The aim of this book is to provide the student of Japanese with a simple method for correlating the writing and the meaning of Japanese characters in such a way as to make them both easy to remember. It is intended not only for the beginner, but also for the more advanced student looking for some relief from the constant frustration of forgetting how to write the kanji, or for a way to systematize what he or she already knows. The author begins with writing the kanji because—contrary to first impressions—it is in fact simpler than learning how to the pronounce them. By ordering the kanji according to their component parts or “primitive elements,� and then assigning each of these parts a distinct meaning with its own distinct image, the student is led to harness the powers of “imaginative memory� to learn the various combinations that make up the kanji. In addition, each kanji is given its own key word to represent the meaning, or one of the principal meanings, of that character. These key words provide the setting for a particular kanji’s “story,� whose protagonists are the primitive elements. In this way, one is able to complete in a few short months a task that would otherwise take years. Armed with the same skills as Chinese or Korean students, who know the meaning and writing of the kanji but not their Japanese pronunciations, one is then in a much better position to learn the readings (which are treated in a separate volume).Remembering the Kanji has helped tens of thousands of students advance towards literacy at their own pace, and to acquire a facility that traditional methods have long since given up on as all but impossible for those not raised with the kanji from childhood. The 6th edition has been updated to include the 196 new kanji approved by the government in 2010 as “general-use� kanji.

1.200 Jahre Wortgeschichte in Mitteleuropa. Viele Begriffe wie Obsentropf , Birngericht oder Mundraub bekamen im Gebrauch der Rechtssprache ihre besondere Bedeutung. Mit einer Fülle von Quellenfunden aus den verschiedenen Jahrhunderten werden sie hier belegt. Oder was meint der Begriff Schulklopfer ? Diese und viele andere Fragen beantwortet das Deutsche Rechtswörterbuch.

Was hat Liebe mit Recht zu tun? Was ist ein Schnappreitel ? Diese und andere Fragen beantwortet das Deutsche Rechtswörterbuch, das neben juristischen Fachbegriffen auch Wörter der Alltagssprache in rechtlichem Kontext erklärt. Über 1.200 Jahre Wortgeschichte anhand von Belegen aus der gesamten westgermanischen Sprachfamilie.

Modern mainstream journalism faces a very real disturbance of its foundational premise that credible news is gathered and articulated from an objective stance. This volume offers new examinations of how the traditional notion of objectivity is changing as professional journalists grapple with a rapidly evolving news terrain--one that has become increasingly crowded by those with no journalistic credentials. Examining historical antecedents, current dilemmas with objectivity, international aspects, and theoretical considerations, contributors makes the unique case that the journalist's impulse to hold onto objectivity, and to ignore the increasing amount of subjectivities to which citizens are attuned, actually contributes to the news media's disconnect from today's news consumer. By revealing how traditional journalism needs to incorporate ""post-objective"" stances, these essays stimulate further thought and conversation about news with a view in both theory and practice.

As a prominent conductor, composer, commentator and music educator, pianist, and writer, Leonard Bernstein has inspired numerous scholarly contributions. Being a composer of both concert music and musical theater, his output encompassed many different facets: from small-scale instrumental character pieces to symphonies, musicals to operas, pop songs to art song cycles, as well as ballets, film music, and Mass, a work that does not fit any category. Historical Dictionary of Leonard Bernstein contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries encompassing people whom he befriended or worked with, institutions, orchestras, performance venues, cities, compositional methods, and compositions. This book is an excellent resource for students, researchers, and anyone wanting to know more about Leonard Bernstein.

A manual for screenwriters and filmmakers, in the form of notes, on how to take your career from amateur writer to proThis book does not explain how to write a screenplay but is rather astep-by-step, common sense guide on how writers can best present themselves to the industry. Designed for the enthusiastic amateur preparing to be a professional, it provides insider confidences, from established industry players to peers. The book assumes that the reader is vigorously writing and ready to commit to a career. A revelation for all would-be screenwriters, this is a guide to living the screenwriter's life--the habits, writing atmospheres, creative processes, daily passions, and preoccupations. It explores new opportunities within the digital platform as well as how to maximize networking opportunities. This book is an essential armament in any screenwriter's store.

The Cordell Collection of Dictionaries is the world's largest, with over 5100 pre-1901 titles and several thousand more from the twentieth century. A short-title catalog and a compilation of English-language holdings for the pre-1901 materials have been published previously, but here, for the first time, is an extensive conflated listing which interfiles foreign and English-language materials, and gives access to holdings through a date index, a language index, and a subject guide. Organized alphabetically by author (or by title for main-entry titles), the catalog's arrangement by-date under the main entry offers a sense of publishing history for individual lexicographers. The catalog not only contains exact information on the holdings at Indiana State University, but also provides guidance for the use of sources that may be available in other collections. The Warren N. and Suzanne B. Cordell Collection of Dictionaries, housed at Cunningham Memorial Library, Indiana State University, is the world's largest collection of dictionaries, with over 5100 pre-1901 titles and several thousand more from the twentieth century. A short title catalog and a compflation of English-language holdings for the pre-1901 materials have been published previously, but here, for the first time, is an extensive conflated listing which interfiles foreign and English-language materials, and gives access to holdings through a date index, a language index, and a subject guide. Organized alphabetically by author, editor, or compiler (or by title in the case of main-entry titles), the catalog's arrangement by-date under the main entry offers a sense of publishing history for individual lexicographers. The catalog not only contains exact information on the holdings at Indiana State University, but also provides guidance for the use of sources that may be available in less extensive collections. Aside from obvious utility in the areas of languages, linguistics, and lexicography, the catalog provides valuable information for research in other fields, particularly Western European political history and social anthropology. Designed for researchers and collectors alike, the work has been compressed into a convenient format. As descriptive information on individual titles has been sacrificed for completeness, researchers on English-language dictionaries may also wish to consult English-Language Dictionaries, 1604-1900, cataloged and compiled by Robert Keating O'Neill (Greenwood Press, 1988).

1.200 Jahre Rechtssprache in Mitteleuropa. Die Geschichte der Wortbedeutungen wird mit einer Fülle von Quellenfunden aus den verschiedenen Jahrhunderten belegt. Begriffe wie Neidbau oder Obsentropf , Birngericht oder Mundraub bekamen im Gebrauch der Rechtssprache ihre besondere Bedeutung.

1.300 Jahre Rechtssprache in Mitteleuropa. Die Geschichte der Wortbedeutungen wird mit einer Fülle von Quellenfunden aus den verschiedenen Jahrhunderten belegt. Begriffe wie Neidbau oder Obsentropf, Birngericht oder Mundraub bekamen im Gebrauch der Rechtssprache ihre besondere Bedeutung.

A New Yorker Best Book of 2022 A Globe & Mail Book of the Year "A stimulating work on the politics of language." LA Review of Books As globalisation continues languages are disappearing faster than ever, leaving our planet's linguistic diversity leaping towards extinction. The science of how languages are acquired is becoming more advanced and the internet is bringing us new ways of teaching the next generation, however it is increasingly challenging for minority languages to survive in the face of a handful of hegemonic 'super-tongues'. In Speak Not, James Griffiths reports from the frontlines of the battle to preserve minority languages, from his native Wales, Hawaii and indigenous American nations, to southern China and Hong Kong. He explores the revival of the Welsh language as a blueprint for how to ensure new generations are not robbed of their linguistic heritage, outlines how loss of indigenous languages is the direct result of colonialism and globalisation and examines how technology is both hindering and aiding the fight to prevent linguistic extinction. Introducing readers to compelling characters and examining how indigenous communities are fighting for their languages, Griffiths ultimately explores how languages hang on, what happens when they don't, and how indigenous tongues can be preserved and brought back from the brink.

The Church of Jesus Christ of Latter-day Saints is a Christian church that was organized by six men in western New York in 1830 under the leadership of Joseph Smith, the church has grown to more than 16 million members today. A restoration of the primitive church organized by Jesus Christ in the first century C. E., the church’s membership was originally all Americans. The church is now, however, a worldwide church with more members who live outside the United States than inside. The fourth edition of Historical Dictionary of the Latter-day Saints contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on the important people, ideas, doctrine, and events during the hundred-ninety year history of The Church of Jesus Christ of Latter-day Saints. This book is an excellent resource for students, researchers, and anyone wanting to know more about The Church of Jesus Christ of Latter-day Saints.

Why do some books grab you from the very first line?What did Aristotle have to say about the art of telling stories?Is there a secret structure to stories known by all the best writers? In this neat pocket book, English lecturer Amy Jones describes the clever narrative scaffolds used for thousands of years by novelists and scriptwriters. With helpful examples, diagrams and cartoons, this is an essential reference guide for writers of all ages and disciplines. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

The 10-lesson (5 CDs) Basic Course gives customers the chance to test drive the incredibly effective and efficient, world-famous Pimsleur Comprehensive Program. A real try it before you buy it deal. Customers will love the experience of acquiring the essential grammar and vocabulary of Russian, during the spoken practice sessions. It is this ease of language acquisition that makes the full Comprehensive Pimsleur Program so popular and successful for adult language learners.

Olá! From ordering vinho verde in the Douro Valley to making new friends in Lisbon, it helps to speak some of the native tongue in Portugal. Rick Steves offers well-tested Portuguese words and phrases that come in handy in a variety of situations. Inside you'll find: Key phrases for use in everyday circumstances, complete with phonetic spellingAn English-Portuguese and Portuguese-English dictionaryTips for small talk and local lingo with Rick's signature sense of humorA tear-out cheat sheet for continued language practice as you relax on the beach (no internet connection required!) Informative, concise, and practical, Rick Steves Portuguese Phrase Book & Dictionary is an essential item for any traveler's pocket.

In the first half of the eighteenth century, rival dynasties of Naqshbandi Sufi shaykhs vied for influence in the Tarim Basin, part of present-day Xinjiang. In the 1750s, the collapse of the Junghar Mongol state gave one branch of this family an opportunity to assert their independence in the oasis cities of Kashgar and Yarkand. Others sided with the armies of the Qing dynasty, which were massing on the frontiers to invade. The ensuing conflict saw the region incorporated into the expanding Qing imperium. Three decades afterward, Muḥammad Ṣadiq Kashghari was commissioned to write an account of these Naqshbandi Sufis and their downfall. Blending the genres of collective biography and historical epic, mixing prose and verse, Kashghari’s text vividly depicts religious and political conflicts on the eve of the Qing conquest. It became the most popular and influential Chaghatay-language work to grapple with this divisive period. This volume presents the complete, long recension of In Remembrance of the Saints, translated for the first time into any Western language and extensively annotated with reference to both Islamic and Qing sources. The introduction situates the work in the Inner Asian tradition of Sufi biography and discusses the political factors shaping historical memory in Qianlong-era Xinjiang. Providing a rare local perspective on China’s expansion into Muslim borderlands, this translation sheds light on Xinjiang’s political and religious traditions and makes a foundational work of Inner Asian literature available to students and scholars.

¿Qué Hay? is the market-leading Spanish course for 11-14-year-olds across the Caribbean. Newly updated, it is as relevant and lively as ever. Workbook 3 in this series is for use alongside Student Book 3, offering students even more opportunity to practice and develop key skills through a variety of fun and engaging exercises.

Was hat Liebe mit Recht zu tun? Was ist ein Sackmann? Wozu diente ein Reibnagel? Diese und tausende andere Fragen beantwortet das Deutsche Rechtswörterbuch. Das Deutsche Rechtswörterbuch (DRW) ist ein nützliches Instrument für (fast) jeden historisch arbeitenden Wissenschaftler. Erfasst es doch weit über das enge Korsett seines Namens hinaus die gesamte ältere deutsche Sprache, soweit sie in weiterem Sinne rechtliche Relevanz hat. Das DRW enthält somit neben juristischen Fachbegriffen alle Wörter der Alltagssprache, sofern sie in rechtlichen Kontexten auftreten. So wird beispielsweise das Adjektiv nackt behandelt aufgrund seiner rechtsrelevanten Bedeutung als Indiz für einen Ehebruch. Ob dies nun der Müller ist, der Reichserbkammertürhüter oder der Sautter (Schneider): Bekannte und unbekannte Berufe, Ämter und Dienstbezeichnungen werden angeführt, sobald sich ein rechtlicher Kontext belegen lässt. Die Wörter werden in ihren unterschiedlichsten Bedeutungen erklärt, Beispiele für ihre Verwendung unter Berücksichtigung regionaler Besonderheiten aufgelistet. Das bearbeitete Quellencorpus reicht hierbei vom Beginn der schriftlichen Überlieferung im 6. Jahrhundert bis etwa 1800. Der Begriff Deutsch wird zudem weit gefasst; nach der Theorie des 19. Jahrhunderts, in dem das DRW konzipiert wurde, diente er als Oberbegriff für die gesamte westgermanische Sprachfamilie, so dass selbst die friesische, niederländische, altsächsische und angelsächsische noch der deutschen sprache in engerm sinn zufallen , wie Jacob Grimm 1854 definiert hat. Längst haben daher neben den Rechtshistorikern die Sprachwissenschaftler das DRW als wichtige Informationsquelle für sich entdeckt. Aber auch für quellennah arbeitende Historiker, Kunsthistoriker, Religionshistoriker und Archivare ist das DRW ein vielfach gebrauchtes Hilfsmittel. Obgleich primär der Rechtsgeschichte verhaftet, war das Deutsche Rechtswörterbuch von Anfang an interdisziplinär aufgestellt. Der Gründungs

A fascinating comparative account of sacred languages and their role in and beyond religion written for a broad, interdisciplinary audience Sacred languages have been used for foundational texts, liturgy, and ritual for millennia, and many have remained virtually unchanged through the centuries. While the vital relationship between language and religion has been long acknowledged, new research and thinking across an array of disciplines including religious studies, sociolinguistics, sociology, linguistics, and even neurolinguistics has resulted in a renewed interest in the area. This fascinating and informative book draws on Christian, Islamic, Hindu, Judaic, and Buddhist traditions to provide a concise and accessible introduction to the phenomenon of sacred languages. The book takes a strongly comparative, wide-ranging approach to exploring ways in which ancient religious languages, such as Latin, Pali, Church Slavonic, and Hebrew continue to shape the beliefs and practices of religious communities around the world. Informed by both comparative religion and sociolinguistics, it traces the histories of sacred languages, the myths and doctrines that explain their origin and value, the various ways they are used, the sectarian debates that shadow them, and the technological innovations that propel them forward in the twenty-first century. * A comprehensive but succinct account of the role and importance of language within religion * Takes an interdisciplinary approach which will appeal to students and scholars across an array of disciplines, including religious studies, sociology of religion, sociolinguistics, and linguistics * Provides a strongly comparative exploration, drawing on Christian, Islamic, Hindu, Judaic, and Buddhist traditions * Uses numerous examples and ties historic debates with contemporary situations * Satisfies the rapidly growing demand for books on the subject among both academics and general readers Sacred Languages of the World is a must-read for students of religion and language, scripture, religious literacy, education and language, the sociology of religion, sociolinguistics. It will also have strong appeal among general readers with an interest comparative religion, history, cultural criticism, communication studies, and more.

This compact but complete guide shows that less is more—with fewer extraneous details getting in the way of students trying to learn on the run, it allows them to focus on the most important principles of effective technical communication. The Concise Guide takes a rhetorical approach to technical communication; instead of setting up a list of rules that you should apply uniformly to all writing situations, it introduces students to the bigger picture of how the words they write can affect the people intended to use them. Assignments and exercises are integrated throughout to reinforce and test knowledge.

The Ching Room A pitch-black two-hander set in a toilet cubicle. Rory realises he is out of his depth once he becomes trapped by the terrifying and enigmatic drug-dealer, Darren.  Cast size: 2M. “Has subtle depth as a meditation on drug culture… The character of Darren is a demon for our times.� The Scotsman “Exudes the same sort of self-assurance as Gregory Burke’s debut, Gagarin Way… You can see real talent at work here.� Metro “As tight as a short drama set in a toilet cubicle should be…A curiously compelling little play… A script riddled with priceless back-alley gems.� The Herald “It’s exciting, totally absorbing theatre.� City Life, Manchester Turbo Folk A sharp look at Scottish nationality at home and abroad. Set in the sort of bar you wouldn’t take tourists to, in an unspecified Balkan country, Turbo Folk earned Bissett a nomination for Best New Play at the 2010 Critics’ Awards for Theatre in Scotland (CATS).  Cast size: 3M. “Tells its story with pace and economy and delivers a real and frightening dramatic punch… The games Bissett plays with language are dazzling.� The Scotsman

kira-kira (kee ra kee ra): glittering; shining Glittering. That's how Katie Takeshima's sister, Lynn, makes everything seem. The sky is "kira-kira" because its color is deep but see-through at the same time. The sea is "kira-kira" for the same reason. And so are people's eyes. When Katie and her family move from a Japanese community in Iowa to the Deep South of Georgia, it's Lynn who explains to her why people stop on the street to stare. And it's Lynn who, with her special way of viewing the world, teaches Katie to look beyond tomorrow. But when Lynn becomes desperately ill, and the whole family begins to fall apart, it is up to Katie to find a way to remind them all that there is always something glittering -- "kira-kira" -- in the future.

An engaging and authoritative introduction to an increasingly important and popular literary genre Prose Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.

This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer. Based on their experience as professional writers and as teachers in a large, successful screenwriting program at California State University, Northridge, the authors provide a progression of assignments at manageable screenwriting lengths for beginners. They lead students through development of a premise, treatment, stepsheet, and, finally, miniscreenplay--essential elements in writing a longer script.

A major feature of the text is the use of many example scenes from contemporary and classic American films, such as On the Waterfront, Kramer vs. Kramer, The Godfather, The Graduate, Tootsie, and more. Other scenes are drawn from international films and dramatic literature. The criticism of these scenes invites students to develop their own comparative models, while simultaneously providing exposure to the central analytical terms of good dramatic writing.

The authors also place screenwriting within the larger tradition of dramatic writing in order to put the beginning writer in touch with the wealth of art, experience, and practical ideas the drama contains. They provide an up-to-date, practical discussion of marketing and copywriting a screenplay, with addresses of relevant professional societies. Most importantly, they never offer an ill-advised shortcut or restrict students to only one way of thinking about a character, situation, or scene. In The Understructure of Writing for Film & Television, the student's thought and creativity are central.

What makes a woman kill? And how does it feel to share a cell with a murderer?

Carla van der Spuy visits four correctional facilities for females across South Africa and gets inside the heads of women who committed violent crimes. She visits the babies born behind bars, celebrates Christmas with the inmates and chats face to face with women who killed with knives, guns and the help of hit men, as well as a cleptomaniac and a prostitute. Women with blood on their hands.

What went so terribly wrong in their lives? And is there a person behind the criminal?

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