The Science of Writing Characters is a comprehensive handbook to help writers create compelling and psychologically-credible characters that come to life on the page. Drawing on the latest psychological theory and research, ranging from personality theory to evolutionary science, the book equips screenwriters and novelists with all the techniques they need to build complex, dimensional characters from the bottom up. Writers learn how to create rounded characters using the 'Big Five' dimensions of personality and then are shown how these personality traits shape action, relationships and dialogue. Throughout The Science of Writing Characters, psychological theories and research are translated into handy practical tips, which are illustrated through examples of characters in action in well-known films, television series and novels, ranging from Three Billboards Outside Ebbing Missouri and Game of Thrones to The Bonfire of the Vanities and The Goldfinch. This very practical approach makes the book an engaging and accessible companion guide for all writers who want to better understand how they can make memorable characters with the potential for global appeal.

This biographical guide introduces readers to the writers behind the most popular, influential, and provocative work in the field of science fiction. 100 Most Popular Science Fiction Authors: Biographical Sketches and Bibliographies gives readers a chance to learn more about the extraordinary writers behind the mind-bending major works in the speculative genre. The 100 authors in this volume are the most accomplished in the field—popular with readers, influential to other authors, and favorites among educators and librarians. 100 Most Popular Science Fiction Authors provides a brief biography for each writer, a guide to his or her writings, and a list of recent interviews and essays for further research. Coverage of each author's career includes highlights of awards won as well as work in other popular media such as movies, television, graphic novels and game-playing. As the book clearly demonstrates, science fiction is a genre that doesn't stand still. The authors here range from the classical era to the mid-20th-century Golden Age of Science Fiction, to the popular young writers who have taken the genre, and its readers, into the 21st century.

This dictionary is the first to deal comprehensively with the history of counseling in the United States for the last 100 years and with the professional, ethical, and legal aspects of counseling. The introduction describes the development of counseling since 1900 in this country, defines the major theoretical approaches to counseling through the years, describes the counseling process and characterizes counseling approaches at different stages in a person's life, and talks about client and counselor relationships. The 279 entries that make up the main body of the book cover a broad range of terms, concepts, theories, approaches, strategies, key people and organizations, various types of groups and problems, and major issues. Internal cross-references between entries and a general index make this dictionary easily accessible for students, scholars, and practitioners in counseling in the fields of psychology and education. Short lists of important sources for further reading that accompany the different entries add to the usefulness of this research tool.

Whether you are a beginner or an accomplished professional, whether your field is fiction, nonfiction or journalism, Sol Stein's Solutions for Writers is an indispensable guide to enhancing your work. In Stein's own words, 'This is not a book of theory': just practical, immediately useful solutions to help with every type of writing problem. From shaping an opening sentence that hooks the reader to the secret of successful revision, deft character development to pumping up pacing, Solutions for Writers contains a wealth of wisdom from one of publishing's most storied editors. Packed with ideas, examples of techniques in practice, and advice that shines a new light on craft, Sol Stein's writing guide is a timeless classic - a book for writers to mark up, dog-ear, and cherish.

Many books have been written about the press and terrorism – particularly since September 11th – but this is the first press-focused exploration of their relationship. Drawing upon the history of terrorism, mass communication research, media theory, and journalism practice, this book examines how the press reports terrorism, and how that reporting varies depending on the medium and location. Examining the differences in reporting – globally and historically within different media and government systems – Terrorism and the Press provides insights for how, in the future, we can better navigate the relationship between the press, government, and audience when terrorists attack.

This collection comprises selected essays from a conference held at Chawton House Library in March 2006. It focuses on women writers as translators who interpreted and mediated across cultural boundaries and between national contexts in the period 1700-1900. In this period, which saw women writers negotiating their right to central positions in the literary marketplace, attitudes to and enthusiasm for translations were never fixed. This volume contributes to our understanding of the waxing and waning of the importance of translation in the eighteenth and nineteenth centuries. Rejecting from the outset the notion of translations as 'defective females', each essay engages with the author it discusses as an innovator, and investigates to what extent she viewed her labours not as hack-work, nor as an interpretation of the original text, but rather as a creative original. Authors discussed are from Britain, France, Germany, Spain, Turkey and North America and include figures now best known for their other publications, such as Mary Wollstonecraft, Isabelle de Charriere, Therese Huber and Elizabeth Barrett Browning as well as lesser-known writers such as Fatma Aliye, Anna Jameson and Anne Gilchrist.

This first systematic critique on the rhetoric of 21 presidents shows how political constraints shaped rhetoric and how oratory shaped politics. An introduction places American public address in the context of classical rhetorical practices and theory and sets the stage for the bio-critical essays about presidents ranging from Washington to Clinton. Experts analyze the style and use of language, important speeches and their impact, and their ethical ramifications. Each essay on a president also keys major speeches to authoritative texts and offers a chronology and bibliography of primary and secondary sources. For students, teachers, and professionals in American public address, political communication, and the presidency.

From the winner of the 2014 Regional Emmy Award for A Farm Winter with Jerry Apps Jerry Apps, renowned author and veteran storyteller, believes that storytelling is the key to maintaining our humanity, fostering connection, and preserving our common history. In Telling Your Story, he offers tips for people who are interested in telling their own stories. Readers will learn how to choose stories from their memories, how to journal, and find tips for writing and oral storytelling as well as Jerry's seasoned tips on speaking to a live radio or TV audience. Telling Your Story reveals how Jerry weaves together his stories and teaches how to transform experiences into cherished tales. Along the way, readers will learn about the value of storytelling and how this skill ties generations together, preserves local history, and much more.

A collection of interviews that chronicles the work of a new network of female intellectuals and activists who have transformed African publishing across the twenty-first century.

The rise of woman-led literary initiatives across the last two decades - from Blackbird Books in South Africa to Ake Arts and Book Festival in Nigeria - has led to major literary-publishing shifts.

Bringing together voices from the African diaspora and the African continent; these conversations speak in vital ways to the successes and challenges of this ongoing and transformative literary moment.

This volume consists of fifteen essays by leading scholars dealing with the Victorian editor and his influence on the culture of his time. The first section analyzes the relationship between Victorian editors and their audience. The essays show how editors effectively balanced fiction and politics, how social change effected periodical publishing, and how editors dealt with Victorian sexual and moral preoccupations. The second section places the editor in the context of his profession. By focusing on specific editors and their journals, the third section sheds additional light on the themes developed in the first two. To complete the book, a bibliographic essay offers new information about the published sources available for further research on the nineteenth-century editor.

How does a vicar differ from a rector? Is a marquis a lord? Where are the Home Counties? Is someone who is dead chuffed happy or angry? Americans reading British literature, come upon such unfamiliar terms and generally have to rely on contextual clues. For the legions of readers of Dickens and Trollope, of Agatha Christie, John LeCarre, and P.D. James, of Muriel Spark and Iris Murdoch, of Noel Coward and Tom Stoppard--to name a few--as well as viewers of British film and television imports, this helpful and entertaining guide defines the kinds of things that British authors thought needed no explanation.

Part dictionary, part guidebook, part almanac, part gazetter, part history, part sociology, this lexicon has no specialty, for it deals with British culture in general. David Grote's guiding principle was to select terminology with the potential to confuse readers who know only American English. Consequently, the volume is organized as a dictionary, with entries for concepts, items, and names that might create confusion. Entries are arranged alphabetically, from ten basic categories: (1) titles, ranks, and honours; (2) widely used words not part of the typical American vocabulary; (3) words used differently in America and Britain; (4) customs, terminology, and activities of daily life not shared by Americans; (5) governmental organizations; (6) political and legal customs and methods; (7) communities, and places often used in literary works; (8) foods and common commercial products; (9) common animals and plants not found in the same form in America; and (10) basic social practices that differ considerably from modern American practice. Ideally kept on hand for ready referral when immersed in fictional Britain, this dictionary will make for many enjoyable hours of random or systematic browsing. A true companion to British literature, its concern is not authors and literary history, but the slang, bureaucracy, stereotypes of places, food and products used in daily life, social organization, and hundreds of such homespun items.