Sinne und Emotion bilden das Prisma jeder Selbst- und Welterfahrung und pragen die im Individuum verankerte Subjektivitat. Der russische Emigrationsschriftsteller Gajto Gazdanov (1903-1971) ruckt Wahrnehmungen so stark in den Vordergrund, dass die Handlung oft von einem UEbermass an Deskription in den Hintergrund gedrangt wird. Diese Studie beleuchtet Motive sinnlicher und emotionaler Erfahrung unter Berucksichtigung interdisziplinarer Konzepte aus Psychologie, Psychoanalyse, Philosophie und den Naturwissenschaften und fragt nach der Systematik ihrer motivischen Reprasentation, ihrer Wechselbeziehung sowie eines davon abzuleitenden Weltbilds. Das Forschungsfeld eroeffnet Zugang zu Mechanismen der empirischen Realitat, was auch fur andere Disziplinen neue Perspektiven und Erkenntnisse verspricht.

For those who have progressed beyond introductory lessons, "Intermediate Creek" offers an expanded understanding of the language and culture of the Muskogee (Creek) and Seminole Indians. The first advanced textbook for the language, this book builds on the grammatical principles set forth in the authors' earlier book, "Beginning Creek: Mvskoke Emponvkv," providing students with knowledge crucial to mastering more-complex linguistic constructions.

Here are clear, comprehensive explanations of linguistic features such as the use of plural subject and object noun phrases; future tense and intentive mood; commands and causatives; postpositions and compound noun phrases; locatives; and sentences with multiple clauses. Linguistic anthropologist Pamela Innes and native speakers Linda Alexander and Bertha Tilkens have organized the book much as they did "Beginning Creek." Each chapter begins with a presentation of the grammatical points to be learned, followed by new vocabulary, exercises, an essay relating the material to Muskogee and Seminole life, and suggested readings. Numerous diagrams and tables aid understanding, while an audio CD contains examples of spoken Mvskoke--conversations, a story, and a lullaby--and demonstrates the cadence and intonations of the language.

Given resurgent interest in the Mvskoke language but a paucity of classroom resources for advanced study, "Intermediate Creek" not only offers a practical means for learning but also marks a significant step in preserving and revitalizing an important Native language.

Fifteen sparkling works of inside-out reportage--"Harper's" own house brand of "Submersion Journalism"--an unapologetically aggressive approach to reporting in an age of lies.
""A dazzling intellectual immersion....Consistently challenging, even demanding, Harper's power is in its ability to cause sometimes subtle, sometimes seismic shifts in a reader's world view.""--National Magazine Award citation for General Excellence, 2006
Over the past several years, "Harper's Magazine" has fostered an exciting brand of journalism, participatory, sometimes even undercover, in approach. The magazine's correspondents have infiltrated the Republican machine, from its lowliest canvassing operation to its corporate and evangelical elite, and they have posed as shady clients for sleazy blue-chip lobbying firms. They have shot machine guns, lounged in Vegas brothels, and peered into secret tunnels in Mexicali. They have terrorized art museums and touched off worldwide fads.
"Submersion Journalism" collects the best of this reportage--by celebrated authors (William T. Vollmann, Barbara Ehrenreich) and fresh new voices (Wells Tower, Jake Silverstein) alike--in a book that serves not just as a collection of striking stories but also as a proclamation in favor of truth-telling instead of managed "news" and PR spin. The book is a defense of the radically first-person dispatch, filed from exactly those points of view where a reporter is not supposed to be.
With articles by Charles Bowden, Adam Davidson, Barbara Ehrenreich, Steve Featherstone, Kristoffer A. Garin, Gary Greenberg, Jay Kirk, Willem Marx, Morgan Meis, Jeff Sharlet, Jake Silverstein, Ken Silverstein, Wells Tower, William T.Vollmann, Bill Wasik

Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster's Aspects of the Novel and Lajos Egri's Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere.

The most up-to-date two-way Icelandic dictionary available, from the author of popular textbook Beginner’s Icelandic! Icelandic is a North-Germanic language related to Norwegian, Danish and Swedish. The language can be traced back to Old Norse brought by settlers from Norway in the 9th and 10th centuries. Old Norse is the language of the Icelandic Sagas and these works from the Middle ages can be read by Icelandic speakers today with little difficulty as the written language has not changed drastically over the centuries. Ideal for businesspeople, travelers, and students, this dictionary features: Over 18,000 word-to-word entries, including common words as well as technical, legal, business and locally-specific terms (such as cities, foods, and cultural terms) Guides to the Icelandic alphabet and pronunciation Practical usage guide which outlines the parts of speech Due in large part to Iceland’s isolation and remote location, the linguistic changes that occurred in other Scandinavian languages are not seen in Icelandic, which still has complicated grammar systems such as four cases for nouns and three genders (male, female, and neuter). The Icelandic literary tradition is a large part of the nation’s culture and understanding the language is a necessity to learning more about Iceland.  

1.200 Jahre Rechtssprache in Mitteleuropa. Die Geschichte der Wortbedeutungen wird mit einer Fülle von Quellenfunden aus den verschiedenen Jahrhunderten belegt. Begriffe wie Neidbau oder Obsentropf , Birngericht oder Mundraub bekamen im Gebrauch der Rechtssprache ihre besondere Bedeutung.

Animation is one of the fastest growing mediums in the film and television world – whether it’s Frozen or Paw Patrol, Family Guy or Rick and Morty. This book is the definitive guide to storytelling for writers, directors, storyboard artists and animators. Suitable for both the student and the professional, it provides indispensable knowledge on the entire process of writing for animated movies, TV series and short films. The reader will be provided with all the tools necessary to produce professional quality scripts that will start, or further, their career in animation. Beginning with the fundamentals of ‘why animation?’ this book will lead the reader through a series of principles that will raise the level of their storytelling. These principles are tried and tested on a daily basis by the authors who have a twenty-year track record in the animation industry. Many people are trying to break into the world of writing for animation and a lot of the people who are ‘already in’ would like to get more work. The reality is that writing for animation is a very specific craft that can be learnt like any other craft. This book will give the reader both the basic and advanced techniques that will put them ahead of the rest of the field.

Sumerian was the first language to be put into writing (ca. 3200–3100 BCE), and it is the language for which the cuneiform script was originally developed. Even after it was supplanted by Akkadian as the primary spoken language in ancient Mesopotamia, Sumerian continued to be used as a scholarly written language until the end of the first millennium BCE. This volume presents the first comprehensive English-language scholarly lexicon of Sumerian. This dictionary covers all the nuances of meaning for Sumerian terms found in historical inscriptions and literary, administrative, and lexical texts dating from about 2500 BCE to the first century BCE. The entries are organized by transcription and are accompanied by the transliteration and translation of passages in which the term occurs and, where relevant, a discussion of the word’s treatment in other publications. Main entries bring together all the parts of speech and compound forms for the Sumerian term and present each part of speech individually. All possible Akkadian equivalents and variant syllabic renderings are listed for lexical attestations of a word, and a meaningful sample of occurrences is given for literary and economic passages. Entries of homonyms with different orthographies and unrelated words with the same orthography are grouped together, each being assigned a unique identifier, and the dictionary treats the phoneme /dr/ as a separate consonant. Written by one of the foremost scholars in the field, An Annotated Sumerian Dictionary is an essential reference for Sumerologists and Assyriologists and a practical help to students of ancient cultures.

A study at many levels of Scott’s long poem Coming to Jakarta, a book-length response to a midlife crisis triggered in part by the author’s initial inability to share his knowledge and horror about American involvement in the great Indonesian massacre of 1965. Interviews with Ng supply fuller information about the poem’s discussions of: a) how this psychological trauma led to an explorations of violence in American society and then, after a key recognition, in the poet himself; b) the poem's look at east-west relations through the lens of the yin-yang, spiritual-secular doubleness of the human condition; c) how the process of writing the poem led to the recovery of memories too threatening at first to be retained by his normal presentational self, and d) the mystery of right action, guided by the Bhagavad Gita and the maxim in the Gospel of Thomas that "If you bring forth what is within you, what you bring forth will save you.� Led by the interviews to greater self-awareness, Scott then analyses his poem as also an elegy, not just for the dead in Indonesia, but “for the passing of the Sixties era, when so many of us imagined that a Movement might achieve major changes for a better America.� Subsequent chapters develop how human doubleness can lead to an inner tension between the needs of politics and the needs of poetry, and how some poetry can serve as a non-violent higher politics, contributing to the evolution of human culture and thus our “second nature.� The book also reproduces a Scott prose essay, inspired by the poem, on the U.S. involvement in and support for the 1965 massacre. It then discusses how this essay was translated into Indonesian and officially banned by the Indonesian dictatorship, and how ultimately it and the poem helped inspire the ground-breaking films of Josh Oppenheimer that have led to the first official discussions in Indonesia of what happened in 1965.

1.300 Jahre Rechtsgeschichte in Mitteleuropa im Spiegel der Rechtssprache! Die Geschichte der Wortbedeutungen wird mit einer Fülle von Quellenfunden aus den verschiedenen Jahrhunderten belegt. Begriffe wie Neidbau oder Obsentropf, Birngericht oder Mundraub bekamen im Gebrauch der Rechtssprache ihre besondere Bedeutung. Eine Fundgrube der deutschen und westgermanischen Rechts-, Sprach- und Kulturgeschichte!

Every book has a story of its own, a path leading from the initial idea that sparked it to its emergence into the world in published form. No two books follow quite the same path, but all are shaped by a similar array of market forces and writing craft concerns, as well as by a cast of characters stretching beyond the author. Behind the Book explores how eleven contemporary first-time authors, in genres ranging from post-apocalyptic fiction to young adult fantasy to travel memoir, navigated these pathways with their debut works. Based on extensive interviews with the authors, it covers the process of writing and publishing a book from beginning to end, including idea generation, developing a process, building a support network, revising the manuscript, finding the right approach to publication, building awareness, and ultimately moving on to the next project. It also includes insights from editors, agents, publishers, and others who helped to bring these projects to life. Unlike other books on writing craft, Behind the Book looks at the larger picture of how an author's work and choices can affect the outcome of a project. The authors profiled in each story open up about their challenges, mistakes, and successes. While their paths to publication may be unique, together they offer important lessons that authors of all types can apply to their own writing journeys.

A unique and invaluable reference book for learners and Welsh speakers alike on the intricacies of modern colloquial and idiomatic Welsh, it includes guidance on pronunciation, idioms, proverbs, dialects, slang and swear words with extensive reference to modern Welsh writing throughout. An updated version of Dweud eich Dweud (Gomer, 2001).

** PRE-ORDER NIGHTS OF PLAGUE, THE NEW NOVEL FROM ORHAN PAMUK ** Winner of the Nobel Prize for Literature 'Engaging, brilliant' Guardian 'A talkative, tender meditation' Financial Times 'Every novelist will want to read this' Daily Telegraph What happens within us when we read a novel? And how does a writer create its unique effects? In this thoughtful and deeply personal book, Orhan Pamuk takes us into the worlds of the writer and reader, revealing their intimate connections. How is it that novels conjure landscapes so vivid they can make the here-and-now fade away, and characters so complex we feel we know them beyond the page? With Tolstoy, Dostoevsky, Stendhal, Flaubert and Proust as companions, Pamuk considers the 'sweet illusion' of the fictional world, and the hold it exerts upon us. Anyone who has known the pleasure of becoming immersed in a novel will enjoy, and learn from, this perceptive and enchanting book.