The home of trusted Spanish dictionaries for everyday language learning. An up-to-date easy-reference Spanish to English and English to Spanish Collins dictionary and a user-friendly grammar guide in one handy volume. A clear layout, cultural notes and an easy-to-use, revised grammar section make this the ideal Spanish reference for intermediate learners. Designed for intermediate learners of Spanish, whether at school, at home, or for business. 80,000 references and 120,000 translations will help those learning Spanish take their language skills to the next level. This edition has been revised and updated to offer extensive and relevant coverage of today's English and Spanish, with thousands of phrases and examples guiding the user to the most appropriate translation. A comprehensive grammar guide which presents detailed examples and translations to help users understand Spanish grammar – the perfect complement to the dictionary. The clear Collins typography gives the text a contemporary feel, and along with the new alphabet tabs, ensures that users find the information they need quickly and easily.

The Science of Writing Characters is a comprehensive handbook to help writers create compelling and psychologically-credible characters that come to life on the page. Drawing on the latest psychological theory and research, ranging from personality theory to evolutionary science, the book equips screenwriters and novelists with all the techniques they need to build complex, dimensional characters from the bottom up. Writers learn how to create rounded characters using the 'Big Five' dimensions of personality and then are shown how these personality traits shape action, relationships and dialogue. Throughout The Science of Writing Characters, psychological theories and research are translated into handy practical tips, which are illustrated through examples of characters in action in well-known films, television series and novels, ranging from Three Billboards Outside Ebbing Missouri and Game of Thrones to The Bonfire of the Vanities and The Goldfinch. This very practical approach makes the book an engaging and accessible companion guide for all writers who want to better understand how they can make memorable characters with the potential for global appeal.

The Collins COBUILD Primary Learner's Dictionary is an engaging illustrated dictionary aimed at learners of English aged 7 and over. The dictionary has been specially created for primary school students, whose first language is not English, but who attend English-language schools. Ideal for young learners of English and primary school students who are studying through the medium of English, the Collins COBUILD Primary Learner’s Dictionary has been extensively updated to cover all the essential words, phrases, and idioms that students need to learn. The definitions are written using simple language and the dictionary contains thousands of examples of real English, showing the learner how English is really used. New to this edition is the inclusion of CEFR levels, helping learners to focus on the words that are most important. Throughout the dictionary, learners will find hundreds of line drawings illustrating key terms, and there is also a useful full colour illustrated supplement of essential topics. Updated to include over 10,000 entries, the dictionary also includes a wide range of cross-curricular (CLIL) vocabulary items, which will help students studying English build their academic vocabulary, as well as gain confidence in writing and speaking English inside and outside the classroom. With a range of helpful worksheets as well as additional audio and video resources available online on www.collins.co.uk/eltresources, the Collins COBUILD Primary Learner’s Dictionary is the ideal reference tool for young learners of English.

This biographical guide introduces readers to the writers behind the most popular, influential, and provocative work in the field of science fiction. 100 Most Popular Science Fiction Authors: Biographical Sketches and Bibliographies gives readers a chance to learn more about the extraordinary writers behind the mind-bending major works in the speculative genre. The 100 authors in this volume are the most accomplished in the field—popular with readers, influential to other authors, and favorites among educators and librarians. 100 Most Popular Science Fiction Authors provides a brief biography for each writer, a guide to his or her writings, and a list of recent interviews and essays for further research. Coverage of each author's career includes highlights of awards won as well as work in other popular media such as movies, television, graphic novels and game-playing. As the book clearly demonstrates, science fiction is a genre that doesn't stand still. The authors here range from the classical era to the mid-20th-century Golden Age of Science Fiction, to the popular young writers who have taken the genre, and its readers, into the 21st century.

This dictionary is the first to deal comprehensively with the history of counseling in the United States for the last 100 years and with the professional, ethical, and legal aspects of counseling. The introduction describes the development of counseling since 1900 in this country, defines the major theoretical approaches to counseling through the years, describes the counseling process and characterizes counseling approaches at different stages in a person's life, and talks about client and counselor relationships. The 279 entries that make up the main body of the book cover a broad range of terms, concepts, theories, approaches, strategies, key people and organizations, various types of groups and problems, and major issues. Internal cross-references between entries and a general index make this dictionary easily accessible for students, scholars, and practitioners in counseling in the fields of psychology and education. Short lists of important sources for further reading that accompany the different entries add to the usefulness of this research tool.

Many books have been written about the press and terrorism – particularly since September 11th – but this is the first press-focused exploration of their relationship. Drawing upon the history of terrorism, mass communication research, media theory, and journalism practice, this book examines how the press reports terrorism, and how that reporting varies depending on the medium and location. Examining the differences in reporting – globally and historically within different media and government systems – Terrorism and the Press provides insights for how, in the future, we can better navigate the relationship between the press, government, and audience when terrorists attack.

This collection comprises selected essays from a conference held at Chawton House Library in March 2006. It focuses on women writers as translators who interpreted and mediated across cultural boundaries and between national contexts in the period 1700-1900. In this period, which saw women writers negotiating their right to central positions in the literary marketplace, attitudes to and enthusiasm for translations were never fixed. This volume contributes to our understanding of the waxing and waning of the importance of translation in the eighteenth and nineteenth centuries. Rejecting from the outset the notion of translations as 'defective females', each essay engages with the author it discusses as an innovator, and investigates to what extent she viewed her labours not as hack-work, nor as an interpretation of the original text, but rather as a creative original. Authors discussed are from Britain, France, Germany, Spain, Turkey and North America and include figures now best known for their other publications, such as Mary Wollstonecraft, Isabelle de Charriere, Therese Huber and Elizabeth Barrett Browning as well as lesser-known writers such as Fatma Aliye, Anna Jameson and Anne Gilchrist.

From the winner of the 2014 Regional Emmy Award for A Farm Winter with Jerry Apps Jerry Apps, renowned author and veteran storyteller, believes that storytelling is the key to maintaining our humanity, fostering connection, and preserving our common history. In Telling Your Story, he offers tips for people who are interested in telling their own stories. Readers will learn how to choose stories from their memories, how to journal, and find tips for writing and oral storytelling as well as Jerry's seasoned tips on speaking to a live radio or TV audience. Telling Your Story reveals how Jerry weaves together his stories and teaches how to transform experiences into cherished tales. Along the way, readers will learn about the value of storytelling and how this skill ties generations together, preserves local history, and much more.

The chapters in this book were first presented at the Women in French Biennial Conference held in Leeds in May 2004. The twelve essays explore the multifaceted commodification of the female body and provide insights into the mutations of French society and culture. British and French scholars examine the paradoxes and contradictions embodied in various images and discourses related to health and illness from different perspectives, ranging from sociological studies to analyses of working diaries, children's medical encyclopaedias and literary texts. The 'resilient female body' as epitomised by the First World War nurse tends by the end of the twentieth century to be construed as the 'sanitised female body', subjected to mind/body dualities largely controlled by the medical professions. Thus, maternity and related issues such as birth and contraceptive technologies figure as major themes with contributors revealing unresolved ambivalences. Other chapters focus on how women's economic activity can affect their individual health and, potentially, that of others. A further prominent theme shows how, for contemporary women writers, serious illnesses such as cancer and madness in women can be seen as rich metaphors for the ills of a male-dominated society. Duras's alcoholism and Aragon's portrayals of prostitution are also discussed.

The essays in this volume consider a range of negotiations around francophone identity in Canada (Quebec, Acadia, Ontario, Saskatchewan), in the Caribbean, in Belgium and in Switzerland, and also with regard to Jewishness within European and Canadian

This volume consists of fifteen essays by leading scholars dealing with the Victorian editor and his influence on the culture of his time. The first section analyzes the relationship between Victorian editors and their audience. The essays show how editors effectively balanced fiction and politics, how social change effected periodical publishing, and how editors dealt with Victorian sexual and moral preoccupations. The second section places the editor in the context of his profession. By focusing on specific editors and their journals, the third section sheds additional light on the themes developed in the first two. To complete the book, a bibliographic essay offers new information about the published sources available for further research on the nineteenth-century editor.

The concept of the user is not a well-established sociological concept even though the

How does a vicar differ from a rector? Is a marquis a lord? Where are the Home Counties? Is someone who is dead chuffed happy or angry? Americans reading British literature, come upon such unfamiliar terms and generally have to rely on contextual clues. For the legions of readers of Dickens and Trollope, of Agatha Christie, John LeCarre, and P.D. James, of Muriel Spark and Iris Murdoch, of Noel Coward and Tom Stoppard--to name a few--as well as viewers of British film and television imports, this helpful and entertaining guide defines the kinds of things that British authors thought needed no explanation.

Part dictionary, part guidebook, part almanac, part gazetter, part history, part sociology, this lexicon has no specialty, for it deals with British culture in general. David Grote's guiding principle was to select terminology with the potential to confuse readers who know only American English. Consequently, the volume is organized as a dictionary, with entries for concepts, items, and names that might create confusion. Entries are arranged alphabetically, from ten basic categories: (1) titles, ranks, and honours; (2) widely used words not part of the typical American vocabulary; (3) words used differently in America and Britain; (4) customs, terminology, and activities of daily life not shared by Americans; (5) governmental organizations; (6) political and legal customs and methods; (7) communities, and places often used in literary works; (8) foods and common commercial products; (9) common animals and plants not found in the same form in America; and (10) basic social practices that differ considerably from modern American practice. Ideally kept on hand for ready referral when immersed in fictional Britain, this dictionary will make for many enjoyable hours of random or systematic browsing. A true companion to British literature, its concern is not authors and literary history, but the slang, bureaucracy, stereotypes of places, food and products used in daily life, social organization, and hundreds of such homespun items.