This Memoir covers Judge Tebbutt’s career as a radio and television commentator, advocate, judge, judge president of Botswana, businessman (managing director of Syfrets), chairman of the UCT Convocation, charity fund-raiser and public figure. Judge Tebbutt was interviewed on his career by Prof Michael Bruton at Nicolas Ellenbogen’s Orange Theatre recently in front of an appreciative audience who showed interest in the forthcoming Memoir.

Nina G bills herself as "The San Francisco Bay Area's Only Female Stuttering Comedian." On stage, she encounters the occasional heckler, but off stage she is often confronted with people's comments toward her stuttering; listeners completing her sentences, inquiring, "Did you forget your name?" and giving unwanted advice like "slow down and breathe" are common. (As if she never thought about slowing down and breathing in her over thirty years of stuttering!) When Nina started comedy nearly ten years ago, she was the only woman in the world of stand-up who stuttered--not a surprise, since men outnumber women four to one amongst those who stutter and comedy is a male-dominated profession. Nina's brand of comedy reflects the experience of many people with disabilities in that the problem with disability isn't in the person with it but in a society that isn't always accessible or inclusive.

This book explores representations of race and ethnicity in contemporary cinema and the ways in which these depictions all too often promulgate an important racial ideology: the myth of colorblindness. Colorblindness is a discursive framework employed by mainstream, neoliberal media to celebrate a multicultural society while simultaneously disregarding its systemic and institutionalized racism. This collection is unique in its examination of such films as Ex Machina, The Lone Ranger, The Blind Side, Zootopia, The Fast and the Furious franchise, and Dope, which celebrate the myth of colorblindness, yet perpetuate and entrench the racism and racial inequities that persist in contemporary society. While the #OscarsSoWhite movement has been essential to bringing about structural changes to media industries and offers the opportunity for a wide diversity of voices to alter and transform the dominant, colorblind narratives continue to proliferate. As this book demonstrates, Hollywood still has a long way to go.

This innovative book examines the discourse of reality television, and the elasticity of language in the popular talent show The Voice from a cross-cultural perspective. Analysing how and why elastic language is used in persuasion and comforting, a comparison between Chinese and English is made, and the authors highlight the special role that elastic language plays in effective interactions and strategic communication. Through the lens of the language variance of two of the world's most commonly spoken languages, the insights and resources provided by this book are expected to advance knowledge in the fields of contrastive pragmatics and cross-cultural communication, and inform strategies in bridging different cultures. This study highlights the need to give the elastic use of language the attention it deserves, and reveals how language is non-discrete and strategically stretchable. This book will be of interest to academics and postgraduate students engaged in elastic/vague language studies, cross-cultural pragmatics, media linguistics, discourse analysis, sociolinguistics and communication studies.

Applying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films. 'Iris Tuan's book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known (Shakespeare's Romeo & Juliet, Disney's The Lion King) while others little known outside their place of origin (such as the Hakka Theatre of Taiwan) -- all are approached by the author with enthusiasm.' -Susan Bennett, Professor of English, University of Calgary, Canada 'Tuan takes us through multiple examples of contemporary popular performance in theatre/film/TV ranging from "high" art sources (Shakespeare or Journey to the West in films, Hirata's robotic theatre experiments) to "low" (Taiwanese TV soap operas Hakka Theatre: Roseki and Story of Yangxi Palace, Korean film Along with the Gods: The Two Worlds). The reader moves at a speed-dating pace through contemporary culture production and interpretive theories, encountering significant works, controversies (i. e., yellow face), and conundrums selected from China, Korea, Japan and the U. S. and filtered through a Taiwanese female gaze.' -Kathy Foley, Professor of Theatre Arts, University of California Santa Cruz, USA

Vocal, Instrumental, and Ensemble Learning and Teaching is one of five paperback books derived from the foundational two-volume Oxford Handbook of Music Education. Designed for music teachers, students, and scholars of music education, as well as educational administrators and policy makers, this third volume in the set emphasizes the types of active musical attributes that are acquired when learning an instrument or to sing, together with how these skills can be used when engaging musically with others. These chapters shed light on how the field of voice instruction has changed dramatically in recent decades and how physiological, acoustical, biomechanical, neuromuscular, and psychological evidence is helping musicians and educators question traditional practices. The authors discuss research on instrumental learning, demonstrating that there is no 'ideal' way to learn, but rather that a chosen learning approach must be appropriate for the context and desired aims. This volume rounds out with a focus on a wide range of perspectives dealing with group performance of instrumental music, an area that is organized and taught in many varied ways internationally. Contributors Alfredo Bautista, Robert Burke, James L. Byo, Jean Callaghan, Don D. Coffman, Andrea Creech, Jane W. Davidson, Steven M. Demorest, Robert A. Duke, Robert Edwin, Shirlee Emmons, Sam Evans, Helena Gaunt, Susan Hallam, Lee Higgins, Jere T. Humphreys, Harald Jers, Harald Jorgensen, Margaret Kartomi, Reinhard Kopiez , William R. Lee, Andreas C. Lehmann, Gary E. McPherson, Steven J. Morrison, John Nix, Ioulia Papageorgi, Kenneth H. Phillips, Lisa Popeil, John W. Richmond, Carlos Xavier Rodriguez, Nelson Roy, Robert T. Sataloff, Frederick A. Seddon, Sten Ternstrom, Michael Webb, Graham F. Welch, Jenevora Williams, Michael D. Worthy

"Hollywood Game Plan" is an in-depth, how-to guide for aspiring Hollywood hopefuls. It provides a concrete, step-by-step strategy to land a job in the entertainment industry.

When Maurice Podbrey arrived in Montreal from England to teach at the National Theatre School in the autumn of 1966, Canadian theatre was in ferment and the excitement of Expo '67 and Canada's centenary was in the air. By 1969, he had become founding artistic director of Montreal's Centaur Theatre and embarked on 28 successful seasons of theatre. This story of the Centaur and Podbrey's reflections on theatre--directing, acting and actors, theatre administration, teaching, the audience, and critics--spotlights Canada's remarkable cultural evolution over the last three decades.

In the late 1970s, the alternative comedy scene exploded into life in Britain and completely changed the style, subject matter and politics of British stand-up. Contemporary critics talked about it as 'anti-matter comedy' that 'makes you laugh while actually rearranging large chunks of your brain'. This book draws on a wealth of archive material - including unpublished recordings of early performances - and new interviews with key figures such as Alexei Sayle, Andy de la Tour and Jim Barclay, to provide a detailed history of the early scene and an examination of the distinctive modes of performance style which developed. Beginning with its origins, the volume traces the influence of American stand-up, and in particular the significance of Mort Sahl and Lenny Bruce as the originators of a style of stand-up that influenced the British pioneers of alternative comedy. It shows how the opening of the Comedy Store in 1979 provided a catalyst for a new movement, which grew outward from there with the foundation of the group Alternative Cabaret and the opening of the Comic Strip. But it also looks at smaller venues and less celebrated acts that have not been as well remembered, including ranting poets and street performers. Finally, it looks at alternative comedy's legacy, showing how it was the starting point for the UK's thriving and varied live scene, which encompasses anything from small pub gigs to huge arena tours.

This book is by far the best study of Huangmei Opera as social and cultural history of twentieth-century China. A regional opera of the countryside of the Anqing area, Huangmei Opera became popular all over China along with the great success of the play and the movie Married to a Heavenly Immortal in the 1950s. Through the case of Married to a Heavenly Immortal, Idema illustrates the complicated process of rewriting and revising the play/movie in the context of a rapidly changing cultural and ideological climate during the Communist theater reform movement. As a result, the traditional theme of filial piety was turned into class struggle and the pursuit of free love. The book is enriched by a full translation of a traditional version of the play and a revised one in the 1950s, as well as selected articles by script-writers, directors, performers, and critics. These primary sources allow readers to access inside views of the contemporaries and their political and artistic concerns. This book contributes substantially to the current scholarship on traditional Chinese opera, especially studies on Chinese theater and operatic movies in the early years of the People's Republic of China.

Absent Friends: A Tribute To Sir Ken Dodd is a fantastic collection of humorous and heartfelt stories, poetry, photographs and artwork all dedicated to the one and only, Master of Mirth, King of Comedy the Squire of Knotty Ash...Sir Ken Dodd! The Foreword was provided by Ken's very good friend and joke writer John Martin. The Introduction is by Shaun Gorringe, stage manager of The Grand Blackpool. This publication was kindly approved and edited by Lady Anne Dodd. The 2 registered charities The Children's Air Ambulance and The Liverpool Whitechapel Centre will be supported with donations from the sale of this book.

It's tempting to skip over theory when you want to get on with the practice of video production. But understanding theory can actually give you the confidence to make good practical decisions and to produce higher-quality videos and films. This no-nonsense, straight-talking book helps you to grasp key theoretical ideas and shows how to use them in your filming projects. Exploring issues and ideas that will inform and enhance your work, Video Production builds skills and understanding from the very basics. The book is split into two halves, carefully building a foundation of theoretical knowledge before steering readers through a variety of production briefs. In particular, the book: * Clearly introduces the essentials of film, media and communication theory * Looks at a variety of film genres, from the drama short to magazine programmes * Pays close attention to the different demands of pre-production, production and post-production * Gives handy hints, tips and advice that show how to avoid common mistakes and pitfalls * Links with a companion website that offers resources such as examples of successful student projects, downloadable templates and career advice. Written by experts in an easy-to-follow, clear and comprehensive way, this book can be read cover to cover, or dipped into at crucial moments. Video Production is the ultimate guide for all students and novice film-makers.