Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This volume examines historical and imaginary scenarios of apocalypse, the depiction of its likely triggers, and imagined landscapes in the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and Invasion of the Body Snatchers. Lisboa also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western culture's most fascinating and enduring preoccupations.

Daphne and Ralph are young classics professors who have just made a discovery that's sure to turn them into academic superstars. But something goes disastrously wrong, and Daphne cries out in a panic, "Save me, gods of ancient Greece!"...and the gods actually appear! The Ivy League will never be the same as a pair of screwball deities encounters the carnal complexity of college coeds, campus capers, and conspicuous consumption.

Find the best reference sources on theatre, dance, and related theatre arts quickly and efficiently with this new resource. Arranged by type of material, the book describes and evaluates the most significant directories, encyclopedias, handbooks, bibliographies, and other works on theatre and dance. Additional chapters discuss core periodicals, electronic discussion lists, useful associations, societies, and important libraries and archives of theatrical and dance materials. Entries are designed to help readers choose appropriate sources for their purposes. Emphasis is on recent English-language works, but the book also includes significant older and foreign works.

A journey through Johannesburg via three art projects raises intriguing notions about the constitutive relationship between the city, imagination and the public sphere- through walking, gaming and performance art. Amid prevailing economic validations, the trilogy posits art within an urban commons in which imagination is all-important.

THIS BRILLIANT SCREENPLAY FOR FILM AND CINEMA ENTAILS MANY STORIES WITHIN A STORY. THE LAYERS UNFOLD BEFORE YOUR EYES AS YOU READ AND PICTURE THE EVENTS TRULY HAPPENING BEFORE YOU. IN THIS ASTOUNDING SCRIPT FOR FILM YOU SHALL RE-DISCOVER THE MAGIC OF LIFE AND IT MAY EVEN INSPIRE YOU. THE CONTRAST OF SAMANTHA AS HER ELDERLY SELF AGAINST HER THRIVING YOUTH IS CAPTURED AND EXPRESSED. SAMANTHA DISCOVERS A HIDDEN AND SECRET TREASURE ROOM AND THEN THE CONTRAST HAPPENS AGAIN WHEN SHE FINDS HERSELF IMMERSED WITHIN THE OLD JOURNALS OF HER GREAT GRANDMOTHER, LISA. THE STORIES OF SAMANTHA'S ANCESTOR'S EXPOSED. SAMANTHA'S SON FRANK REVEALS A SECRET THAT RESULTS IN THE RE-KINDLING OF ALL THOSE CHERISHED MEMORIES.

"Most readers will learn a great deal about both entertainment and Americans from this exhaustive and fascinating book. . . . [An] important and unique record of American cultural history." Library Journal

This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.

Ward Hall ran across town and joined the circus for a part time gig in 1944 when he was a "kid" living in Colorado. A year later, as a 15 year old 10th grade dropout, he ran away for good, joining the Dailey Bros. Circus. He never looked back. By 16 he was performing in a sideshow and by age 21, he owned a sideshow Today, 70 years later and countless circus and side show, vaudeville and burlesque house performances under his belt, Ward Hall is still in the business. Ward has worked with a monkey girl, a half-lady/half man, numerous fat men, countless sword swallowers, fire eaters, several giants, big snakes, big rats and little horses. He has mastered juggling, ventriloquism and the art of enticing thousands of curious onlookers to part with their money and go inside the tent of his world-famous sideshows. Ward has owned and operated sideshows, animal shows, magic shows, and illusion shows with such fashionable names as Magic on Parade; Wondercade: Aquarama water circus; Gladiators vs. Mankillers wild animal show; World Attractions; Sky High Circus; the Wonder Circus; the Pygmy Village; and the World of Wonders. He has exhibited the World's smallest woman, the World's tallest giant, and employed Pete Terhune, the mighty fire-eating dwarf for 55 years. In addition to owning or co-owning sideshows and circuses during his career, Ward has written four books, four musical stage productions, been in seven movies and more than 100 videos and TV specials, performed at Madison Square Garden and the Lincoln Center in New York City and has sung at Carnegie Hall. He is in the Hall of Fame of both the Outdoor Amusement Business Assoc. and the International Independent Showmen's Assoc. and is a member of the prestigious Circus Ring of Fame in Sarasota, Fla. Ward is the only person in all three of those halls of honor. Ward has operated the sideshow for many big time circuses, including: Ringling Bros. and Barnum & Bailey Circus, the Toby Tyler Circus, the Al G. Miller Circus, Circus Vargas (where he was part owner of the circus for a while), Beatty Cole, and the E.K. Fernandez Circus. Ward Hall's title of King of the Sideshows is not a new or recent act of coronation, and as the ruler of his own little world of misfits and human anomalies, Ward's title isn't self-awarded, but is a judgment rendered by his peers. The year 2014 is the King's 70th year anniversary in show business. This is his story.

One of the cultural phenomena to occur in Ireland in the last two decades has been the highly successful growth of stand-up comedy as a popular entertainment genre. This book examines stand-up comedy from the perspective of the narrated self, through the prism of the fabricated comedy persona, including Tommy Tiernan, Dylan Moran and Maeve Higgins.

At some point in life, everyone wants to be a star. However, many do not realize that it is not all that it is cut up to be. Meet four high school students born and raised in Beverly Hills: Talon Finely, Marchetta Vern, Tanzie Richards, and Roxie Russo. Brought together by Hollywood, almost torn apart by Hollywood. Four completely different talents, four completely different personalities, four completely different stories. One Dream: mega stardom. How far will they go to get there without stepping on each other's heads? Where will they draw the line, before they lose themselves forever? Join me to find out the answers in my first novel, The Stunnerz.

Auditing the books of car dealers, dealer facilities, accounting departments and manufacturing plants, Paul Pure uncovers fraud and scams in the wheeling and dealing automotive industry of the 70s.

Therapy and Emotions in Film and Television explores, from an interdisciplinary perspective, the shifts in our emotional preferences, styles, and 'emotional regimes' in western societies from the 1920s to today, as viewed through the lens of film and television.

William Shatner is one of the most readily-recognized people in the world. While most people immediately think of him as Captain James T. Kirk of Star Trek, few realize that he began his professional acting career at the age of eight and has appeared in Shakespearean festivals, regularly-scheduled radio roles, university and regional playhouses, live television drama, and more than 50 motion pictures. This book provides a short biography and a detailed record of all his performances.

Shatner's acting credits range from intense drama to lighthearted comedy, and from biting social commentary to science fiction fantasy. He has written and directed plays, television, and feature films, and is the author of four best-selling novels. This essential reference guide covers every facet of his extraordinary career, including his personal appearances, stage plays, films, television and radio shows, recordings, and literary works. Entries for his work provide cast and credit listings, plot synopses, commentary, and excerpts from reviews. An annotated bibliography lists nearly 1000 references to his life and work.

Orville is trying to get on with his life after his wife was killed in a car accident. His father is mostly taking care of his still unnamed infant daughter while his boss at work is aggressively trying to comfort him. Everything changes when he sees the man responsible for his wife's death. Is someone in this much pain capable of forgiveness?

Good intentions collide with absurd assumptions in Larissa FastHorse's wickedly funny satire, as a troupe of terminally "woke" teaching artists scrambles to create a pageant that somehow manages to celebrate both Turkey Day and Native American Heritage Month.

Includes the seminal "Early History of Negro Minstrelsy," by Col. T. Allston Brown, together with pen-and-ink portraits of the major minstrels, and a comprehensive index.

Several situations in everyday life of Bulgarian fictional people are described in this book. In a comical setting, Leon portrays a picture of his endless fantasies.

In The Encoded Cirebon Mask: Materiality, Flow, and Meaning along Java's Islamic Northwest Coast, Laurie Margot Ross situates masks and masked dancing in the Cirebon region of Java (Indonesia) as an original expression of Islam. This is a different view from that of many scholars, who argue that canonical prohibitions on fashioning idols and imagery prove that masks are mere relics of indigenous beliefs that Muslim travelers could not eradicate. Making use of archives, oral histories, and the performing objects themselves, Ross traces the mask's trajectory from a popular entertainment in Cirebon-once a portal of global exchange-to a stimulus for establishing a deeper connection to God in late colonial Java, and eventual links to nationalism in post-independence Indonesia.

The iconic Star Trek character's lifestory appears for the first time in his own words; perfect for fans of the upcoming Star Trek: Strange New Words. One of Starfleet's finest officers and the Federation's most celebrated citizens reveals his life story. Mr Spock explores his difficult childhood on Vulcan with Michael Burnham, his controversial enrolment at Starfleet Academy, his time on the Enterprise with both Kirk and Pike, and his moves to his diplomatic and ambassadorial roles, including his clandestine mission to Romulus. Brand-new details of his life on Vulcan and the Enterprise are revealed, along with never-before-seen insights into Spock's relationships with the most important figures in his life, including Sarek, Michael Burnham, Christopher Pike, Kirk, McCoy and more, all told in his own distinctive voice.

Doreen arrives at Empire State University to make new friends - and protect them from super villains - by keeping her super hero identity a secret. But when a beloved computer science professor suddenly disappears, can Doreen trust her friends with her inner squirrel so she can save the day?

The definitive biography of British dance band leader and theatrical impresario Jack Hylton, tracing his life from the industrial North of England to London's glittering West End.