Being There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history’s greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby’s triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers’s last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts. Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes substantial changes to Kosinki’s; and a final draft written by Jones with Ashby’s assistance, which makes further structural and narrative changes. Additionally, the book features facsimile pages from one of Kosinski's copy of the scripts that include handwritten notes, providing readers with valuable insight into the redrafting process. For each version, Ashby scholar Aaron Hunter adds perceptive analysis of the script’s development, the relationships of the writers who worked on it, and key studio and production details. This is both a presentation of the script of Being There, and a record of the process of crafting that script – a text that will be of interest to film fans and scholars as well as writers and teachers of screenwriting. Evolution of a Screenplay is the first book of its kind to so amply demonstrate the creative development of a Hollywood script.

The Kodansha Kanji Dictionary-a revised, expanded edition of Jack Halpern's groundbreaking New Japanese-English Character Dictionary-is the most complete, linguistically accurate, and up-to-date dictionary of its kind. The culmination of more than twenty years of labor-some one hundred man-years-this authoritative and easy-to-use dictionary has been celebrated the world over by students and teachers of the Japanese language for its wealth of detailed information on the meanings and usages of Sino-Japanese characters.
One of the unique features that has made this dictionary so popular is the core meaning, a concise keyword that facilitates an instant grasp of the fundamental concept of each kanji. Along with detailed character meanings, the core meaning helps learners decode unfamiliar compound words from the meanings of their components.
Another unique feature is the System of Kanji Indexing by Patterns (SKIP), a revolutionary indexing system that makes it possible to locate entries as quickly and as accurately as in alphabetical dictionaries. With SKIP, all you need to do to find a kanji is identify the geometrical pattern to which it belongs, then count the strokes in each part of that pattern-a much speedier process than searching by traditional methods such as by radical.
Updates include the integration of 5,458 entry characters-almost 20 percent more than in the first edition. This includes all the government-prescribed Joyo and Jinmei Kanji, as well as extensive coverage of old and alternative character forms. The new edition also features more readings, meanings, synonym articles, usage notes, and vocabulary items than before. And, in keeping with modern Japanese-language curricula, character and compound readings are shown in kana instead of romanized Japanese.
With its wealth of detailed and up-to-date information on kanji meanings, readings, and usages, its accessible new design, its convenient lookup methods (six including SKIP), and its added content, this dictionary is certain to satisfy the needs of students, teachers, scholars, translators-anyone who uses the Japanese language.