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Books > Arts & Architecture > Performing arts > General
This book presents extensive research into the cinematic
representation of the British-identifying Protestant, unionist and
loyalist community in Northern Ireland and is the first time such
comprehensive analysis has been produced. Gallagher's research
traces the history of the community's representation in cinema from
the emergence of depictions of both nationalist and unionist
communities in social-realist dramas in 1980s British and Irish
cinema to today, through periods such as those focused on violent
paramilitaries in the 1990s and irreverent comedy after the
Northern Ireland peace process. The book addresses the perception
that the Irish nationalist community has been depicted more
frequently and favourably than unionism in films about the period
of conflict known as "The Troubles". Often argued to be the result
of an Irish nationalist bias within Hollywood, Gallagher argues
that there are other inherent and systemic reasons for this
cinematic deficit.
Izikhothane―township youth from impoverished backgrounds who engage in mock battles of conspicuous consumption where luxury items are often destroyed―gained notoriety in South Africa in the early 2000s.
Sifiso Mnisi delves into the life of the izikhothane, providing an in-depth account of what it means to be a young man within the ukukhothana (Zulu slang for “boasting”) subculture and showing how their seemingly destructive behavior can be a complex way of asserting their masculinity and demanding recognition in a society that has historically dehumanized them.
Jamala won the 2016 Eurovision Song Contest for Ukraine with her
emotional performance of "1944", in a thrilling final in Stockholm.
Australia were runners-up in only their second Contest and would
have won if the traditional points system had still been used. The
2016 Edition of the Complete & Independent Guide is the 9th
edition of this book and as usual it's packed with details of every
Contest since 1956 along with plenty of new analysis, over 313
pages, 30 more than last year. The new points system was a big
change this year and its effects are covered in detail in the book,
with plenty of analysis of how the statistics under the new system
compare to the previous one. The book looks at the national
qualification competitions for 2016 and also has an in-depth
section on the entire voting history of each country, along with
new sections on geographical voting and how to predict winners.
With time running out to renew their lease, the women of the
beleaguered New Bunion Historical Society must find creative ways
to snare new members and lure visitors to their sleepy New England
town. When a set of George Washington's dentures turns up in the
hands of an unexpected rival, the ladies of the society brace
themselves for all-out war. Heartfelt and historic, this farce
proves that our differences don't divide us, they make us strong.
One of the major frustrations of my professional musical life has
been the continual reminder of how few talented young string
players, even those with exceptional instrumental skill, seem to
truly understand the importance of reflecting their very own
personal emotional experiences within the fabric of their musical
interpretations and performances. Consequently I have devoted a
great deal of my teaching efforts to helping these potential
artists better understand the critical importance of this element
and to develop the skills necessary to facilitate the natural
merging of their inner-most emotions with their instrumental
facility. My original purpose for authoring this book was to create
a lasting way in which to share my resulting theories and
methodologies with regards to this ever so critical ingredient to
the process of successful musical communication. Interestingly,
after a reasonable amount of academic research, it quickly became
apparent to me that in spite of the existence of numerous available
publications dealing with the need for musicians to play their
instruments in an expressive manner... and a myriad of additional
books and articles attempting to describe and analyze the elements
of "sensuality" ...no one had previously made any detailed
connection or addressed, in writing, the impact of "sensuality" on
music performance from either a technical or musical perspective.
Now that this project is complete I must agree with the opinion of
a number of my trusted colleagues and friends: "many theories,
concepts and methods described in this book could indeed provide
benefits to a far broader audience than those exclusively focused
on string playing."I am hopeful that performers from all of the
arts as well as any interested and receptive individuals from all
walks of life may find the thoughts I have expressed in this
publication helpful in achieving the lives of their dreams.
By Arthur B. Reeve. "Tarzan the Mighty" was a 15-chapter serial by
Universal Pictures, released in 1928. Starring Frank Merrill as
Tarzan and Louise Lorraine as Mary Trevor (a pseudo-Jane), this was
the 3rd serial based on Edgar Rice Burroughs' Tarzan of the Apes.
In connection with the release of the serial to the theaters, this
novelization was released to the newspapers. Reprinted here is the
complete unaltered text of that novelization.
A Companion to Music at the Habsburgs Courts in the Sixteenth and
Seventeenth Centuries, edited by Andrew H. Weaver, is the first
in-depth survey of Habsburg musical patronage over a broad
timeframe. Bringing together existing research and drawing upon
primary sources, the authors, all established experts, provide
overviews of the musical institutions, the functions of music, the
styles and genres cultivated, and the historical, political, and
cultural contexts for music at the Habsburg courts. The wide
geographical scope includes the imperial courts in Vienna and
Prague, the royal court in Madrid, the archducal courts in Graz and
Innsbruck, and others. This broad view of Habsburg musical
activities affirms the dynasty's unique position in the cultural
life of early modern Europe. Contributors are Lawrence Bennett,
Charles E. Brewer, Drew Edward Davies, Paula Sutter Fichtner,
Alexander J. Fisher, Christine Getz, Beth L. Glixon, Jeffrey
Kurtzman, Virginia Christy Lamothe, Honey Meconi, Sara Pecknold,
Jonas Pfohl, Pablo L. Rodriguez, Steven Saunders, Herbert Seifert,
Louise K. Stein, and Andrew H. Weaver.
This is a book, that is about Marilyn Monroe but through the
stories, it is a book that wants to show her how to motivate
herself, in case life gets scary. Life can be scary so if I
accidentally helped to much I'm sorry. You can always knock on my
door!!!!! And I will let you in! Thank you!
A History of Pre-Cinema Volume 2 (and volumes 1 and 3) cover the
optical devices used for entertainment and instruction that
proliferated before the introduction of cinema. Volume 2 is divided
into the following sections: Peepshows; The Panorama; The Diorama;
Magic Mirrors; Shadowplay; Magic Lanterns; Pepper's Ghost;
Recreative Science; Various Optical Devices.
Volume 3 of A History of Pre-Cinema contains a complete reprint of
Olive Cook's book Movement in Two Dimensions. In it, the author
carefully describes how each of the technologies worked, but she is
more concerned with the aesthetic and cultural than the technical.
"Business and Professional Communication" engages the reader with
the most current strategies needed to effectively manage workplace
communication challenges. Noted as a complete text matching the
unique demands of the workplace environment to student
competencies, "Business and Professional""Communication" surpasses
the coverage of traditional communication books by addressing the
recent surveys of expected workplace competencies: exhibiting
leadership; managing organizational culture; listening,
interpersonal communication style differences, and conflict;
dealing with difficult people; improving diversity and
intercultural communication; business writing; interviewing;
selling; and negotiating successfully. "Business and Professional
Communication" not only prepares the reader for relevant,
informative, and persuasive public presentations in the workplace,
but also prepares them for managing cultural diversity, sales,
customer-service, audits, briefings/reports, team-building, using
social media and technology, and other communication proficiencies
vital for success in the modern workplace.
This book reconsiders audiovisual culture through a focus on human
perception, with recourse to ideas derived from recent
neuroscience. It proceeds from the assumption that rather than
simply working on a straightforward cognitive level audiovisual
culture also functions more fundamentally on a physiological level,
directly exploiting precise aspects of human perception. Vision and
hearing are unified in a merged signal in the brain through being
processed in the same areas. This is illustrated by the startling
'McGurk Effect', whereby the perception of spoken sound is changed
by its accompanying image, and counterpart effects which
demonstrate that what we see is affected by different sounds
accompanying sounds. This blending of sound and images into a whole
has become a universal aspect of culture, not only evident in films
and television but also in video games and short Internet clips.
Indeed, this aesthetic formation has become the dominant of this
period. The McGurk Universe attends to how audiovisual culture
engages with and mediates between physiological and psychological
levels.
This volume provides a detailed record of the life and career of
Noel Coward. The book begins with a short biography and a
chronology that highlights the most important events in Coward's
career. Detailed entries for Coward's many performances follow,
with entries grouped in chapters on drama, film, radio, and
television, as well as a discography. Entries include a list of
cast members, a synopsis of the plot of the production, excerpts
from reviews, and critical comments. The book also lists Coward's
awards and honors, and it concludes with a detailed, annotated
bibliography.
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