Creative Health for Pianists: Concepts, Exercises & Compositions is a practical method book for musicians of all abilities. It provides a new way of thinking about the piano, emphasizing the pianist-reader's innate capacity to respond creatively to a musical and technical stimulus. Author and veteran educator Pedro de Alcantara suggests that every pianist, from a complete beginner to a concert artist, may approach the instrument with the frame of mind of an improviser and composer, in which curiosity, inventiveness, and technical skills are inseparable. Throughout the book, original music snippets that encapsulate one or more aspects of piano playing are presented and explained, then developed through tweaks, variations, and compositions of increasing complexity. Every chapter contains variations suited to a complete beginner, as well as musical challenges that will capture the imagination of advanced players. Most chapters contain improvisational prompts and games with step-by-step rules, leading to the development of new creative skills combining musical depth and technical intelligence. Creative Health for Pianists is supported by a dedicated companion website with 48 pedagogical video clips.

Hidden in a theater's orchestra-level wall is the pass door. Step through it, and you will enter the backstage area, but beware, once you enter, you will encounter the realities dwelling in the kingdom of make-believe.

In this seriocomical look at life, with a who's who in the theater during the 1960s and 70s, attend the final days of the Golden Age of Theater and the beginnings of its new sounds - Hair and Company.

You will read about Carol Channing prior to her acclaim in Hello, Dolly Liza Minnelli's stage debut and Judy Garland's final stage appearance. Be a spectator during Hair's first year. Reach for something other than a glass of Remy Martin as you watch cognac shatter a relationship with Maggie Smith. Observe a coterie of distinguished Broadwayites destroy a gift from the United States Government. Be a witness to Deborah Kerr's strength knowing that she's in a failed play, and Billy Dee Williams, the then hot-hunk with the chiseled body, take on the role of the Reverend Martin Luther King, Jr.

Also appearing (in order of appearance) are Lucille Ball, Gene Kelly, Barbra Streisand, Barbara Cook, Stan Getz, Ethel Merman, Fred Astaire, Elaine Stritch, Paul Newman and Joanne Woodward, James Baldwin, Kim Stanley, Henry Fonda, Jimmy Stewart, Fidel Castro, Doris Day, and Mae West.

Fly to 1960s Havana; drive through France; experience the London of 1974, and visit Venice Beach, CA before it became an in-place.

You'll see reality warp into illusion, then comprehend how a young boy, whose own family turned to illusion during World War II, spiraled to drugs and alcohol at adulthood. You'll also view that young gay man, who ignored reality in favor of illusion, immerse himself into a dark hole whose force of gravity was so intense that escape seemed improbable.

Do not ask what is it. Let us go and make our visit. This is an invitation to Kindred Stories. From moonlight surfing to images in a window, from the lamppost that beckons to ivy that insists it has great understanding, from the piano player singing in the middle of the world to the lighthouse that helps us to get home, or does it? No one can live without a heart, although some try to. Welcome. Let me introduce you to someone you may know. Someone you may know well, possibly you.

Stories abound in this book, and a river runs through it. The stories are random and recurring, like memory itself. Family history. A conversation struck up with an old man in a bar. A long ago Pony League team undefeated. A young marine walking in an empty baseball field in Oahu, reading his college acceptance letter. The stories, like the cue balls Pearn describes in another poem, touch each other and change trajectories. The river is the Poudre - born in the Rocky Mountains, eastern slope, flowing through Fort Collins. Pearn gives his readers its colors and its creatures in many lights and seasons. Like memory, it is a place to return to, a source of renewal. There is another force moving these poems, one not found so much in contemporary writing. Call it boundless hope. In his poem "Three Square Meals," Pearn says he "did not have the American dream" because he never wanted to be rich; he just wanted to be a writer. But the American dream is writ large in these poems - true grit and work and the possibility of glory in baseball fields and boot camp - and in poetry. Many of the poems in this book are conversations with poetry and poets that begin in a seventh-grade classroom and are now part of his outlook and his art. The American dream shines in Pearn's memories of Jacksonville, Illinois, in the good days of the 1950s and 60s when there was work in huge and colorful variety for anyone who was willing to do it. But he also tells some 21st centuries stories of hope and struggle. His wife, a recent immigrant from China, confronts the gulf between her education and the jobs available to her. They walk the bureaucratic maze in their efforts to bring her son to the United States. This is a book to read and return to. -Peggy Sower Knoepfle

And ANOTHER Thing, as the subtitle states, is an eclectic collection of musings, afterthoughts and paternal rantings. It is simply a collection of the authors private thoughts, thoughts that you may have had yourself but never verbalized. And ANOTHER Thing could have been a collection of anyone's thoughts. It could have been a collection of YOUR thoughts!

Vampire films have not only enthralled and terrified audiences for decades, they also represent one of the oldest subgenres within the world of horror. A subgenre that exhibits a rich tapestry of depth and history like no other, and a creature that has managed to evolve and survive for over one hundred years on film. The vampire represents a primal fear within all of us, a fear that both captivates and terrifies. Sometimes flawed, these cursed immortals were once just like us, and this is perhaps the true appeal after so much time. The shapeshifter can enter the perceived safety of our existence through skilled manipulation and deceit, while offering the victim something they will find hard to resist and eventually succumb to. They are arguably the most skilled and intelligent of all horror villains, and it is of no surprise that they have managed to hold our attention for decades.

Sue-Ellen Case is arguably the most influential and significant scholar in feminist and queer theatre studies. This collection brings together her most important writing. Framing this with new introductory material, Sue-Ellen Case will contextualise her work within broader developments in critical theory and feminist / lesbian studies.

In this collection of interviews, artists from various disciplines and in various stages of their careers discuss how they balance their art with the practical aspects of earning a living. They explore how this dichotomy, which affects them creatively, financially, spiritually, and professionally, can be both frustrating and nourishing. Some artists have managed to find art-related work to make ends meet. Others contemplate their dual role in both the artistic community and in the corporate or academic world. They discuss the role art plays in influencing social change and the role technology has played in revolutionizing the creation of art and its marketing and distribution.

These insights into how artists merge their creative life with their financial obligations will be useful to both instructors and students in the arts. Topics such as how artists have managed to acquire flexible work schedules and educational leave will also appeal to professional artists looking for employment suggestions or alternatives. Representative artists include painters, writers, musicians, dancers, actors, and performance artists.

More than a century ago, filmmakers made their primary focus innovative and widely promulgated visions of antiquity, creating a profound effect on the critical, popular, and scholarly reception of antiquity. In this volume, scholars from a variety of countries and varying academic disciplines have addressed film s way of using the field of Classical Reception to investigate, contemplate, and develop hypotheses about present-day culture, society, and politics, with a particular emphasis on gender and gender roles, their relationship to one another, and how filmic constructions of masculinity and femininity shape and are shaped by interacting economic, political, and ideological practices.

Pillars of Destiny, Foundations in the Chinese Zodiac for Psychic Entertainers is a book for Mentalists and Mystery Performers on exploring Mysticism in Chinese culture. Matt Pulsar is a western entertainer who has been living in Asia for 7 years and performing for mostly Asian audiences. This is his story of exploration and learning about Chinese culture and how the zodiac functions in Chinese society. Pillars of Destiny teaches how to learn someone's Chinese Zodiac sign, how to tell the day of their birthday, the basics of Feng Shui, what the Ba Zi is and how an entertainer can use it, giving readings based on the Chinese Zodiac, incorporating western star signs with a reading, full routines with a Chinese Zodiac theme and much much more.

American women writers have long been creating an extraordinarily diverse and vital body of fiction, particularly in the decades since World War II. Recent authors have benefited from the struggles of their predecessors, who broke through barriers that denied women opportunities for self-expression. This reference highlights American women writers who continue to build upon the formerly male-dominated canon.

Included are alphabetically arranged entries for more than 60 American women writers of diverse ethnicity who wrote or published their most significant fiction after World War II. Each entry is written by an expert contributor and includes: DEGREESL DEGREESDBLA brief biography DEGREESL DEGREESDBLA discussion of major works and themes DEGREES DEGREESDBLA survey of the writer's critical reception DEGREESL DEGREESDBLA bibliography of primary and secondary sour

Actress Colleen Dewhurst (1926-1991) is best remembered for her seminal characterizations in the plays of Eugene O'Neill, which highlighted a career on stage, screen, and television that spanned forty years and earned her two Tony awards and four Emmys. Writing about her Broadway triumph as Josie Hogan in A Moon for the Misbegotten (1973), critic Clive Barnes said she spoke O'Neill as if it were being spoken for the first time--and not for the first time in a theater . . . but for the first time in a certain New England farm, on a certain September night in 1923. Though known for her portrayals of tragic heroines, Dewhurst also played comic roles and played Murphy Brown's mother for three seasons in that television series. At her death, she left an indelible mark in American theater, but, curiously, little written commentary beyond reviews and journalistic articles. This study documents her diverse performance and directing careers, with information also on her personal life and her participation in political and philanthropic causes, including two terms as president of Actors' Equity. An extensive productions section provides data on her major and minor roles in all media, including credits, runs, synopses, and review citations. This is supplemented by an annotated bibliography of major reviews and other writings, a list of awards, a biographical study, and a chronology of her life and career, all carefully cross-referenced and indexed. This book adds to the growing number of studies that organize essential resources on performance for effective research use.

Now in its third edition, A Handbook of Diction for Singers is a complete guide to achieving professional levels of diction in Italian, German, and French. Combining traditional approaches in the teaching of diction with new material not readily available elsewhere, author David Adams presents the sounds of each language in logical order, along with essential information on matters such as diacritical marks, syllabification, word stress, and effective use of the variety of foreign-language dictionaries. A Handbook of Diction for Singers places particular emphasis on the characteristics of vowel length, the sequencing of sounds between words, as well as the differences between spoken and sung sounds in all three languages, all while taking care to clarify concepts typically difficult for English-speaking singers. This revised third edition offers significantly expanded coverage of each language as well as a new chapter that introduces readers to the specific sounds unique to those languages. The result is a concise yet thorough treatment of the three major languages of the classical vocal repertory, and an invaluable reference for vocalists and voice teachers.

Journey into the arcane world of Doctor Jacob Tordoff. A selection of new and updated bizarre magick performances from the repertoire and creative mind of Roger Curzon. As an exclusively designed dust cover bound hardback, it features a foreword by Jim Critchlow, plus some supporting contributions from Roni Shachnaey, Steve Drury, Kotah, Andrew Normansell and Ashton Carter.

I'm really looking forward to robbing this bank! Mischief's smash-and-grab hit The Comedy About A Bank Robbery is a fast, fabulous comedy caper and the funniest show in the West End! Summer 1958. Minneapolis City Bank has been entrusted with a priceless diamond. An escaped convict is dead set on pocketing the gem with the help of his screwball sidekick, trickster girlfriend... and the maintenance man. With mistaken identities, love triangles and hidden agendas, even the most reputable can't be trusted. In a town where everyone's a crook, who will end up bagging the jewel? Written by Henry Lewis, Jonathan Sayer and Henry Shields, the creators of the Olivier Award-winning Best New Comedy The Play That Goes Wrong and Peter Pan Goes Wrong, The Comedy About A Bank Robbery opened at the Criterion Theatre in London's West End in April 2016. 'The best new comedy to open straight into the West End in decades' Time Out 'Thrilling and daringly inventive' The Guardian