Auditing the books of car dealers, dealer facilities, accounting departments and manufacturing plants, Paul Pure uncovers fraud and scams in the wheeling and dealing automotive industry of the 70s.

William Shatner is one of the most readily-recognized people in the world. While most people immediately think of him as Captain James T. Kirk of Star Trek, few realize that he began his professional acting career at the age of eight and has appeared in Shakespearean festivals, regularly-scheduled radio roles, university and regional playhouses, live television drama, and more than 50 motion pictures. This book provides a short biography and a detailed record of all his performances.

Shatner's acting credits range from intense drama to lighthearted comedy, and from biting social commentary to science fiction fantasy. He has written and directed plays, television, and feature films, and is the author of four best-selling novels. This essential reference guide covers every facet of his extraordinary career, including his personal appearances, stage plays, films, television and radio shows, recordings, and literary works. Entries for his work provide cast and credit listings, plot synopses, commentary, and excerpts from reviews. An annotated bibliography lists nearly 1000 references to his life and work.

Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This volume examines historical and imaginary scenarios of apocalypse, the depiction of its likely triggers, and imagined landscapes in the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and Invasion of the Body Snatchers. Lisboa also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western culture's most fascinating and enduring preoccupations.

Includes the seminal "Early History of Negro Minstrelsy," by Col. T. Allston Brown, together with pen-and-ink portraits of the major minstrels, and a comprehensive index.

Therapy and Emotions in Film and Television explores, from an interdisciplinary perspective, the shifts in our emotional preferences, styles, and 'emotional regimes' in western societies from the 1920s to today, as viewed through the lens of film and television.

Several situations in everyday life of Bulgarian fictional people are described in this book. In a comical setting, Leon portrays a picture of his endless fantasies.

The fourth annual anthology of short plays from New Voices Playwrights Theatre and Workshop.

I'm really looking forward to robbing this bank! Mischief's smash-and-grab hit The Comedy About A Bank Robbery is a fast, fabulous comedy caper and the funniest show in the West End! Summer 1958. Minneapolis City Bank has been entrusted with a priceless diamond. An escaped convict is dead set on pocketing the gem with the help of his screwball sidekick, trickster girlfriend... and the maintenance man. With mistaken identities, love triangles and hidden agendas, even the most reputable can't be trusted. In a town where everyone's a crook, who will end up bagging the jewel? Written by Henry Lewis, Jonathan Sayer and Henry Shields, the creators of the Olivier Award-winning Best New Comedy The Play That Goes Wrong and Peter Pan Goes Wrong, The Comedy About A Bank Robbery opened at the Criterion Theatre in London's West End in April 2016. 'The best new comedy to open straight into the West End in decades' Time Out 'Thrilling and daringly inventive' The Guardian

This new book contains the most comprehensive bibliography of Ethel Merman's work and materials written on this great American entertainer. She dominated the American musical stage as no other performer has, yet she appeared in only fifteen Broadway productions between 1930 and 1970. The book details the 55-year career encompassing cabaret, vaudeville, recordings, radio, televisions, films and the concert stage. This reference book presents the facts and some observations about Merman's life and career in an easily accessible format. The first section consists of a narrative biographical essay. A chronology of the major episodes of the Merman story precedes sections devoted to her work in films, the stage, radio and television, and recordings. The largest components of the book, however, is the annotated bibliography which represents the most extensive list of materials on Merman yet published. An index completes the volume.

After being put up for adoption, Laura went on to endure various pain throughout her life, although she was continuously told that nothing there is wrong with her (time and time again over the years). As a child, Laura did not feel that her brain properly functioned, aside from any potential psycholotical disorder. After a 30-year-long roller coaster ride, lesions are seen on Laura's brain during her very first [brain] MRI. Laura never stopped believing in herself no matter how many doctors (and even close friends/family) told her that she was "fine" and was just "dealing with a psychological disorder."

From video games that allow us to participate in Mafia-style violence, to newspaper reports about the latest terrorist atrocity, from detective novels that fill our bedside cabinets, to Hollywood's beloved legal dramas - the mass media is saturated with stories about crime, justice and disorder. Together they create a cultural landscape of crime that is distinctly at odds with reality, as criminologists are apt to complain. Crime and the Media attempts to make sense of this cultural landscape and its relationship with broader social trends and public attitudes. Through focussed, critical discussions about crime in the media - taking on crime news and fictional representations of cops, courts, and corrections - the text equips students with an understanding of the key theoretical concepts and methodological tools that are required to undertake media analysis. With questions for discussion, exercises and workshop sessions, as well as techniques for analysing crime in a range of media formats, the book makes an invaluable contribution to crime and media courses, and to the social sciences in general.

The definitive biography of British dance band leader and theatrical impresario Jack Hylton, tracing his life from the industrial North of England to London's glittering West End.

Winner of the Academy Award for Best Actress for three films in 1927-28, Seventh Heaven, Sunrise, and Street Angel, Janet Gaynor may be better known for her roles as the endearing orphan, Judy Abbott, in Daddy Long Legs (1931) and the small town girl-turned actress, Esther Blodgett, in A Star Is Born (1937). Her entire acting career is presented here, from bit parts in 1924 to a final appearance on ABC-TV's Love Boat in 1981. The opening biography assesses her lifework, which is then documented in separate chapters on her work in film, radio, stage, and television. The biography further details her recognition as a talented painter, her many philanthropic activities, and her interests in travel, food, and fashion. An extensive bibliography includes critical studies and reviews and reveals her immense popularity in fan magazines, particularly of the 1920s and 1930s. Interesting photographs--some rare--illustrate her versatile career.

An espionage pastiche. Fast paced, violent and sexually explicit, this thriller pits Finn McHugh against Didier Porchaire, the most violent and sadistic villain and smuggler. Using Carom board cases to hide drugs and smuggle stolen art, he leaves a trail of bodies. He has to be stopped. Carom is a thriller introducing Finn McHugh and his glamorous and sexy team as they try to track down an art smuggler and drug dealer who has fatally dispatched others who have stood in his way. Through Helsinki, London, Paris, Prague and St Petersburg, the team chase Didier, racing to reach him before three gorgeous Cubans who are intent on revenge. Finn's group wants information from Didier, the Cubans just want him dead.