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Books > Arts & Architecture > Performing arts > General
Nicholas Rudall, whose acclaimed translations of Ibsen and the Greek classic playwrights have brought a fresh perspective to the American theater, turns his talents to one of the Norwegian dramatist's most provocative plays. In a rebuke to the Victorian notion of community as well as to the blessings of democracy, Ibsen creates a situation in which one man must stand alone to face the forces allied against him. In a coastal town, a community-minded physician has promoted the development of public baths in order to attract tourists. When he discovers that the water supply for the baths is contaminated and attempts to publicize the failing and correct it, he and his family are all but driven out of the town he was trying to save.
SHAFTED moves forwards and backwards over time, starting after the miners strike in 1984. Act One demonstrates the depression and hopelessness which engulfed a West Yorkshire mining village post the strike and the plethora of menial jobs which HARRY found in order to try to make a living. By the late 1990's DOT had suggested they move to Bridlington to start a new life running a Boarding House. Act Two starts in 2016 with DOT suffering from cancer, immobile in a wheelchair, the act moves backwards thought to success of the boarding house and their new life together, to the time they left UPTON to run the boarding house in the 1990's.
This book demonstrates how and why a majority of US artists must now function as producers of their original works, as well as creators. The author shows how, over the span of 20 years, the USA's cultural policy sector radically redefined US artists' practices without cohesively articulating the expectations of artists' new role.
A glimpse into the private world of the hilarious Friars. The legendary New York Friars Club and its members are known the world over. This is a hilarious compilation of tales, anecdotes, and historical information about the club, featuring funny and moving moments from hundreds of stars like Milton Berle, Frank Sinatra, Jerry Lewis, Don Rickles, and more, as well as stars of today, like Kelsey Grammer, Jason Alexander, Billy Crystal, and Drew Carey. The Friars are renowned for dishing out jokes and doling out insults in order to roast countless performers, politicians, and popular personalities. From their first testimonial dinner in 1907 to their televised roast of Jerry Stiller in 1999, you'll be inside the club, where ribaldry is synonymous with fraternity. The Friars have never held back when the promise of a good laugh, especially at someone else's expense, was at hand. Find out what was really said and done at those titillating tongue-lashings known as the private and exclusive Friars Roasts (where even the waiters were ordered out of the room).
''Timmy Creed's explosive one-man show...this intense production fearlessly tackles Irish masculine stereotypes.'' SUNDAY TIMES Timmy plays hurling, the fastest field sport in the world. He loves it. He hates it. Honest, brave and hard-hitting, Spliced is a visceral account of his struggle to become an individual outside of the sporting institution that raised him. He wants to talk about identity, masculinity and mental health in a sports club. From one of Ireland's exciting up-and-coming writers comes a fun, fierce, site-specific show with thrilling music and video.
Katie has gone from a little girl who used to climb trees, ride bikes and go on adventures to an adult who worries about everything. But now Katie is a mum, she must be brave in a whole new way. Determined that her young daughter will never lose the powerful, fierce magic she arrived into the world with, Katie sets off on a mission with the help of a stolen BMX, a policewoman with bad hair and a pigeon in a bag as she rides around Newport to find what she's really made of. By listening to the unheard voices of the city, she begins to discover what the women who have gone before can teach her about how to be brave. Sian Owen's one-woman play is about what we are made of, what we leave behind, and learning to be brave when your world is falling apart.
A broad and inclusive volume of the celebrations and critiques of performance arts Focusing on the living arts-dance, theatre, music, performance art, ritual, and popular entertainment-performance studies expands our understanding of "performance" as both a vital artistic practice and a means by which to understand social and cultural processes. Bridging the gap between cultural studies, performing arts, and anthropology, performance studies explores myriad ways in which performance creates meaning and shapes our everyday lives. The broadest and most inclusive volume to date, The Ends of Performance both celebrates and critiques the institutionalization of the field. Only recently has the field given keen attention to the interpretive force and consequences of performance events, and it is these consequences that the The Ends of Performance articulates. Here performance studies illuminates the complex social and cultural formations of our time--the impact of virtual technology, the racialized discourses of legal and cultural citizenship, the impact of new medical discourses, and the medicalization of the body. Featuring work by leading theorists such as Joseph Roach, Diana Taylor, and Richard Schechner, excursions into performative writing by Eve Kosofsky Sedgwick and Della Pollock, and texts by performance artists Orlan and Deb Margolin, The Ends of Performance illuminates the provocative intellectual ends which motivate these varied approaches to performing writing, and to writing performance.
Performing Pedagogy examines the theory and practice of performance art as an art of politics. It discusses the different with in which performance artists use memory and cultural history to critique dominant cultural assumptions, to construct identity, and to attain political agency. In doing so, Garoian argues, performance artists like Rachel Rosenthal, Guillermo Gomez-Pena, Robbie McCauley, Suzanne Lacy, and the performance art collective Goat Island engage in the practice of critical citizens and radical forms of democracy that have significant implication for teaching in the schools. Finally, Garoian contextualizes performance art pedagogy within his own cultural work to illustrate how his own memory and cultural history have inform his production of performance art works and his classroom teaching practices.
400 millilitres. That's how much liquid was drained from Michael's left testicle when he was a teenager. That's more than a can of coke. He should have told someone sooner, but who could he turn to? His dad died ten years ago and besides, school is full of rumours about what the giant bulge in his trousers actually is. Who wants to stop that? A true coming of age comedic play about Belfast, masculinity, friendship, family, love, grief and testicles.
This is the February 2018 (128th - and 20th Anniversary) issue of Music Street Journal. It includes coverage of the following artists and more: Alcatrazz Jon Anderson Robert Berry Big Country Graham Bonnet Charles Brown California Guitar Trio Johnny Cash Cheer-Accident Clark Colborn Alan Davey Delta Deep Joe Deninzon Downes Braide Association Terry Draper Dreadnaught Echo Us Keith Emerson Fischer's Flicker Focus Randy George Pontus Gunve Steve Hackett Heaven & Earth HR Glenn Hughes Sonja Kristina Lana Lane Tony Levin Marillion Miriodor Bill Nelson Erik Norlander Rausch Jordan Rudess Rush Samson ScienceNV Don Schiff Billy Sherwood Alan Simon Snoozy Moon Spirits Burning Spock's Beard 3rd Ear Experience Uriah Heep John Wetton WildeStarr Yes Frank Zappa While Gary Hill edited and published the book and wrote many of the articles, Mike Korn, Greg Olma and Larry Toering all contributed articles.
Sarah Bernhardt, possibly the greatest actress of the late nineteenth century, was a symbol of French Romantic theatre at its height and of the melodramatic excesses that led to its demise. The theatre of Bernhardt's time was changing rapidly, and Salmon depicts this change as it was reflected in her roles, temperament, and approach to acting. This book reexamines Sarah Bernhardt, not solely as an individual, but in comparison with other contemporary thespians and their styles and approaches to theatrical performance. The romantic vision of Bernhardt and her contemporaries in time produced the emotionalism, vulgarity, sensationalism, and empty spectacle that typified Romanticism in decline, and pushed it into the deeper channels of fin-de-siecle naturalism. This study explores the complex relationship between art and craft, between art and its creator, between celebrity or notoriety and real achievement, and between Romantic Theatre a la Bernhardt and other theatrical expressions of Romanticism.
The Song lyrics to 168 songs composed by D. between 1977-2004 with accompanying chords.
Dr. Linda Hamilton's ground breaking book, The Person Behind the Mask: A Guide to Performing Arts Psychology, takes the reader on a vivid journey of the performer's private world, where personal insecurity often wages an unsuccessful battle against the stresses of the profession-whether these are unrealistic weight requirements, debilitating injuries, or stage fright. Intended for performers, teachers, and health-care workers, this is a book that describes the psychological problems of the stage, with a focus on education and prevention.
"This is a useful reference work for popular culture and performing arts collections." Choice
Comedian, actor, and writer Bill Cosby is one of the most
successful and respected entertainers in America. Yet the Cosby we
know today came from a much different place and time than the ideal
featured in his 1980s hit series "The Cosby Show," where the main
character was a loveable, responsible doctor and family man.
This is the first extended text-based analysis of the social and political implications of the "Harry Potter" phenomenon. Arguments are primarily based on close readings of the first four "Harry Potter" books and the first two films - in other words, a 'text-to-world' method is followed. This study does not assume that the phenomenon concerns children alone, or should be lightly dismissed as a matter of pure entertainment. The amount of money, media coverage, and ideological unease involved indicates otherwise. The first part provides a survey of responses (both of general readers and critics) to the "Harry Potter" books. Some of the methodological decisions underlying this study itself are also explained here. The second part examines the presentation of certain themes, including gender, race and desire, in the "Harry Potter" books, with a view to understanding how these may impinge on social and political concerns of our world.
all what is written is true, and if it is not it is because the writer or the reader remember wrongly
In 1996, a groundbreaking television drama debuted on the Fox network. Created by Chris Carter, Millennium tells the story of Frank Black (Lance Henriksen), a legendary forensic profiler gifted with the ability to see into the minds of killers. Through his work as a consultant with the F.B.I. and the mysterious Millennium Group, the series offers a thoughtful exploration of the nature and manifestations of evil in the modern world. Back to Frank Black offers an unprecedented volume of material exploring this landmark series. With forewords from Lance Henriksen and Frank Spotnitz and an introduction by series creator Chris Carter, the collection features interviews with cast and crew as well as in-depth essays analyzing Millennium's characters, themes, and enduring legacy. Inspired by the growing movement to return this iconic hero to the screen, Back to Frank Black finds its focus in an incomparable figure of hope: Frank Black. We need him now more than ever.
Very low key christmas in the suburbs, enjoying the transition from country to city life, much happier this time of year.
"Business and Professional Communication" engages the reader with the most current strategies needed to effectively manage workplace communication challenges. Noted as a complete text matching the unique demands of the workplace environment to student competencies, "Business and Professional""Communication" surpasses the coverage of traditional communication books by addressing the recent surveys of expected workplace competencies: exhibiting leadership; managing organizational culture; listening, interpersonal communication style differences, and conflict; dealing with difficult people; improving diversity and intercultural communication; business writing; interviewing; selling; and negotiating successfully. "Business and Professional Communication" not only prepares the reader for relevant, informative, and persuasive public presentations in the workplace, but also prepares them for managing cultural diversity, sales, customer-service, audits, briefings/reports, team-building, using social media and technology, and other communication proficiencies vital for success in the modern workplace. |
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