagination." The essays range from interviews with Indiana writers Kurt Vonnegut, Scott Sanders, Marguerite Young, and others, to discussions on techniques grounded in a Midwestern sensibility. As director of Butler University s Visiting Writers Series, Neville has had the rare opportunity to converse with such literary giants as Salman Rushdie, Ray Bradbury, and Toni Morrison, and some of those exchanges have been incorporated into this exciting new collection."

The Cordell Collection of Dictionaries is the world's largest, with over 5100 pre-1901 titles and several thousand more from the twentieth century. A short-title catalog and a compilation of English-language holdings for the pre-1901 materials have been published previously, but here, for the first time, is an extensive conflated listing which interfiles foreign and English-language materials, and gives access to holdings through a date index, a language index, and a subject guide. Organized alphabetically by author (or by title for main-entry titles), the catalog's arrangement by-date under the main entry offers a sense of publishing history for individual lexicographers. The catalog not only contains exact information on the holdings at Indiana State University, but also provides guidance for the use of sources that may be available in other collections. The Warren N. and Suzanne B. Cordell Collection of Dictionaries, housed at Cunningham Memorial Library, Indiana State University, is the world's largest collection of dictionaries, with over 5100 pre-1901 titles and several thousand more from the twentieth century. A short title catalog and a compflation of English-language holdings for the pre-1901 materials have been published previously, but here, for the first time, is an extensive conflated listing which interfiles foreign and English-language materials, and gives access to holdings through a date index, a language index, and a subject guide. Organized alphabetically by author, editor, or compiler (or by title in the case of main-entry titles), the catalog's arrangement by-date under the main entry offers a sense of publishing history for individual lexicographers. The catalog not only contains exact information on the holdings at Indiana State University, but also provides guidance for the use of sources that may be available in less extensive collections. Aside from obvious utility in the areas of languages, linguistics, and lexicography, the catalog provides valuable information for research in other fields, particularly Western European political history and social anthropology. Designed for researchers and collectors alike, the work has been compressed into a convenient format. As descriptive information on individual titles has been sacrificed for completeness, researchers on English-language dictionaries may also wish to consult English-Language Dictionaries, 1604-1900, cataloged and compiled by Robert Keating O'Neill (Greenwood Press, 1988).

'As entertaining as it is engrossing' John Banville 'Enlightening, delightful' Arthur der Weduwen, author of The Library Why don’t eleven and twelve end in –teen? The rest of our counting system sits in neatly arithmetical sets of ten, so why do these two rulebreakers seem so at odds with the numbers that follow them? Admittedly, that’s probably a question that might never have occurred to you. But if you’re even remotely interested in the origins and oddities of language, it’s likely also a question you’re now intrigued to know the answer to. Nor is it the only question: take a moment to think about how our language operates and even more spring mind. Why do these letters look the way they do? Why are some uppercase and others lowercase? Why are these words in this order? How are you understanding what these seemingly arbitrary shapes and symbols mean, while doubtless hearing them read to you in a voice inside your head? And what is this question mark really doing at this end of this sentence? Books explaining the origins of our most intriguing words and phrases have long proved popular, but they often overlook the true nuts and bolts of language: the origins of our alphabet and writing system; grammatical rules and conventions; the sound structure of language; and even how our brains and bodies interpret and communicate language itself. Why Is This a Question? is a fascinating and enlightening exploration of linguistic questions you’ve likely never thought to ask. ‘Every page will make you stop, think and wonder.’ James Hawes, author of The Shortest History of England ‘Enthralling, with a riveting “who knew?� moment on nearly every page.’ Caroline Taggart, author of Humble Pie and Cold Turkey

". . . An essential, unique, and thoroughly 'user friendly' instructional reference and guide that should be an integral part of every author and every publisher's professional book marketing plan instructional reference collection." - Midwest Book Review Metadata Essentials: Proven Techniques for Book Marketing and Discovery provides clear and easy-to-implement recommendations so you can focus your efforts on the industry's most relevant metadata. Based on direct feedback from retailers and librarians, Metadata Essentials unlocks insights into the value and real-life uses of the metadata you spend so many precious hours editing and curating. Because it does matter. Enhance the metadata that yields proven results Boost title discovery Increase online conversion rates Save time and money

Handbook of Writing for the Mathematical Sciences provides advice on all aspects of scientific writing, with a particular focus on writing mathematics. Its readable style and handy format, coupled with an extensive bibliography and comprehensive index, make it useful for everyone from undergraduates to seasoned professionals. This third edition revises, updates, and expands the best-selling second edition to reflect modern writing and publishing practices and builds on the author’s extensive experience in writing and speaking about mathematics. Key features: coverage of fundamentals of writing, including English usage, revising a draft, and writing when your first language is not English; thorough treatment of mathematical writing, including how to choose notation, how to choose between words and symbols, and how to format equations; many tips for exploiting LATEX and BibTEX; advice on how to write and publish a paper, covering the entire publication process; and anecdotes, quotes, and unusual facts that enliven the presentation. The new edition: has been reorganized to make the book easier to use for reference; treats modern developments in publishing such as open access, DOIs, and ORCID; has a new chapter on workflow covering text editors, markup languages, version control, and much more; has a new chapter that discusses the principles of indexing and how to prepare an index in LATEX; has a new chapter on reviewing a paper, book proposal, or book; has a new chapter “Writing a Book� that includes advice on choosing a publisher and LATEX tips particular to books; contains more on poster design, and discusses e-posters and the poster blitz; and has a new chapter giving advice on writing a blog post.

You will never be lost for words in your travels around Spain and the Spanish islands again! Your ideal pocket-sized travel companion and the accompanying free ebook will ensure that you can say what you need in Spanish with ease and confidence. Reliable, portable and easy-to-use, this phrasebook is an indispensable travel companion as you deal with the situations that crop up every day on holiday; from finding a chic hotel, or hiring a car to explore the countryside, to choosing a local delicacy from the menu, and, of course, setting up your wifi. With helpful travel information and cultural tips, plus a 3000-word dictionary, make sure you don’t go anywhere without this little book – an essential guide to speaking and understanding Spanish when travelling in Spain and the Spanish islands. Access your free ebook at collins.co.uk/ebooks

Pablo Picasso's continued search for the essential features of perceived objects and his natural abidance to the general principles regulating artistic creation determined his intuitive analysis of the various stages of vision. His exploration of pictorial language is reflected in the well-established periods in the development of Cubism. Progressively, objects were analyzed first by their image (or retinal) and surface (or external) features as viewed from particular observer-oriented viewpoints during the Pre-Cubist and Cezannian Cubist stages; then by viewer-independent, structural features during Analytic Cubism; and finally by categorial features during Synthetic Cubism. This final re-evaluation allowed the artist to treat pictorial language as truly arbitrary, leading to metaphorical correlations between objects that went beyond what was actually depicted on the surface of the canvas.

Now more than ever, librarians need good communication skills. They are no longer unseen collectors, classifiers, and cultural guardians. Information professionals are doing more public speaking at conferences, in meetings, classes, book talks and countless other situations, but many of them dislike, even fear, the thought of getting up in front of a group of people and giving a presentation. Librarians and other information professionals can find in this work help in overcoming their hesitation. Part one offers basic principles for better speech preparation and delivery, discussing such topics as the importance of good listening skills to being a good speaker, doing the necessary research beforehand, applying organizational skills to a presentation, engaging an audience, practicing a presentation before actually giving it, and putting oneself at ease, among others. Part Two discusses the specific situations in which librarians often have to communicate, including interviews, interpersonal communication, library instruction, meetings and presentations to large groups.

“So often people ask me if there’s a book on story I can recommend. This is the one. I can’t recommend it highly enough.�––Alexa Junge, writer/producer, Friends, Sex and the City, The West Wing A master class of 27 lessons, drawn from 27 diverse narratives, for novelists, storytellers, filmmakers, graphic designers, and more. Author Daniel Joshua Rubin unlocks the secrets of what makes a story work, and then shows how to understand and use these principles in your own writing. The result is “an invaluable resource� (Publishers Weekly, starred review), offering priceless advice like escalate risk, with an example from Pulp Fiction. Write characters to the top of their intelligence, from the Eminem song “Stan.� Earn transformations, from Alison Bechdel’s Fun Home. Attack your theme, from The Brothers Karamazov. Insightful, encouraging, filled with attitude, and, as Booklist puts it, “perfect for any writer looking to ensure their stories operate and resonate at the top of their potential,� this book gives contemporary storytellers of all kinds a lifeline of inspiration and relatable instruction. “[The] new bible of lessons and practices for creators.�––Library Journal “Not a ‘how-to,’ thank God, but a ‘here’s why.’ Writers of all levels of experience will benefit from reading––and then rereading––this elegant exploration of the principles of storytelling.�––Traci Letts, Pulitzer and Tony Award-winning playwright “A godsend for storytellers in all media. It will help you decide what to write and then show you, step by step, how to tackle virtually any problem you face.�––Anna D. Shapiro, Tony Award-winning director, August: Osage County

There are few systematic guides to the language used by the generation that fought the American Civil War. In the 150 years since the great conflict, our language has changed, and as meanings have become obscure or lost, links with this vibrant past have dissolved and much of that which had meaning to our forefathers no longer has the same meaning to us.

What did it mean to cross the bar""? What did it mean ""to see the elephant"" or ""to go South""? Why did the armies have so-called ninety-day men and hundred-day men? What were soldiers supposed to do when their commander shouted, ""Let her go, Gallagher""? How did one ""pay tribute to Neptune""? What was a ""picket pin""? Could one make a passable meal of ""possum beer"" and ""secession bread""? How did one ""vibrate the lines, "" and why would anyone want to attempt such a maneuver?

To address this need, Webb Garrison has pored over his notes from more than thirty years of research and study to produce this dictionary and encyclopedia of words and phrases (including nicknames and slang) commonly used during the war. Where appropriate, examples and anecdotes are included to illustrate meanings. Often overlooked naval terms and esoteric formal and informal military expressions are addressed as well as short descriptions of oceangoing vessels and river craft.

More than 2,500 entries and 250 illustrations cover the terms, equipment, and organization of the three million soldiers who fought in the war.""

This book focuses on teaching English as a FL to young learners in the Primary school. Set within a Vygotskian framework, it describes a longitudinal classroom-based research project carried out in Spain with children aged between 8 and 10. After

Learn to dot your I's and cross your T's with this hands-on grammar practice The rules of grammar can seem abstract and confusing. But putting them into practice will help you understand and retain grammatical conventions. In Grammar: 1001 Practice Questions For Dummies, you'll get the step-by-step and hands-on experience you need to improve your conjugations, gerund use, punctuation, and more. Each practice question includes detailed explanations and solutions available both in the book and online. The book also includes: Intuitive questions on everything from Oxford commas to verb tense Free, one-year access to all 1,001 practice questions online, and the ability to create customized quizzes and study sessions Detailed explanations for every question to help build your understanding Ideal for self-paced learning and as a companion for students in grammar and English classes in high school and college, Grammar: 1001 Practice Questions For Dummies (+ Free Online Practice) is a must-have resource to improve your written and spoken English communication. Grammar: 1001 Practice Questions For Dummies (9781119883746) was previously published as 1,001 Grammar Practice Questions For Dummies (9781118745014). While this version features a new Dummies cover and design, the content is the same as the prior release and should not be considered a new or updated product.

This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer. Based on their experience as professional writers and as teachers in a large, successful screenwriting program at California State University, Northridge, the authors provide a progression of assignments at manageable screenwriting lengths for beginners. They lead students through development of a premise, treatment, stepsheet, and, finally, miniscreenplay--essential elements in writing a longer script.

A major feature of the text is the use of many example scenes from contemporary and classic American films, such as On the Waterfront, Kramer vs. Kramer, The Godfather, The Graduate, Tootsie, and more. Other scenes are drawn from international films and dramatic literature. The criticism of these scenes invites students to develop their own comparative models, while simultaneously providing exposure to the central analytical terms of good dramatic writing.

The authors also place screenwriting within the larger tradition of dramatic writing in order to put the beginning writer in touch with the wealth of art, experience, and practical ideas the drama contains. They provide an up-to-date, practical discussion of marketing and copywriting a screenplay, with addresses of relevant professional societies. Most importantly, they never offer an ill-advised shortcut or restrict students to only one way of thinking about a character, situation, or scene. In The Understructure of Writing for Film & Television, the student's thought and creativity are central.

Grammar Books/Grammar Workbooks include additional presentation and practice for grammar topics covered in the Student's Book.

In this book, Alexander Ross highlights how creative entrepreneurs saved the Hollywood studios in the 1970s by establishing the calculated blockbuster, consisting of key replicable markers of success, as Hollywood's preeminent business model. Ross demonstrates how visionary individuals such as Coppola, Spielberg, Lucas, and Zemeckis helped create the modern, calculated blockbuster business model (BBM). However, with the rise of streaming giants such as Netflix and the studios struggling to compete, many consumers of entertainment now elect to partake from the comfort of their homes, making the difference between “cinema� and “television� anachronistic. Revisiting the history of those pioneering 1970s blockbusters, Ross offers distinct analysis about whether or not the calculated blockbuster can continue to lead, or whether the streamers will continue to generate their own content and, eventually, fully control the dissemination process. Scholars of film studies, screenwriting, and popular culture will find this book of particular interest

Jane Davenport's stunning journal will send women on a satisfying journey of self-discovery. Bombarded by constant demands from work, home, family, friends, and social media, women crave the opportunity to slow down and reflect on what is truly important. Journaling is a proven therapeutic process that promotes well-being and sparks creativity, but newcomers can feel intimidated the first time they face a blank page. Where should they begin? Imagine Out Loud combines famed artist Jane Davenport's inspirational artwork, trademark "Jane-isms," and quotations with compelling journaling prompts. Readers will be moved to write, make lists, doodle, and draw. Designed to encourage introspection and self-discovery, Imagine Out Loud will be a constant companion in the search for creative and personal fulfillment.

Story and Structure tells the untold story of how story works. Using just six primary symbols, author Leon Conrad outlines eighteen story structures and shows how they all optimally solve the problems which give rise to them. The book also demonstrates the much wider application of story, presenting new insights into story as a dynamic force of life, allowing the reader to access more harmony and flow in their life. Writers, storytellers, creative writing teachers, folklorists, narrative therapists, anthropologists, poets, and readers interested in how story works will all find this book useful and informative. Rethink your idea of story.

Throughout the nineteenth century, miners were given virtually free rein to profit without having to worry about impacts to the land, water, and air. But during the twentieth century, the mining industry has evidenced serious concerns about its effects on the environment. Since the 1960s, mining and its consequences have become heated issues of public debate and legislative reform. By the mid-1970s, a number of industry hard-liners were still clinging to nineteenth-century values, but many more were accepting the legacy of mining's past and were beginning to integrate preservation and reclamation into their plans. 'Mining America" is a vivid account of the damage wrought by almost two centuries of mining, but its main focus is on the conflicting attitudes behind the destruction and on society's responses. Veteran author and historian Duane Smith asserts that the marriage of mining and environmental issues was bound to touch America's sensitive pocketbook nerve -- but the question now is, are all groups willing to pay the price?

The home of trusted full-colour visual dictionaries for everyday use. A photographic guide to the key words and phrases in Spanish. This attractive pocket-sized book is a perfect travel companion and provides a practical guide to Spain and Spanish language and culture. Everyday words are arranged in themes with carefully selected up-to-date images to illustrate key words and phrases, and an English and Spanish index help you to find words quickly as you learn. 3,000 essential words and phrases for modern life in Spain are at your fingertips with topics covering food and drink, home life, work and school, shopping, sport and leisure, transport, technology, and the environment. Great care has been given to represent modern Spanish culture and enhance your experience of Spain and its people, including customs, celebrations, and festivals. Plus, download your free audio to hear native speakers pronounce the word for each image and get your pronunciation pitch perfect, available from collinsdictionary.com/resources#visual Collins and Quizlet have teamed up to bring you expert-created digital learning resources like pre-made flashcards, quizzes and games to help you master the vocabulary shown in Collins Spanish Visual Dictionary. Quickly learn the vocabulary with one of Quizlet's seven different study modes. Visit quizlet.info/collins-spanish to see why 50 million students and teachers use Quizlet each month.

'It's fantastic ... Exactly the book that everybody needs...' Simon Mayo _____ Sometimes we all need a little reminder that it's going to be okay... Open The Cabinet of Calm to discover a comforting word that's equal to your troubles. The Cabinet of Calm has been designed to be picked up whenever you need a moment of serenity. Just select the emotion listed that reflects whatever you're feeling and you'll be offered a matching linguistic remedy: fifty-one soothing words for troubled times. These kind words - alongside their definitions and their stories - will bring peace, comfort and delight, and provide fresh hope. Written with a lightness of touch, The Cabinet of Calm shows us that we're not alone. Like language, our emotions are universal: someone else has felt like this before and so there's a word to help, whatever the challenge. So much more than a book of words, The Cabinet of Calm will soothe your soul and ease your mind. It's the perfect gift. _____ From inside The Cabinet Of Calm... 'RESPAIR': a word for a renewed or reinvigorated hope, or a recovery from anguish or hopelessness. 'WORLDCRAFT': a collective term for the unique skills, wisdom and experience that an older person has amassed in their lifetime. 'MELIORISM': the belief that all things, no matter how bad, can always be improved - given enough determination from people willing to improve them. 'SYMMACHY': the act of joining or working together to produce a stronger force than could ever be managed individually - especially in order to overcome something that affects us all.